Articles tagged with: Marilyn I. Walker School of Fine and Performing Arts

  • Aspiring artists shine at youth theatre festival

    The second annual National STAR Festival South (School Theatrical Arts Recognition Festival) welcomed 150 students, guest artists and educators to the Marilyn I. Walker School of Fine and Performing Arts from May 8 to 10. The packed schedule included an intensive 24-hour playwriting workshop led by Toronto-based producer, actor, screenwriter and sound designer Sean Meldrum with support from third-year Dramatic Arts (DART) student Ariel Piluso and Concurrent Education and DART student Kashvi Sharma. Mentoring students in the workshop (right to left, seated at table) are Sharma, Piluso, Liya Edwards of Assumption College School and Ava Montgomery of A.N. Myer Secondary School, directing Als Vanderlee of Laura Secord Secondary School (second from left) and Arlo Ross of AN Myer Secondary School (left).

    published Thursday, May 14, 2026 in The Brock News | by 

    Emerging young theatre artists nurtured their creativity and built their confidence during a recent festival held at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    Hosted by Brock’s Department of Dramatic Arts (DART), the second annual National STAR Festival South (STAR for School Theatrical Arts Recognition) welcomed 150 students, guest artists and educators to the School from May 8 to 10 for immersive learning, mentorship, performances and community building. Students came from Alexander MacKenzie (YRDSB), A.N. Myer (DSBN), Assumption College (Brant/Hamilton DSB), Bravo Academy (TDSB), E.L. Crossley (DSBN), Holy Cross (Niagara Catholic DSB), Laura Secord (DSBN), Meadowvale (Peel District), Milliken Mills (York Region DSB), St. Paul (Niagara Catholic DSB) and Welland Centennial (DSBN) Secondary Schools. For many this was their first visit to the campus of the MIWSFPA.

    Students participated in hands-on workshops spanning musical theatre, playwriting, devising through Viewpoints, acting, sound and lighting design, acting for the camera, audition tips and tricks and a special Brock edition of the Theatre Tech Olympics.

    Workshop instructors included guests from AMDA College of the Performing Arts (New York and Hollywood), Savannah College of Art and Design (Atlanta, GA), The Vancouver Film School, Shaw Festival, Brock University, Niagara College, Toronto and the region.

    The performance events were technically produced by our MIWSFPA Theatre Technician Sandra Marcroft, supported by DART students Liam Farrell, Gianna Lupparelli Nash and Skylar Perrier.

    The two-day event culminated in a friendly competition designed to prepare students for future learning, performance and production opportunities. The performances and presentations were adjudicated by guest mentors from across North America including DART faculty David Fancy and Danielle Wilson and students from the Department of Dramatic Arts.

    The winning One Act play for the STAR Short Play Program, The Job, was written by an emerging playwright from Assumption College School in Brantford Ontario, Liya Edwards. The play is a short comedic piece that tells the story of today’s job climate. It follows a young man on his journey through a job interview experience when things don’t turn into what he expected. During the closing ceremonies The Job and two other original plays were performed, following their development during a 24 playwriting intensive under the mentorship of Toronto-based actor, screenwriter, and sound designer Sean Meldrum assisted by DART students Ariel Piluso and Kashvi Sharma. Edward’s play will be published by the TAEA and included in future teaching and learning catalogues of plays for high school and emerging artists.  Read about Edward’s experience in the Brantford Expositor.

    There were 22 scholarship applicants for awards including Performance Arts, Leadership in Performance Arts, Technical Theatre and Design, Future Theatre Educator, Music Theatre Performance, and Creative Citizenship with a total value of approximately $350,000.  Students from schools across Niagara and the GTA were awarded scholarships from AMDA, Savannah College of Art and Design, Vancouver Film School, Theatrical Arts Education Association, and Brock University ranging in value from $200 CAD to $80, 000 USD.

    The festival was co-organized by Tracy Garratt, Program Leader for the Arts with the District School Board of Niagara and a teacher at A.N. Myer Secondary School in Niagara Falls, and David Vivian, DART Associate Professor and Scenographer.

    In the keynote address welcoming students, Vivian spoke to the legacy of Marilyn I. Walker’s founding gift for MIWSFPA in downtown St. Catharines and invited the visiting emerging artists to make their community — and the world — a better place by creating theatre informed by their own vision.

    “The STAR Festival is a remarkable opportunity for secondary school students, teachers and members of the University community, students and faculty, to come together in the power of the performing arts to express, tell our stories and share our aspirations for future generations,” he said.

    For Garratt, the festival presented participants an opportunity for space for growth, belonging, creativity and connection.

    “The experience provides young thespians with opportunities to learn, develop confidence, collaborate with peers and celebrate the arts in an environment that encourages both excellence and vulnerability. STAR Festival has become an important part of the artistic and personal development of so many young people,” she said.

    Third-year DART student Ariel Piluso, who is pursuing a concentration in Performance, served as a workshop mentor in the one-act playwriting session. She worked closely with secondary school students and helped bring their plays to life in the final performances of the festival.

    “Together, we explored ensemble-based theatre, collaboration, staging and storytelling in a supportive creative environment,” she said.

    After graduating, Piluso aspires to become a theatre educator and work with students from different age groups.

