Events

  • Drama students to tackle tough topics in Sunday on the Rocks

    Brock dramatic arts students and cast members Catherine Tait, left, and Kristina Ojaperv rehearse for their upcoming production of Sunday on the Rocks. Produced by dramatic arts students under the company name OverHead Theatre, the show is being staged at the Marilyn I. Walker School of Fine & Performing Arts from Friday, April 12 to Sunday, April 14. Photo courtesy of OverHead Theatre.


    (From The Brock News, Friday, March 29, 2019 | By: Sarah Ackles)

    Brock Dramatic Arts students are bringing the work of Broadway heavyweight Theresa Rebeck to the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) this April with their production of Sunday on the Rocks.

    The show is produced by students in the University’s DART 4F56 class, under the company name Over Head Theatre, and is the follow-up to their successful first production A History of Everything.

    It opens at the Marilyn I. Walker Theatre on Friday, April 12 and runs until Sunday, April 14.

    Set in 1994, Sunday on the Rocks is a comedic drama about four roommates stepping into adulthood and struggling with issues of harassment, sexual assault and abortion.

    It features the talents of fourth-year Dramatic Arts students Adria Dearden, Kristina Ojaperv, Tsipporah Shendroff and Catherine Tait as the cast, and is being staged by the production team comprised of Alicia Bender, Whitney Braybrook-Byl, Leah Eichler, Juan-Carlos Figueroa, Heather Janser, Holly Kurelek, Ryan Mahon, Emma McCormick, Mae Smith and Geoff Turner.

    Director and course instructor Neil Silcox said he was drawn to this play because of the rich and complex characters.

    “Living in 1994, they are struggling with all the same issues that women face today, but without the short-hand to talk about it that we’ve developed in the past 25 years with the rise of the #MeToo movement.”

    Assistant Director Colin Williams added: “Theresa Rebeck’s writing never shies away from difficult and sensitive subjects, is never preachy and is, above all, funny.”

    Rebeck, who has four plays under her belt, was presented the PEN/Laura Pels Award in 2010 and was a finalist for the Pulitzer Prize in 2013. Her other notable plays include Seminar, starring Alan Rickman, Dead Accounts, starring Katie Holmes, and most recently, the 2018 Broadway hit Bernhardt/Hamlet, starring Janet McTeer.

    Sunday on the Rocks runs from Friday, April 12 to Sunday, April 14 at the Marilyn I. Walker Theatre of the MIWSFPA, located at 15 Artists’ Common in downtown St. Catharines. Tickets are $5 (plus taxes and fees) and are available for purchase through the FirstOntario Performing Arts Centre online box office or by phone at 905-688-0722.

    For more information and showtimes visit the DART web page. Limited parking is available on site.

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    Categories: Current Students, Events, News, Performance Season, Plays

  • Popular One Act Festival returns to Marilyn I. Walker Theatre

    Dramatic Arts students in the Directing II course are presenting a series of short plays as part of the upcoming One Act Festival on Friday, March 22 and Saturday, March 23 at the Marilyn I. Walker Theatre.


    (From The Brock News, March 18, 2019 | By: Sarah Ackles)

    Brock’s Dramatic Arts students will bring the intricacies of human interaction, the banality of small-town life and even the future of ‘designer babies’ to the stage in the upcoming One Act Festival.

    Opening at the Marilyn I. Walker Theatre of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) on Friday, March 22, the popular One Act Festival will stage eight student-led productions in a two-night run.

    A yearly endeavour, the festival puts students in the Directing II course in the spotlight as they bring a selection of one-act plays to life. The students are responsible for the entire production process, including the selection of a script, auditioning the cast, rehearsing, designing the show and co-ordinating with the Dramatic Arts (DART) production team on all technical needs.

    The course’s instructor, Mike Griffin, said the One Act Festival is one of his favourite parts of the DART program.

    An exciting mentoring process happens, he explained, as students from all years collaborate to create theatre under the leadership of the third-year directing class.

    “As the student actors and directors come together, they put into practice the skills they have been developing throughout their courses, which supports them as they teach each other, grow as artists and inspire the next round of future directors,” he said.

    This year’s productions are all being presented under the theme ‘Rise.’

    Lauren Reid, a third-year DART major and Director of On the Porch One Crisp Spring Morning, said the inclusive and collaborative nature of the One Act Festival makes for a valuable learning experience.

