Articles tagged with: theatre

  • Brock mainstage production puts human behaviour, climate crisis in spotlight

    Brock University Dramatic Arts students will explore a variety of complex topics in AnthropoScene, this year’s fall mainstage production.


    Originally published in The Brock News | FRIDAY, OCTOBER 28, 2022 | by Charles Kim

    Brock University’s Department of Dramatic Arts (DART) is inviting the community to experience a journey through time and place in AnthropoScene.

    The fall mainstage production explores how the alienation that results from humans’ supremacist behaviour towards one another contributes to the climate crisis, as well as engages the ethics of theatricalizing the present climate emergency.

    AnthropoScene playfully mingles elements of Shakespeare’s The Tempest, real-life figures including Toussaint L’Ouverture and various youth climate justice activists, and fictional characters across multiple locations and time periods.

    The production, which debuts Friday, Oct. 28 and continues into the first week of November, involves one of the largest groups of students, faculty and staff in recent years. Twelve DART students will perform, as 30 others assist in creative and backstage roles. This original work is written and directed by David Fancy, designed by David Vivian, and choreographed by Trevor Copp and Colin Anthes, with live music performed by Devon Fornelli.

    “I’m so pleased at the skill and talent of the many students involved in creating this production, from actors to assistant designers, directors and sound designers — the list goes on,” says Fancy, a Brock DART Professor.

    Conveying so many complex elements within the production has been no easy task, but one the cast and crew have handled impressively, he says.

    “Our Dramatic Arts students have really shown courage and insight in dealing with the challenging materials that this play covers: self-harm, racism and environmental harm,” Fancy says. “They have also brought great verve and joy to the choreography, company dance numbers and comedic aspects of the project.”

    To help immerse audiences in multiple locations and time periods, the Marilyn I. Walker Theatre has taken on a new form.

    “I imagine the audience having an experience of poetry, drama, comedy, dance, beautiful design, light and sound that will transport them to different places and times,” Fancy says. “I’ve configured the theatre differently than it usually is in order to help the audience feel they are being brought somewhere else.”

    AnthropoScene opens Friday, Oct. 28 at 7:30 p.m., with additional performances on Oct. 29 and 30, and Nov. 4 and 5. All shows take place at the Marilyn I. Walker Theatre in Brock’s Marilyn I. Walker School of Fine and Performing Arts in Downtown St. Catharines.

    roundtable discussion, also open to the public, will take place on the production stage Wednesday, Nov. 2 at 6:30 p.m., with a panel of experts from Brock and other institutions discussing topics related to staging planetary evolution and destruction.

    Brock Professor of Art Education Fiona Blaikie will lead the discussion alongside Fancy; Vivian; Christine Daigle, Professor of Philosophy and Director of Brock’s Posthumanism Research Institute; Katrina Dunn, Assistant Professor in the University of Manitoba’s Department of English, Theatre, Film and Media; Lin Snelling, a dancer whose artistic practice brings the qualities of improvisation into dance, theatre, writing, visual art and somatic practice; and Priya Thomas, Assistant Professor of Dramatic Arts at Brock.

    Tickets for AnthropoScene are $20 for the general public and $16 for students and seniors. For a full schedule of performances or to purchase tickets, visit the Brock University Tickets website.

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    Categories: Announcements, Current Students, Events, Faculty & Instructors, Future students, In the Media, Media Releases, News, Performance Season, Plays

  • Performing arts production professionals bring ‘real world’ experience to MIWSFPA students

    The MIWSFPA welcomes leaders in live performance production and company operations for two presentations about challenges and opportunities in the field, bringing ‘real world’ experience to STAC/DART 3P93 students.

    All are welcome to a maximum of 17 guests. Bring your questions!
    Please contact stac@brocku.ca if you wish to reserve a seat (walk-in’s welcome as capacity allows).

