Current Students

  • Brock artists to draw inspiration from new bursary

    Through a gift to Brock’s Marilyn I. Walker School of Fine and Performing Arts, Paul Green and Ginny Medland-Green are supporting students who’ve chosen to pursue a career in the arts.


    Originally published in The Brock News | FRIDAY, JANUARY 27, 2023 | by 

    When Ginny Medland-Green and Paul Green toured Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) early last year, they left impressed by the community that exists for young artists at the downtown school.

    The couple, who have a deep love and appreciation for the arts, moved to Niagara-on-the-Lake seven years ago and have been pleasantly surprised by the cultural richness of the region. Through a recent gift in support of the MIWSFPA, they hope to support the study of the arts for students and showcase the impact their work can and will have on communities such as Niagara.

    “It’s courageous to study fine and performing arts at university and set a goal to be a working artist,” Medland-Green said. “We hope our bursary will inspire students to set both imaginative and practical goals for their capstone project and assist financially in a way that energizes them as they work creatively and tirelessly in what is a very competitive environment.”

    Currently taking applications, the Medland and Green Inspiring Artists Bursary is open to all third-year Honours students enrolled in Dramatic Arts, Music and Visual Arts at the MIWSFPA. The bursary has been established to assist students pursuing a unique opportunity such as travel, an internship or training that will benefit their upcoming capstone project or production, taking place in the 2023-24 academic year.

    “The Greens’ gift is a true investment in the future of our students, our downtown campus and the arts in our community,” said Sonia Dupte, Executive Director, Development and Campaigns. “Through its endowment, it will impact generations of inspiring artists at Brock.”

    From the onset of conversations with Brock and the MIWSFPA about the gift, Medland-Green and Green emphasized the importance of the bursary supporting a learning activity that not only excites the student recipient, but also professionalizes and shapes their career path in the arts.

    Linda Carreiro, Associate Dean of Fine and Performing Arts, commended the uniqueness of the bursary and the opportunities it will support for students at the downtown arts school.

    “Students at the Marilyn School are lucky to have a variety of awards established to support them throughout their studies,” she said. “The Medland and Green Inspiring Artists Bursary is unique in the way that it really hones in on the learning and professional development that often happens outside of a classroom.

    “Financially supporting students to pursue an opportunity they’ve identified to advance their own learning will not only inspire them towards a career path, but will also instil confidence that their skills are important and they can in fact make a living by pursuing a career in the arts,” Carreiro said.

    Interested applicants are invited to submit a short proposal (up to 500 words) and budget for the event, project or opportunity for which they are requesting funding. The submission should also include how the funding will assist in the application of their final-year project or production.

    Comprehensive applications, which include the proposal and budget, can be submitted to Brock’s Awards and Bursaries web page and will be reviewed by an advisory committee. The deadline for submissions is Friday, Feb. 10 at 4 p.m.

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    Categories: Alumni, Announcements, Current Students, Faculty & Instructors, Future students, In the Media, News

  • Brock mainstage production puts human behaviour, climate crisis in spotlight

    Brock University Dramatic Arts students will explore a variety of complex topics in AnthropoScene, this year’s fall mainstage production.


    Originally published in The Brock News | FRIDAY, OCTOBER 28, 2022 | by Charles Kim

    Brock University’s Department of Dramatic Arts (DART) is inviting the community to experience a journey through time and place in AnthropoScene.

    The fall mainstage production explores how the alienation that results from humans’ supremacist behaviour towards one another contributes to the climate crisis, as well as engages the ethics of theatricalizing the present climate emergency.

    AnthropoScene playfully mingles elements of Shakespeare’s The Tempest, real-life figures including Toussaint L’Ouverture and various youth climate justice activists, and fictional characters across multiple locations and time periods.

    The production, which debuts Friday, Oct. 28 and continues into the first week of November, involves one of the largest groups of students, faculty and staff in recent years. Twelve DART students will perform, as 30 others assist in creative and backstage roles. This original work is written and directed by David Fancy, designed by David Vivian, and choreographed by Trevor Copp and Colin Anthes, with live music performed by Devon Fornelli.

