Articles tagged with: Department of Dramatic Arts

  • Wardrobe experience leaves Dramatic Arts grad on pins and needles — in the best way

    Image caption: Dramatic Arts graduate Nav Brar discovered his passion for wardrobe and costume design at Brock’s Marilyn I. Walker School of Fine and Performing Arts, where he contributed his skills to creating costumes for performances.

    published Wednesday, June 10, 2026 in The Brock News | by 

    Nav Brar found an unexpected new passion woven into the fabric of his Brock University experience. Though he’s had a lifelong love for the stage, the Dramatic Arts (DART) graduate wasn’t sure where his academic path would lead when he first arrived at Brock — that is, until he stepped into Wardrobe at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA). Now, Brar is forging ahead with purpose after earning his degree and being honoured with the 2026 Marilyn I. Walker School of Fine and Performing Arts Textile Award at Brock’s 119th Convocation on Wednesday, June 10. Always more focused on acting and writing, Brar had never pictured himself in theatre production. Then came his a first-year DART production course, which ignited his passion for fabric and materials. In his third year, he landed the role of Assistant Head of Wardrobe, learning from and working with DART’s Head of Wardrobe Bobbi Pidduck on the School’s theatre performances.

    Nav Brar crosses the stage in graduation gown at convocation.

    Dramatic Arts graduate Nav Brar discovered his passion for wardrobe and costume design at Brock’s Marilyn I. Walker School of Fine and Performing Arts, where he contributed his skills to creating costumes for performances.

    Brar quickly picked up sewing, cutting and minor pattern drafting, all integral skills for professional costume designers. “Somehow, working with my hands and envisioning the final product, it was easy for me to understand what I needed to do,” he said. For Brar, the beauty is in the challenge of the process. “It’s envisioning the design, what you need to make, figuring out the math and then figuring out what the steps are,” he said. “Sometimes we build a simple T-shirt, and sometimes we work on hugely technical garments with lots of specifications to fit the production.” Working alongside Pidduck on mainstage productions, including Metamorphoses and Métis Nutcracker, was a transformative experience for Brar as he developed his design and dressing skills, bringing two-dimensional designs to three-dimensional life. “When the actor puts on the costume and performs on stage, you see it all come together,” he said. “It’s a very exhilarating experience to see something you’ve made or created give the desired effect.” When the curtain closes on each production, Brar is driven to keep creating, knowing he has contributed to enhancing the audience experience. “It’s incredibly meaningful and fulfilling,” he said. “Nav has been dedicated to his work, seeking to learn as many skills as possible and consistently improving with each new project, continuously navigating challenges with grace and humour that earned the respect of his peers and instructors at DART,” Pidduck said. From student peers to faculty, Brar said the support of the close-knit DART community sets the stage for students to grow and thrive in their academic and creative endeavours. “All of our professors and instructors are so kind. They are all talented theatre professionals and so willing to share their knowledge with students as we develop our own creative voices,” he said. “The opportunity to create in such a stunning facility has truly been a golden experience for me.”

    Photo of flower costumes from Metis Nutcracker Production.

    Nav Brar built dynamic costumes for the Dramatic Arts mainstage productions including Métis Nutcracker written by award-winning Canadian playwright and Assistant Professor Matthew MacKenzie.

    The Marilyn I. Walker Textile Award is given to a graduating student to further their apprenticeship or study in textiles. “Nav has contributed so much to the theatre program through his beautiful costume designs and constructions,” said Visual Arts Professor Linda Carreiro, Associate Dean, Fine and Performing Arts and MIWSFPA Director. “He truly deserves this award, and I’m thrilled that he will be able to use it to continue honing his craft.” Brar will pursue the Fashion Techniques and Design program at George Brown Polytechnic to expand on his theoretical and technical foundation in garment construction and costume building. He hopes to be found happily working away in a professional wardrobe room one day. “I am excited to keep developing my design eye,” he said. “I am forever grateful for the role Brock has played in setting me on this path.”

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    Categories: Alumni, Announcements, Current Students, Faculty & Instructors, Future students, In the Media, Media Releases, News, Uncategorised

  • Aspiring artists shine at youth theatre festival

    The second annual National STAR Festival South (School Theatrical Arts Recognition Festival) welcomed 150 students, guest artists and educators to the Marilyn I. Walker School of Fine and Performing Arts from May 8 to 10. The packed schedule included an intensive 24-hour playwriting workshop led by Toronto-based producer, actor, screenwriter and sound designer Sean Meldrum with support from third-year Dramatic Arts (DART) student Ariel Piluso and Concurrent Education and DART student Kashvi Sharma. Mentoring students in the workshop (right to left, seated at table) are Sharma, Piluso, Liya Edwards of Assumption College School and Ava Montgomery of A.N. Myer Secondary School, directing Als Vanderlee of Laura Secord Secondary School (second from left) and Arlo Ross of AN Myer Secondary School (left).