    “The STAR Festival is close to my heart as it gave me the chance to begin developing the mentorship and teaching skills I will use in my future career. This experience is deeply connected with my studies because so much of dramatic arts is rooted in collaboration, creativity, ensemble work, communication and storytelling. Through the festival, I was able to apply those skills in this setting while learning how to adapt them for younger students,” she said.

    Third-year Concurrent Education and DART student Kashvi Sharma worked as an adjudicator and mentor at the festival, which incorporates friendly, rubric-driven competition and culminates with awards given in various performance categories.

    “My biggest takeaway from this experience was having the pleasure of watching such a young, but very mighty, group of artists put themselves out there, test themselves, try new things and take risks,” she said.

    The festival also welcomed back DART graduates who helped facilitate workshops. DART graduate Laura Maieron (BA ’24), who completed a concentration in Production and Design, facilitated a workshop on lighting design and co-led the “Tech Olympics competition.”

    Maieron, Production Manager for Suitcase in Point Multi-arts Company, said her goal was “to help students leave the competition with a newly acquired set of skills to bring back to their creative work, in their high schools and beyond, and help advance their careers as emerging artists.”

    The National STAR Festival South is one of five national festivals taking place in May 2026, the others located in Vancouver, Winnipeg, Ottawa and Corner Brook, NL.  A project of the Theatrical Arts Education Association of Canada, TAEA is a national arts service organization strengthening Canadian theatre through artist-led training, national showcasing pathways, and sector resources for artists, teaching artists, educators, and organizations. Sponsors for the National STAR Festival South included Youth Wellness Hubs of Ontario, Contact Niagara, AMDA, SCAD, VFS, Ontario Staging Limited, Shaw Festival, IATSE, Theatrefolk and the John Howard Society of Niagara.  The festivals would not be a success without the dedicated support of teachers and their administrations from across Niagara, Ontario and Canada.

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    Categories: Alumni, Announcements, Current Students, Events, Faculty & Instructors, Future students, In the Media, Media Releases, News, Uncategorised, Visiting Artists

  • Spring course spotlights Indigenous playwrights in Canada

    Canadian playwright and Dramatic Arts (DART) Assistant Professor Matthew MacKenzie (centre), citizen of the Métis Nation of Alberta, recently shared a reading of his new play “Strife” with the Brock community at the Marilyn I. Walker School of Fine and Performing Arts followed by a discussion. This spring, MacKenzie will teach DART 2P95 Contemporary Canadian Indigenous Theatre for Non-majors, which is open to all students.

    published Thursday, May 07, 2026 in the Brock News | by Gillian Minaker

    Award-winning Canadian playwright and Dramatic Arts (DART) Assistant Professor Matthew MacKenzie, citizen of the Métis Nation of Alberta, is centring Indigenous storytelling through theatre education.

    MacKenzie will teach DART 2P95 Contemporary Canadian Indigenous Theatre for Non-majors this Spring. No theatre experience is required for the virtual course, which is  open to both Indigenous and non-Indigenous students.

    Cast members of “Strife” — written by Canadian playwright and Assistant Professor of Dramatic Arts Matthew MacKenzie, citizen of the Métis Nation of Albert — visited Brock’s Marilyn I. Walker School of Fine and Performing Arts on April 2. The cast performed a read through of the play ahead of its run at Tarragon Theatre in Toronto from April 7 to 26. Pictured from left are Tracey Nepinak, Teneil Whiskeyjack, Jesse Gervais and Micheala Washburn.

    Students will gain a broad understanding of Indigenous plays written by Indigenous playwrights, knowledge MacKenzie believes is foundational to any Canadian dramatic arts education.

    “Embedded in these plays is teaching and wisdom about the Indigenous experience in Canada,” he says.

    Students will read works by accomplished writers such as Kevin Loring, a Governor General’s Award winner and the first Artistic Director of Indigenous Theatre at National Arts Centre; Frances Koncan, an Anishinaabe and Slovene playwright and theatre artist from Couchiching First Nation; and Kim Senklip Harvey, author of Kamloopa: An Indigenous Matriarch Story and the first female Indigenous author to be awarded a Governor General’s Literary Award for Drama.

    Through a range of works that span comedy to deeply serious themes, students will explore topics such as cultural reclamation, identity and representation of historical events.

    MacKenzie says the course will also help students understand why Indigenous theatre has only recently gained wider visibility.

    “For a long time, the cultural sharing of Indigenous stories was criminalized in Canada, so Indigenous storytelling was suppressed or done in private. Only in relatively recent history have these stories been shared more widely and taken their place in Canadian theatre,” he says.

    For MacKenzie, foregrounding the work of Indigenous artists, and students engaging with it, is a form of active reconciliation.

    “Through this learning, we are not just talking about it, we are doing the work,” he says.

    Issues explored in the plays — including the Sixties Scoop and the lasting impacting of the foster system and Residential Schools — reflect both distinct Canadian histories and broader patterns of colonialism.

    The course invites students to engage with the material from their own perspective, whether they are Indigenous, non-Indigenous or international students.

    The cast of “Strife” — written by award-winning Canadian playwright and Assistant Professor of Dramatic Arts Matthew MacKenzie, citizen of the Métis Nation of Albert — previewed the play in a read through open to the Brock community on April 2. Pictured from left are performers Jesse Gervais, Val Planche and Grace Lamarche.

    “Seeing students develop this understanding through their own lens is incredibly meaningful,” he says.

