Future students

  • Brock artists to draw inspiration from new bursary

    Through a gift to Brock’s Marilyn I. Walker School of Fine and Performing Arts, Paul Green and Ginny Medland-Green are supporting students who’ve chosen to pursue a career in the arts.


    Originally published in The Brock News | FRIDAY, JANUARY 27, 2023 | by 

    When Ginny Medland-Green and Paul Green toured Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) early last year, they left impressed by the community that exists for young artists at the downtown school.

    The couple, who have a deep love and appreciation for the arts, moved to Niagara-on-the-Lake seven years ago and have been pleasantly surprised by the cultural richness of the region. Through a recent gift in support of the MIWSFPA, they hope to support the study of the arts for students and showcase the impact their work can and will have on communities such as Niagara.

    “It’s courageous to study fine and performing arts at university and set a goal to be a working artist,” Medland-Green said. “We hope our bursary will inspire students to set both imaginative and practical goals for their capstone project and assist financially in a way that energizes them as they work creatively and tirelessly in what is a very competitive environment.”

    Currently taking applications, the Medland and Green Inspiring Artists Bursary is open to all third-year Honours students enrolled in Dramatic Arts, Music and Visual Arts at the MIWSFPA. The bursary has been established to assist students pursuing a unique opportunity such as travel, an internship or training that will benefit their upcoming capstone project or production, taking place in the 2023-24 academic year.

    “The Greens’ gift is a true investment in the future of our students, our downtown campus and the arts in our community,” said Sonia Dupte, Executive Director, Development and Campaigns. “Through its endowment, it will impact generations of inspiring artists at Brock.”

    From the onset of conversations with Brock and the MIWSFPA about the gift, Medland-Green and Green emphasized the importance of the bursary supporting a learning activity that not only excites the student recipient, but also professionalizes and shapes their career path in the arts.

    Linda Carreiro, Associate Dean of Fine and Performing Arts, commended the uniqueness of the bursary and the opportunities it will support for students at the downtown arts school.

    “Students at the Marilyn School are lucky to have a variety of awards established to support them throughout their studies,” she said. “The Medland and Green Inspiring Artists Bursary is unique in the way that it really hones in on the learning and professional development that often happens outside of a classroom.

    “Financially supporting students to pursue an opportunity they’ve identified to advance their own learning will not only inspire them towards a career path, but will also instil confidence that their skills are important and they can in fact make a living by pursuing a career in the arts,” Carreiro said.

    Interested applicants are invited to submit a short proposal (up to 500 words) and budget for the event, project or opportunity for which they are requesting funding. The submission should also include how the funding will assist in the application of their final-year project or production.

    Comprehensive applications, which include the proposal and budget, can be submitted to Brock’s Awards and Bursaries web page and will be reviewed by an advisory committee. The deadline for submissions is Friday, Feb. 10 at 4 p.m.

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    Categories: Alumni, Announcements, Current Students, Faculty & Instructors, Future students, In the Media, News

  • Brock mainstage production puts human behaviour, climate crisis in spotlight

    Brock University Dramatic Arts students will explore a variety of complex topics in AnthropoScene, this year’s fall mainstage production.


    Originally published in The Brock News | FRIDAY, OCTOBER 28, 2022 | by Charles Kim

    Brock University’s Department of Dramatic Arts (DART) is inviting the community to experience a journey through time and place in AnthropoScene.

    The fall mainstage production explores how the alienation that results from humans’ supremacist behaviour towards one another contributes to the climate crisis, as well as engages the ethics of theatricalizing the present climate emergency.

    AnthropoScene playfully mingles elements of Shakespeare’s The Tempest, real-life figures including Toussaint L’Ouverture and various youth climate justice activists, and fictional characters across multiple locations and time periods.

    The production, which debuts Friday, Oct. 28 and continues into the first week of November, involves one of the largest groups of students, faculty and staff in recent years. Twelve DART students will perform, as 30 others assist in creative and backstage roles. This original work is written and directed by David Fancy, designed by David Vivian, and choreographed by Trevor Copp and Colin Anthes, with live music performed by Devon Fornelli.