    published Thursday, May 14, 2026 in The Brock News | by 

    Emerging young theatre artists nurtured their creativity and built their confidence during a recent festival held at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    Hosted by Brock’s Department of Dramatic Arts (DART), the second annual National STAR Festival South (STAR for School Theatrical Arts Recognition) welcomed 150 students, guest artists and educators to the School from May 8 to 10 for immersive learning, mentorship, performances and community building. Students came from Alexander MacKenzie (YRDSB), A.N. Myer (DSBN), Assumption College (Brant/Hamilton DSB), Bravo Academy (TDSB), E.L. Crossley (DSBN), Holy Cross (Niagara Catholic DSB), Laura Secord (DSBN), Meadowvale (Peel District), Milliken Mills (York Region DSB), St. Paul (Niagara Catholic DSB) and Welland Centennial (DSBN) Secondary Schools. For many this was their first visit to the campus of the MIWSFPA.

    Students participated in hands-on workshops spanning musical theatre, playwriting, devising through Viewpoints, acting, sound and lighting design, acting for the camera, audition tips and tricks and a special Brock edition of the Theatre Tech Olympics.

    Workshop instructors included guests from AMDA College of the Performing Arts (New York and Hollywood), Savannah College of Art and Design (Atlanta, GA), The Vancouver Film School, Shaw Festival, Brock University, Niagara College, Toronto and the region.

    The performance events were technically produced by our MIWSFPA Theatre Technician Sandra Marcroft, supported by DART students Liam Farrell, Gianna Lupparelli Nash and Skylar Perrier.

    The two-day event culminated in a friendly competition designed to prepare students for future learning, performance and production opportunities. The performances and presentations were adjudicated by guest mentors from across North America including DART faculty David Fancy and Danielle Wilson and students from the Department of Dramatic Arts.

    The winning One Act play for the STAR Short Play Program, The Job, was written by an emerging playwright from Assumption College School in Brantford Ontario, Liya Edwards. The play is a short comedic piece that tells the story of today’s job climate. It follows a young man on his journey through a job interview experience when things don’t turn into what he expected. During the closing ceremonies The Job and two other original plays were performed, following their development during a 24 playwriting intensive under the mentorship of Toronto-based actor, screenwriter, and sound designer Sean Meldrum assisted by DART students Ariel Piluso and Kashvi Sharma. Edward’s play will be published by the TAEA and included in future teaching and learning catalogues of plays for high school and emerging artists.  Read about Edward’s experience in the Brantford Expositor.

    There were 22 scholarship applicants for awards including Performance Arts, Leadership in Performance Arts, Technical Theatre and Design, Future Theatre Educator, Music Theatre Performance, and Creative Citizenship with a total value of approximately $350,000.  Students from schools across Niagara and the GTA were awarded scholarships from AMDA, Savannah College of Art and Design, Vancouver Film School, Theatrical Arts Education Association, and Brock University ranging in value from $200 CAD to $80, 000 USD.

    The festival was co-organized by Tracy Garratt, Program Leader for the Arts with the District School Board of Niagara and a teacher at A.N. Myer Secondary School in Niagara Falls, and David Vivian, DART Associate Professor and Scenographer.

    In the keynote address welcoming students, Vivian spoke to the legacy of Marilyn I. Walker’s founding gift for MIWSFPA in downtown St. Catharines and invited the visiting emerging artists to make their community — and the world — a better place by creating theatre informed by their own vision.

    “The STAR Festival is a remarkable opportunity for secondary school students, teachers and members of the University community, students and faculty, to come together in the power of the performing arts to express, tell our stories and share our aspirations for future generations,” he said.

    For Garratt, the festival presented participants an opportunity for space for growth, belonging, creativity and connection.

    “The experience provides young thespians with opportunities to learn, develop confidence, collaborate with peers and celebrate the arts in an environment that encourages both excellence and vulnerability. STAR Festival has become an important part of the artistic and personal development of so many young people,” she said.

    Third-year DART student Ariel Piluso, who is pursuing a concentration in Performance, served as a workshop mentor in the one-act playwriting session. She worked closely with secondary school students and helped bring their plays to life in the final performances of the festival.

    “Together, we explored ensemble-based theatre, collaboration, staging and storytelling in a supportive creative environment,” she said.

    After graduating, Piluso aspires to become a theatre educator and work with students from different age groups.

    “The STAR Festival is close to my heart as it gave me the chance to begin developing the mentorship and teaching skills I will use in my future career. This experience is deeply connected with my studies because so much of dramatic arts is rooted in collaboration, creativity, ensemble work, communication and storytelling. Through the festival, I was able to apply those skills in this setting while learning how to adapt them for younger students,” she said.