    MacKenzie brings a unique perspective to the classroom as an accomplished contributor to the Indigenous theatre canon in Canada and award-winning playwright. His works include First Métis Man of OdesaBearsAfter the Fire and The Particulars. His new play Strife recently ran at Tarragon Theatre in Toronto and was called a “a triumph” by the Toronto Star.

    He is also Artistic Director of Punctuate! Theatre, an Indigenous-led theatre company in Edmonton which frequently tours nationally.

    MacKenzie was honoured to recently be featured by the Métis Nation of Alberta, Otipemisiwak Métis Government, in its Citizen Spotlight for being a creative mentor for Métis and Indigenous people across Canada and the globe in theatre and arts spaces.

    Building up other Indigenous artists is a key driver of MacKenzie’s work.

    “Lifting up Indigenous theatre artists and helping to strengthen the Indigenous theatre ecosystem in Canada is a way to ensure a sustainable and thriving future for Indigenous artists moving forward,” he says.

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  • DART students debut new play exploring obsession

    Fourth-year Dramatic Arts (DART) students Jaxson Schut, (left), and Gabriela Queiros perform in Enjoy Your Stay a new play premiering at Brock University’s Marilyn I. Walker School of Fine and Performing Arts on Friday, April 10.

    published Thursday, April 02, 2026 in The Brock News | by Gillian Minaker

    Fourth-year Dramatic Arts students are inviting audiences on a harrowing journey to a sinister hotel haunted by a controlling spirit — a hotel so grand guests might not want to leave.

    Enjoy Your Stay, a production by Kaleidoscope Collective, opens at the Marilyn I. Walker Theatre on Friday, April 10.

    The play follows the journey of staff members trapped in a seemingly lavish hotel where the spirit of a man lives inside the walls. The spirit controls the building and all within, including a woman who has been trapped for decades.

    A performer stands on a stage under dark, blue light.

    Fourth-year DART student and performer Victoria Marshall performs in Enjoy Your Stay, a new production by Kaleidoscope Collective.

    When two new faces enter the story, Edith and Lilian, the world of the hotel begins to shift. While clumsy and shy Edith falls prey to the horrors within, Lilian uses her spiritual gift to uncover the mystery of the building and the truths hidden in the walls.

    A key theme explored is humanity’s tendency toward obsessiveness and control and how it can lead to a path of destruction.

    The play was created as part of DART 4D56 Collaborative Play Development, an upper-year Dramatic Arts (DART) course in which students collaborate as a theatre company to produce and mount a new play.

    Fourth-year DART student Victoria Marshall said the sense of community in the collective has been powerful.

    “We all know theatre is a community, and this process has been both intense and beautiful,” she said.

    From scriptwriting to stage management and acting, the student collective came together throughout the year to explore their creativity while building theatre making skills.

    The experience has helped Marshall deepen her skills as an actor while gaining a broader understanding of the many gears that make the machine of theatre turn.

    “It’s been so refreshing to try my hand in every aspect of the production. Whether helping with lights, hanging curtains or helping to install a set, I am trying new things I wouldn’t have touched before,” she said.

    A person works on a costume in a wardrobe studio.

    Fourth-year DART student Nav Brar works as Head of Wardrobe, Assistant Production Manager and as part of the lighting Crew on Enjoy Your Stay.

    Like Marshall, fourth-year DART student Stewart Shaw said learning about the design process and how a show gets made has been a valuable experience.

    Shaw has worked as Lighting Designer, Technical Director, Head of Props and Projections Designer on the play, honing technical skills including how to do projections on QLab and operating various lighting and production technologies simultaneously.

    “I’ve also learned a lot about the decisions that have to be made along the way — the paperwork, the documentation and the process of creating an idea into a prototype and how things can change along the way,” they said.

    Enjoy your Stay runs Friday, April 10 at 7:30 p.m.; Saturday, April 11 at 2 p.m. and 7:30 p.m.; and Sunday, April 12 at 2 p.m. at the Marilyn I. Walker School of Fine and Performing Arts. Tickets can be purchased through University Tickets.

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    Categories: Announcements, Current Students, Events, Future students, In the Media, Media Releases, News, Performance Season, Plays, Uncategorised

  • Dramatic Arts will be LIVE at the OPEN HOUSE, March 29, 2026.

    Mike Griffin with his puppet creation Pendamire Dragonius for ESCAPE TO ILKANOR: A Fantasy Play in Nine Chapters in 2026.

    Join us for OPEN HOUSE @MAIN CAMPUS for presentations and an information fair. Professor Mike Griffin will be present to answer your questions.

    Join us for OPEN HOUSE @MIWSFPA for tours and one-on-one meetings with faculty and students. Dr. Jennifer Roberts-Smith, Chair of the Department, and Professor David Vivian look forward to meeting you.

    A shuttle bus will depart the main campus at 1:00 pm to take visitors to the MIWSFPA and return at 2:45pm – but you can drive yourself too! Parking is free.

    You can register for OPEN HOUSE and get a copy of the program at discover.brocku.ca/openhouse

    Here’s a short video that gives tips on how to make the most of the OPEN HOUSE experience.

    And welcome to everybody coming for the DART Invitational on Saturday March 28. We can’t wait to meet you!

    #FIVE MINUTES WITH DART Faculty and Staff!

