Articles tagged with: MIW Theatre

  • Brock’s fall mainstage returns in person to explore fate of Judas Iscariot

    Image caption: Brock Dramatic Arts students and mainstage actors Celine Zamidar (left) and Simon Bell (right) rehearse a scene from The Last Days of Judas Iscariot with Guest Director Leighton Alexander Williams (centre).

    Originally published in The Brock News MONDAY, | OCTOBER 18, 2021 | by 

    Brock University’s fall mainstage production will make its much-anticipated return next week for the first live, in-person performance on the stage of the Marilyn I. Walker Theatre in more than a year and a half.

    Although the Department of Dramatic Arts (DART) did not let the COVID-19 pandemic stifle its creativity, hosting virtual mainstage productions when public health restrictions prevented in-person performances, the cast and crew of The Last Days of Judas Iscariot is eager to welcome their first live audience Friday, Oct. 29.   

    Written by award-winning American playwright Stephen Adly Guirgis, the play is an exploration of sin and unconditional love and speaks to all about guilt, regret and redemption.

    Set in a satirical version of a contemporary American courtroom, The Last Days of Judas Iscariot sees a host of saints and villains (including Mother Theresa and Satan) convene to determine the fate of Judas Iscariot after he has been stuck in purgatory for a few thousand years.

    Emerging Ontario director Leighton Alexander Williams is the Brock production’s Guest Director, with assistant direction by DART student Michael Cicchini.

    Based in Toronto, Williams is a stage and screen actor, writer, director and producer and is co-founder of Big Dreamers Brotherhood Productions Inc., a company of seven black male artists committed to telling provocative stories. With an academic background in drama and English and an interest in education, Williams is thrilled to be guest directing the production.

    “It’s no secret that the COVID-19 pandemic has made a lot of us experience feelings of isolation and being ‘stuck’ — two things Judas experiences throughout this story,” Williams said. “I felt it was important to set this play in the here and now.”

    Williams added that because of a recent boost in the popularity of the science fiction genre, the production’s version of purgatory is set in a cosmic void.

    “The intersectionality of religion and science makes for a fresh take on a classic tale,” he said.

    The show runs Oct. 29, 30 and Nov. 5 and 6 at 7:30 p.m. and Oct. 31 at 2 p.m. There will be a matinee performance on Nov. 5 at 11:30 a.m. for DART students and faculty.

    The MIW Theatre, in the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) in downtown St. Catharines, is operating at a reduced capacity, with 100 seats available for each performance in the interest of student and audience member safety.

    Tickets are $20 for the general public and $16 for youth and seniors. Tickets may be purchased through Brock University Tickets. All provincial and Brock University COVID-19 protocols are in effect for the performances, including mandatory vaccination and masks for all audience members visiting the MIWSFPA.

    See the feature article by DART alumna Holly Hebert and featuring the voices of some of the students involved in the show, photos by VISA student Julie Luth and DART’s own Edgar Harris at dartcritics.com/2021/10/29/from-purgatory-to-purgatory-welcome-the-last-days-of-judas-iscariot/

    Tags: , , , , , , , , , , ,
    Categories: Announcements, Current Students, Events, Faculty & Instructors, Future students, In the Media, Media Releases, News, Performance Season, Plays, Uncategorised, Visiting Artists

  • Breaking the Silence at In the Soil

    (Source: The Brock News | Wednesday, May 03, 2018 by Matthew Melnyk)

    Students from Stamford Collegiate took to the stage at the Marilyn I. Walker Theatre to present their original play, Breaking the Silence, as part of In the Soil Arts Festival on Friday, April 27. The public performance was sponsored by Brock University. The play — based on the stories of British Home Children who were torn from their families and sent to Canada for a ‘better life’ — earned Stamford the top prize at this year’s National Theatre School Drama Festival. Friday’s performance featured a quilt made up of historic photos of British Home Children.

    Stamford Collegiate at the Marilyn I. Walker School of Fine and Performing Arts. Seen l to r: Colin Anthes, BA (Honours) Dramatic Arts and Psychology, Minor in Philosophy, 2014; MA Philosophy (Contemporary Continental Philosophy), 2016; Certificate in Public Law (in process) is an alumnus of Stamford Collegiate, an instructor at the Department of Dramatic Arts, Artistic Director of Essential Collective Theatre and founder of Twitches & Itches Theatre; Angela Menotti, program leader of Drama at Stamford Collegiate; and Ethan Yando, who has a placement at Stamford Collegiate as he completes his BA (Honours) Dramatic Arts, Minor in English Language and Literature, BEd Teacher Education – Intermediate Senior in 2018.

    Tags: , , , , , , ,
    Categories: Events, Future students, News, Plays

  • Graduating students present gritty play about oil in Canada

    The cast of Lac/Athabasca takes the stage from April 12 to 14 in the Marilyn I. Walker Theatre for the last Dramatic Arts production of the 2017-18 season.

    For the final production of the regular 2017-18 season, Brock’s fourth-year Dramatic Arts students will tackle some hard-hitting Canadian issues.

