Events

  • Lecturer uses theatre to tackle social justice issues

    Director David Psalmon will travel to the Marilyn I. Walker School of Fine and Performing Arts from Mexico as the next presenter in the Walker Cultural Leader Series on Jan. 10 at 7 p.m.


    (From The Brock News, Wednesday, January 2, 2019 | By: Sarah Ackles)

    A night at the theatre can elicit fits of laughter and bring audiences to tears, but can it also serve as a tool for promoting social and political change?

    In a week of workshops and talks hosted at Brock this month, international director David Psalmon will blur the lines between actor and spectator as he explores unique performance-based problem-solving solutions to social justice issues.

    Born in France, Psalmon currently resides in Mexico where he is the director, producer, editor and founder of the multi-awarded theatre company Teatro sin Paredes (Theatre Without Walls).

    Brock Associate Professor David Fancy said Psalmon’s years of experience teaching and directingperformances around the world will make him a “rich addition to this year’s Walker Cultural Leaders Series at Brock.”

    “Psalmon is a real self-starter who moved from France to Mexico 15 years ago and now runs one of the largest theatre companies in the country,” said Fancy. “He is committed to theatre as a means of vibrant social engagement, and always takes the broadest possible view when undertaking his theatre productions.”

    Psalmon’s Theatre Without Walls project has been utilizing Augusto Boal’s Theatre of the Oppressedmethodology since 2001, with the audience and actors working together to perform scenes that tackle a diverse array of social issues such as gender violence, discrimination and racism, and workplace violence. In these workshops, the actors present a problem that needs to be solved and then work collaboratively with the audience to improvise and alter the scene to act out potential scenarios that could address the problem at hand.

    Psalmon will discuss this methodology and his experience working for theatre companies worldwide at a public lecture on Thursday, Jan. 10 at the Marilyn I. Walker School of Fine and Performing Arts. He will also spend two days leading immersive workshops for Brock Dramatic Arts students, where he will explore collaborative theatre-making practices that Fancy said will be extremely beneficial to students honing their craft.

    “Psalmon’s theatre company runs on a collective basis — meaning all members of the company create their theatre productions collaboratively — and allowing our Brock students to see the success of his power-sharing collaborative model will inspire them to create theatre in new ways,” Fancy said.

    The Walker Cultural Leaders Series brings leading artists, performers, practitioners and academics to Brock’s MIWSFPA.

    The sessions, which are generously funded by Marilyn I. Walker, celebrate professional achievement, artistic endeavour and the indelible role of culture in society.

    All of the events are free and open to both students and the broader community. The series offers unique opportunities for the public to experience the work of leading international artists and students to work closely with experts in their fields.

    David Psalmon presents: Towards a Contemporary Political Theatre
    Public lecture, Thursday, Jan. 10 at 7 p.m.
    Marilyn I. Walker Theatre, MIWSFPA

    Workshop for Dramatic Arts students:
    Saturday, Jan. 12 and Sunday, Jan. 13
    11 a.m. to 4 p.m., MIWSFPA

    Learn more about the Walker Cultural Leaders Series on the MIWSFPA Website.

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    Categories: Events, News

  • Antigone sparks public discussion

    There was a full crowd in the Scotiabank Atrium of the Cairns Family Health and Bioscience Research Complex on Oct. 31 for a panel discussion on Antigone and the relevance of the ancient text in today’s world. Participants included, from left, Professors Athena Colman, Roberto Nickel, Elizabeth Vlossak (moderator) and Adam Rappold, as well as Lincoln Mayor Sandra Easton, Antigone Director Mike Griffin and Professor Stefan Dolgert. There are two remaining performances of Antigone on Nov. 2 and 3 at the Marilyn I. Walker School of Fine and Performing Arts.