    Third-year Concurrent Education and DART student Kashvi Sharma worked as an adjudicator and mentor at the festival, which incorporates friendly, rubric-driven competition and culminates with awards given in various performance categories.

    “My biggest takeaway from this experience was having the pleasure of watching such a young, but very mighty, group of artists put themselves out there, test themselves, try new things and take risks,” she said.

    The festival also welcomed back DART graduates who helped facilitate workshops. DART graduate Laura Maieron (BA ’24), who completed a concentration in Production and Design, facilitated a workshop on lighting design and co-led the “Tech Olympics competition.”

    Maieron, Production Manager for Suitcase in Point Multi-arts Company, said her goal was “to help students leave the competition with a newly acquired set of skills to bring back to their creative work, in their high schools and beyond, and help advance their careers as emerging artists.”

    The National STAR Festival South is one of five national festivals taking place in May 2026, the others located in Vancouver, Winnipeg, Ottawa and Corner Brook, NL.  A project of the Theatrical Arts Education Association of Canada, TAEA is a national arts service organization strengthening Canadian theatre through artist-led training, national showcasing pathways, and sector resources for artists, teaching artists, educators, and organizations. Sponsors for the National STAR Festival South included Youth Wellness Hubs of Ontario, Contact Niagara, AMDA, SCAD, VFS, Ontario Staging Limited, Shaw Festival, IATSE, Theatrefolk and the John Howard Society of Niagara.  The festivals would not be a success without the dedicated support of teachers and their administrations from across Niagara, Ontario and Canada.

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    Categories: Alumni, Announcements, Current Students, Events, Faculty & Instructors, Future students, In the Media, Media Releases, News, Uncategorised, Visiting Artists

  • How the arts shaped Walker Cultural Leader’s path to Indigenous roots

    As part of the 2025-26 Walker Cultural Leader Series presented by the Marilyn. I. Walker School of Fine and Performing Arts, celebrated multidisciplinary artist Nicole Joy-Fraser (second from left) is in residence in the Department of Dramatic Arts (DART). Joy-Fraser plays the role of the Métis Nutcracker in DART’s mainstage production, performing alongside DART students second-year student Tejay Morley (left), fourth-year student Emma Marcy (second from right) and second-year student Sarah Lazo de la Vega Sanchez (right).

    Originally posted in the Brock News | Tuesday, December 02, 2025 | by 

    Reclaiming their First Nation identity has led multidisciplinary artist Nicole Joy-Fraser down many paths, from international theatre stages to local drum circles and, recently, to Brock.

    As one of Dramatic Arts’ (DART) Walker Cultural Leaders for 2025-26, Joy-Fraser plays the role of the Métis Nutcracker in DART’s upcoming mainstage production.

    They will join Assistant Professor and Métis Nutcracker playwright Matthew MacKenzie, a citizen of the Métis Nation of Alberta, for a public artist talk, “Making Métis Nutcracker,” on the Marilyn I. Walker Theatre stage on Friday, Dec. 5 at 3 p.m.

    Joy-Fraser is a proud bear clan matriarch who grew up in Mississauga with Euro-Settler, Tsa’tinée, Nehiyaw and Métis bloodlines from Horse Lake First Nation in Alberta.

    Identity is the heartbeat of Joy-Fraser’s artistic practice, which spans more than 25 years of storytelling on stage and screen with celebrated companies such as the Stratford Festival, the Shaw Festival, Mirvish, Theatre Aquarius, CBC, CBS, BBC and Telefilm.

    “The more I learn about my background, the more I am driven to keep sharing Indigenous theatre and more deeply understand my job as an artist to propel stories forward not just about identity but also reconciliation,” Joy-Fraser says.

    Nicole Joy Fraser

    Dramatic Arts Walker Cultural Leader Nicole Joy-Fraser is a proud bear clan matriarch who grew up in Mississauga with Euro-Settler, Tsa’tinée, Nehiyaw and Métis bloodlines from Horse Lake First Nation in Alberta. As a multidisciplinary artist, community theatre practitioner and cultural facilitator, Joy-Fraser continues to advocate for Indigenous ways of knowing and doing, which have greatly impacted their journey as a Sixties Scoop witness and 2Spirit Helper.

    Inspired by — as it happens — a performance of The Nutcracker they saw with their parents, Joy-Fraser spent much of their youth performing with local theatre companies. They instantly fell in love with ballet and began singing thanks to the “golden oldie” musicals on repeat in their home.

    It was in high school drama class, when handed a copy of Dry Lips Oughta Move to Kapuskasing (1989) by Cree writer and performer Tomson Highway, that Joy-Fraser began asking more questions about their roots.

    After three years at performing arts college Randolph Academy, Joy-Fraser landed a dream-come-true gig as a member of the first North American cast of Mirvish Theatre’s Mamma Mia! auditioned by ABBA’s Björn Ulvaeus himself.