    EVENT INFORMATION:

     

    Site Selection and Development for a Performance Event
    Kathleen Ross, Director of Operations, FirstOntario Performing Arts Centre
    Tuesday, February 8, 2022
    9:30-10:30 a.m., MWS 156

     

     

    Kathleen will be discussing the topic of Site Selection and Development for a Performance Event, addressing such topics as: selecting a site; space requirements – production (staging layouts, technical requirements, load in/load out requirements, broadcasting, or other capabilities); audience capacity (seating capacity and layout, accessibility, parking, transit); front of house requirements (staffing, box office, food and beverage options and costs); legal and safety issues.

    Kathleen Ross is an experienced operations professional with a focus on the most valuable asset…our human capital. She has an extensive history of working in government administration and entertainment industries, and is skilled in Emergency Procedures, Human Resources Management, Disability Management, Special Events and Entertainment.

    The FirstOntario Performing Arts Centre (PAC) is a 95,000 square foot academic and  cultural complex, located in downtown St. Catharines, comprised of four performance venues:  Partridge Hall  (770 seats), Recital Hall (304 seats), Robertson Theatre (flexible black box space) and The Film House (199 seats). Located adjacent to the MIWSFPA, Brock University students attend courses and perform at the PAC.

     

     

    Production Priorities
    Kate Leathers, General Manager, Carousel Players.
    Tuesday, February 15, 2022
    9:30-10:30 a.m., MWS 156

     

     

     

    Kate will be discussing Production Priorities, including such topics such as: The roles and responsibilities associated with various productions; co-ordination of creative and production priorities and requirements; production planning, contracting, legal, safety and human resources issues; consideration of planning a safe event in re-opening theatres (Covid-19).

    Kate Leathers has worked in the cultural sector for more than 20 years. She has held a variety of roles ranging from administrator to production technician and worked at dozens of theatres including the Shaw Festival and more across Canada. She has an MBA in Strategic Marketing. Currently Kate is planning Carousel Players’ 50th Anniversary Festival that will take place regionally over three days.

    Carousel Players present inspiring and creative plays for children ages five to 15 in schools, community venues, and performing arts centres across Southern Ontario. The company has also toured nationally to theatres and festivals in Ottawa, Montreal, Winnipeg, Calgary, Saskatoon, and Vancouver, and as far away as England and Japan.

    About STAC/DART 3P93 – Producing a Performance Event

    STAC/DART 3P93 introduces students to the commitment, hard work, and collaboration required to plan and execute a performance event. Students have the opportunity to bring their practical and leadership skills to work with their peers as a team to replicate a professional experience, including financial, organizational, communication and technical roles. In 2022 this course is taught by Jill Planche, PhD. Jill has a professional background in marketing and fundraising for theatre, opera, film and visual arts, including the Shaw Festival, TIFF and the McMichael Gallery.

    Please note: All Brock University COVID-19 protocols and vaccination policies apply. For more information, please visit Brock’s Coronavirus webpage.

     

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    Categories: Alumni, Announcements, Current Students, Events, Faculty & Instructors, Future students, News, Uncategorised, Visiting Artists

  • Scenes from an Execution: Dramatic Arts in the era of Covid-19! opens Oct.30

    scenes from an Execution
    by HOWard Barker

    Scenes from an Execution is a genre-bending feeding frenzy of high impact theatre, art film, and social media. This production features the story of a 16th century punk feminist painter named Galactia. She outsmarts and out-arts all the other hangers-on with her ability to wield a paintbrush and her prowess with a video camera. She stores her lover in a plexiglass box, and, well, everything takes off from there… Taking place in an in-between pandemonium of dozens of separate performance spaces around the region and the world, Scenes From and Execution integrates the live and the recorded, and blood and paint, in festival of good-times-for-all that won’t be easily ignored!
    Directed by David Fancy.

    Live streamed on:
    October 30 at 7:30 PM
    October 31 at 7:30 PM
    November 01 at 2:00 PM
    November 06 at 7:30 PM
    November 07 at 7:30 PM

    Where: created at the Marilyn I. Walker Theatre, 15 Artists’ Common, St. Catharines with content from the performance spaces of students and artists in Canada and Mexico, streamed to the MIWSFPA YouTube Channel.

    Reservations to view the Scenes from an Execution performance of your choice can now be made at brocku.universitytickets.com
    There is no charge for reservations, but numbers are limited. Please book your ticket soon.