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    Categories: Events, Faculty & Instructors, News

  • DART Faculty co-direct a Play in Four Hours at Curriculum and Pedagogy conference in New Orleans

    Classroom Territoriality (Left to Right) Joe Norris, Rich Edmonson, Sharon Gile, Rick Breault, Janis McTeer


    A Play in Four Hours

    Using the playbuilding research process,Dramatic Arts Chair Joe Norris and graduate student Kevin Hobbs co-directed delegates at the Curriculum and Pedagogy conference in New Orleans, Oct. 17 and 18.

    After two, one and one-half hour devising sessions, and a one-hour rehearsal, they performed their series of nine vignettes, entitled: The Shape of School, at the closing conference event. The emergent themes included territoriality of classroom spaces, the pervasiveness of heteronormativity in the school yard, forms of administrative control of students and teachers, perceived status of particular schools and competing educational philosophies. It was concluded that these and other issues are strong undercurrents that contribute to the ethos of school experiences.

    Audience members participated in workshopping the scenes through body sculpting and discussions, with one conference delegate claiming that the images and issues would haunt her for some time to come.

     In addition to Norris and Hobbs, the participating playwrights were Rick Breault, Ashland University; Sharon Gile, Claflin University; Janis McTeer, Kent State University; Karen Morris, RJ Reynold High School, North Carolina; Sam Tanner, Penn State University; and Miryam Espinosa-Dulanto, Rich Edmonson, and Zulema Williams all from University of Texas, Rio Grande Valley.

     

    The Shape of Schools (Left to Right) Kevin Hobbs, Sam Tanner, Sharon Gile, Janis McTeer

    Leave it at the Door (Left to Right) Sharon Gile, Janis McTeer, Kevin Hobbs and Rick Breault

     

     

     

     

     

     

     

     

     

     

     

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    Categories: Events, Faculty & Instructors, News, Uncategorised

  • Public roundtable to explore Antigone’s relevance to modern society

    Students in Brock’s Department of Dramatic Arts have been working for months to bring the classic Greek tragedy Antigone to the mainstage this weekend. The production will have a six-show run at the Marilyn I. Walker Theatre in downtown St. Catharines, opening on Friday, Oct. 26. Seen during last week’s media call are actors Catherine Tait (Antigone), left, and Alexandra Chubaty Boychuk (Ismene).


    (From The Brock News, Thursday Oct. 25, 2018 | By Jaquelyn Bezaire)

    Gender inequality, corruption and the conflict between personal beliefs and the laws of society are all at the centre of Brock’s new mainstage production, Antigone.

    And although the classic Greek tragedy is more than 2,500 years old, a roundtable discussion will be held at the University next week to discuss its relevance to today.

    Elizabeth Vlossak, History Professor and Director of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), hopes to delve into the reasons why Antigone is one of the most read, performed and adapted plays in all of dramatic literature.

    On Wednesday, Oct. 31, she will moderate the roundtable that will include a panel of professors from Brock’s departments of Classics, Political Science, Philosophy and Dramatic Arts.

    Faculty, staff, students and the community are invited to join the panellists in the conversation, which begins at 3 p.m. in the Scotiabank Atrium of the Cairns Family Health and Bioscience Research Complex.

    The informative and lively discussion will highlight the importance of Antigone and the connections that can be made across academic disciplines.

    The panellists will explain why Antigone is not only studied in courses about Ancient Greece but is also used to explore political theory, gender dynamics and various religious and moral problems.

    Panellists include professors Roberto Nickel (Classics), Adam Rappold (Classics), Athena Colman (Philosophy), Stefan Dolgert (Political Science) and Mike Griffin (Dramatic Arts).

    Vlossak organized the event in part to promote the upcoming production of Antigone, which opens Friday, Oct 26. The play is presented by Brock’s Department of Dramatic Arts.

    “One of my goals as Director of the MIWSFPA has been to increase student, faculty and public awareness, interest and participation in our programming at the school,” said Vlossak. “But this interdisciplinary panel discussion is also about bridging the two campuses. It’s bringing faculty from different departments together to share their expertise with students and the public, and it’s showcasing how the fine and performing arts can be incorporated into all of our teaching, learning and research, as well as our everyday lives, in meaningful ways.”