    Years of performing in many non-Indigenous roles followed for Joy-Fraser on prestigious stages across Canada and with West End Theatre in London, U.K.

    At the same time, Joy-Fraser’s drive to learn about their First Nation identity burned brighter, spurring them on in their journey to find their maternal birth family.

    After years of searching and almost giving up, Joy-Fraser finally connected to their Northern Alberta roots. An Elder at their first sweat ceremony recognized their surname as belonging to their birth mother and realized her cousin was married to Joy-Fraser’s Auntie.

    “At that time, we weren’t equipped with the language and learnings to help us carry our trauma as intergenerational survivors and Sixties Scoop witnesses,” Joy-Fraser said.

    Joy-Fraser began attending traditional healing ceremonies and connecting with Elders and Knowledge Keepers. Suddenly, they were learning their history.

    “My acting roles began resonating with my personal growth, and I knew I was bound to give back to our community by sharing my story and helping others heal through the arts,” they said.

    Performing the role of the Métis Nutcracker as DART’s Walker Culture Leader has been a meaningful experience for Joy-Fraser, moved by sharing both their extensive experience as theatre practitioner as well as First Nation customs that have been part of the production process, including smudging ceremonies and feasts.

    “The best way to learn something is to experience it, and DART students are learning about Indigenous cultures by embodying this story — by living it and reflecting on it — you couldn’t ask for a more active action of reconciliation than what Brock is doing right now with this piece.”

    As an Indigenous student and actor, second-year DART student Abbey Keays of the Upper Mohawk Turtle Clan who performs in Métis Nutcracker said she has learned so much from Joy-Fraser, who she looks to as a mentor.

    “We have had important talks about what we can do to keep our cultural stories accurate, appropriate and informative. It’s not very often you get the chance to experience Indigenous work or work with Indigenous artists as an actor who is starting out,” Keays said. “I am very grateful to have Nicole Joy-Fraser to look up to in my career.”

    For more information about the Métis Nutcracker see the Department’s Events + Programming webpage.

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    Categories: Alumni, Announcements, Current Students, Events, Faculty & Instructors, Future students, In the Media, Media Releases, News, Performance Season, Plays, Uncategorised, Visiting Artists

  • Distinguished grad builds community through transformative arts progamming

    Image caption: Interim Dean of Humanities James Allard (left) presented Alana Perri (BA ’13) with the 2025 Faculty of Humanities Distinguished Graduate Award on Sept. 21 during the University’s recent Homecoming celebrations.

    Friday, October 10, 2025 | by 

    Alana Perri (BA ’13) is on a mission to ensure creative expression is accessible to all.

    Perri, who recently received the Faculty of Humanities Distinguished Graduate Award during Brock’s 2025 Homecoming celebrations, is dedicated to fostering inclusivity, accessibility and empowerment by harnessing theatre for non-traditional uses.

    A performer at heart, Perri began her journey at Brock in 2009 as a Dramatic Arts (DART) student.

    Through her studies, and a pivotal course exploring “drama therapy,” she found her true calling in expressive arts therapy. She also gained co-op experience at RAFT, an organization aiming to reduce youth homelessness in St. Catharines through attachment-based programs.

    “We brought drama into a place where feelings of joy and fun were often scarce. Together we created a book together filled with poems and art called I Just Need to Let This Out. This experience showed me how the arts for everyone; I still have the book, and every day it reminds me of the power of expressive art,” she said.

    Now the Executive Director and Owner of Purple Carrots Drama Studio, an Toronto-based organization offering innovative drama and expressive arts programs for neurodiverse youth, teens and adults, she has had profound impact in the lives of others.

    When Perri took the helm of Purple Carrots in 2020, she was driven to keep the arts programs running when much of the world was shutting down during the COVID-19 pandemic.

    “We work with the disability community and with people of all abilities, so it was not possible or beneficial for everyone to participate virtually, but our community is incredibly strong and passionate and rose to the challenge, and we’re still here,” she said.

    The drama studio now serves approximately 300 participants across Canada, providing inclusive, expressive arts programs and workshops that encourage emotional regulation and self-awareness.

    “We use different art forms to help build social and communication skills and work towards a final production or performance to share with family and friends. We also provide one-on-one coaching and other community services; it’s a really beautiful purple world we’ve built,” she said.

    Perri often collaborates with fellow alumni at Purple Carrots, with more than half of the Purple Carrots team comprised of DART graduates.

    “Being part of the DART community was a totally different way of learning, steeped in community. Everyone — faculty, staff and students — support each other, during and beyond graduation. I am grateful to have been given the space to create and find my path and continue working with my Brock community,” she said.

    Perri’s professional practice previously extended beyond the drama studio as an Expressive Arts Therapist, using creative expression as a therapeutic tool to support diverse communities through life transitions, including grief and palliative care.