    Behind the Screen: See this student video showing how we made Scenes from an Execution,

    Program including statements of purpose from the student artists for Scenes from an Execution is available on the website or for download here

    click to open program

    CREATIVE TEAM:

    Director: David Fancy
    Associate Director: Molly Lacey*
    Set/Costume Designer: Kelly Wolf
    Assistant Designer: Wyatt Hoskins*
    Dramaturg: Asenia Hall*
    Choreographer: Trevor Copp
    Dance Captain: Marley Mahon*
    Audio Design: James Dengate*
    Stage Manager: Peter Herbert*
    Asst Stage Manager Alyssa Ruddock*

    CAST:

    Galactia – Holly Hebert*
    Carpeta – Neo Moore*
    Urgentino – Jesse Caines*
    Suffici – Jackson Wagner*
    Rivera – Heidi Nickel*
    Ostensible – Diego Blanco*
    Prodo/Third Sailor – Jarrod Vandenbogaerd*
    Sketchbook/Pastaccio – Celine Zamidar*
    Supporta – Sammie Marett*
    Dementia – Chloe Petrou*
    Sorda/Sailor – Maiya Irwin*
    Official/Gaoler – Isaiah Alton*
    Lasagna/Sailor – Marley Mahon*
    Sailor/Workman/Woman in the next cell – Thea Van Loon*

    PRODUCTION:

    Production Manager: Brian Cumberland
    Technical Director: Gavin Fearon
    Assistant TD: Sid Malcolm*
    Sound Operator: Alex Sykes*
    Head of Wardrobe: Roberta Doylend
    Wardrobe Assistant: Julian Corlett*
    Construction Head: Ed Harris
    SM Supervisor: Carolyn MacKenzie

    ( * DART student)

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    Categories: Announcements, Current Students, Events, Faculty & Instructors, In the Media, Media Releases, News, Performance Season, Plays, Uncategorised

  • The show must go on: Brock prof encouraged by theatre’s resiliency in midst of cancellations

    Karen Fricker, Associate Professor of Dramatic Arts, says that despite the impact of COVID-19 on the performing arts, she’s encouraged by what she’s seen from the industry.

    (published WEDNESDAY, APRIL 08, 2020| by The Brock News {Alison Innes})

    The COVID-19 pandemic has had a devastating blow on the performing arts, but a Brock University Dramatic Arts professor is encouraged by what she has seen from the industry.

    “A vibrant industry went to ground over a matter of days, with theatres at first announcing cancelled or postponed productions and then, in most cases, cancelling the remainder of their winter-spring seasons,” says Karen Fricker, Associate Professor of Dramatic Arts and theatre critic for the Toronto Star. “Most performing artists are precarious gig workers who are seeing current and future bookings evaporate.”

    In St. Catharines, arts organizations including the FirstOntario Performing Arts Centre, the Meridian Centre, Essential Collective Theatre and Carousel Players are among those that have cancelled or postponed programming through May.

    The Stratford Festival has cancelled performances through to late May, and Niagara-on-the-Lake’s Shaw Festival through June. While Shaw has not laid-off workers and is conducting rehearsals online, Stratford has temporarily laid off 470 employees, including actors, technicians and box office workers.

    But Fricker sees hope among the gloomy news.

    “Theatre companies and artists have been demonstrating amazing resilience and ingenuity during this time of crisis,” she says. “A lot of activity has gone online.”

    Essential Collective Theatre is turning its annual vaudeville fundraiser into an online affair. “Quarantine Cabaret” will feature short video recordings of various acts, including singing, magic, clowning, drag and melodramatic readings, which will be live-streamed at the end of April.

    Several Toronto-based companies are putting on telephone plays: one-on-one shows in which an audience member gets a hand-made personal story delivered to them over the phone, says Fricker.

    “DLT (DopoLavoro Teatrale), known to local audiences for their immersive shows including That Ugly Mess that Happened in St. Catharines, is producing a series of phone and online performances,” says Fricker. Some of the performances are inspired by Boccacio’s Decameron, a 14thcentury collection of novellas about a group of youth sheltering outside Florence to escape the Black Death.