    In 2025-26 DART sat down with our faculty and staff and asked them about their teaching, research, work and experiences at DART.

    We asked about their impressions of DART, of the students and their current projects.

    To get us ready for OPEN HOUSE and to celebrate the conclusion of a stellar year we’re posting our friendly faculty and staff profiles.

    Follow us on Instagram at @BrockuDART and see our posts at #fiveminuteswithbrockudart

    All of the interviews are available at the department APPLY page, brocku.ca/miwsfpa/dramatic-arts/apply/five-minutes-with-dart-faculty-and-staff starting with Professor Mike Griffin.

    See you at OPEN HOUSE!

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  • Innovative research reimagines contemporary circus studies

    A Brock-supported initiative, Circus and its Others (CaiO), recently held a conference in Bogotá, Colombia. The conference featured a multimodal program of events that convened more than 70 scholars and showcased a circus festival featuring more than 100 artists. The Volodores de Papantla, pictured here, performed the Ceremonia ritual de los Guagas in the plaza of the Centro Cultural Gabriel García Márquez as part of the Achura Karpa festival programming. Photo credit: Nicolás Mahecha.

    published in the Brock News | Wednesday, January 21, 2026 | by 

    A multi-year initiative is uniting artists, academics and audiences from across the globe to celebrate the diversity of contemporary circus.

    Circus and its Others (CaiO), co-founded by Brock University Dramatic Arts Adjunct Professor Karen Fricker and Professor Charles Batson of Union College in New York, began in 2016 as a conference exploring representations of difference in circus.

    Since its debut in Montreal, CaiO has gained momentum and a significant following of international circus artists and academics who are expanding the boundaries of circus studies.

    “What started as a conversation between North America-based colleagues has blossomed into a truly global inquiry,” said Fricker. “And the more we’ve broadened our perspectives to include traditions and cultures from the Global South, the richer the work has become.”

    Participants in the project come from a wide array of disciplinary backgrounds, including theatre and performance studies, anthropology, sociology, history, queer and gender studies, kinesiology, cultural studies. Their explorations of otherness and difference include studies of circus performances, labour and mobility practices, education and training, and colonial and post-colonial histories, among other topics.

    The final presentation of an Indigenous circus workshop as part of the Achura Karpa festival brought together a number of Indigenous circus companies and artists, including the Artcirq Inuit Performance Collective and the Volodores de Papantla, during the CaiO Bogotá conference. Photo credit: Nicolás Mahecha.

    “At its roots, CaiO has become a diverse global community made up of people coming together to share their identities, culture, art and scholarship with each other; the deep sense of shared purpose is profound,” Fricker said.

    The most recent CaiO conference was held in March 2024 in Bogotá, Colombia. A multimodal program of events convened more than 70 scholars and showcased a circus festival featuring more than 100 artists.

    An editorial committee including Fricker, Batson and colleagues Julieta Infantino (Argentina), Marco Antonio Coelho Bortoleto (Brazil), Olga Lucía Sorzano (Colombia), and Aastha Gandhi (India) have since published the first of two special issues of the peer-reviewed journal Circus: Arts, Life and Sciences.

    Focused on the theme “Transgressions and Challenges,” the articles include an exploration of the work of female porters — strong acrobats who lift, hold and support other acrobats — in circus, an account of the Brazilian circus company A Penca, whose work engages with climate emergency and a critical look on the emphasis on aesthetic innovation in circus training.

    The next CaiO conference is set for 2027 and will be held in Kerala, India. Based in Delhi, Aastha Gandhi is the co-organizer of the conference alongside Fricker and Batson.

    Circus, Gandhi said, is deeply woven into her country’s cultural tapestry.

    “Hosting CaiO in Kerala is a momentous occasion. There is a rich and complex history of circus in India, impacted for decades by shifting sociopolitical landscapes. To have visitors come from many places to celebrate the art and complexity of circus today presents an exciting opportunity to share our perspectives with the world,” Gandhi said.

    Given the widespread interest in CaiO from circus artists and academics alike over the past decade, Fricker and Batson are turning their sights on continuing to build the project in a sustainable way, including archiving conference materials and performances and identifying new leadership models that reflect the inclusive values of the project.

    “Experiencing the transformation of Circus and its Others into a robust, global inquiry is an immense privilege, and the work doesn’t stop here. We want to continue to help make space for the many diverse and beautiful voices of contemporary circus for years to come,” Batson said.

    CaiO has been supported by the Department of Dramatic Arts, the Dean of Humanities Discretionary Fund, the Humanities Research Institute, Office of the Vice-President Research, Social Sciences and Humanities Research Council (SSHRC) of Canada, and the Canada Council for the Arts.

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  • Métis Nutcracker: Classic winter tale reimagined in celebration of Indigenous identity

    Brock Dramatic Arts students are preparing for the University’s upcoming mainstage production of Métis Nutcracker written by award-winning Canadian playwright and Assistant Professor Matthew MacKenzie. Third-year student Ella Martin, Assistant Head of Wardrobe (left), adjusts third-year student Molly Solomon’s (centre) handmade Maple Sugar Fairy regalia, assisted by fourth-year student Nav Brar, Wardrobe Co-ordinator.

    Originally posted in the Brock News | Friday, November 28, 2025 | by 

    When Molly Solomon brings her contemporary Fancy Shawl Dance to life in Brock University Dramatic Arts’ (DART) mainstage production, she will draw strength from her Ojibwe name, Ishkode Kwe.

