Articles tagged with: production

  • Wardrobe experience leaves Dramatic Arts grad on pins and needles — in the best way

    Image caption: Dramatic Arts graduate Nav Brar discovered his passion for wardrobe and costume design at Brock’s Marilyn I. Walker School of Fine and Performing Arts, where he contributed his skills to creating costumes for performances.

    published Wednesday, June 10, 2026 in The Brock News | by 

    Nav Brar found an unexpected new passion woven into the fabric of his Brock University experience. Though he’s had a lifelong love for the stage, the Dramatic Arts (DART) graduate wasn’t sure where his academic path would lead when he first arrived at Brock — that is, until he stepped into Wardrobe at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA). Now, Brar is forging ahead with purpose after earning his degree and being honoured with the 2026 Marilyn I. Walker School of Fine and Performing Arts Textile Award at Brock’s 119th Convocation on Wednesday, June 10. Always more focused on acting and writing, Brar had never pictured himself in theatre production. Then came his a first-year DART production course, which ignited his passion for fabric and materials. In his third year, he landed the role of Assistant Head of Wardrobe, learning from and working with DART’s Head of Wardrobe Bobbi Pidduck on the School’s theatre performances.

    Nav Brar crosses the stage in graduation gown at convocation.

    Dramatic Arts graduate Nav Brar discovered his passion for wardrobe and costume design at Brock’s Marilyn I. Walker School of Fine and Performing Arts, where he contributed his skills to creating costumes for performances.

    Brar quickly picked up sewing, cutting and minor pattern drafting, all integral skills for professional costume designers. “Somehow, working with my hands and envisioning the final product, it was easy for me to understand what I needed to do,” he said. For Brar, the beauty is in the challenge of the process. “It’s envisioning the design, what you need to make, figuring out the math and then figuring out what the steps are,” he said. “Sometimes we build a simple T-shirt, and sometimes we work on hugely technical garments with lots of specifications to fit the production.” Working alongside Pidduck on mainstage productions, including Metamorphoses and Métis Nutcracker, was a transformative experience for Brar as he developed his design and dressing skills, bringing two-dimensional designs to three-dimensional life. “When the actor puts on the costume and performs on stage, you see it all come together,” he said. “It’s a very exhilarating experience to see something you’ve made or created give the desired effect.” When the curtain closes on each production, Brar is driven to keep creating, knowing he has contributed to enhancing the audience experience. “It’s incredibly meaningful and fulfilling,” he said. “Nav has been dedicated to his work, seeking to learn as many skills as possible and consistently improving with each new project, continuously navigating challenges with grace and humour that earned the respect of his peers and instructors at DART,” Pidduck said. From student peers to faculty, Brar said the support of the close-knit DART community sets the stage for students to grow and thrive in their academic and creative endeavours. “All of our professors and instructors are so kind. They are all talented theatre professionals and so willing to share their knowledge with students as we develop our own creative voices,” he said. “The opportunity to create in such a stunning facility has truly been a golden experience for me.”

    Photo of flower costumes from Metis Nutcracker Production.

    Nav Brar built dynamic costumes for the Dramatic Arts mainstage productions including Métis Nutcracker written by award-winning Canadian playwright and Assistant Professor Matthew MacKenzie.

    The Marilyn I. Walker Textile Award is given to a graduating student to further their apprenticeship or study in textiles. “Nav has contributed so much to the theatre program through his beautiful costume designs and constructions,” said Visual Arts Professor Linda Carreiro, Associate Dean, Fine and Performing Arts and MIWSFPA Director. “He truly deserves this award, and I’m thrilled that he will be able to use it to continue honing his craft.” Brar will pursue the Fashion Techniques and Design program at George Brown Polytechnic to expand on his theoretical and technical foundation in garment construction and costume building. He hopes to be found happily working away in a professional wardrobe room one day. “I am excited to keep developing my design eye,” he said. “I am forever grateful for the role Brock has played in setting me on this path.”

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  • Dramatic Arts mainstage brings fantasy world to life in celebration of unique identities

    Fourth-year Brock University Dramatic Arts student Nav Brar (left), the puppeteer for Melifollee, and third-year student Landon Drexler, the puppeteer for Pendamire Dragonius, enter into a scene in Escape to ILKANOR: A Fantasy Play in Nine Chapters.

    published Monday, March 02, 2026 | Brock News | by 

    Brock University’s Department of Dramatic Arts (DART) is set to whisk audiences away to a magical land of powerful beings and fantastical creatures.

    Cast members Sandra Nampiima and Daisy Ford with puppets during a technical rehearsal.

    From dragons and elves to wizards and sorceresses, Escape to ILKANOR: A Fantasy Play in Nine Chapters invites viewers to leave the real world behind and embark on a journey of the imagination. The mainstage production opens Friday, March 6 at the Marilyn I. Walker Theatre in downtown St. Catharines.