    “I have been uplifted by engaging with online theatre over the past few weeks,” Fricker says.

    “Watching theatre this way is not the same as sharing the same physical space and time with fellow audience members and the artists themselves, but that doesn’t mean it’s a lesser experience. It’s different, and theatres and audiences alike are adapting to what is, for now, the new normal.”

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    Categories: Announcements, Events, Faculty & Instructors, News, Performance Season

  • DART Shaw Festival Internship 2019: WEEK 1, Getting Started

    Mae Smith is the Department of Dramatic Arts’ 2019 Shaw Intern.
    Read her weekly blogs about her work in lighting design and props building.
    Learn more about the internship.


    (From: The DART Shaw Intern Blog, May 2, 2019 | By: Mae Smith)

    Despite my many visits to the Shaw Festival in recent years, and having already met Kevin Lamotte (Shaw’s Lighting Design Director) in a meeting last month, I am incredibly nervous before I even step foot out of my car onto the property.

    The friendliness I am greeted with from everyone, however, quickly washes those nerves away. Kimberley Rampersad meets with me to take me on a tour of the main building. Kimberley is a director at the Shaw, who will be directing the upcoming production of Man and Superman. In addition to showing me the rehearsal halls, theatre, and efficient pathways around the building, I’m introduced to almost everyone we pass, who greet me with smiles and hearty handshakes. I’m hoping some subconscious part of my brain is storing everyone’s names somewhere and will pull them out when I need them.

    Me, near my usual seat in the theatre.

    When my tour finishes, I am whisked back to the festival theatre where I find my – now usual – seat next to Kevin Lamotte and Mikael Kangas, the assistant lighting designer for Brigadoon. I’m joining them towards the end of the design process of this show, during tech rehearsals. I listen over headset to the many voices co-ordinating their parts and then relaying all that back to the stage manager, Dora Tomassi. It’s quite chaotic, but not altogether unfamiliar from my experience at Brock. I mostly listen to pick out Kevin and Mikael’s voices, giving the operator instructions to update cues while I follow along on my copy of the show’s magic sheet (a sheet that shows you where every light lands on stage), which is no easy feat. I’ve never seen so many lights in on one sheet ever. I’m even more awestruck when I move to the stage and peer up at the LX pipes to see so many different instruments placed as close as possible next to each other. As I gather from overhearing conversations and asking a couple questions, the plot is shared over the season so practically every lighting fixture for all the shows in the festival theatre is up there right now. When I ask Kevin, on a later day, how that’s even managed, he laughs and says, “That would take your whole internship to answer.”

    I spend half of my week at Kevin’s side, observing how he does things and taking notes whenever I come across something new. Occasionally, Kevin will lean over and explain a choice he’s made, or what exactly is going around us, helping me understand his process more. In general, everyone is very kind about answering my questions, including technicians, stagehands, and other designers. Many of the process is familiar but there is so much I haven’t even scratched the surface of yet.

    The ceiling of the Court House Theatre’s beautiful main hall where The Ladykillers rehearses.

    On top of Brigadoon, I attend rehearsals for The Ladykillers with Kevin, which are held in the Court House Theatre. This time, I’ve caught Kevin in the early stages of designing. He walks me through what he’s thinking and what challenges he foresees with the set design (Judith Bowden) which leaves few hiding spaces for lighting fixtures. I take note of his format for planning in the script for future reference. I’m very interested in seeing this part of the process. A lot of the questions I had in my head during Brigadoon‘s tech could be boiled down to: “How do you even start?” Now I get to see.

     

     

     

     

    The instructions for water confetti

     

    The other half of the week, I work in the prop shop. As a newer, less experienced worker I’m not surprised to be given some simpler more repetitive tasks. I chop up iridescent cellophane to be used for as water in a bucket for Brigadoon; I cut fake money for The Ladykillers; and paint styrofoam to tone down the brightness. Although less complex, they are still necessary and important. But I also get to try my hand at upholstering a foot stool for The Ladykillers and replacing the ribbon on powder puffs for The Glass Menagerie.Sewing is one of my weaker skills so I’m grateful for the trust and elated when I finish both tasks with approval.