    The name, translated to “Fire Woman” and “First Spark in my Heart,” was gifted to the third-year DART student by her grandmother — and she wears it proudly, just like the handcrafted regalia she dons on stage.

    Solomon plays the Maple Sugar Fairy in Brock’s upcoming production of Métis Nutcracker, which opens Friday, Dec. 5 at the Marilyn I. Walker TheatreThe new play was written by award-winning Canadian playwright and DART Assistant Professor Matthew MacKenzie, citizen of the Métis Nation of Alberta, and is directed and choreographed by celebrated theatre artist Monica Dottor.

    Solomon says sharing her Indigenous heritage with the Brock community is a profound experience.

    “I feel so welcome when my peers and mentors are genuinely curious to learn about my Indigenous identity,” she says.

    Brimming with magic, song and dance — and sprinkled with a dash of playful audience interaction that may involve throwing snowballs at the stage — the story is inspired by MacKenzie’s family heritage.

    In Métis Nutcracker, two Ukrainian refugees named Tatiana and Vanya are forced to flee from their home in the Red Pine Forest to escape the evil Rat King. They seek safety on Turtle Island where they are taken under the protection of the Métis Nutcracker, played by DART Walker Cultural Leader and multidisciplinary artist Nicole Joy-Fraser.

    “They travel in the four directions learning about different nations and sacred medicines in the Land of Flowers, Land of Berries, Land of Snowflakes and Land of Pine Cones,” MacKenzie says of the characters’ journey in his adaptation of the classic Nutcracker tale.

    Created for young audiences, the play celebrates identity and diversity.

    “My son is Ukrainian and Métis, and I wanted to be able to speak to him about his Indigeneity while exploring concepts of colonialism in a way that he could understand,” MacKenzie says.

    For Joy-Fraser, performing the role of the Métis Nutcracker also resonates with reclaiming their own Indigenous background. Joy-Fraser is a proud bear clan matriarch who grew up in Mississauga with Euro-Settler, Tsa’tinée, Nehiyaw and Métis bloodlines from Horse Lake First Nation in Alberta.

    Paramount to the production was ensuring that youth — particularly those with an Indigenous background — had the opportunity to experience Métis Nutcracker. Support from St. Catharines theatre company Carousel Players helped to achieve this goal, with two school-day matinee performances now sold out.

    “I hope every Indigenous child sitting in the audience sees themselves and their beliefs reflected in the beauty of the show,” Joy-Fraser says. “It’s magical storytelling embedded in nature, which is so much a part of who we are.”

    Indigenous practices of cultural significance are woven throughout the play,  including set pieces, costumes and regalia featuring intricate beadwork as well as custom painted canoe paddles, created in collaboration with Indigenous theatre cohort Pemmican Collective.

    MacKenzie, who teaches Contemporary Canadian Indigenous Theatre, says learning about different Indigenous nations alongside the cast and crew has been transformative.

    Métis Nutcracker celebrates differences,” he says. “Everyone involved at Brock has come together to honour those differences, putting the ‘action’ in truth and reconciliation.”

    As the first Indigenous DART faculty member to write an original mainstage production for the University, MacKenzie says the in-house work of Indigenizing theatre is gaining momentum.

    MacKenzie is also excited to see more Indigenous representation at the University in the future.

    “We have such a supportive environment at the MIWSFPA, a true willingness and curiosity to learn,” he says. “Our conversations are centred on this performance, but they will carry forward.”

    Additional performances of Métis Nutcracker will take place Saturday, Dec. 6 at 2 p.m. and 7:30 p.m. and Sunday, Dec. 7 at 2 p.m. General admission tickets are $25 and tickets for students and seniors are $20. Visit Brock University Tickets to reserve seats.

    MacKenzie and Joy-Fraser will also host a public artist talk related to the production at the Marilyn I. Walker Theatre on Friday, Dec. 5.

    For more information about the Métis Nutcracker see the Department’s Events + Programming webpage.

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  • Students build community, deepen cultural connections in Indigenous Plus

    Brock second-year Dramatic Arts student Abbey Keays (left), fourth-year Psychology student Rhaya Clyne and first-year Concurrent Education student Bailey Clyne are among the first cohort of students to participate in the University’s new Indigenous Plus program.

    originally published in The Brock News  | Friday, November 07, 2025 | by 

    When Brock students Abbey Keays, Bailey Clyne and Rhaya Clyne reflect on what they’ve gained from the University’s Indigenous Plus program, two words immediately come to mind: culture and community.

    “There’s so much value in building community and connecting with a group of people over academics, career and culture,” says Rhaya, a fourth-year Psychology student. “A big part of my journey over the past few years has been connecting to my culture, and the Indigenous Plus program has been a good way to integrate that within my educational journey.”

    Rhaya, her sister and first-year Concurrent Education student, Bailey, and Keays, a second-year Dramatic Arts student, are among the first cohort to participate in Indigenous Plus.

    Open to Indigenous students, the free, four-year co-curricular program focuses on cultural insights, connection and career readiness. Students participate in two to four hours of programming per week that incorporates Indigenous perspectives, cultural teachings and knowledge.

    Woman sits at a classroom desk and gives a workshop.