    “I’m so pleased at the skill and talent of the many students involved in creating this production, from actors to assistant designers, directors and sound designers — the list goes on,” says Fancy, a Brock DART Professor.

    Conveying so many complex elements within the production has been no easy task, but one the cast and crew have handled impressively, he says.

    “Our Dramatic Arts students have really shown courage and insight in dealing with the challenging materials that this play covers: self-harm, racism and environmental harm,” Fancy says. “They have also brought great verve and joy to the choreography, company dance numbers and comedic aspects of the project.”

    To help immerse audiences in multiple locations and time periods, the Marilyn I. Walker Theatre has taken on a new form.

    “I imagine the audience having an experience of poetry, drama, comedy, dance, beautiful design, light and sound that will transport them to different places and times,” Fancy says. “I’ve configured the theatre differently than it usually is in order to help the audience feel they are being brought somewhere else.”

    AnthropoScene opens Friday, Oct. 28 at 7:30 p.m., with additional performances on Oct. 29 and 30, and Nov. 4 and 5. All shows take place at the Marilyn I. Walker Theatre in Brock’s Marilyn I. Walker School of Fine and Performing Arts in Downtown St. Catharines.

    roundtable discussion, also open to the public, will take place on the production stage Wednesday, Nov. 2 at 6:30 p.m., with a panel of experts from Brock and other institutions discussing topics related to staging planetary evolution and destruction.

    Brock Professor of Art Education Fiona Blaikie will lead the discussion alongside Fancy; Vivian; Christine Daigle, Professor of Philosophy and Director of Brock’s Posthumanism Research Institute; Katrina Dunn, Assistant Professor in the University of Manitoba’s Department of English, Theatre, Film and Media; Lin Snelling, a dancer whose artistic practice brings the qualities of improvisation into dance, theatre, writing, visual art and somatic practice; and Priya Thomas, Assistant Professor of Dramatic Arts at Brock.

    Tickets for AnthropoScene are $20 for the general public and $16 for students and seniors. For a full schedule of performances or to purchase tickets, visit the Brock University Tickets website.

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    Categories: Announcements, Current Students, Events, Faculty & Instructors, Future students, In the Media, Media Releases, News, Performance Season, Plays

  • Voice exploration workshop to be hosted at downtown arts school

    Diane Roberts is the founder of the Arrivals Personal Legacy Process, which draws on 30 years of experience and 12 years of focused artistic research.


    Originally published in The Brock News | WEDNESDAY, OCTOBER 19, 2022 | by Charles Kim

    A new workshop this winter will help participants develop a deeper understanding of and stronger relationship with their voice.

    Breathing New Legacies Forward, a Moving Voice Institute intensive, will be hosted Thursday, Dec. 15 to Sunday, Dec. 18 at Brock University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) in downtown St. Catharines. Led by industry specialists Gayle Murphy, Diane Roberts, Gary Logan and Gerry Trentham, Founder and Artistic Director of Pounds Per Square Inch Performance (lbs/sq”), the four-day workshop explores transformative vocal and physical explorations that extend range and deepen presence.

    “It’s a process that is different for everyone,” says Department of Dramatic Arts Associate Professor Danielle Wilson. “There is a connection between the voice, breath and body that the Moving Voice Institute researches. We are excited to have them come to the MIWSFPA this winter and lead this exploratory retreat devoted to the voice.”

    Through the course of this workshop, participants will examine and experience the connections between voice, text and breath in the morning sessions. In the afternoon, participants will work alongside Roberts, an African-Caribbean Canadian theatre practitioner and educator.

    Roberts is the founder of the Arrivals Personal Legacy Process, which draws on 30 years of experience and 12 years of focused artistic research. This work invites participants to consider ancestry as an essential aspect of evolving authority in their voice and body presence.

    Wilson expressed a deep interest in the process because of the strong ties to her personal research in voice and performance.