    “Everyone is so open and willing to help me with this great opportunity and to make it the best it can be,” she said. “I have a great team on all sides that are there to support me whenever I need help, and I think this course is a great way for people to explore different opportunities within the DART and theatre community, in general.”

    For second-year DART student Holly Hebert, the festival allows her to “actively participate in the growth of a production.”

    “As an actor in Winter Games, Director Chris Murillo had us engage in a number of exercises that built our relationships, our impulses and developed our One Act to become an incredibly stimulating process,” she added.

    The students encourage the community to attend, promising the roster of shows in the festival are “emotionally active” and will often have audiences “on the edge of their seats.”

    The One Act Festival runs on Friday, March 22 and Saturday, March 23, at 7:30 p.m. each night. All shows take place in the Marilyn I. Walker Theatre of the MIWSFPA at 15 Artists’ Common.

    Admission is pay-what-you-can at the door.

    For more information on the 2018 One Act Festival, visit the Current Season page on the DART website.

    One Act Festival 2019

    Inside the Department of the Exterior
    Directed by: Josh Loewen
    Playwright: Philip Hall
    Actors: Jared Geden, Samantha Rideout

    Another Sense
    Directed by: Rina Wilkins
    Playwright: Melissa Major
    Actors: Madison Andrews, Bianca Taylor

    Winter Games  
    Directed by:Chris Murillo
    Playwright: Rachel Bonds
    Actors: Alex Sykes, Holly Hebert, Leah Rantala

    The Worker
    Directed by: Rachel Frederick
    Playwright: Walter Wykes
    Actors: Paige Hunt-Harmon, Asenia Lyall, Diego Blanco

    Baby Factory  
    Directed by: Tyler Simpson
    Playwright: Stephen Bittrich
    Actors: Tristan Holmes, Luke Huffman, Meryl Ochoa, Nathan Rossi, Elizabeth Martin

    Nightstand  
    Directed by: Uchenna Edozie-Egbuna
    Playwright: Fergus Church
    Actors: Molly Lacey, Luca D’Amico

    One Night Fran
    Directed by: Frances Johnson
    Playwright: Adam Szudrich
    Actors: Kristina Miller, Aly Markov, Sarah Rowe

    On the Porch One Crisp Spring Morning
    Directed by: Lauren Reid
    Playwright: Alex Dremann
    Actors: Alexandra, Chubaty Boychuk and Joanna Tran

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    Categories: Current Students, Events, Faculty & Instructors, News, Plays

  • Community discussion to focus on King Ubu’s relevance to today

    Brock’s Department of Dramatic Arts is excited to bring King Ubu to the mainstage this weekend at the Marilyn I. Walker Theatre in downtown St. Catharines. The show runs from Friday, March 1 to Saturday, March 9. Cast member Emma McCormick (centre) was interviewed during last week’s media call.


    (From The Brock News, February 28, 2019 | By: Sarah Ackles)

    St. Catharines city councillor Karrie Porter will join a group of Brock Dramatic Arts (DART) students and Brock faculty members next week in a roundtable discussion on the relevance of King Ubu to today’s political climate.

    The free, public event, “Folly, feces and fake news: King Ubu, then and now,” will be held in the Scotiabank Atrium in the Cairns Family Health and Bioscience Research Complex on Wednesday, March 6 from 10 to 11 a.m.

    “We’re really happy to have Karrie’s participation,” said Director and DART Associate Professor David Fancy. “She has a rich background in social justice, community engagement and lived experience of being a woman in politics in the age of social media.”

    Students in Brock’s Department of Dramatic Arts are excited to bring King Ubu to the mainstage this weekend at the Marilyn I. Walker Theatre in downtown St. Catharines. The show runs from Friday, March 1 to Saturday, March 9.

    The plot follows Pa Ubu (a patriarchal, racist, megalomaniac who constantly talks about poop, loves himself a lot and kills everybody around him) and his wife, Ma Ubu (who pushes her husband to increasing feats of violence and narcissism), as they go on a bloodthirsty quest to take over the world.Brock’s Department of Dramatic Arts is staging the classic French production in a run from March 1 to 9.

    Fancy said he is looking forward to generating discussions on the work’s timeless themes at the upcoming roundtable.