    “I’m so pleased at the skill and talent of the many students involved in creating this production, from actors to assistant designers, directors and sound designers — the list goes on,” says Fancy, a Brock DART Professor.

    Conveying so many complex elements within the production has been no easy task, but one the cast and crew have handled impressively, he says.

    “Our Dramatic Arts students have really shown courage and insight in dealing with the challenging materials that this play covers: self-harm, racism and environmental harm,” Fancy says. “They have also brought great verve and joy to the choreography, company dance numbers and comedic aspects of the project.”

    To help immerse audiences in multiple locations and time periods, the Marilyn I. Walker Theatre has taken on a new form.

    “I imagine the audience having an experience of poetry, drama, comedy, dance, beautiful design, light and sound that will transport them to different places and times,” Fancy says. “I’ve configured the theatre differently than it usually is in order to help the audience feel they are being brought somewhere else.”

    AnthropoScene opens Friday, Oct. 28 at 7:30 p.m., with additional performances on Oct. 29 and 30, and Nov. 4 and 5. All shows take place at the Marilyn I. Walker Theatre in Brock’s Marilyn I. Walker School of Fine and Performing Arts in Downtown St. Catharines.

    roundtable discussion, also open to the public, will take place on the production stage Wednesday, Nov. 2 at 6:30 p.m., with a panel of experts from Brock and other institutions discussing topics related to staging planetary evolution and destruction.

    Brock Professor of Art Education Fiona Blaikie will lead the discussion alongside Fancy; Vivian; Christine Daigle, Professor of Philosophy and Director of Brock’s Posthumanism Research Institute; Katrina Dunn, Assistant Professor in the University of Manitoba’s Department of English, Theatre, Film and Media; Lin Snelling, a dancer whose artistic practice brings the qualities of improvisation into dance, theatre, writing, visual art and somatic practice; and Priya Thomas, Assistant Professor of Dramatic Arts at Brock.

    Tickets for AnthropoScene are $20 for the general public and $16 for students and seniors. For a full schedule of performances or to purchase tickets, visit the Brock University Tickets website.

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    Categories: Announcements, Current Students, Events, Faculty & Instructors, Future students, In the Media, Media Releases, News, Performance Season, Plays

  • Canada Games Research Spotlight: Karen Fricker

    Associate Professor of Dramatic Arts Karen Fricker is leading a research team that is exploring connections between water sports, circus and spectators through their project “Circus on the Canal.”


    Originally published in The Brock News| THURSDAY, JULY 07, 2022

    NOTE: This is the latest in a series of Q&A stories featuring Brock University faculty members who are integrating the Niagara 2022 Canada Summer Games into their research projects. For more information on Brock’s academic activities around the Games, visit brocku.ca/canada-games

    Karen Fricker, Associate Professor of Dramatic Arts, is author of the monograph, The Original Stage Productions of Robert Lepage: Making Theatre Global, which recently won the Canadian Association of Theatre Research’s 2022 Ann Saddlemyer Award for the best book on a Canadian theatre studies topic published in a given year. She is the co-director of the international research project Circus and its Others, a theatre critic at the Toronto Star and is involved in a number of research projects about the future of theatre criticism.

    Fricker is one of 11 Brock researchers and scholars who received funding under the 2020-21 round of the VPR Canada Games Grant program. Here, she discusses her research project titled “Circus on the Canal: Exploring connections between water sports, circus and spectators.” 

    Please give a brief overview of your research project. 

    Circus on the Canal is a collaboration between me and circus artist and producer Holly Treddenick of Femmes du Feu Creations, who is based in downtown Welland at the Bank Arts Centre.

    This summer, we are working on the second phase of this project; this phase, and the first phase, have been funded by the VPR Canada Games Grant program. In this phase, Holly will work with two Brock student athletes — one a diver, the other, swimmer Ashley Falconer — in further developing choreography for a circus performance inspired by the athletes’ physicality and embodiment. Initial work on this choreography happened during the first project phase in the summer of 2020. The project also involves Welland-based Indigenous artist Kitsuné Soleil, who is working with Holly on incorporating knowledge about the local waterways into the performance. Hamilton-based designer Tanis McArthur is the costume designer, and a local musician will also be part of the project.