    The roundtable will begin by exploring the world of Sophocles and Antigone’s significance in ancient drama and performance.

    Other topics of discussion include the legacy of Antigone in the fields of politics and philosophy, the continued pedagogical value of studying Antigone, and the play’s relevance in the current political climate.

    “Antigone still inspires political rebels today, who find in her obstinate resistance a role model for action in the present,” said Dolgert. “Antigone is for those who refuse to accept the tired cliché that politics is ‘the art of the possible,’ as it is her seemingly irrational affirmation of the impossible that ultimately prevails.”

    Griffin, a Dramatic Arts lecturer and the production’s Director, will join the panel and explain why he chose the play for Brock’s mainstage performance.

    He hopes to “paint Antigone as a strong woman,” and aims to show how themes of the #MeToo movement are reflected throughout the production.

    Antigone runs Oct. 26 and 27 at 7:30 p.m., Oct. 28 at 2 p.m. and Nov. 2 and 3 at 7:30 p.m. There will also be a high school matinee on Nov. 2 at 11:30 a.m.

    The production will be held in MIWSFPA’s Marilyn I. Walker Theatre in downtown St. Catharines. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

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    Categories: Current Students, Events, Faculty & Instructors, News, Performance Season, Plays

  • Antigone explores modern ideas through classic Greek tragedy

    Students in the DART undergraduate program have been rehearsing for months to bring the classic Greek tragedy Antigone to life on stage with a run beginning Oct. 26


    (From The Brock News, Friday Oct. 15, 2018 | By Sarah Moore)

    Sophocles’ Antigone may be more than 2,500 years old, but its relevance to the #MeToo and civil rights movements of today makes it resonate as strongly now as when it was first written.

    The new mainstage production from Brock University’s Department of Dramatic Arts (DART) tells the story of a woman rebelling against patriarchy and the establishment — a woman who is willing to sacrifice everything to stand up for what she believes is right.

    Antigone’s tragic protest against King Creon’s prohibition of mourning her dead brother makes the audience question what choice we have when our personal beliefs conflict with the laws of the state. The play also examines the effects that gender inequality and unbridled power have on society.

    DART faculty member Mike Griffin, who adapted and directs the production that will run at the Marilyn I. Walker Theatre, said the classic Greek tragedy was the perfect fit for the first mainstage performance of the 2018-19 season.

    “Antigone is one of the oldest examples of a powerful, independent female character in theatre and literature,” he said. “It is eerily unfortunate that this ancient world, in which she was born, has many similarities to the one we currently live in, and through that I think the play really speaks to today.

    “I also think it’s a fantastic challenge for my students to dive into a story that is really valued as such an influential, classical text.”

    Adam Rappold, Assistant Professor in the Department of Classics, worked with Griffin and the cast to dissect the Greek text and highlight major themes of the play pertinent to today’s audiences.

    “It is a work which manages to be, at once, both bewitchingly alien while still also familiar enough that it could have been ripped from today’s headlines,” Rappold said. “More pressingly for our current moment, it is likely the voice and personality of Antigone herself who continues to speak to audiences — a powerful and decidedly female scream of rage against iniquity and oppression, which, even after more than two centuries, refuses to be silenced.”

    With a contemporary approach to an ancient story, this production blends classical text with movement and image-based storytelling and explores a rich score of ensemble choral voices. The adaptation explores a shattered world touched by both contemporary and ancient times through a collage of poetry and physical theatre.

    “My vision is to paint Antigone as a strong woman, with the caveat that a strong woman should not be a stereotype but a norm that we are very familiar with,” Griffin said. “Hopefully her presence in standing up for what she believes in is something that can potentially propel audiences forward to feel confident in thinking that ‘when injustice happens to me, I will stand up for what’s right.’”