    Perri has also empowered the next generation of creative leaders through education, teaching students at Mohawk College how to integrate the arts into treatment for individuals living with post-traumatic stress disorder (PTSD) and instructing DART students at Brock on how to leverage movement in education and theatre applications.

    She said being recognized as a Distinguished Graduate is an honour.

    “The University has always been there to support me. I am so grateful, and I try to pay it forward everyday through the work that I do. I’ve made it this far, and I will keep going.”

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  • ‘Now, you get to exist the way you want to’: Dramatic Arts grad’s life-changing journey

    Image caption: Dramatic Arts graduate Oliver Webb Wilkinson (BA ’25) celebrated his academic achievements as well as his journey of self-discovery through artistic creation during Brock’s 117th Convocation.

    Wednesday, June 11, 2025 | by 

    Oliver Webb Wilkinson (BA ’25) will never forget the first time he stepped on the Marilyn I. Walker Theatre stage as his authentic self: a transgender man.

    At the end of his first year studying Dramatic Arts (DART) at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), Webb Wilkinson realized he was not quite who he thought he was.

    “I entered first year living in residence a regular city girl, but quickly realized something was different for me,” he said.

    Webb Wilkinson embarked on a winding — and joyful — journey of self-discovery.

    “All of my professors and classmates were so supportive as I was figuring out what was happening in my head and heart. How could I marry what my soul is with what my body is? The path is different for every trans or gender-queer person,” he said.

    Brock’s Student Health Services team helped Webb Wilkinson navigate important health information and access resources, support that Webb Wilkinson was grateful for as he began his medical transition.

    Photograph of four actors in scene from Mementos

    Oliver Webb Wilkinson (BA ’25) performed alongside fourth-year Dramatic Arts students and members of Peregrine Theatre Co. in “Mementos,” which explores themes of hope and amidst life’s challenges. From left are Megan Mastantuono, Simon Bell, Webb Wilkinson and Maddox Keller.

    “Partaking in the creation of who you are is a beautiful, empowering thing; truly feeling who you are and seeing it outwardly is magic,” he said.

    Studying theatre at Brock, with a Concentration in Performance, allowed Webb Wilkinson to explore themes of identity through creativity and playfulness.

    “Failure doesn’t exist in DART; if things don’t work, you try something else. What I will remember is the sense of play and lack of judgment in classes,” he said. “Trial and error is part of making theatre, we learn from things that don’t work.”

    Through Brock co-op opportunities, Webb Wilkinson worked every summer at professional theatre organizations, including Crane Creations Theatre Company as Artistic Producer, Pirate Life Theatre as a performer and recently Theatrix Costume House in Hamilton as an intern.

    These experiences gave Webb Wilkinson a sense of what his future workplace would look like and allowed him to benefit from professors who are theatre makers and learn from professionals like DART’s Head of Wardrobe Bobbi Pidduck, who works in wardrobe at the Shaw Festival.

    “It’s school theatre at a professional calibre, and there is nothing like a mainstage at Brock,” Webb Wilkinson said.

    In the DART 2023 mainstage production of A Vampire Story, Webb Wilkinson played his first role as a male character, and said the creative team led by Director Gyllian Raby were completely open to his interpretation of masculinity.

    “It was an incredible and affirming moment for me,” he said.

    In his final year, Webb Wilkinson explored his interest in costuming as the Assistant Designer for the Department Mainstage Scorched, mentored by Head of Wardrobe Bobbi Pidduck and production designer and faculty member, David Vivian, and also played key roles in the DART 4D56 production Mementos, a student-led production guided by Associate Professor Mike Griffin.

    “We were so lucky to have Professor Griffin guiding us as we wrote and mounted Mementos,” he said. “I spoke with him a lot about the growing stress of being trans at a time when there is increasing oppressive legislation targeting the trans and queer community — but at the same time, experiencing the joy of being loved and supported by your family and friends.”

    Webb Wilkinson wrote characters reflecting these themes into the play. He said a line in Mementos summed it up for him.

    “‘Now, you get to exist the way you want to’: to write those words and perform them was life changing. Theatre speaks to people in profound ways, and Brock gave me that chance to communicate with audiences whose stories were similar,” Webb Wilkinson said.

    This summer, Webb Wilkinson will be working in Toronto with MERCHANT, a production company specializing in commercials and collaborations with advertising agencies. He will help build storyboards, check and book film locations, conduct research on props and costumes and be a production assistant on set.

    Webb Wilkinson said he’s become a whole different person in the best way possible at Brock.

    “The University has been such a kind and wonderful environment. I don’t want to leave, but Brock has made sure I’m prepared to go.”

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  • Youth theatre festival shines spotlight on Canada’s brightest emerging talent

    Image caption: High school students from Ontario and New Brunswick made puppets in a workshop led by Dramatic Arts instructor and local designer for theatre Alexa Fraser as part of the 2025 National STAR Festival hosted at the MIWSFPA.