    “Whenever we’re programming productions, we attempt to provide students and the department, and by extension the wider community, the opportunity to work through a set of themes that resonate with what is going on with the world,” Fancy said. “Given this is about a person who is obsessed with their own power, King Ubu seemed like a good fit, thematically.”

    The controversy surrounding the play’s opening run is also going to be discussed. Panelists will debate whether King Ubu opened and closed in a single night because of its controversial content, or, whether the hubbub was an example of 19th century “fake news,” intentionally manufactured and exaggerated to promote the production.

    Panelists will also explore Fancy’s adaptation of the play and the queering of main character Pa Ubu (who will be played by female cast member Emma McCormick in the Brock production).

    In addition to Fancy and Porter, panelists will include Professors Leah Bradshaw (Political Science), Tim Conley (English) and Karen Fricker (Dramatic Arts), and DART students McCormick, Kristina Ojaperv (Assistant Director), Mae Smith and Catherine Tait.

    Marilyn I. Walker School of Fine and Performing Arts Director Elizabeth Vlossak will moderate the discussion.

    “The roundtable provides a unique opportunity to foster discussion and the sharing of ideas and debate between people who may not interact academically otherwise,” she said. “Hosting the event on the main campus with a variety of different panelists also brings the work taking place at the MIWSFPA into the community, showcasing the connections that visual arts, music and theatre can have to our everyday lives.”

    The roundtable discussion is free and open to the public.

    No registration is required but seating is limited and first-come, first-served. Light refreshments will be served, and attendees will be eligible to enter into a draw for free King Ubu tickets.

    King Ubu runs at the Marilyn I. Walker Theatre at the Marilyn I. Walker School of Fine and Performing Arts from March 1 to 9. For more information, visit the Department of Dramatic Arts website. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

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    Categories: Current Students, Events, News, Performance Season, Plays

  • King Ubu coming to Marilyn I. Walker Theatre

    Cast and crew members of the upcoming mainstage production King Ubu have been busy preparing for opening night on Friday, March 1. Tickets are on sale now for the production, presented by Brock University’s Department of Dramatic Arts.


    (From The Brock News, February 13, 2019 | By: Sarah Ackles)

    Alfred Jarry’s controversial classic King Ubu will bring audiences face-to-face with the absurdity of modern life when the production comes to Brock University’s Marilyn I. Walker Theatre starting Friday, March 1.

    Presented by Brock’s Department of Dramatic Arts (DART), the show is an avant-garde and hilarious commentary on human folly and the dangers of unchecked political ambition.

    Director and Associate Professor David Fancy said Ubu’s references to populism and the blurred lines between celebrity culture and politics are fitting themes for our current climate. Although first performed in 19th century France, King Ubu, he added, offers “an invitation to look critically at, but not disengage with, the current moment in time.”

    The play centres on Ma and Pa Ubu’s bloodthirsty quest to become the new king and queen of a fictionalized version of Poland.

    Between their continuous bickering, Pa, an egotistical and inept tyrant who wields an enormous toilet brush while speaking nonsense, and Ma, his enabling and devious wife, scheme to take over the world through a series of antics that play out like a reality show gone wrong.

    To emphasize the theatrical nature of Ma and Pa Ubu’s political exploits, the show features puppets, karaoke numbers and a giant puppet head that eats half the cast.

    Although the production stays true to the absurdist spirit of Jarry’s original work, Fancy said there is also a layer of introspection that exists beneath all the silliness.

    “On one side we’re being playful, irreverent and sarcastic like Jarry, but on the other side there are also lots of heartfelt moments,” he said. “We can use laughter on some level to celebrate, criticize and escape, but we will also be forced to confront the fact that these are real people having difficult experiences. We question what caused them to become such trainwrecks — and whether we need to have compassion for these people who are perhaps not so different from us.”

    The show’s gender-bending lead role selection also provides a unique twist.

    Ubu admonishes supremacy logic in all of its forms and casting a woman as Ubu helps heighten the critique of patriarchy. At the same time, this casting points out that anyone, given the right context, can engage in human folly,” Fancy said of the distribution of roles across genders. “Everybody can behave like a dangerous fool.”

    All these aspects of the production, combined with intense and moving performances, make for an entertaining experience, he added.

    “I think a big part of it is tapping into the creative possibility of what theatre can be as an art form,” Fancy said. “The experience gives our cast and crew the creative confidence to respond to the world around them, like Jarry did, using their own, creative voices.”