    The set and costumes for Antigone were designed by Brock Dramatic Arts Instructor Kelly Wolf, lighting was designed by Chris Malkowski and sound designed by Visual Arts Media Resource Co-ordinator Max Holten-Anderson (BMus ’10).

    The production showcases the talents of students in the DART undergraduate program. Student performers include Catherine Tait, Tristan Holmes, Alexandra Chubaty Boychuk, Matt Burt, Taj-Alexander Crozier, Tyler Simpson, Colin Williams, Mae Smith, Grace Martins, Samantha Rideout, Katie Cole, Diego Blanco, Heather Janser and James Dengate.

    Other student crew members include: Avery Delaney (Dresser), Peter Herbert (Stage Carpenter), Molly Lacey (Dresser), Sid Malcolm (Sound Operator), Heidi Nickel (Lighting Operator) and Jackson Wagner (Props Runner).

    Antigone runs Oct. 26 and Oct. 27 at 7:30 p.m., Oct. 28 at 2 p.m., and Nov. 2 and 3 at 7:30 p.m. There will be a high school matinee on Nov. 2 at 11:30 a.m. The evening performance on Nov. 2 will include an American Sign Language interpreter for members of the deaf and hard-of-hearing community.

    The production will run at the Marilyn I. Walker Theatre at Brock’s Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines.

    Tickets for the show are $18 for adults and $15 for students and seniors. There’s also a $10 group rate and a $5 eyeGo high school program rate available. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

    Categories: Current Students, Events, Faculty & Instructors, News, Plays

  • Brock prof and alumna explore circus performance in joint publication

    Associate Professor of Dramatic Arts Karen Fricker and MA graduate Hayley Malouin at the conference Circus and its Others II in Prague this past August. The two have recently published a special double issue of Performance Matters, titled “Circus and Its Others,” exploring questions around circus performance and gender, difference and dis/ability. (Photo by David Konecny)


    (From The Brock News, Tuesday, Sept. 11, 2018 | by Alison Innes)

    For many people, the circus is a place of mystery and wonder, filled with the extraordinary, unusual and strange.

    But what does it mean to be different and what does it mean to perform those differences?

    For Associate Professor of Dramatic Arts Karen Fricker and Brock alumna Hayley Malouin (BA ’15, MA ’17), these questions have led to a joint publication in the emerging field of circus studies.

    The pair launched a special double issue of the journal Performance Matters, titled “Circus and Its Others,” Aug. 28 in Prague at the similarly named Circus and Its Others II conference.

    Inspired by the inaugural Encounters with Circus and its Others conference organized by Fricker with assistance from Malouin in 2016, the publication features contributions from established scholars, graduate students and circus artists from around the world. Many of the contributors were in Prague to participate in the second conference and celebrate at the launch.

    The conference series brings together scholars from around the world to explore questions about the place of difference and “otherness” in contemporary circus.

    “We’re asking questions about circus in a way that allows people who have been working at these questions from different perspectives and different places to jump on board,” says Fricker.

    Malouin, who has an undergraduate degree from Brock in Dramatic Arts, explored ideas of public performance, political protest and public performance of the grotesque as part of her MA in Studies in Comparative Literature and the Arts.

    “Circus is an interesting cultural touchstone because it reflects societal norms about people, community and politics. This is in contrast to the image of circus – which circuses themselves cultivate – as existing on the margins of society,” says Malouin.

    The special issue of Performance Matters was her first foray into academic publishing. In addition to co-editing the issue with Fricker, Malouin worked with other circus scholars, including Brock student Taylor Zajdlik (BA ’15, MA ’17), on a section of the journal exploring questions of queerness and freakery in the circus.

    “It was a great experience to establish myself as someone with those skills,” says Malouin. “I really care about the work, I feel it’s important. It’s a substantial contribution to an emerging field.”

    The special edition also includes work by DART Associate Professor David Fancy on disability and the circus, making reference to a creative research project in which he participated involving intellectually disabled survivors of institutional abuse.