    Cindilee Ecker-Flagg (Nokomis Migizinz), who is of Indigenous ancestry of Anishinaabe, Maliseet and settler French/English and resides in the Niagara community, recently gave a workshop on the four sacred medicines to Indigenous Plus students.

    “Indigenous Plus offers students a supportive space to explore their culture, build and connect with community, and prepare for their future careers,” said Indigenous Plus Consultant Michelle Root.

    For the Clyne sisters, the program has allowed them to deepen their relationship through a shared interest in learning more about their background.

    While they always knew they were Indigenous, the intergenerational impacts of colonialization made it challenging to get a clear picture of their lineage. They believe their family likely originated from the Six Nations of the Grand River or another nearby reserve, and most of their teachings have been from Anishinaabe Elders and Knowledge Keepers.

    “I was never supposed to know about my culture — that was the way it was intended — and because of that I’m really trying to work towards reconnecting with it in whatever ways I can,” said Rhaya.

    Bailey added that experiencing diverse ways of knowing and learning directly from Indigenous people will allow her to provide a more holistic learning experience as a future teacher.

    “I’ve really enjoyed learning from different Knowledge Keepers and Elders; it’s beneficial to have that knowledge to go along with the Western way of learning,” she said. “I want to give future students those same learning opportunities.”

    Keays, of the Upper Mohawk Turtle Clan, was also drawn to the program to build connections with Indigenous students and deepen her ancestral knowledge.

    “Indigenous culture isn’t always taught in classrooms, so it’s like getting to know about different pieces of ourselves,” she said. “I’m also helping my mom and grandmother to learn more, so we get to go on this learning journey together.”

    The program also “opened my eyes about how to add my culture to my art,” she said, pointing to her role as a performer in the upcoming Métis Nutcracker as an example.

    Presented by Brock’s Department of Dramatic Arts, the production is written by Assistant Professor Matthew MacKenzie and directed and choreographed by theatre artist Monica Dottor.

    “I get the opportunity to speak my native Mohawk language and tell the creation story in the show, so connecting my culture to my artistic practice has already fuelled my passion for performing even more,” Keays said.

    Root is encouraged by the success of the Indigenous Plus program so far and is “thrilled to soon welcome the Fall 2026 cohort to continue the journey together.”

    Registration for the next cohort runs from Monday, Jan. 19 to Friday, May 1.

    All First Nations, Métis and Inuit students interested in learning about the program are invited to attend an information session on Monday, Nov. 10 from noon to 1 p.m. in ST 108.

    For additional information, contact [email protected], visit @indigenousplus.brocku on Instagram or join the email list for updates.

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  • Co-op sets stage for Dramatic Arts student’s future career

    Image caption: Liam Farrell, a third-year student studying Dramatic Arts at Brock’s Marilyn I. Walker School of Fine and Performing Arts, completed two co-op work terms that have shaped his career path in building community through the arts.

    Tuesday, October 14, 2025 | by 

    Whether he’s on stage, behind the scenes or working with youth, Liam Farrell knows his calling is to build community through the arts.

    A third-year Dramatic Arts (DART) student at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), Farrell has explored different areas of the theatre industry through co-op work terms that have been pivotal in shaping his skills and career direction.

    Over the summer, Farrell completed a work term with Carousel Players, an award-winning professional theatre company for young audiences in downtown St. Catharines.

    Supporting drama educators and bringing performances to life for young campers was an experience he will never forget.

    “I was mentored by artistic professionals and had the chance to meet, and be inspired by, incredibly creative kids,” he said.

    Farrell, whose passion for performing arts encompasses acting and all aspects of creative production, helped support youth of all abilities during his time at Carousel Players.

    “Being part of their inclusive community helped me grow in adaptability and empathy,” he said.

    Photo of Liam Farrell laughing with a child at a Carousel Players camp.

    Over the summer, third-year Dramatic Arts student Liam Farrell gained valuable industry experience in the arts thanks to a co-op work term with Carousel Players, an award-winning professional theatre company for young audiences.

    Facilitated by Brock’s Co-op, Career and Experiential Education (CCEE) team, which connects students with relevant work terms and offers a range of resources to support career development, these experience shed new light on Farrell’s studies.

    “I applied ideas and approaches from my classes that deepened my understanding of arts education and my connection with the local arts community here in Niagara — the experience solidified my desire to work in theatre,” he said.

    Farrell also gained valuable experience during his 2024 work term as an actor with Pirate Life Theatre in Hamilton where he honed his problem solving skills while learning about organizational logistics and administration.

    Quentin Dus, Talent Partnership Consultant with CCEE, said experiences like Farrell’s demonstrate how they can open doors for students to explore their potential and the impact of strong partnerships between Brock’s co-op office and community partners.

    “Watching Liam thrive in his co-op role at Carousel Players as well as Pirate Life Theatre previously has been incredibly rewarding. His growth and success speak volumes about his talent, adaptability and passion for the dramatic arts,” Dus said.

    Looking to the future, Farrell aims to work with professional theatre companies, locally and abroad, and contribute his knowledge and experience to strengthening communities and building bridges through the arts.

    “I’m grateful to Carousel Players for their mentorship, and I’m excited to carry these valuable experiences forward in my career.”