    King Ubu is translated by David Edney and directed by David Fancy, with costume design by Jo Pacinda and scenography and scenography by James McCoy.

    The production showcases the talents of students in the DART undergraduate program, including Ash McEachern, Avery Delaney, Chris Murillo, Emma McCormick, Jackson Wagner, Jasmine Case, Juan-Carlos Figueroa, Lauren Reid, Leah Eichler, Rachel Frederick, Samuel Donovan, Taylor Bogaert and Tsipporah Shendroff.

    Brock students, staff and faculty members of the creative and production team include Kristina Ojaperv (Assistant Director), Jordine De Guzman (Stage Manager), Alicia Bender (Assistant Stage Manager), Meryl Ochoa (Assistant Lighting Designer), Trevor Copp (Choreographer), Holly Kurelek (Wardrobe Supervisor), Diego Blanco and Molly Lacey (Dressers), Brian Cumberland (Production Manager), Gavin Fearon (Technical Director), Ed Harris (Shop Supervisor), Dawn Crysler (Theatre Technician), Danielle Wilson (Shakespeare Coach) and Roberta Doylend (Head of Wardrobe).

    King Ubu runs from Friday, March 1 to Saturday, March 9 at the Marilyn I. Walker Theatre at the Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines. Showtimes are March 1, 2 and 9 at 7:30 p.m., March 3 at 2 p.m. and March 8 at 11:30 a.m. and 7:30 p.m.

    Tickets for the show are $18 for adults and $15 for students and seniors. A group rate is also available. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

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    Categories: Current Students, Events, Media Releases, News, Performance Season

  • King Ubu tickets on sale now!

    Tickets for our spring mainstage presentation of King Ubu, presented by the Department of Dramatic Arts, are on sale now!

    The show runs from March 1 to 9 at the Marilyn I. Walker Theatre.


    King Ubu

    Written by Alfred Jarry
    Translated by David Edney
    Directed by David Fancy
    Set and lighting by James McCoy
    Costumes by Jo Pacinda

    Alfred Jarry wrote King Ubu in the 1890’s in large part to poke fun at the idiocy, capriciousness and vanity of political and personal power. it is almost like its author could see into the future and predict the very political climate we are living in today.

    The character of King Ubu is a complete fool who talks about poop, loves himself a lot and kills everybody around him whenever he feels like it. He is a patriarch, a racist and a megalomaniac.

    His wife, Ma Ubu, is very much like Shakespeare’s Lady Macbeth and pushes King Ubu to increasing feats of violence and narcissism. When they are not bickering or having food-fights, Ma Ubu demands King Ubu kill off their adversaries and take over the world. They spend the show chasing their enemies all over a fairy-tale-like Poland before sailing off into a sunset.

    In short: the Ubus are the ultimate reality TV show gone wrong.

    Read more about the performance.

    PERFORMANCES:
    Friday, March 1, 2019 @ 7:30 PM
    Saturday, March 2, 2019 @ 7:30 PM
    Sunday, March 3, 2019 @ 2:00 PM
    Friday, March 8, 2019 @ 11:30 AM
    Friday, March 8, 2019 @ 7:30 PM
    Saturday, March 9, 2019 @ 7:30 PM

    Tickets:
    $18 Adult
    $15 Student/Senior
    $12 Group (10+) each
    $5 EYEGO Highschool Student (with Valid ID upon ticket Pick-Up)

    General Admission seating.

    Performance location:
    The Marilyn I. Walker Theatre
    Marilyn I. Walker School of Fine & Performing Arts – downtown campus – Brock University
    15 Artists’ Common, St. Catharines, ON

    Tickets for all performances are available online through the Box Office of the First Ontario Performing Arts Centre. by email at boxoffice@firstontariopac.ca, or in person in downtown St. Catharines at 250 St. Paul Street, St. Catharines, ON, L2R 3M2.

    Open Monday to Friday, 10 a.m. to 6 p.m., and Saturday, 10 a.m. to 2 p.m. (Holiday and summer hours may vary).

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    Categories: Announcements, Current Students, Events, Faculty & Instructors, News, Performance Season, Plays

  • Lecturer uses theatre to tackle social justice issues

    Director David Psalmon will travel to the Marilyn I. Walker School of Fine and Performing Arts from Mexico as the next presenter in the Walker Cultural Leader Series on Jan. 10 at 7 p.m.