    What do you expect will be the outcome of your research? 

    The outcome of this phase of the research will be an in-progress performance taking place Aug. 11 or 12 at the Lincoln Docks in Welland, at sunset. The audience for this free performance will include invited guests as well as any members of the community who would like to attend.

    How will this contribute to knowledge or understanding of the Canada Summer Games?  

    A central goal of the production is to explore links between high-performance athleticism and circus performance, both of which involve intensive physical training and a deep connection to the relationship between mind and body. The performance is intended to inspire audiences to consider these links and to appreciate the skill, dedication and mastery of Canada Games athletes and circus performers alike. The performance, which will be outdoors and highly visible, will heighten local awareness of the Games. The performance is also likely to enhance the experience of sports spectators and sportspeople by adding a creative and aesthetic element to the Games.

    How did you become interested in this research? 

    Contemporary circus is one of my central areas of research as a theatre and performance scholar. I am the co-director of the Circus and its Others (CaiO) international research network, which has organized three conferences (Montreal, 2016; Prague, 2018; Davis, 2021). We’re in the early stages of planning the next conference in Colombia in 2023 and are working on a co-edited special journal issue following the 2021 conference. It’s through my CaiO work that I got to know Holly, who is a dynamic producer and artist, and is passionate about bringing circus to Welland and the Niagara region, which is underserved for arts and culture.

    How do you plan on sharing your research?

    The outcome of this phase of the project is the public work-in-progress performance in August. There will be a social media campaign in the run-up to the performance that will further share knowledge and information about it.

    Do you have any advice or tips on how colleagues in your Faculty can incorporate the Canada Games into their research? 

    Be creative and think laterally!

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    Categories: Alumni, Announcements, Current Students, Faculty & Instructors, Future students, In the Media, Media Releases, News, Visiting Artists

  • Brock mourns loss of champion of Dramatic Arts

    Mary-Jane Miller (right) with her late husband Jack Miller shortly before her retirement in June 2004.


    Originally published in The Brock News FRIDAY, JUNE 29, 2022 | by 

    The Brock community is deeply saddened by the recent passing of Mary-Jane Miller, who spent 36 years with the Department of Dramatic Arts (DART).

    Miller, who began teaching at Brock in 1968 and served as both Associate Professor and Chair of the department during her tenure, passed away peacefully at home on June 22.

    A crucial member of the DART program, she was part of the early academic cohorts at Brock.

    Miller’s level of dedication and commitment over her 36 years with the University still resonates with many.

    DART Associate Professor Gyllian Raby has many fond memories of Miller, who impacted not only the department, but also its students.

    “MJ set an example, consciously; she was a teacher in her every move. Her profound sense of duty made her step up for several years after her migraines undermined her desire to Chair the Department of Dramatic Arts,” Raby says. “She didn’t want to retire until she felt our fledgling department was stable and had found its identity; she cared so very deeply.”

    DART Professor David Fancy says Miller “left a very strong legacy of commitment to theatre and dramatic arts in the Humanities and at Brock.”

    “She was a key architect to the development of the Department of Dramatic Arts in the 1960s and ’70s,” he says.

    After retiring in 2004, Miller went on to become Professor Emerita, maintaining strong ties to the Brock Dramatic Arts community.

    Miller and her late husband, Jack Miller, who passed away in 2016 and also had a significant impact on the University, are remembered for their lasting contributions.

    “Their combined generosity to the department was legion and they led forward with a most steady and loving personal relationship that taught me about the beauty of being quietly grand in later years,” says David Vivian, Associate Professor of DART and Director of the Studies in Arts and Culture (STAC).

    Miller’s family will receive friends on Friday, July 1 from 11 a.m. to noon at Patrick J. Darte Funeral Chapel, 39 Court St., St. Catharines, with a memorial service to follow in the chapel.