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    Categories: Current Students, News

  • Enbridge bursary empowers students through work-integrated learning, advocacy

    From left: Dramatic Arts students Sandra Nampiima, Makayla Finn and Karai Flowers celebrate The Masks We Wear, the One Acts Play Festival that featured a performance co-created by Finn and her fellow upper-year Brock Dramatic Arts students, which is part of the theatre-based projects she pursued through the Enbridge Inc. Career Experience Bursary.

    This story was originally published in the Brock News on Wednesday, August 13, 2025.  Additional information has been included.


    The stage is more than a performance space for Brock University student Makayla Finn; it’s a platform for belonging and empowerment.

    This summer, it became a launchpad for deeper impact, made possible by support from Enbridge Inc.

    Finn, a fourth-year student in the Bachelor of Physical Education program with a minor in Dramatic Arts, received the 2025 Enbridge Inc. Career Experience Bursary alongside Justin Mafie, a Bachelor of Science student in Mathematics.

    The award supports undergraduate students involved in Brock’s Work Experience Program offered by Co-op, Career and Experiential Education (CCEE), with preference given to non-co-op students who demonstrate financial need. Funded by a $10,000 gift from Enbridge Inc., the bursary provides $5,000 to each recipient to pursue meaningful, career-aligned opportunities.

    Recognized on their academic transcript, the program allows students to set intentional learning goals, develop Brock’s core competencies and reflect on their growth with guidance from a member of the Co-op Education and Workplace Partnership team.

    A speaker stands at a podium with a laptop, gesturing with one hand while addressing an audience at Brock University.

    Brock University student and entrepreneur Justin Mafie presents during Black History Month and African Heritage Month events. Mafie’s digital creative agency, CREOVA, grew through the Enbridge Inc. Career Experience Bursary and Brock LINC’s Navigate program.

    Through feedback from employers and the chance to build industry connections, students gain insight and confidence to navigate their future careers.

    “We are deeply grateful for Enbridge’s generous bursary support, which makes it possible for students with financial need to pursue meaningful, career-relevant work experiences,” said Julia Zhu, Director, Co-op, Career and Experiential Education. “This support not only reduces financial barriers but also empowers students to gain the skills and confidence needed to thrive in their chosen fields.”

    The bursary allowed Finn to pursue a suite of theatre-based initiatives this summer, including directing an adaptation of Miss Julie for Brock’s One Act Festival, acting and collaborating in four Summer Institute workshops, and contributing to the DART Performance Research Institute (DART PRI).

    For Finn, who grew up in Toronto, these experiences represent more than professional growth.

    “This summer’s projects reflected a transformation,” she said. “I was once a young girl who would’ve never imagined what she could accomplish, but through faith and perseverance, I’ve learned never to take the gift of life for granted.”

    Through the One Act Festival, Finn explored themes of race, gender and class in Miss Julie, co-directing a reimagined production with third-year DART student Gianna Lupparelli that pushed boundaries and challenged norms. The production featured the performers Landon Drexler as John, Megan Mastantuono as Julie, and Sandra Nampiima as Christine. Toronto-based DART instructor Michael Reinhart was the Artistic Director of the festival.

    At DART PRI, Finn worked in an incubator focused on anti-supremacy in theatre and education, combining creativity with critical advocacy. Her projects included Wife of Bath by Independent Auntie Productions, led by renown Canadian artists Anna Chatterton and Evalyn Parry, Minosis Gathers Hope by Carousel Players, led by Monica Dufault and Christine Sokaymoh Frederick, The Square, led by the Dora Nominated Nigerian Actor, Writer, Performer and Mother, Dienye Waboso Amajor, and The Source The Work The Story by In my own head theatre, led by Dienye Waboso Amajor, Marcel Stewart (DART alumnus), and Shabnam Sukhdev.

    “Silence doesn’t create opportunity,” Finn said. “To make a positive impact, you must advocate not just for others but for yourself.”

    Her work in the arts is part of a much broader mission. This past fall, Finn launched the Black Flourishing Advocacy Initiative, a community-wide effort promoting Black mental health, leadership and critical inclusivity at Brock.

    “The goal is to create braver and safer spaces where people feel seen, heard and valued,” she said. “This bursary gave me the time and resources to grow as an artist and advocate; to show up for others.”

    As Vice-President of the Black Student Association, she is spearheading the initiative alongside Brock University Students’ Union (BUSU) clubs and community members.

    “I may not carry every lived experience,” said Finn. “But I show up. Helping someone find their voice and purpose — that’s power. I choose to speak loudly, fiercely, even when it’s uncomfortable, because my story, my truth and my voice deserve to take up space.”

    Meanwhile, Mafie used the funding to pursue his passion for entrepreneurship.

    Through Brock LINC’s Navigate program, he is developing his startup, CREOVA, which is short for “creative innovation.” The digital agency offers videography, photography, social media management and branding services.

    “With a background in computer science, math and business, I’ve always been fascinated by the intersection of data and creativity,” said Mafie. “CREOVA helps individuals and organizations tell their stories in a way that feels authentic and meaningful.”

    Through Navigate, Mafie has engaged with dozens of potential clients and gathered feedback to refine his services. The hands-on, 11-week program supports early-stage ventures by teaching lean startup methodology, connecting participants with mentors and encouraging customer discovery.

    “Receiving the bursary made a huge difference,” he said. “It allowed me to dedicate real time to developing the business and building a foundation for long-term growth.”

    Mafie said the support not only made the logistics of entrepreneurship easier but also affirmed that his work matters.