    “I wanted to experience the Arrivals Legacy work. Participating in the process is essential because voice work is a somatic practice. Experiencing the work is the research,” Wilson says. “We all have a relationship with our voice and this intensive gives participants an opportunity to deepen their relationship with their voice and own their unique sound, regardless of what they do professionally.”

    Breathing New Legacies Forward will be the first voice workshop since before the COVID-19 pandemic.

    Wilson says being connected and in the same room as those who are exploring, hearing and finding their voice is truly special. She encourages anyone interested to take this opportunity to discover a deeper connection with their voice.

    This workshop is open to all Brock community members and the public. More information can be found on the lbs/sq” website. Registration is now open, with early bird registration closing on Tuesday, Nov. 1.

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    Categories: Alumni, Announcements, Current Students, Events, Faculty & Instructors, In the Media, News, Visiting Artists

  • Annual Dramatic Arts Orientation brings students, faculty, and staff together

    Department of Dramatic Arts Chair Jennifer Roberts-Smith makes opening introductions to students, faculty, and staff.


    The annual Department of Dramatic Arts Orientation was held on Sept. 13, 2022. This event was an opportunity for all new and returning students to meet with the staff, faculty, and organizations they would be interacting with this upcoming year.

    Department Chair, Jennifer Roberts-Smith, started with opening remarks and then welcomed all faculty and staff members to the stage. Cheers filled the theatre as the faculty and staff introduced themselves and the roles. Associate Professor Danielle Wilson, who is DART’s Undergraduate Program Officer, hosted and welcomed other theatre-associated groups and clubs that are open to all students.

    With introductions out of the way, students were sent off in groups throughout the Marilyn I. Walker School of Fine and Performing Arts on a scavenger hunt. This allowed many new students to become more familiar with the facilities and befriend some upper-year classmates with more experience in their programs. This opportunity was an enriching and fun-filled event that brought the department together and provided some much-needed introductions as the new academic year begins to shape.

     

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    Categories: Current Students, Events, Faculty & Instructors, News

  • Brock alumni, faculty take spotlight at Hamilton Fringe

    Rebekka Gondosh (right) worked with Spark Intensive participants during their rehearsals for their Hamilton Fringe Performance. (Photo Courtesy of Joginder Singh)


    Originally published in The Brock News | TUESDAY, AUG. 9, 2022 | by

    When the Hamilton Fringe Festival got underway last month, Brock alumni and faculty not only shared their talent on stage, but also used their knowledge to inspire the next generation of performers.

    Among the artists who participated in the theatre festival, which returned July 21 to 30 after a two-year pandemic hiatus, were Department of Dramatic Arts (DART) alumni Rebekka Gondosch (BA ’12), Diego Blanco (BA ’21), Holly Hebert (BA ’21) and Asenia Lyall (BA ’22), as well as DART Associate Professors Gyllian Raby and Danielle Wilson.

    A high school Dramatic Arts and English teacher with the Hamilton-Wentworth District School Board, Gondosch led the festival’s Spark Teen Intensive — a performance program for youth ages 13 to 18 living or studying in Hamilton.

    Through Spark, participants learn practical devising skills, work with local guest artists in a variety of disciplines such as movement, poetry, storytelling, theatre and music, and create an original performance piece that is performed during Hamilton Fringe.

    In addition to teaching for the past six years, Gondosch has been busy working with Passing Through Theatre and Light Echo Theatre, sharing her poetry as part of Suitcase in Point’s In the Soil Festival and creating works of her own. She recognizes the growing need for arts and performance programs in youth education and is doing what she can to help nurture the arts locally.

    A woman with a clown nose

    Brock University Dramatic Arts Associate Professor Danielle Wilson performed in the production Stage Fright as part of Hamilton Fringe Festival.

    “A hope I have for the Spark program is that it might encourage young emerging artists to continue making art in Hamilton,” she says.

    Meanwhile, fellow Brock alumni Blanco, Hebert and Lyall produced an original one-act play, Thy Name is Woman, at Hamilton Fringe through their new self-producing company, Into The Abyss Theatre.