    Wednesday, May 21, 2025 | by 

    Teens learn tricks of theatre trade from industry pros

    Secondary school theatre students and creative professionals from across the country recently gathered for a dynamic celebration of creativity and excellence in youth theatre.

    Hosted by Brock’s Department of Dramatic Arts (DART), the 2025 National STAR (School Theatrical Arts Recognition) Festival welcomed 200 students to the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) from May 8 to 10 for a packed schedule of workshops and opportunities to showcase their talents through friendly competition.

    David Vivian, DART Associate Professor and Scenographer, said engaging workshops led by acclaimed industry professionals and post-secondary educators provided a powerful platform for students to shine.

    “From musical theatre to playwriting and technical production participants gained valuable insight from influential theatre artists,” he said. The festival is unique for its focus on story telling and performance without design elements such as sets and costumes.

    Vivian co-organized the festival with lead Tracy Garratt, Program Leader for the Arts with the District School Board of Niagara and a teacher at A.N. Myer Secondary School in Niagara Falls.

    Photo of carpentry expert Ed Harris giving demonstration to students at STAR Fest

    Dramatic Arts graduate James McCoy (BA ’14), left, Head Technician at the Roselawn Theatre and DART Head of Scenic Construction and Instructor Ed Harris demonstrated stagecraft skills to students of Laura Secord Secondary School, A.N. Myer Secondary School and Waterloo Oxford District Secondary School during the Technical Theatre Olympics Challenge.

    Garratt, a champion of STAR Festival programming in Niagara, said opportunities to engage with diverse narratives and characters help students develop empathy and critical thinking skills, fostering a deeper understanding of the world around them and inspiring change in their communities.

    “As a passionate teacher in the arts, I believe in the transformative power of theatre and the joy of participating in festivals that celebrate creativity,” she said. “Theatre not only nurtures artistic voices but also serves as a vital educational tool that helps students explore complex social issues and inequities.”

    DART Chair Jennifer Roberts-Smith’s delivered a keynote welcome and remarked that now — more than ever — the world needs theatre made by diverse new voices.

    “Dramatic Arts at Brock is fortunate to have our University’s support in making an equitable and inclusive space for all voices to grow,” she said. “We were delighted to welcome the new perspectives of this year’s STAR Festival participants to our beautiful facilities at the Marilyn I. Walker School.”

    Adjudicators of the event represented a diverse cast of theatre professionals in the region, including current and past Shaw Festival ensemble members.

    Vivian said DART’s close relationship with the Shaw Festival’s performing, production and administrative teams is an important component of learning for the Brock community.

    “The DART Shaw Festival Internship has been a life-changing experience for our senior and graduating students,” he said.

    DART graduates also returned to lend their expertise to the next generation, including theatre artist James McCoy (BA ’14), Head Technician at the Roselawn Theatre with Lighthouse Festival Theatre in Port Colborne.

    McCoy shared his skills and career experience in the STARfest Technical Theatre Olympics, a program of learning and fun competitive collaboration in stagecraft. Students learned news skills and put them to the test in a program adapted for the festival by McCoy, Vivian, and Head of Stage Construction for Dramatic Arts, Ed Harris.

    The opportunity to meet colleague theatre artists from across the country was at the foundation of the community-building event.  Emmett Carter, a student from A.N. Myer Secondary School emphasized that the opportunity to learn and create with new friends, and then witness their performances and presentations was the highpoint of their experience.

    “Meeting people from across Canada was cool. …. Being all here, together at the festival, allows me to see what people are doing across the country and gives me the opportunity to learn what is important to kids from other provinces,” he said.

    Photo of students performing onstage at STAR Fest.

    Students from DSBN Academy in St. Catharines performed an original new play “Dogs Smell Blood” written by student Alaster Nikolic (front). The students polished the play in two sessions with renowned Canadian playwright John Lazarus and Canadian actor, screenwriter and sound designer Sean Meldrum. The play was selected in the national competition for the STAR Short Play program and will be published by TRW Plays (New York).

    Matt Niddrie, a student from A.N. Myer Secondary School, highlighted the joy of experiencing the final moments of the festival.

    “We were all cheering each other on and celebrating each other and our respective accomplishments. This festival builds community. The workshops bring us all together; we all share the same ideals. The festival is a great time for us to be together supporting each other’s passion for theatre arts,” he said.

    During the festival, a DART Creative Citizenship Scholarship award was launched by the department, with the inaugural award presented to a Saint Paul Catholic High School student.

    “Whether these emerging young artists pursue studies in music theatre, dramatic arts, teacher education or other subjects such as the pre-med sciences, nursing, maths and business, I am very enthusiastic about their developing capacity to drive original and meaningful change,” Vivian said.