    “That kind of encouragement goes a long way,” he said. “The Enbridge bursary helped me turn an idea into something with real impact.”

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  • Youth theatre festival shines spotlight on Canada’s brightest emerging talent

    Image caption: High school students from Ontario and New Brunswick made puppets in a workshop led by Dramatic Arts instructor and local designer for theatre Alexa Fraser as part of the 2025 National STAR Festival hosted at the MIWSFPA.

    Wednesday, May 21, 2025 | by 

    Teens learn tricks of theatre trade from industry pros

    Secondary school theatre students and creative professionals from across the country recently gathered for a dynamic celebration of creativity and excellence in youth theatre.

    Hosted by Brock’s Department of Dramatic Arts (DART), the 2025 National STAR (School Theatrical Arts Recognition) Festival welcomed 200 students to the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) from May 8 to 10 for a packed schedule of workshops and opportunities to showcase their talents through friendly competition.

    David Vivian, DART Associate Professor and Scenographer, said engaging workshops led by acclaimed industry professionals and post-secondary educators provided a powerful platform for students to shine.

    “From musical theatre to playwriting and technical production participants gained valuable insight from influential theatre artists,” he said. The festival is unique for its focus on story telling and performance without design elements such as sets and costumes.

    Vivian co-organized the festival with lead Tracy Garratt, Program Leader for the Arts with the District School Board of Niagara and a teacher at A.N. Myer Secondary School in Niagara Falls.

    Photo of carpentry expert Ed Harris giving demonstration to students at STAR Fest

    Dramatic Arts graduate James McCoy (BA ’14), left, Head Technician at the Roselawn Theatre and DART Head of Scenic Construction and Instructor Ed Harris demonstrated stagecraft skills to students of Laura Secord Secondary School, A.N. Myer Secondary School and Waterloo Oxford District Secondary School during the Technical Theatre Olympics Challenge.

    Garratt, a champion of STAR Festival programming in Niagara, said opportunities to engage with diverse narratives and characters help students develop empathy and critical thinking skills, fostering a deeper understanding of the world around them and inspiring change in their communities.

    “As a passionate teacher in the arts, I believe in the transformative power of theatre and the joy of participating in festivals that celebrate creativity,” she said. “Theatre not only nurtures artistic voices but also serves as a vital educational tool that helps students explore complex social issues and inequities.”

    DART Chair Jennifer Roberts-Smith’s delivered a keynote welcome and remarked that now — more than ever — the world needs theatre made by diverse new voices.

    “Dramatic Arts at Brock is fortunate to have our University’s support in making an equitable and inclusive space for all voices to grow,” she said. “We were delighted to welcome the new perspectives of this year’s STAR Festival participants to our beautiful facilities at the Marilyn I. Walker School.”

    Adjudicators of the event represented a diverse cast of theatre professionals in the region, including current and past Shaw Festival ensemble members.

    Vivian said DART’s close relationship with the Shaw Festival’s performing, production and administrative teams is an important component of learning for the Brock community.

    “The DART Shaw Festival Internship has been a life-changing experience for our senior and graduating students,” he said.

    DART graduates also returned to lend their expertise to the next generation, including theatre artist James McCoy (BA ’14), Head Technician at the Roselawn Theatre with Lighthouse Festival Theatre in Port Colborne.

    McCoy shared his skills and career experience in the STARfest Technical Theatre Olympics, a program of learning and fun competitive collaboration in stagecraft. Students learned news skills and put them to the test in a program adapted for the festival by McCoy, Vivian, and Head of Stage Construction for Dramatic Arts, Ed Harris.

    The opportunity to meet colleague theatre artists from across the country was at the foundation of the community-building event.  Emmett Carter, a student from A.N. Myer Secondary School emphasized that the opportunity to learn and create with new friends, and then witness their performances and presentations was the highpoint of their experience.

    “Meeting people from across Canada was cool. …. Being all here, together at the festival, allows me to see what people are doing across the country and gives me the opportunity to learn what is important to kids from other provinces,” he said.

    Photo of students performing onstage at STAR Fest.

    Students from DSBN Academy in St. Catharines performed an original new play “Dogs Smell Blood” written by student Alaster Nikolic (front). The students polished the play in two sessions with renowned Canadian playwright John Lazarus and Canadian actor, screenwriter and sound designer Sean Meldrum. The play was selected in the national competition for the STAR Short Play program and will be published by TRW Plays (New York).

    Matt Niddrie, a student from A.N. Myer Secondary School, highlighted the joy of experiencing the final moments of the festival.

    “We were all cheering each other on and celebrating each other and our respective accomplishments. This festival builds community. The workshops bring us all together; we all share the same ideals. The festival is a great time for us to be together supporting each other’s passion for theatre arts,” he said.

    During the festival, a DART Creative Citizenship Scholarship award was launched by the department, with the inaugural award presented to a Saint Paul Catholic High School student.

    “Whether these emerging young artists pursue studies in music theatre, dramatic arts, teacher education or other subjects such as the pre-med sciences, nursing, maths and business, I am very enthusiastic about their developing capacity to drive original and meaningful change,” Vivian said.

    The third Niagara Regional STAR Festival is planned for December 2025 at the MIWSFPA.

    Watch the video report below by YourTV Niagara featuring an interview with the lead organizer, Tracy Garratt. (4:13)

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