    Memorial donations to either the Stephen Lewis Foundation or the Brock University Scholarship Fund would be appreciated by the family.

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  • Dramatic Arts criticism course returning to in-person theatre

    Image caption: Students in DART 3P94 Theatre Criticism will be experiencing a variety of live productions this summer after two years of digital offerings.

    Originally published in The Brock News | MONDAY, APRIL 18, 2022 | by 

    After two years of viewing performances online, Brock University students learning the art of theatre criticism will experience indoor, in-person theatre at the celebrated Stratford Festival and Shaw Festival Theatre.

    DART 3P94 Theatre Criticism is an online intensive Summer Term course run between July 11 and 22, bolstered by field trips to see live productions at Canada’s leading theatre companies.

    Taught by Karen Fricker, Associate Professor of Dramatic Arts and theatre critic for The Toronto Star, the course introduces students to the practical craft of theatre criticism and dives into the theoretical background of the discipline.

    Fricker said that after two years of running the course during the pandemic and having students review digital theatre exclusively, it will be thrilling to view live productions again.

    “Both the Shaw and Stratford Festivals have full indoor seasons this year and I’m looking forward to bringing the course to shows there,” she said. “We’re setting up some post-show talks so that students will be able to ask questions about the productions they’ve seen with the artists who made them.”

    Stratford Festival is welcoming back audiences beginning in May with a season theme of ‘New Beginnings’ and featuring plays such as Hamlet and Little Women and the musical Chicago. The largest classical repertory theatre in North America celebrates a its milestone 70th year in 2022.

    Shaw Festival Theatre, in its 60th season, will feature 13 plays across three stages in Niagara-on-the-Lake. Productions include The Importance of Being EarnestEverybody and The Doctor’s Dilemma.

    After seeing productions, students will write and discuss responses to them and learn about alternative, digital, performative and visual forms of critical response, while engaging with theatre culture.

    Registration for Spring/Summer courses is now open through the Admissions website. Students interested in learning more about the course are encouraged to contact Fricker at kfricker@brocku.ca

    Learn more about the 2022 seasons at Stratford Festival and Shaw Festival Theatre online.

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  • Performing arts production professionals bring ‘real world’ experience to MIWSFPA students

    The MIWSFPA welcomes leaders in live performance production and company operations for two presentations about challenges and opportunities in the field, bringing ‘real world’ experience to STAC/DART 3P93 students.

    All are welcome to a maximum of 17 guests. Bring your questions!
    Please contact stac@brocku.ca if you wish to reserve a seat (walk-in’s welcome as capacity allows).

    EVENT INFORMATION:

     

    Site Selection and Development for a Performance Event
    Kathleen Ross, Director of Operations, FirstOntario Performing Arts Centre
    Tuesday, February 8, 2022
    9:30-10:30 a.m., MWS 156

     

     

    Kathleen will be discussing the topic of Site Selection and Development for a Performance Event, addressing such topics as: selecting a site; space requirements – production (staging layouts, technical requirements, load in/load out requirements, broadcasting, or other capabilities); audience capacity (seating capacity and layout, accessibility, parking, transit); front of house requirements (staffing, box office, food and beverage options and costs); legal and safety issues.

    Kathleen Ross is an experienced operations professional with a focus on the most valuable asset…our human capital. She has an extensive history of working in government administration and entertainment industries, and is skilled in Emergency Procedures, Human Resources Management, Disability Management, Special Events and Entertainment.

    The FirstOntario Performing Arts Centre (PAC) is a 95,000 square foot academic and  cultural complex, located in downtown St. Catharines, comprised of four performance venues:  Partridge Hall  (770 seats), Recital Hall (304 seats), Robertson Theatre (flexible black box space) and The Film House (199 seats). Located adjacent to the MIWSFPA, Brock University students attend courses and perform at the PAC.