    “Several of DART’s upper-year classes provide students with devising and production skills, as well as encouragement to go out and voice their ideas,” says Raby. “We are proud to see these fine artists making their mark.”

    Also taking part in the Fringe Festivities was Raby, who partnered with Wilson on a new production of their own, Stage Fright. The dynamic duo looked to trigger and assuage performers’ worst fears while getting in a few laughs along the way.

    Stage Fright was built on playwright Wilson’s experiences through the COVID-19 pandemic, including attachment to technology, social media consumption and her newfound interest in the art of clown.

    Wilson makes it a point to indicate that clown goes beyond the archetype popularized by circus.

    “Clown is a state of creative play and a state of connection with the audience. You don’t know what the clown is going to do next — the clown comes from the person who is performing. It’s a state of openness to failure,” she says.

    Raby assisted Wilson with dramaturgy and direction, dissecting and exploring the multi-faceted elements of stage fright — a condition of psycho-physical paralysis experienced by most people.

    “Death, taxes and speaking in public are top fears,” Raby says.

    Wilson adds the little-known fact that since many performers are introverts, they are even more deeply affected by stage fright.

    “I was eager to get back on stage, since 2018 was my last performance,” Wilson says. “It’s important to stay in touch with all that it takes to perform, along with the fear that it takes.”

    Reflecting on the the existential humour of the show, Raby says: “How can something so terrifying, and so intellectually fascinating, be so light and funny?”

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    Categories: Alumni, Announcements, Current Students, Events, Faculty & Instructors, In the Media, News, Performance Season, Plays

  • Canada Games Research Spotlight: Karen Fricker

    Associate Professor of Dramatic Arts Karen Fricker is leading a research team that is exploring connections between water sports, circus and spectators through their project “Circus on the Canal.”


    Originally published in The Brock News| THURSDAY, JULY 07, 2022

    NOTE: This is the latest in a series of Q&A stories featuring Brock University faculty members who are integrating the Niagara 2022 Canada Summer Games into their research projects. For more information on Brock’s academic activities around the Games, visit brocku.ca/canada-games

    Karen Fricker, Associate Professor of Dramatic Arts, is author of the monograph, The Original Stage Productions of Robert Lepage: Making Theatre Global, which recently won the Canadian Association of Theatre Research’s 2022 Ann Saddlemyer Award for the best book on a Canadian theatre studies topic published in a given year. She is the co-director of the international research project Circus and its Others, a theatre critic at the Toronto Star and is involved in a number of research projects about the future of theatre criticism.

    Fricker is one of 11 Brock researchers and scholars who received funding under the 2020-21 round of the VPR Canada Games Grant program. Here, she discusses her research project titled “Circus on the Canal: Exploring connections between water sports, circus and spectators.” 

    Please give a brief overview of your research project. 

    Circus on the Canal is a collaboration between me and circus artist and producer Holly Treddenick of Femmes du Feu Creations, who is based in downtown Welland at the Bank Arts Centre.

    This summer, we are working on the second phase of this project; this phase, and the first phase, have been funded by the VPR Canada Games Grant program. In this phase, Holly will work with two Brock student athletes — one a diver, the other, swimmer Ashley Falconer — in further developing choreography for a circus performance inspired by the athletes’ physicality and embodiment. Initial work on this choreography happened during the first project phase in the summer of 2020. The project also involves Welland-based Indigenous artist Kitsuné Soleil, who is working with Holly on incorporating knowledge about the local waterways into the performance. Hamilton-based designer Tanis McArthur is the costume designer, and a local musician will also be part of the project.

    What do you expect will be the outcome of your research? 

    The outcome of this phase of the research will be an in-progress performance taking place Aug. 11 or 12 at the Lincoln Docks in Welland, at sunset. The audience for this free performance will include invited guests as well as any members of the community who would like to attend.

    How will this contribute to knowledge or understanding of the Canada Summer Games?  