    Written and directed by DART Assistant Professor and playwright Mike Griffin, the play explores escapism and fantasy genre tropes through diverse characters and extraordinary creatures.

    “Our creative exploration of escapism began by asking why people want to escape through stories and where they want to escape to,” he says.

    Featuring bold theatrical components that incorporate puppets, masks and physical theatre, the fantasy unfolds in nine chapters, each featuring a host of characters who travel to different areas in the magical land of Ilkanor.

    Many of the characters reflect marginalized perspectives that are not often represented in leading roles, Griffin says. Through their magical transportation to Ilkanor, these characters are able to explore different parts of their identity.

    Cast members Curtis Honsberger, Sandra Nampiima and Ryleigh OBrien rehearsing with th puppets Trink and Somp.

    Among the play’s chapters, for instance, are tales of a neurodivergent individual who becomes a wizard in Ilkanor and a non-binary drag artist who becomes the leader of a kingdom.

    Griffin says the play is not a typical hero’s journey.

    “Instead, we are exploring representation in fantasy, touching on neurodiversity and disability, and wrestling with identity and self-care,” he says.

    More than 40 DART students in all years of the program will bring Ilkanor to life, advancing their learning by collaborating with both emerging and established theatre makers.

    “The show is truly magical, not only in the fantasy elements, but also in the collaborative work and care to build the world of Ilkanor,” fourth-year DART student and mainstage performer Nav Brar says. “I personally don’t know another show that has highlighted so many different people that don’t always get their time, in one production.”

    DART student Julia Foley, assistant designer for the play presents her mask and costume designs to the first year students in Scenography and Stagecraft.

    Third-year DART student Julia Foley, an assistant designer for the play, says the crew embraced a sustainability mindset while creating the fictional world, with the production incorporating recycled materials in the set, costume and puppet designs.

    Working with limited or thrifted materials meant having to explore and be open to new possibilities based on what is available, she says.

    Brock University’s Dramatic Arts mainstage performance of Escape to ILKANOR: A Fantasy Play in Nine Chapters opens Friday, March 6 at the Marilyn I. Walker Theatre.

    “The elements of transformation and rebirth are at the core of the show’s landscape, communicated not just through the set and costumes, but through the stories told by each character as they journey from the real world to Ilkanor, where they unlock their full potential,” Foley says. “We similarly saw the potential in our thrifted fabrics, books and garbage materials and transformed them into something beautiful and new.”

    Escape to Ilkanor: A Fantasy Play in Nine Chapters opens Friday, March 6 at 7:30 p.m. at the Marilyn I. Walker Theatre in the Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines. Performances will also take place Saturday, March 7 at 7:30 p.m., Sunday, March 8 at 2 p.m., Thursday March 12 at 11 a.m., Friday, March 13 at 7:30 p.m. and Saturday, March 14 at 7:30 p.m.

    General admission tickets are $25 and tickets for students and seniors are $20. Visit Brock University Tickets to reserve seats.

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  • Vampires descending on downtown arts school for Brock’s mainstage production

    The cast of A Vampire Story prepares the finals scenes of their upcoming performance, which premieres Friday, March 3.


    Originally published in The Brock News | TUESDAY, FEBRUARY 28, 2023 | by 

    The undead will make their debut next month in downtown St. Catharines.

    Moira Buffini’s A Vampire Story, the mainstage production from Brock University’s Department of Dramatic Arts, opens at the Marilyn I. Walker Theatre Friday, March 3.

    The show follows Ella, a vampire who is new to a small town that has been plagued by disappearing high school students and teachers.

    Seeking to become more human, she decides to stop drinking blood and to be honest about her undead state, her vampire mother and her horrific past.

    But Ella’s honesty isn’t well received by the community. Her life is upended as she is ostracized and hunted — all while falling in love and sorting out her priorities in a small town where the residents are as bizarre and insatiable as the vampires who live among them.

    Led by Director and Adjunct Professor Gyllian Raby, the adaptation of A Vampire’s Story finds a perfect balance between the play’s gothic and comedic nature.

    Raby’s success both as a professional director and Associate Professor comes from her extensive experience and her affinity for intelligent, culturally astute comedy. She has worked as a freelance director, dramaturge and playwright/adaptor across the world.

    Her productions of Bernard Shaw’s Passion, Poison and Petrifaction, the jazz/tap musical Fingers and Toes, Nicolai Erdman’s Russian farce The Suicide! and the international clown show hit Don’t Do It – Do It have been widely enjoyed by audiences in Canada, the U.S., the U.K. and Thailand.

    Raby said A Vampire Story is more relevant now than its debut performance in 2016, especially in the aftermath of the COVID-19 pandemic. The loneliness and anxiety caused by the pandemic are common motivating factors for vampire and infection stories, she said.

    “We can all identify with characters who are intensely alone amid society. Of course, this explains the success of the vampire genre,” Raby said. “Moira Buffini’s smart, witty play taps into the pop culture genre, relating loss of soul to the need for activist awareness.”