    The footstool for THE LADYKILLERS (2019). Directed by Tim Carroll. Designed by Judith Bowden. Constructed in the Prop Shop.

    On my second day in the shop, I’m sent out with one of the drivers to deliver and retrieve props. After picking up some tables and a faux fireplace from a rehearsal, we head out to the warehouse which I am very excited to see because it’s massive. There are rows and rows of benches, tables, chairs, dummies, lamps (see featured image), etc. There are so many pieces in the warehouse; the aisles are long and multiple levels high, stacked with various furniture. I was in awe the whole time. If the whole week itself hadn’t already been one big highlight, I could say that seeing the warehouse was the highlight of my week.

    For next week, I have a lot of prop time and a lot of tech rehearsals to attend so stay tuned!

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    Categories: Alumni, News, Shaw Intern Blog

  • Popular One Act Festival returns to Marilyn I. Walker Theatre

    Dramatic Arts students in the Directing II course are presenting a series of short plays as part of the upcoming One Act Festival on Friday, March 22 and Saturday, March 23 at the Marilyn I. Walker Theatre.


    (From The Brock News, March 18, 2019 | By: Sarah Ackles)

    Brock’s Dramatic Arts students will bring the intricacies of human interaction, the banality of small-town life and even the future of ‘designer babies’ to the stage in the upcoming One Act Festival.

    Opening at the Marilyn I. Walker Theatre of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) on Friday, March 22, the popular One Act Festival will stage eight student-led productions in a two-night run.

    A yearly endeavour, the festival puts students in the Directing II course in the spotlight as they bring a selection of one-act plays to life. The students are responsible for the entire production process, including the selection of a script, auditioning the cast, rehearsing, designing the show and co-ordinating with the Dramatic Arts (DART) production team on all technical needs.

    The course’s instructor, Mike Griffin, said the One Act Festival is one of his favourite parts of the DART program.

    An exciting mentoring process happens, he explained, as students from all years collaborate to create theatre under the leadership of the third-year directing class.

    “As the student actors and directors come together, they put into practice the skills they have been developing throughout their courses, which supports them as they teach each other, grow as artists and inspire the next round of future directors,” he said.

    This year’s productions are all being presented under the theme ‘Rise.’

    Lauren Reid, a third-year DART major and Director of On the Porch One Crisp Spring Morning, said the inclusive and collaborative nature of the One Act Festival makes for a valuable learning experience.

    “Everyone is so open and willing to help me with this great opportunity and to make it the best it can be,” she said. “I have a great team on all sides that are there to support me whenever I need help, and I think this course is a great way for people to explore different opportunities within the DART and theatre community, in general.”

    For second-year DART student Holly Hebert, the festival allows her to “actively participate in the growth of a production.”

    “As an actor in Winter Games, Director Chris Murillo had us engage in a number of exercises that built our relationships, our impulses and developed our One Act to become an incredibly stimulating process,” she added.

    The students encourage the community to attend, promising the roster of shows in the festival are “emotionally active” and will often have audiences “on the edge of their seats.”

    The One Act Festival runs on Friday, March 22 and Saturday, March 23, at 7:30 p.m. each night. All shows take place in the Marilyn I. Walker Theatre of the MIWSFPA at 15 Artists’ Common.

    Admission is pay-what-you-can at the door.

    For more information on the 2018 One Act Festival, visit the Current Season page on the DART website.

    One Act Festival 2019

    Inside the Department of the Exterior
    Directed by: Josh Loewen
    Playwright: Philip Hall
    Actors: Jared Geden, Samantha Rideout

    Another Sense
    Directed by: Rina Wilkins
    Playwright: Melissa Major
    Actors: Madison Andrews, Bianca Taylor

    Winter Games  
    Directed by:Chris Murillo
    Playwright: Rachel Bonds
    Actors: Alex Sykes, Holly Hebert, Leah Rantala

    The Worker
    Directed by: Rachel Frederick
    Playwright: Walter Wykes
    Actors: Paige Hunt-Harmon, Asenia Lyall, Diego Blanco