    A central goal of the production is to explore links between high-performance athleticism and circus performance, both of which involve intensive physical training and a deep connection to the relationship between mind and body. The performance is intended to inspire audiences to consider these links and to appreciate the skill, dedication and mastery of Canada Games athletes and circus performers alike. The performance, which will be outdoors and highly visible, will heighten local awareness of the Games. The performance is also likely to enhance the experience of sports spectators and sportspeople by adding a creative and aesthetic element to the Games.

    How did you become interested in this research? 

    Contemporary circus is one of my central areas of research as a theatre and performance scholar. I am the co-director of the Circus and its Others (CaiO) international research network, which has organized three conferences (Montreal, 2016; Prague, 2018; Davis, 2021). We’re in the early stages of planning the next conference in Colombia in 2023 and are working on a co-edited special journal issue following the 2021 conference. It’s through my CaiO work that I got to know Holly, who is a dynamic producer and artist, and is passionate about bringing circus to Welland and the Niagara region, which is underserved for arts and culture.

    How do you plan on sharing your research?

    The outcome of this phase of the project is the public work-in-progress performance in August. There will be a social media campaign in the run-up to the performance that will further share knowledge and information about it.

    Do you have any advice or tips on how colleagues in your Faculty can incorporate the Canada Games into their research? 

    Be creative and think laterally!

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    Categories: Alumni, Announcements, Current Students, Faculty & Instructors, Future students, In the Media, Media Releases, News, Visiting Artists

  • Brock mourns loss of champion of Dramatic Arts

    Mary-Jane Miller (right) with her late husband Jack Miller shortly before her retirement in June 2004.


    Originally published in The Brock News FRIDAY, JUNE 29, 2022 | by 

    The Brock community is deeply saddened by the recent passing of Mary-Jane Miller, who spent 36 years with the Department of Dramatic Arts (DART).

    Miller, who began teaching at Brock in 1968 and served as both Associate Professor and Chair of the department during her tenure, passed away peacefully at home on June 22.

    A crucial member of the DART program, she was part of the early academic cohorts at Brock.

    Miller’s level of dedication and commitment over her 36 years with the University still resonates with many.

    DART Associate Professor Gyllian Raby has many fond memories of Miller, who impacted not only the department, but also its students.

    “MJ set an example, consciously; she was a teacher in her every move. Her profound sense of duty made her step up for several years after her migraines undermined her desire to Chair the Department of Dramatic Arts,” Raby says. “She didn’t want to retire until she felt our fledgling department was stable and had found its identity; she cared so very deeply.”

    DART Professor David Fancy says Miller “left a very strong legacy of commitment to theatre and dramatic arts in the Humanities and at Brock.”

    “She was a key architect to the development of the Department of Dramatic Arts in the 1960s and ’70s,” he says.

    After retiring in 2004, Miller went on to become Professor Emerita, maintaining strong ties to the Brock Dramatic Arts community.

    Miller and her late husband, Jack Miller, who passed away in 2016 and also had a significant impact on the University, are remembered for their lasting contributions.

    “Their combined generosity to the department was legion and they led forward with a most steady and loving personal relationship that taught me about the beauty of being quietly grand in later years,” says David Vivian, Associate Professor of DART and Director of the Studies in Arts and Culture (STAC).

    Miller’s family will receive friends on Friday, July 1 from 11 a.m. to noon at Patrick J. Darte Funeral Chapel, 39 Court St., St. Catharines, with a memorial service to follow in the chapel.

    Memorial donations to either the Stephen Lewis Foundation or the Brock University Scholarship Fund would be appreciated by the family.

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  • Dramatic Arts criticism course returning to in-person theatre

    Image caption: Students in DART 3P94 Theatre Criticism will be experiencing a variety of live productions this summer after two years of digital offerings.

    Originally published in The Brock News | MONDAY, APRIL 18, 2022 | by 

    After two years of viewing performances online, Brock University students learning the art of theatre criticism will experience indoor, in-person theatre at the celebrated Stratford Festival and Shaw Festival Theatre.

    DART 3P94 Theatre Criticism is an online intensive Summer Term course run between July 11 and 22, bolstered by field trips to see live productions at Canada’s leading theatre companies.