    The questions Fricker and Malouin are researching have application beyond the circus to culture as a whole.

    “What we’re looking at is how questions about difference and otherness play out in certain practices in the contemporary moment,” says Fricker. “And more broadly we’re asking, how do we work to make culture more inclusive?”

    The full issue can be read online for free.

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    Categories: Events, Media Releases, Uncategorised

  • Vocalist Fides Krucker to open Walker Cultural Leaders Series

    Internationally acclaimed artist and vocalist Fides Krucker, far right, will be the first presenter in the 2018-19 Walker Cultural Leaders Series, presenting on Sept. 19. (Photo by Cam MacLennan)


    (From The Brock News, Wednesday, Sept. 12, 2018 | by Sarah Moore)

    An innovative lecture and performance by renowned vocalist Fides Krucker will open the annual Walker Cultural Leaders Series when it returns to the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) on Wednesday, Sept. 19.

    Krucker, a teacher, interdisciplinary artist and singer, will present in Studio C, located in room MWS 251 of the MIWSFPA.

    Working across Canada and internationally, Krucker has devoted 35 years to contemporary vocal practice. Her experience as a singer of contemporary opera and her interest in non-verbal human sound textures, as well as her strong belief in sustainable vocal practices serves as the basis for her emotionally integrated voice teaching method.

    Brock Assistant Theatre Professor Danielle Wilson is especially looking forward to bringing Krucker to the series this year, as her own research on voice and embodiment techniques in the rehearsal process has links to the work Krucker does.

    “I am excited for her to share her unique perspective on the connectivity of breath, voice, body and creative impulse,” said Wilson. “I had heard of Fides for years as a pioneer of voice work and when I saw In This Body, her show at Canadian Stage this past spring, I knew I had to work with her.”

    In her lecture and performance, Krucker will explore voice through non-verbal vocalization. She offers a unique opportunity for connection through breath; to slow down and connect to the deeply felt, unseen parts of body and mind.

    Wilson and Brock Associate Theatre Professor Gyllian Raby had the opportunity to work with Krucker once before on Sabina’s Splendid Brain, a production opening Friday, Sept. 14 at the Walker School.

    That collaboration further cemented Krucker’s well-deserved place as the series’ opener this year.

    “The connection to breath is at the heart of life,” Raby explained. “Fides is an acting teacher who can sing in five octaves and knows the human shape of poetry. I am honoured and inspired to see her work with our students.”

    Krucker’s concert and demonstration is free and open to the public.

    Seating is limited and is being offered on a first-come, first-served basis.

    The concert marks the first event in another great lineup of workshops and performances in this year’s Walker Cultural Leaders Series, bringing leading artists, performers, practitioners and academics to Brock’s MIWSFPA.

    Elizabeth Vlossak, Director of the Walker School, said the series aims to engage students and the community with outstanding programming and cultural opportunities.

    “Our dynamic and impressive lineup of professionals in this year’s series will present content that is engaging and lively while also being challenging and thought-provoking,” she said. “These sessions celebrate artistic endeavour and achievement, as well as the indelible role of culture in our society.”

    2018-19 Walker Cultural Leader Series:

    Alejandro Cartagena

    Public lecture: Oct. 17, 6 p.m., Robertson Theatre, FirstOntario Performing Arts Centre
    Exhibition opening: Oct. 17, 5 p.m., VISA Art Gallery and Student Exhibition Space
    Exhibition runs: Oct. 4 to Nov. 7

    Christine Cucciniello

    Zine-making workshop: Oct. 18, 4:30 to 7:30 p.m., MWS 229A (inside the Learning Commons).
    To reserve a spot, please contact Catherine Parayre at cparayre@brocku.ca

    David Jalbert

    Masterclass for piano students: Nov. 16, 2:30 to 4 p.m., Cairns Recital Hall, FirstOntario Performing Arts Centre
    Public recital (part of the Encore Series): Partridge Hall, FirstOntario Performing Arts Centre, at 7:30 p.m.