    Assistant Director and fourth-year DART student Lucas Irving said the use of monsters within the show is instrumental.

    “The production offers a fantastic opportunity to explore who and what the monsters in society are and how the definition changes from one period to another,” he said. “Vampires often surface during times of change and we’re certainly in a time of great change.”

    A Vampire Story includes set design by Nigel Scott, costume design by Alexa Fraser and lighting design by Chris Malkowski, with music direction and live band leadership by Joe Lapinski. The production showcases the talents of Brock DART students Hayley King, Simone Cinapri, Maiya Irwin, Thea Van Loon, Alex De Cicco, Cal Webb Wilkinson, Hunter Brown, Nathan Faigundo, Emma van Barneveld, Tyra Hayward, Celine Zamidar, Michelle Shortt, Benoit St. Aubain, Kaitlyn Boyer, Isaiah Alton and Zakk Milne.

    A Vampire Story opens Friday, March 3 at 7:30 p.m. in the Marilyn I. Walker Theatre inside the Marilyn I. Walker School of Fine and Performing Arts. Tickets are available for $20 for general admission and $16 for students and seniors. Performances will also take place Saturday, March 4 at 7:30 p.m., Sunday, March 5 at 2 p.m., Friday, March 10 at 7:30 p.m. and Saturday, March 11 at 7:30 p.m. To reserve tickets please visit the FirstOntario Performing Arts Centre website.

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  • Performing arts production professionals bring ‘real world’ experience to MIWSFPA students

    The MIWSFPA welcomes leaders in live performance production and company operations for two presentations about challenges and opportunities in the field, bringing ‘real world’ experience to STAC/DART 3P93 students.

    All are welcome to a maximum of 17 guests. Bring your questions!
    Please contact [email protected] if you wish to reserve a seat (walk-in’s welcome as capacity allows).

    EVENT INFORMATION:

     

    Site Selection and Development for a Performance Event
    Kathleen Ross, Director of Operations, FirstOntario Performing Arts Centre
    Tuesday, February 8, 2022
    9:30-10:30 a.m., MWS 156

     

     

    Kathleen will be discussing the topic of Site Selection and Development for a Performance Event, addressing such topics as: selecting a site; space requirements – production (staging layouts, technical requirements, load in/load out requirements, broadcasting, or other capabilities); audience capacity (seating capacity and layout, accessibility, parking, transit); front of house requirements (staffing, box office, food and beverage options and costs); legal and safety issues.

    Kathleen Ross is an experienced operations professional with a focus on the most valuable asset…our human capital. She has an extensive history of working in government administration and entertainment industries, and is skilled in Emergency Procedures, Human Resources Management, Disability Management, Special Events and Entertainment.

    The FirstOntario Performing Arts Centre (PAC) is a 95,000 square foot academic and  cultural complex, located in downtown St. Catharines, comprised of four performance venues:  Partridge Hall  (770 seats), Recital Hall (304 seats), Robertson Theatre (flexible black box space) and The Film House (199 seats). Located adjacent to the MIWSFPA, Brock University students attend courses and perform at the PAC.

     

     

    Production Priorities
    Kate Leathers, General Manager, Carousel Players.
    Tuesday, February 15, 2022
    9:30-10:30 a.m., MWS 156

     

     

     

    Kate will be discussing Production Priorities, including such topics such as: The roles and responsibilities associated with various productions; co-ordination of creative and production priorities and requirements; production planning, contracting, legal, safety and human resources issues; consideration of planning a safe event in re-opening theatres (Covid-19).

    Kate Leathers has worked in the cultural sector for more than 20 years. She has held a variety of roles ranging from administrator to production technician and worked at dozens of theatres including the Shaw Festival and more across Canada. She has an MBA in Strategic Marketing. Currently Kate is planning Carousel Players’ 50th Anniversary Festival that will take place regionally over three days.

    Carousel Players present inspiring and creative plays for children ages five to 15 in schools, community venues, and performing arts centres across Southern Ontario. The company has also toured nationally to theatres and festivals in Ottawa, Montreal, Winnipeg, Calgary, Saskatoon, and Vancouver, and as far away as England and Japan.

    About STAC/DART 3P93 – Producing a Performance Event

    STAC/DART 3P93 introduces students to the commitment, hard work, and collaboration required to plan and execute a performance event. Students have the opportunity to bring their practical and leadership skills to work with their peers as a team to replicate a professional experience, including financial, organizational, communication and technical roles. In 2022 this course is taught by Jill Planche, PhD. Jill has a professional background in marketing and fundraising for theatre, opera, film and visual arts, including the Shaw Festival, TIFF and the McMichael Gallery.

    Please note: All Brock University COVID-19 protocols and vaccination policies apply. For more information, please visit Brock’s Coronavirus webpage.

     

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