    The third Niagara Regional STAR Festival is planned for December 2025 at the MIWSFPA.

    Watch the video report below by YourTV Niagara featuring an interview with the lead organizer, Tracy Garratt. (4:13)

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  • Rising Brock star makes feature film debut in pop musical ‘Juliet & Romeo’

    Image caption: Artist Max Parker, a third-year Brock student studying at the Marilyn I. Walker School of Fine and Performing Arts, plays Benvolio in Timothy Scott Bogart’s new pop musical ‘Juliet & Romeo’.

    Monday, May 12, 2025 | by 

    A new take on a Shakespeare classic has set the scene for Max Parker to take Hollywood by storm.

    The third-year Brock student is ready to make his mark with moviegoers in his breakthrough role playing Benvolio in Juliet & Romeo, which premieres in theatres across Canada later this month.

    The musical, from acclaimed filmmaker Timothy Scott Bogart, boasts a star-studded cast, including Rebel Wilson as Lady Capulet and Jason Isaacs as Lord Montague.

    Majoring in Studies in Arts and Culture (STAC), including courses in Dramatic Arts (DART) at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), Parker said his studio work at Brock helped him to hone his acting skills.

    “My classes helped me realize the physicality in acting to prepare me for a role like Benvolio; a character who is always worried, weary and cautious,” he said. “I would not have played the role to the best of my abilities if it hadn’t been for all my training in the arts and at Brock.”

    Driven to grow as an artist, Parker was signed by his acting agent in 2022 and thrown into a world of creating audition tapes while also studying full time at the University’s downtown arts school.

    An accomplished musician whose debut album, including a chart-climbing single, was followed by the 2024 release of the song “Rush,” Parker’s musical ascension has rocketed over the past few years.

    Currently working on a self-written and produced project, Parker also continues to work alongside award-winning Canadian and American producers such as Derek Hoffman (Arkells), John Nathaniel (OneRepublic) and Justin Gray (Mariah Carey, Avril Lavigne), who is also a music producer alongside songwriter Evan Bogart (Beyoncé) for the film’s soundtrack.

    It was a special moment when he broke the news to Associate Professor Danielle Wilson and retired Associate Professor Gyllian Raby that he had been cast in the feature film, which resulted in rescinding his role in the DART mainstage production that year.

    A dedicated, straight-A student his whole life, Parker was heartbroken to let them down.

    “They stared at me for a minute before erupting with joy and said, ‘you are going to act in a movie!’ I am forever grateful for their warmth and positivity, that vote of confidence will always stay with me,” he said.

    Parker took key lessons with him while shooting on location in Italy, harnessing meditative and body breathwork skills from Wilson’s voice and speech class, which helped him stay grounded.

    “Professor Wilson let me know she was just a phone call away, and that really shows how caring Brock is,” he said. “I felt comfortable, safe and supported to have this life-changing experience.”

    Parker also drew on his studies in STAC, devouring diverse reading materials that deepened his connection to artistic creation.

    “Truthfully, 75 per cent of the job in acting for film is waiting in your trailer. Breathwork, meditative exercises and reading allowed me to be ‘on’ when I was called to set,” he said.

    In the film, Benvolio’s character is the peacekeeper, Romeo’s right-hand man, but anxious and cautious about the famous feuding families central to the plot. Parker relied on his practice to achieve heightened moments of emotion expressed through movement and facial expressions.

    “My theatre skills gave me the foundation to make creative choices so I could channel those emotions for BenvoIio’s character,” he said.

    Parker said Brock helped show him how much one can learn from others about their experiences and create lasting friendships in the process.

    “Jason Isaacs, for example, was just looking for someone who would play tennis with him. I told him I’ve played since I was a kid and then taught tennis, and we ended up playing together off set. You learn quickly that human connection is what brings artists together,” he said.

    Parker said believing in his abilities was his key to success, adding he “had confidence knowing my Brock family was in my corner.”

    For updates on the film and behind-the-scenes moments, follow Parker on Instagram at @maxparkerofficial.

    For official news and exclusive content from Juliet & Romeo, follow the film at @julietandromeomovie.

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    Categories: Current Students, Faculty & Instructors, News

  • Creative collaboration sets stage for new student play

    Image caption: Fourth-year Dramatic Arts students and members of Peregrine Theatre Co. look for hope and amidst life’s challenges in their new play Mementos. From left are Megan Mastantuono, Simon Bell, Oliver Webb Wilkinson and Maddox Keller.

    Friday, April 04, 2025 | by 

    Aspiring theatre artists at Brock are mining the complexity of human experience in an original production premiering at the Marilyn I. Walker Theatre.

    Mementos, a new play conceived and created by students in DART 4D56 Collaborative Play Development, is the result of a year-long creative exploration into the world theatre-making from the initial inspiration to final presentation.