     

     

    Production Priorities
    Kate Leathers, General Manager, Carousel Players.
    Tuesday, February 15, 2022
    9:30-10:30 a.m., MWS 156

     

     

     

    Kate will be discussing Production Priorities, including such topics such as: The roles and responsibilities associated with various productions; co-ordination of creative and production priorities and requirements; production planning, contracting, legal, safety and human resources issues; consideration of planning a safe event in re-opening theatres (Covid-19).

    Kate Leathers has worked in the cultural sector for more than 20 years. She has held a variety of roles ranging from administrator to production technician and worked at dozens of theatres including the Shaw Festival and more across Canada. She has an MBA in Strategic Marketing. Currently Kate is planning Carousel Players’ 50th Anniversary Festival that will take place regionally over three days.

    Carousel Players present inspiring and creative plays for children ages five to 15 in schools, community venues, and performing arts centres across Southern Ontario. The company has also toured nationally to theatres and festivals in Ottawa, Montreal, Winnipeg, Calgary, Saskatoon, and Vancouver, and as far away as England and Japan.

    About STAC/DART 3P93 – Producing a Performance Event

    STAC/DART 3P93 introduces students to the commitment, hard work, and collaboration required to plan and execute a performance event. Students have the opportunity to bring their practical and leadership skills to work with their peers as a team to replicate a professional experience, including financial, organizational, communication and technical roles. In 2022 this course is taught by Jill Planche, PhD. Jill has a professional background in marketing and fundraising for theatre, opera, film and visual arts, including the Shaw Festival, TIFF and the McMichael Gallery.

    Please note: All Brock University COVID-19 protocols and vaccination policies apply. For more information, please visit Brock’s Coronavirus webpage.

     

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  • BIPOC theatre leaders to discuss new industry approaches at Brock event

    Theatre leaders participating in the upcoming Brock discussion panel include (top row, from left) Haui, Carmen Alatorre, (centre, from left) Shanna Miller, Samantha McCue, Wladimiro A. Woyno R., (bottom row, from left) Giselle Clarke-Trenaman and Kat Chin.

    Originally published in The Brock News Wednesday, | NOVEMBER 10, 2021 | by 

    Prominent Black, Indigenous and People of Colour (BIPOC) Canadian theatre production and design professionals will come together to discuss recent experiences in their fields and new strategies in production at an upcoming Brock University digital panel.

    This is the second event presented by the Department of Dramatic Arts (DART)  in a new series as part of the 2021-22 Walker Cultural Leader Series (WCL Series), “Transformation and Adaptation in Theatre Pedagogy and Training.” The series is organized by DART Professors Karen Fricker and David Vivian with longtime instructor Carolyn Mackenzie.

    “Industry Panel with BIPOC Canadian Theatre Artists” will take place Monday, Nov. 15 from 6:30 to 8 p.m. on Zoom. The Brock and wider community are invited to attend and asked to register ahead of time on the Zoom registration page.

    Moderating the panel is Giselle Clarke-Trenaman, Production Co-ordinator at Presentation House Theatre in North Vancouver and creator of Black History Matters, an educational program addressing gaps in Black history in elementary schools.

    Panelists include Haui, a mixed media director and designer working in theatre, opera and film; Samantha McCue, an Anishinaabekwe and Ned’u’ten theatre professional based in Ottawa; Carmen Alatorre, a Latinx artist and theatre designer based in Vancouver; Kat Chin, a Toronto-based stage manager who has worked across Canada, off-Broadway and at the Palace of Versailles; Shanna Miller, the Technical Director at Young Peoples Theatre; and Wladimiro A. Woyno R., a live performance designer and Assistant Professor of Theatre Production and Design at School for the Contemporary Arts, Simon Fraser University.

    The panel will cover a range of topics, from how to bring more BIPOC artists to the theatre industry and cultivate new audiences, to the use of technology and how the pandemic has affected the performing arts industry.

    “We’ve invited these important artists from diverse fields of Canadian theatre design and production to share their journeys of the past 20 months and to encourage our students with the vision and passion that informs their professional practice,” said Vivian.