    Taught by Karen Fricker, Associate Professor of Dramatic Arts and theatre critic for The Toronto Star, the course introduces students to the practical craft of theatre criticism and dives into the theoretical background of the discipline.

    Fricker said that after two years of running the course during the pandemic and having students review digital theatre exclusively, it will be thrilling to view live productions again.

    “Both the Shaw and Stratford Festivals have full indoor seasons this year and I’m looking forward to bringing the course to shows there,” she said. “We’re setting up some post-show talks so that students will be able to ask questions about the productions they’ve seen with the artists who made them.”

    Stratford Festival is welcoming back audiences beginning in May with a season theme of ‘New Beginnings’ and featuring plays such as Hamlet and Little Women and the musical Chicago. The largest classical repertory theatre in North America celebrates a its milestone 70th year in 2022.

    Shaw Festival Theatre, in its 60th season, will feature 13 plays across three stages in Niagara-on-the-Lake. Productions include The Importance of Being EarnestEverybody and The Doctor’s Dilemma.

    After seeing productions, students will write and discuss responses to them and learn about alternative, digital, performative and visual forms of critical response, while engaging with theatre culture.

    Registration for Spring/Summer courses is now open through the Admissions website. Students interested in learning more about the course are encouraged to contact Fricker at kfricker@brocku.ca

    Learn more about the 2022 seasons at Stratford Festival and Shaw Festival Theatre online.

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  • Brock Mainstage production to take audiences on magical bike ride

    Image caption: Dramatic Arts Mainstage actor Yasmine Agocs rehearses a scene from the upcoming production of Red Bike by Caridad Svich, opening Friday, March 4 at the Marilyn I. Walker Theatre.

    Originally published MONDAY, FEBRUARY 28, 2022 in The Brock News | by 

    Through an epic journey on a beloved red bicycle, an 11-year-old girl reflects on the small town she sees before her, taking audiences along for the ride. Venturing to the outer edges of town and encountering challenges unlike any she has ever experienced, she must face her fears to see the world in a new way.

    The Brock University spring 2022 Mainstage production of Red Bike brings the poetic words of celebrated playwright Caridad Svich to life with an exhilarating performance exploring movement, physical theatre and puppetry.

    Dramatic Arts student and Red Bike cast member Arnelle Douglas in
    rehearsal at the Marilyn I. Walker School of Fine and Performing Arts.

    The show runs March 4, 5, 11 and 12 at 7:30 p.m. and March 6 and 12 at 2 p.m. at the Marilyn I. Walker Theatre at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    The production’s unique style of fractured storytelling explores diverse themes as seen through the eyes of a child, including capitalism, consumerism, gentrification, globalization, immigration and isolation. Director and Dramatic Arts Instructor Mike Griffin was drawn to the play because of its whimsical nature.

    “While reading the play, I became a kid again; running out of the house to go on adventures down the street. Red Bike is the perfect balance of getting lost in imagination while reflecting on society,” he said.

    One of six actors in the all-female cast, fourth-year Dramatic Arts student Asenia Lyall said the unique script and dialogue provided her with a valuable opportunity to explore her creativity.

    “Being a part of Red Bike meant working with a small cast to tell a complicated and wonderful story in an unconventional way,” she said. “Learning how to perform this kind of script is a great opportunity for me as an actor. Embracing the abstraction and surrealism of the piece is something I’ve learned from.” While the cast and crew faced various challenges mounting the show during a pandemic, both the director and actors feel there was a silver lining.

    “We have bonded together as a community to create something fantastic,” Griffin said. “For me, the community that emerges out of the creative process is the reason that I keep doing theatre.”
    Lyall agreed, adding that creating theatre during the pandemic has taught her how to be flexible as an artist.

    “There is a real sense of humanity in this play, with a lot of exciting moments and big reveals that I think audiences will enjoy,” she said.

    The MIWSFPA will welcome a live audience for the production to the Marilyn I. Walker Theatre at the downtown arts campus in St. Catharines. In the interest of student and audience member safety, the theatre is operating at a reduced capacity with 120 seats available for each performance.