    Through fragmented storytelling that builds a wider narrative arc, Mementos captures the beauty — and ugliness — of what it means to be human. Audiences take on an active role of “onlooker” as pieces of character’s lives, full of love, loss and uncertainty, unfold on stage.

    DART 4D56 gives students the opportunity to develop their artistic voices, showcase their work and gain knowledge from industry professionals by taking on the roles of a small theatre company. The ensemble, Peregrine Theatre Co., is comprised of seven students each contributing to the final production in creative and technical ways.

    Fourth-year student Megan Mastantuono, Mementos Associate Director and Head of Wardrobe, said working with a small company meant collaboration was key.

    “As an ensemble, we’ve done a lot of writing together to create the final play. Through writing different pieces of the production, I have discovered new things about myself. It is an emotionally charged show for all of us,” she said.

    Fourth-year student Maddox Keller, Peregrine Theatre Co.’s Head of Sound Design who also performs and leads the ensembles marketing and promotion, said his most valuable takeaway is embracing the idea that developing artistic work is never finished.

    “No matter how you slice it, your first draft will never be the complete product. Things will change, things will get cut, things won’t always work on the first try — and that’s OK. The work will continue to grow and develop because of these stumbles,” he said.

    The first iteration of Mementos was shown in November at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) under a different name: Picking Up the Pieces. The first draft of the script was created using a variety of devising experiments and exercises, challenging the cast to create material based on personal experience and interests.

    Mementos explores themes from Picking Up the Pieces, such as loss and societal commentary, refining and expanding ideas to create an immersive and impactful performance for audiences.

    Fourth-year student Oliver Webb Wilkinson — Mementos’ Costume Designer, Performer, Scripter and Graphic Designer — reflected on how working on the show has impacted the group’s artistic development.

    Mementos is a big experiment for all of us. Through nonlinear storytelling we examine human connection, the balance of hope and existential worry, and what we carry with us from our pasts,” he said. “I’m so proud of what we’ve accomplished thus far as a company, and I can’t wait for folks to see it.”

    Mementos runs from Thursday, April 10 to Saturday, April 12 at the MIWSFPA. Tickets can be purchased through Brock University Tickets.

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    Categories: Current Students, Performance Season, Plays

  • Educational theatre festival builds community connections

    Niagara high school students weren’t waiting in the wings at a recent theatre festival held at Brock; they had the spotlight.

    The second annual Niagara Regional STAR Festival (School Theatrical Arts Recognition) brought secondary school students and teachers to Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) on Dec. 12.

    Presented by the Theatrical Arts Education Association and MIWSFPA, the full-day event was organized by Brock Dramatic Arts (DART) Associate Professor and Scenographer David Vivian and Tracy Garratt, Program Leader for the Arts, School Culture and Student Engagement with the District School Board of Niagara (DSBN) and a teacher at A.N. Myer Secondary School in Niagara Falls, Ont.

    The festival activities were the result of collaboration between local professional artists, educators and arts organizations, including the FirstOntario Performing Arts Centre and the Shaw Festival.

    Following workshops in MIWSFPA studio spaces led by professional artists, Brock alumni, regional educators and theatre designers, students presented their performances and productions in the categories of Technical Theatre and Design, Musical Theatre Acting — including monologues, duet and ensemble — and one act plays.

    Garratt says these opportunities to engage with diverse narratives and characters will help students develop empathy and critical thinking skills, fostering a deeper understanding of the world around them and inspiring change in their communities.

    “As a passionate teacher in the arts, I believe in the transformative power of theatre and the joy of participating in festivals that celebrate creativity. Theatre not only nurtures artistic voices, but also serves as a vital educational tool that helps students explore complex social issues and inequities,” she said.

    Vivian said the talent of participants was impressive, with students singing one moment and sharing their design and production skills the next.

    “We can’t wait to see what these emerging artists will bring to the major stages of the world in the future,” he said.

    The Brock and Niagara community are invited to the upcoming three-day National South STAR Festival held at MIWSFPA in May 2025. For details, visit Theatrical Arts Education Association.

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    Categories: News

  • Brock’s arts impact takes centre stage

    Friday, November 22, 2024 | by April Jeffs

    Ontario Minister of Tourism, Culture and Gaming Stan Cho (second from left) toured the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) along with St. Catharines Mayor Mat Siscoe (third from left) on Thursday, Nov. 21. Visual Arts Professor and Associate Dean of Fine and Performing Arts Linda Carreiro (left), Provost and Vice-President Academic Arja Vainio-Mattila (second from right) and Dean of Humanities Carol Merriam (right) highlighted how Brock’s state-of-the-art facilities and world-class resources and instruction provide a strong foundation for students to pursue their career goals and make meaningful contributions to the arts by helping to grow a vibrant centre of culture in both Niagara.

     

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