    David Psalmon

    Public talk and workshop: Towards a Contemporary Political Theatre
    Jan. 10 at 7 p.m., Marilyn I. Walker Theatre

    Alinka Echeverria

    Public lecture: Looking Back to Look Forward: The History of Photography in Contemporary Image-Making
    March 7 at 6 p.m., Robertson Theatre, FirstOntario Performing Arts Centre
    The Road to Tepeyac: Opening Reception March 7 at 5 p.m., VISA Gallery
    Exhibition runs March 5 to 26

    Walker String Quartet

    Vera Alekseeva and Anna Hughes (violin), Faith Lau (viola) and Gordon Cleland (cello)
    RBC Music@Noon performance: March 5, Cairns Recital Hall, FirstOntario Performing Arts Centre

    Adam Dickinson

    Author’s talk: March 18 from 1 to 2 p.m., MWS 156

    Shawn Serfas, Adam Dickinson and Lorène Bourgeois

    Serfas, Dickinson and Bourgeois will be celebrated during a book launch through Small Walker Press, which publishes books by professors and students at the MIWSFPA and in the Humanities.
    Guest speaker: acclaimed artist/critic John Kissick
    TBD, week of May 6, MWS 156

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    Categories: Announcements, Events, News

  • Sabina’s Splendid Brain opens at MIWSFPA Sept. 14

    Cellist Grace Snippe (BMus ’16), left, and Danielle Wilson bring the story of 20th century psychoanalyst Sabina Spielrein to life in Sabina’s Splendid Brain. The performance opens on Sept. 14 at the Marilyn I. Walker School of Fine and Performing Arts. (Photo by George Enns.)


    (From The Brock News, Wednesday, Sept. 5, 2018 | by Sarah Moore)

    While Sigmund Freud and Carl Jung have become synonymous with psychoanalysis, the name Sabina Spielrein might leave you drawing a blank.

    The Stolen Theatre Collective hopes to change that by bringing the rarely told story of the Russian-Jewish psychoanalyst to life in a new production at Brock beginning next week.

    Sabina’s Splendid Brain, which opens Sept. 14 at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), chronicles the life of the tenacious and passionate Spielrein as she struggles through the circumstances of her family, her education and her therapy, the professional barriers facing women and wartime anti-Semitism.

    Spielrein was often known in relation to her famous colleagues: first as a patient, then as a lover of Jung, and later as a student and friend of Freud. As a psychoanalyst in her own right, however, she moved beyond them both to become one of the great thinkers in 20th century psychology.

    Her work was all but wiped from the history books due to Joseph Stalin’s repression of intellectuals and the Nazi invasion of her hometown of Rostov-on-Don, where she and her daughters were killed. Her diaries were recently discovered, however, and her publications were re-examined to reveal the profound impact that her work had on her teachers and peers.

    “Sabina had to fight for her voice,” said Brock Associate Theatre Professor Gyllian Raby, the production’s Director. “She walks the boundary between genius and delusion, and this production invites the audience to experience her journey from a screaming teenager with spittle in her hair to the woman who wowed Freud’s intellectual Vienna Circle.”

    Scripted by Carol Sinclair, Sabina’s Splendid Brain is rendered on stage in sets by Nigel Scott, projections by Karyn McCallum and lighting by James McCoy (BA ’14), and features performances by Brock Assistant Theatre Professor Danielle Wilson and cellist Grace Snippe (BMus ’16).

    “This is a project that fully explores the interdisciplinarity between the arts that was the founding dream of the Marilyn I. Walker School of Fine and Performing Arts,” said Wilson, who is also the co-founder and co-artistic director of Stolen Theatre Collective. “Music, theatre and philosophy are a natural trio in this story of how psychoanalysis helped shape modern consciousness.”

    Fides Krucker, a Canadian interpreter, vocalist, opera singer and teacher, collaborated on the interdisciplinary production with Stolen Theatre. Her innovative vocal techniques and interdisciplinary work will be further highlighted later this month as part of the Walker Cultural Leaders Series on Wednesday, Sept. 19 at the MIWSFPA.