    Baby Factory  
    Directed by: Tyler Simpson
    Playwright: Stephen Bittrich
    Actors: Tristan Holmes, Luke Huffman, Meryl Ochoa, Nathan Rossi, Elizabeth Martin

    Nightstand  
    Directed by: Uchenna Edozie-Egbuna
    Playwright: Fergus Church
    Actors: Molly Lacey, Luca D’Amico

    One Night Fran
    Directed by: Frances Johnson
    Playwright: Adam Szudrich
    Actors: Kristina Miller, Aly Markov, Sarah Rowe

    On the Porch One Crisp Spring Morning
    Directed by: Lauren Reid
    Playwright: Alex Dremann
    Actors: Alexandra, Chubaty Boychuk and Joanna Tran

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    Categories: Current Students, Events, Faculty & Instructors, News, Plays

  • Dramatic Arts students explore the theme of Expectation and Reality

    The popular One Act Festival is coming back to the Marilyn I. Walker School of Fine and Performing Arts this weekend. Pictured is the performance of All by Myself from the 2017 One Act Festival directed by Naomi Richardson, designed by Chelsea Wilson and featuring Rebecca Downing, Jessica Johnson, Alex Boychuk, Lauren Reed and David Poirier.

    The popular One Act Festival is returning to the Marilyn I. Walker School of Fine and Performing Arts this weekend.

    Students from the Dramatic Arts Directing II course (DART 3P54) have been hard at work developing their plays under the supervision and guidance of instructor Neil Silcox and teaching assistant Kevin Hobbs. The experiential course offers students practical and real-world experience as directors, dramaturges, performers, designers and theatre technicians, often for the first time.

    Silcox says “Brock does a great job of balancing out the theoretical and experiential aspects of dramatic arts” compared to the other programs he’s worked for.

    “Developing a strong understanding of theories and then being able to get on your feet and actually do it is the only way to learn to do performing arts,” Silcox says.

    Directing II students are responsible for selecting a script, auditioning a cast, rehearsing, designing the show and co-ordinating with the dramatic arts production team on all technical needs.

    This year, the festival is presenting six shows under the theme “Expectation and Reality.”

    Silcox says he discovered the theme “after reading through each of the students’ chosen acts side by side.”

    “We didn’t offer this theme to the students and make them try to select something,” he says.

    This process allows the students to have full control and individuality with their acts, but also challenges them to tweak their shows in a way that highlights the theme more.

    “Although it may seem cliché, audience members should expect the unexpected,” says Silcox.

    The shows range from century old to extremely contemporary, absurdism to strongly political, all exploring this year’s theme from a unique angle.

    Shows being presented this year include Articulation by Alicia Richardson, Your Mother’s Butt by Alan Ball, Echo by Joseph T. Shipley, The Little Stone House by George Calderon, The Lesson by Eugene Ionesco, and The St. Valentine’s Day Massacre by Allan Knee.

    All shows take place in the Marilyn I. Walker Theatre of the MIWSFPA on Saturday, March 24 and Sunday, March 25 starting at 7 p.m. each night. Admission is pay-what-you-can and limited paid parking is available nearby. For more information on the 2018 One Act Festival, visit the Dramatic Arts website.

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    Categories: Current Students, Events, In the Media, News, Performance Season, Plays

  • MIWSFPA offers ticket promotion in honour of International Women’s Day

    Brock Dramatic Arts students Manchari Paranthahan and Meryl Ochoa in the production of Top Girls playing at the Marilyn I. Walker School of Fine and Performing Arts March 2 to 10.

    (Source: The Brock News | Wednesday, March 13, 2018)

    The Marilyn I. Walker School of Fine and Performing Arts is offering a special Top Girls promotion in honour of International Women’s Day.

    Tickets for the Brock production’s March 9 and 10 performances will be two for the price of one when buyers mention International Women’s Day.

    The promotion will be available in person at the FirstOntario Performing Arts Centre box office or by phone at 905-688-0722. Box office hours are Monday through Friday from 10 a.m. to 6 p.m., and Saturday from 10 a.m. to 2 p.m.

    Top Girls, Brock’s second mainstage production of the year, is a contemporary play that takes a critical look at women and their relationship to power and success.