    (From The Brock News, Wednesday, January 2, 2019 | By: Sarah Ackles)

    A night at the theatre can elicit fits of laughter and bring audiences to tears, but can it also serve as a tool for promoting social and political change?

    In a week of workshops and talks hosted at Brock this month, international director David Psalmon will blur the lines between actor and spectator as he explores unique performance-based problem-solving solutions to social justice issues.

    Born in France, Psalmon currently resides in Mexico where he is the director, producer, editor and founder of the multi-awarded theatre company Teatro sin Paredes (Theatre Without Walls).

    Brock Associate Professor David Fancy said Psalmon’s years of experience teaching and directingperformances around the world will make him a “rich addition to this year’s Walker Cultural Leaders Series at Brock.”

    “Psalmon is a real self-starter who moved from France to Mexico 15 years ago and now runs one of the largest theatre companies in the country,” said Fancy. “He is committed to theatre as a means of vibrant social engagement, and always takes the broadest possible view when undertaking his theatre productions.”

    Psalmon’s Theatre Without Walls project has been utilizing Augusto Boal’s Theatre of the Oppressedmethodology since 2001, with the audience and actors working together to perform scenes that tackle a diverse array of social issues such as gender violence, discrimination and racism, and workplace violence. In these workshops, the actors present a problem that needs to be solved and then work collaboratively with the audience to improvise and alter the scene to act out potential scenarios that could address the problem at hand.

    Psalmon will discuss this methodology and his experience working for theatre companies worldwide at a public lecture on Thursday, Jan. 10 at the Marilyn I. Walker School of Fine and Performing Arts. He will also spend two days leading immersive workshops for Brock Dramatic Arts students, where he will explore collaborative theatre-making practices that Fancy said will be extremely beneficial to students honing their craft.

    “Psalmon’s theatre company runs on a collective basis — meaning all members of the company create their theatre productions collaboratively — and allowing our Brock students to see the success of his power-sharing collaborative model will inspire them to create theatre in new ways,” Fancy said.

    The Walker Cultural Leaders Series brings leading artists, performers, practitioners and academics to Brock’s MIWSFPA.

    The sessions, which are generously funded by Marilyn I. Walker, celebrate professional achievement, artistic endeavour and the indelible role of culture in society.

    All of the events are free and open to both students and the broader community. The series offers unique opportunities for the public to experience the work of leading international artists and students to work closely with experts in their fields.

    David Psalmon presents: Towards a Contemporary Political Theatre
    Public lecture, Thursday, Jan. 10 at 7 p.m.
    Marilyn I. Walker Theatre, MIWSFPA

    Workshop for Dramatic Arts students:
    Saturday, Jan. 12 and Sunday, Jan. 13
    11 a.m. to 4 p.m., MIWSFPA

    Learn more about the Walker Cultural Leaders Series on the MIWSFPA Website.

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    Categories: Events, News

  • Antigone sparks public discussion

    There was a full crowd in the Scotiabank Atrium of the Cairns Family Health and Bioscience Research Complex on Oct. 31 for a panel discussion on Antigone and the relevance of the ancient text in today’s world. Participants included, from left, Professors Athena Colman, Roberto Nickel, Elizabeth Vlossak (moderator) and Adam Rappold, as well as Lincoln Mayor Sandra Easton, Antigone Director Mike Griffin and Professor Stefan Dolgert. There are two remaining performances of Antigone on Nov. 2 and 3 at the Marilyn I. Walker School of Fine and Performing Arts.

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  • DART Faculty co-direct a Play in Four Hours at Curriculum and Pedagogy conference in New Orleans

    Classroom Territoriality (Left to Right) Joe Norris, Rich Edmonson, Sharon Gile, Rick Breault, Janis McTeer


    A Play in Four Hours

    Using the playbuilding research process,Dramatic Arts Chair Joe Norris and graduate student Kevin Hobbs co-directed delegates at the Curriculum and Pedagogy conference in New Orleans, Oct. 17 and 18.

    After two, one and one-half hour devising sessions, and a one-hour rehearsal, they performed their series of nine vignettes, entitled: The Shape of School, at the closing conference event. The emergent themes included territoriality of classroom spaces, the pervasiveness of heteronormativity in the school yard, forms of administrative control of students and teachers, perceived status of particular schools and competing educational philosophies. It was concluded that these and other issues are strong undercurrents that contribute to the ethos of school experiences.