    The DART 4F56 ensemble will present Len Falkenstein’s award-winning play Lac/Athabasca in the Marilyn I. Walker Theatre. The production, inspired by the Lac-Mégantic train explosion of 2013, tells the dark truth of the forces behind the disaster.

    Co-directed by Professor Gyllian Raby and student Mark Dickinson, the play premiered at the Marilyn I. Walker School of Fine and Performing Arts on Thursday, April 12 and will continue nightly until Saturday, April 14.

    Production poster designed by Michelle Mohammed. click to download a PDF copy.

    Audiences follow the train filled with explosive fuel as it journeys across time and place, beginning with townsfolk sharing their experiences of the tragic event and lamenting for the lives lost. The crowd is taken to tour the magnificent Athabasca glacier and meets workers at the oil sand companies in Fort McMurray, witnessing Canada’s exploitation of its land and peoples from the 1800s to now. The beauty and terror of these encounters reveal a Canadian dream as twisted as the train tracks that stretch across it.

    The DART 4F56 students unanimously picked the play not only because of its Canadian roots, but also because “it’s about something that matters,” says Raby. The production tells the story of the train explosion, but audiences can also “expect to see a First Nations story play out,” she says.

    “We were fortunate enough to be advised by Adrienne Smoke of the Six Nations and William Constant, a Cree mentor, to make sure we were approaching the Indigenous story correctly.”

    On a daily basis, Canadians are reading about the problem of oil and the exploitation of natural resources. Lac/Athabasca is a deeply Canadian play that provokes reflection on corporate greed, environmental policies and the future transportation of oil.

    In addition to Dickinson, the 2017-18 Dramatic Arts fourth-year ensemble features cast members Mackenzie Kerr, Adrian Marchesano, Sarah Marks, Michelle Mohammed, Tarndeep Pannu, Naomi Richardson and Kaylyn Valdez-Scott. Set construction is by Helena Ciuciura, costume design by Samantha Mastrella, properties design by Rebecca Downing, sound design by Jillian Wardell, lighting design by Meryl Ochoa, and projections design and production management by Chelsea Wilson, assisted by guest instructor and Brock University Dramatic Arts alumnus, James McCoy. The production team also includes Allie Aubry as stage manager and Candice Burn as head of publicity.

    Lac/Athabasca plays Friday, April 13 and Saturday, April 14 at 7:30 p.m. at the MIWFSPA in downtown St. Catharines. Tickets are $5 (plus taxes and fees) from the FirstOntario Performing Arts Centre box office at 905-688-0722 or online. Tickets will also be available at the door. Limited parking is available onsite.


    see the preview article by Mike Balsom on YourTV Niagara/Cogeco

    Tags: , , , , , ,
    Categories: Current Students, Events, Faculty & Instructors, News, Performance Season, Plays

  • Dramatic Arts students explore the theme of Expectation and Reality

    The popular One Act Festival is coming back to the Marilyn I. Walker School of Fine and Performing Arts this weekend. Pictured is the performance of All by Myself from the 2017 One Act Festival directed by Naomi Richardson, designed by Chelsea Wilson and featuring Rebecca Downing, Jessica Johnson, Alex Boychuk, Lauren Reed and David Poirier.

    The popular One Act Festival is returning to the Marilyn I. Walker School of Fine and Performing Arts this weekend.

    Students from the Dramatic Arts Directing II course (DART 3P54) have been hard at work developing their plays under the supervision and guidance of instructor Neil Silcox and teaching assistant Kevin Hobbs. The experiential course offers students practical and real-world experience as directors, dramaturges, performers, designers and theatre technicians, often for the first time.

    Silcox says “Brock does a great job of balancing out the theoretical and experiential aspects of dramatic arts” compared to the other programs he’s worked for.

    “Developing a strong understanding of theories and then being able to get on your feet and actually do it is the only way to learn to do performing arts,” Silcox says.

    Directing II students are responsible for selecting a script, auditioning a cast, rehearsing, designing the show and co-ordinating with the dramatic arts production team on all technical needs.

    This year, the festival is presenting six shows under the theme “Expectation and Reality.”

    Silcox says he discovered the theme “after reading through each of the students’ chosen acts side by side.”

    “We didn’t offer this theme to the students and make them try to select something,” he says.

    This process allows the students to have full control and individuality with their acts, but also challenges them to tweak their shows in a way that highlights the theme more.

    “Although it may seem cliché, audience members should expect the unexpected,” says Silcox.

    The shows range from century old to extremely contemporary, absurdism to strongly political, all exploring this year’s theme from a unique angle.

    Shows being presented this year include Articulation by Alicia Richardson, Your Mother’s Butt by Alan Ball, Echo by Joseph T. Shipley, The Little Stone House by George Calderon, The Lesson by Eugene Ionesco, and The St. Valentine’s Day Massacre by Allan Knee.

    All shows take place in the Marilyn I. Walker Theatre of the MIWSFPA on Saturday, March 24 and Sunday, March 25 starting at 7 p.m. each night. Admission is pay-what-you-can and limited paid parking is available nearby. For more information on the 2018 One Act Festival, visit the Dramatic Arts website.

    Tags: , , , , , , , , , , , ,
    Categories: Current Students, Events, In the Media, News, Performance Season, Plays