    More information on the show is available on the Brock News.

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    Categories: Announcements, Events, In the Media, News, Plays

  • DART presents: Five Women Wearing the Same Dress

    It’s the perfect day for the perfect Tennessee wedding– but where are the bridesmaids?

    Skulking in her attic refuge, Meredith rebels. Frances prays. Mindy eats. Georgeanne lusts, and Trisha swears off romance forever– until Tripp, the wise-cracking usher turns her eye. Trouble lurks everywhere for these colourful and disorderly women, and as the music gets louder and things get rowdier, they must come together to figure out past burns and current conundrums. With a little booze, a little wisdom, and lot of crazy talk, they help one another navigate the storms of life.

    Five Women Wearing the Same Dress comes to St. Catharines from Academy Award winning author Alan Ball of “American Beauty”.

    You have never experienced a wedding party like this one!

    Directed by professor Gyllian Raby, and assisted by Tarndeep Pannu. Other students from the 2017-2018 4F56 ensemble include cast members Helena Ciuciura, Meryl Ochoa, Samantha Mastrella, Rebecca Downing, Candice Burn and Mark Dickinson. Set Design is by Jillian Wardell, Costume Design by Sarah Marks, Sound Design by Naomi Richardson, and Lighting Design by guest instructor James McCoy. The production is Stage Managed by Chelsea Wilson, Allie Aubry and Michelle Mohammed with Kaylyn Valdez-Scott as Publicist, and Adrian Marchesano and Mackenzie Kerr on the Production Team.

    Characters:

    Meredith Marlowe: The bride’s rebellious, pot-smoking younger sister who is very sarcastic and much annoyed with the whole fiasco downstairs. Sporting an outwardly tough attitude, she has a lot of insecurity to hide. Bridesmaid.
    Georgeanne Darby: Tracy’s “ugly sidekick” in high school and college. Accepted the invite to be a bridesmaid even though her relationship with Tracy is strained because Tracy’s boyfriend had once got her pregnant. Bridesmaid.
    Trisha: One of Tracy’s former friends with a supposed bad reputation; a jaded beauty. Bridesmaid.
    Frances: The very naive and religious cousin of the bride. Bridesmaid.
    Mindy McClure: The groom’s clumsy and outspoken lesbian sister. Bridesmaid.
    Tripp Davenport (Griffen Lyle Davenport the Third): An usher who falls for Trisha.

    When: FRIDAY, DECEMBER 1 and SATURDAY, DECEMBER 2, 2017

    Time: 7:30 pm to 9:15 pm.

    Location: The Marilyn I. Walker Theatre, Brock University

    Tickets: $7†; $5† child (14 and under); $5† eyeGo program. Free admission to current students of the MIWSFPA with valid student ID card. † Applicable fees and taxes are extra. ONLY 100 SEATS AVAILABLE for each performance, don’t delay.

    Available from the FirstOntario Performing Arts Centre Box Office: 905.688.0722 or Long Distance Toll Free: 1.855.515.0722; online: firstontariopac.ca

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    Categories: Events, Performance Season, Plays

  • Brock University engages with community at Burlington Performing Arts Centre

    Brock University Dramatic Arts faculty and students engage with young theatre artists and teachers at the Burlington Performing Arts Centre

    This past Tuesday Oct. 17, the Marilyn I. Walker School of Fine and Performing Arts participated in “Career Day – Life in the Theatre Industry” at the Burlington Performing Arts Centre. This event welcomed approximately 150 students/teachers from seven different schools and three different district school boards.

    The day consisted of interactive workshops and demonstrations to explore the many diverse careers available in the theatre industry, a live theatrical performance, and the opportunity to have one-on-one conversations with representatives and students of the leading college and university programs offering performance and production related theatre courses. It was a great opportunity for students to delve into the vocations of the theatre world in a creative and experiential manner.

    Throughout the day many teachers mentioned how successful the event was and how it fits so successfully into the secondary curriculum.

    The Department of Dramatic Arts looks forward to meeting these young artists again when they apply for future studies at Brock University!

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    Categories: News