    Tickets are $20 for the public, $16 for youth and seniors and $15 for Brock students. Tickets may be purchased through Brock University Tickets. All provincial and Brock University COVID-19 protocols are in effect for the performances, including mandatory vaccination and masks for all audience members visiting the MIWSFPA.

    All visitors to Brock University and MIWSFPA must complete the Brock University Self-Screening Tool.

    The all-female cast of the upcoming Brock University production of Red Bike by Caridad Svich includes (from left) Asenia Lyall, Arnelle Douglas, Yasmine Agocs, Joanna Tran, Abby Malcolm and Sarah Row.

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  • Performing arts production professionals bring ‘real world’ experience to MIWSFPA students

    The MIWSFPA welcomes leaders in live performance production and company operations for two presentations about challenges and opportunities in the field, bringing ‘real world’ experience to STAC/DART 3P93 students.

    All are welcome to a maximum of 17 guests. Bring your questions!
    Please contact stac@brocku.ca if you wish to reserve a seat (walk-in’s welcome as capacity allows).

    EVENT INFORMATION:

     

    Site Selection and Development for a Performance Event
    Kathleen Ross, Director of Operations, FirstOntario Performing Arts Centre
    Tuesday, February 8, 2022
    9:30-10:30 a.m., MWS 156

     

     

    Kathleen will be discussing the topic of Site Selection and Development for a Performance Event, addressing such topics as: selecting a site; space requirements – production (staging layouts, technical requirements, load in/load out requirements, broadcasting, or other capabilities); audience capacity (seating capacity and layout, accessibility, parking, transit); front of house requirements (staffing, box office, food and beverage options and costs); legal and safety issues.

    Kathleen Ross is an experienced operations professional with a focus on the most valuable asset…our human capital. She has an extensive history of working in government administration and entertainment industries, and is skilled in Emergency Procedures, Human Resources Management, Disability Management, Special Events and Entertainment.

    The FirstOntario Performing Arts Centre (PAC) is a 95,000 square foot academic and  cultural complex, located in downtown St. Catharines, comprised of four performance venues:  Partridge Hall  (770 seats), Recital Hall (304 seats), Robertson Theatre (flexible black box space) and The Film House (199 seats). Located adjacent to the MIWSFPA, Brock University students attend courses and perform at the PAC.

     

     

    Production Priorities
    Kate Leathers, General Manager, Carousel Players.
    Tuesday, February 15, 2022
    9:30-10:30 a.m., MWS 156

     

     

     

    Kate will be discussing Production Priorities, including such topics such as: The roles and responsibilities associated with various productions; co-ordination of creative and production priorities and requirements; production planning, contracting, legal, safety and human resources issues; consideration of planning a safe event in re-opening theatres (Covid-19).

    Kate Leathers has worked in the cultural sector for more than 20 years. She has held a variety of roles ranging from administrator to production technician and worked at dozens of theatres including the Shaw Festival and more across Canada. She has an MBA in Strategic Marketing. Currently Kate is planning Carousel Players’ 50th Anniversary Festival that will take place regionally over three days.

    Carousel Players present inspiring and creative plays for children ages five to 15 in schools, community venues, and performing arts centres across Southern Ontario. The company has also toured nationally to theatres and festivals in Ottawa, Montreal, Winnipeg, Calgary, Saskatoon, and Vancouver, and as far away as England and Japan.

    About STAC/DART 3P93 – Producing a Performance Event

    STAC/DART 3P93 introduces students to the commitment, hard work, and collaboration required to plan and execute a performance event. Students have the opportunity to bring their practical and leadership skills to work with their peers as a team to replicate a professional experience, including financial, organizational, communication and technical roles. In 2022 this course is taught by Jill Planche, PhD. Jill has a professional background in marketing and fundraising for theatre, opera, film and visual arts, including the Shaw Festival, TIFF and the McMichael Gallery.

    Please note: All Brock University COVID-19 protocols and vaccination policies apply. For more information, please visit Brock’s Coronavirus webpage.

     

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