    Audience members participated in workshopping the scenes through body sculpting and discussions, with one conference delegate claiming that the images and issues would haunt her for some time to come.

     In addition to Norris and Hobbs, the participating playwrights were Rick Breault, Ashland University; Sharon Gile, Claflin University; Janis McTeer, Kent State University; Karen Morris, RJ Reynold High School, North Carolina; Sam Tanner, Penn State University; and Miryam Espinosa-Dulanto, Rich Edmonson, and Zulema Williams all from University of Texas, Rio Grande Valley.

     

    The Shape of Schools (Left to Right) Kevin Hobbs, Sam Tanner, Sharon Gile, Janis McTeer

    Leave it at the Door (Left to Right) Sharon Gile, Janis McTeer, Kevin Hobbs and Rick Breault

     

     

     

     

     

     

     

     

     

     

     

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    Categories: Events, Faculty & Instructors, News, Uncategorised

  • Public roundtable to explore Antigone’s relevance to modern society

    Students in Brock’s Department of Dramatic Arts have been working for months to bring the classic Greek tragedy Antigone to the mainstage this weekend. The production will have a six-show run at the Marilyn I. Walker Theatre in downtown St. Catharines, opening on Friday, Oct. 26. Seen during last week’s media call are actors Catherine Tait (Antigone), left, and Alexandra Chubaty Boychuk (Ismene).


    (From The Brock News, Thursday Oct. 25, 2018 | By Jaquelyn Bezaire)

    Gender inequality, corruption and the conflict between personal beliefs and the laws of society are all at the centre of Brock’s new mainstage production, Antigone.

    And although the classic Greek tragedy is more than 2,500 years old, a roundtable discussion will be held at the University next week to discuss its relevance to today.

    Elizabeth Vlossak, History Professor and Director of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), hopes to delve into the reasons why Antigone is one of the most read, performed and adapted plays in all of dramatic literature.

    On Wednesday, Oct. 31, she will moderate the roundtable that will include a panel of professors from Brock’s departments of Classics, Political Science, Philosophy and Dramatic Arts.

    Faculty, staff, students and the community are invited to join the panellists in the conversation, which begins at 3 p.m. in the Scotiabank Atrium of the Cairns Family Health and Bioscience Research Complex.

    The informative and lively discussion will highlight the importance of Antigone and the connections that can be made across academic disciplines.

    The panellists will explain why Antigone is not only studied in courses about Ancient Greece but is also used to explore political theory, gender dynamics and various religious and moral problems.

    Panellists include professors Roberto Nickel (Classics), Adam Rappold (Classics), Athena Colman (Philosophy), Stefan Dolgert (Political Science) and Mike Griffin (Dramatic Arts).

    Vlossak organized the event in part to promote the upcoming production of Antigone, which opens Friday, Oct 26. The play is presented by Brock’s Department of Dramatic Arts.

    “One of my goals as Director of the MIWSFPA has been to increase student, faculty and public awareness, interest and participation in our programming at the school,” said Vlossak. “But this interdisciplinary panel discussion is also about bridging the two campuses. It’s bringing faculty from different departments together to share their expertise with students and the public, and it’s showcasing how the fine and performing arts can be incorporated into all of our teaching, learning and research, as well as our everyday lives, in meaningful ways.”

    The roundtable will begin by exploring the world of Sophocles and Antigone’s significance in ancient drama and performance.

    Other topics of discussion include the legacy of Antigone in the fields of politics and philosophy, the continued pedagogical value of studying Antigone, and the play’s relevance in the current political climate.

    “Antigone still inspires political rebels today, who find in her obstinate resistance a role model for action in the present,” said Dolgert. “Antigone is for those who refuse to accept the tired cliché that politics is ‘the art of the possible,’ as it is her seemingly irrational affirmation of the impossible that ultimately prevails.”

    Griffin, a Dramatic Arts lecturer and the production’s Director, will join the panel and explain why he chose the play for Brock’s mainstage performance.

    He hopes to “paint Antigone as a strong woman,” and aims to show how themes of the #MeToo movement are reflected throughout the production.