    Sabina’s Splendid Brain opens with back-to-back weekend performances Sept. 14, 15, 20, 21 and 22, all beginning at 7:30 p.m. Additional matinee performances will take place on Sept. 16 and 23 at 2 p.m.

    All performances are held at the Marilyn I. Walker Theatre in the Marilyn I. Walker School of Fine and Performing Arts, located at 15 Artists’ Common in St. Catharines.

    Tickets are pay-what-you-can-afford ($10, $25, $40 and $55) and can only be purchased in advance through the FirstOntario Performing Arts Centre box office.

    Limited paid parking is available on-site, but city parking is available within close proximity to the venue.

    For more information on the production, please contact info@stolentheatrecollective.ca

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    Categories: Alumni, Events, Faculty & Instructors, News, Plays

  • Orientation activities planned for first-year DART Students

    As a new student enrolled in the Department of Dramatic Arts, you are invited to The New Student Welcome and Academic Orientation as your official welcome to Brock University on September 4! The orientation begins at 8 a.m. in the Ian Beddis Gym, where you’ll hear from President Gervan Fearon and enjoy an inspirational keynote to begin your day and kick-start your term. Afterwards, you are welcome to connect with your faculty and upper year student mentors to receive important information about academic supports and resources. Then, go check out the vendor and welcome fair, take a campus tour and to locate your classes, and get an orientation to the Brock Library. * Don’t forget to register for this orientation at Experience BU.

    You are invited to then attend the Faculty of Humanities orientation session, beginning at 10:00 a.m. in the Sean O’Sullivan Theatre on Brock’s main campus.

     


    First-year MIWSFPA mixer and lunch
    open to students in all departments at the miwsfpA

    September 4

    12 to 1:30 p.m.

    MIWSFPA lobby

    Downtown St. Catharines

    15 Artists’ Common

     


    There will also be a special orientation planned for DART students specifically, taking place at the end of September:

    Dramatic Arts orientation

    Sept 24: 6 to 8 p.m.
    MIWSFPA Theatre
    15 Artists’ Common

     

     

     

     

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    Categories: Announcements, Current Students, Events, News

  • Dramatic Arts grads in Toronto Fringe Festival spotlight

    (From The Brock News, Tuesday, August 18, 2018)

    Two plays featuring Brock Dramatic Arts graduates will be playing this week in Toronto as part of the Best of Fringe.

    First Dates, a play about love, loss and people aching to connect, is written and directed by Niagara Falls native and former DART student Wes Berger and features music by his brother, musician and Brock alumnus Aaron Berger (BA ’17).

    Also featured during the Best of Fringe event is Anywhere, the newest work by award-winning playwright Michael Ross Albert starring Brock alumna Cass Van Wyck (BA ’13). The thriller, set in an Airbnb, follows a cordial relationship between strangers that escalates into a tense battle for control.

    Anywhere and First Dates were both selected as 2018 Patron’s Picks at the Toronto Fringe Festival.

    “On behalf of the department, we want to congratulate Wes, Cass and Aaron,” says Professor Joe Norris, Chair of the Department of Dramatic Arts. “As always, we celebrate our students’ successes and are pleased their hard and talented work is recognized in the Ontario theatre community.”

    The Toronto Fringe Theatre Festival provides opportunities for emerging and established artists to share their productions with the community in an affordable and accessible way. The Best of Fringe remounts selected productions at the Studio Theatre, Toronto Centre for the Arts to give patrons a second chance to see the shows.

    Also in July was the Hamilton Fringe Festival, which showcased another production filled with Brock talent. September Songs was directed by Colin Bruce Anthes (BA ’14) and featured five Brock grads. The show will be coming to the FirstOntario Performing Arts Centre Nov. 1 to 3.

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    Categories: Alumni, Events, News, Plays