    Antigone runs Oct. 26 and 27 at 7:30 p.m., Oct. 28 at 2 p.m. and Nov. 2 and 3 at 7:30 p.m. There will also be a high school matinee on Nov. 2 at 11:30 a.m.

    The production will be held in MIWSFPA’s Marilyn I. Walker Theatre in downtown St. Catharines. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

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    Categories: Current Students, Events, Faculty & Instructors, News, Performance Season, Plays

  • Antigone explores modern ideas through classic Greek tragedy

    Students in the DART undergraduate program have been rehearsing for months to bring the classic Greek tragedy Antigone to life on stage with a run beginning Oct. 26


    (From The Brock News, Friday Oct. 15, 2018 | By Sarah Moore)

    Sophocles’ Antigone may be more than 2,500 years old, but its relevance to the #MeToo and civil rights movements of today makes it resonate as strongly now as when it was first written.

    The new mainstage production from Brock University’s Department of Dramatic Arts (DART) tells the story of a woman rebelling against patriarchy and the establishment — a woman who is willing to sacrifice everything to stand up for what she believes is right.

    Antigone’s tragic protest against King Creon’s prohibition of mourning her dead brother makes the audience question what choice we have when our personal beliefs conflict with the laws of the state. The play also examines the effects that gender inequality and unbridled power have on society.

    DART faculty member Mike Griffin, who adapted and directs the production that will run at the Marilyn I. Walker Theatre, said the classic Greek tragedy was the perfect fit for the first mainstage performance of the 2018-19 season.

    “Antigone is one of the oldest examples of a powerful, independent female character in theatre and literature,” he said. “It is eerily unfortunate that this ancient world, in which she was born, has many similarities to the one we currently live in, and through that I think the play really speaks to today.

    “I also think it’s a fantastic challenge for my students to dive into a story that is really valued as such an influential, classical text.”

    Adam Rappold, Assistant Professor in the Department of Classics, worked with Griffin and the cast to dissect the Greek text and highlight major themes of the play pertinent to today’s audiences.

    “It is a work which manages to be, at once, both bewitchingly alien while still also familiar enough that it could have been ripped from today’s headlines,” Rappold said. “More pressingly for our current moment, it is likely the voice and personality of Antigone herself who continues to speak to audiences — a powerful and decidedly female scream of rage against iniquity and oppression, which, even after more than two centuries, refuses to be silenced.”

    With a contemporary approach to an ancient story, this production blends classical text with movement and image-based storytelling and explores a rich score of ensemble choral voices. The adaptation explores a shattered world touched by both contemporary and ancient times through a collage of poetry and physical theatre.

    “My vision is to paint Antigone as a strong woman, with the caveat that a strong woman should not be a stereotype but a norm that we are very familiar with,” Griffin said. “Hopefully her presence in standing up for what she believes in is something that can potentially propel audiences forward to feel confident in thinking that ‘when injustice happens to me, I will stand up for what’s right.’”

    The set and costumes for Antigone were designed by Brock Dramatic Arts Instructor Kelly Wolf, lighting was designed by Chris Malkowski and sound designed by Visual Arts Media Resource Co-ordinator Max Holten-Anderson (BMus ’10).

    The production showcases the talents of students in the DART undergraduate program. Student performers include Catherine Tait, Tristan Holmes, Alexandra Chubaty Boychuk, Matt Burt, Taj-Alexander Crozier, Tyler Simpson, Colin Williams, Mae Smith, Grace Martins, Samantha Rideout, Katie Cole, Diego Blanco, Heather Janser and James Dengate.

    Other student crew members include: Avery Delaney (Dresser), Peter Herbert (Stage Carpenter), Molly Lacey (Dresser), Sid Malcolm (Sound Operator), Heidi Nickel (Lighting Operator) and Jackson Wagner (Props Runner).

    Antigone runs Oct. 26 and Oct. 27 at 7:30 p.m., Oct. 28 at 2 p.m., and Nov. 2 and 3 at 7:30 p.m. There will be a high school matinee on Nov. 2 at 11:30 a.m. The evening performance on Nov. 2 will include an American Sign Language interpreter for members of the deaf and hard-of-hearing community.

    The production will run at the Marilyn I. Walker Theatre at Brock’s Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines.

    Tickets for the show are $18 for adults and $15 for students and seniors. There’s also a $10 group rate and a $5 eyeGo high school program rate available. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

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