    “Whether through the lens of anti-racism, decolonization, accessibility or the drive for professional and economic sustainability, this evening promises a vivid invitation to join progressive voices for change in live performance and theatre production in Canada.”

    The third and final event in the DART WCL series is a daylong Casting and Audition workshop on Sunday, Nov. 28 for DART students, staff and faculty. This closing event will be led by Kimberley Rampersad, actor, choreographer, director and Associate Artistic Director of the Shaw Festival; and Marcel Stewart, actor, writer, director and arts educator.

    To learn more, please visit the WCL Series website.

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  • Brock’s fall mainstage returns in person to explore fate of Judas Iscariot

    Image caption: Brock Dramatic Arts students and mainstage actors Celine Zamidar (left) and Simon Bell (right) rehearse a scene from The Last Days of Judas Iscariot with Guest Director Leighton Alexander Williams (centre).

    Originally published in The Brock News MONDAY, | OCTOBER 18, 2021 | by 

    Brock University’s fall mainstage production will make its much-anticipated return next week for the first live, in-person performance on the stage of the Marilyn I. Walker Theatre in more than a year and a half.

    Although the Department of Dramatic Arts (DART) did not let the COVID-19 pandemic stifle its creativity, hosting virtual mainstage productions when public health restrictions prevented in-person performances, the cast and crew of The Last Days of Judas Iscariot is eager to welcome their first live audience Friday, Oct. 29.   

    Written by award-winning American playwright Stephen Adly Guirgis, the play is an exploration of sin and unconditional love and speaks to all about guilt, regret and redemption.

    Set in a satirical version of a contemporary American courtroom, The Last Days of Judas Iscariot sees a host of saints and villains (including Mother Theresa and Satan) convene to determine the fate of Judas Iscariot after he has been stuck in purgatory for a few thousand years.

    Emerging Ontario director Leighton Alexander Williams is the Brock production’s Guest Director, with assistant direction by DART student Michael Cicchini.

    Based in Toronto, Williams is a stage and screen actor, writer, director and producer and is co-founder of Big Dreamers Brotherhood Productions Inc., a company of seven black male artists committed to telling provocative stories. With an academic background in drama and English and an interest in education, Williams is thrilled to be guest directing the production.

    “It’s no secret that the COVID-19 pandemic has made a lot of us experience feelings of isolation and being ‘stuck’ — two things Judas experiences throughout this story,” Williams said. “I felt it was important to set this play in the here and now.”

    Williams added that because of a recent boost in the popularity of the science fiction genre, the production’s version of purgatory is set in a cosmic void.

    “The intersectionality of religion and science makes for a fresh take on a classic tale,” he said.

    The show runs Oct. 29, 30 and Nov. 5 and 6 at 7:30 p.m. and Oct. 31 at 2 p.m. There will be a matinee performance on Nov. 5 at 11:30 a.m. for DART students and faculty.

    The MIW Theatre, in the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) in downtown St. Catharines, is operating at a reduced capacity, with 100 seats available for each performance in the interest of student and audience member safety.

    Tickets are $20 for the general public and $16 for youth and seniors. Tickets may be purchased through Brock University Tickets. All provincial and Brock University COVID-19 protocols are in effect for the performances, including mandatory vaccination and masks for all audience members visiting the MIWSFPA.

    See the feature article by DART alumna Holly Hebert and featuring the voices of some of the students involved in the show, photos by VISA student Julie Luth and DART’s own Edgar Harris at dartcritics.com/2021/10/29/from-purgatory-to-purgatory-welcome-the-last-days-of-judas-iscariot/

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  • Brock series to address transformation, adaptation in Canadian theatre

    Image caption: Mike Payette (left), Artistic Director of Tarragon Theatre, and Philip Akin (right), former Artistic Director of Obsidian Theatre Company, will take the virtual stage on Monday, Sept. 20, reflecting on changes in the Canadian theatre industry as part of the 2021-22 Walker Cultural Leader Series.

    Originally published in The Brock News | TUESDAY, SEPTEMBER 14, 2021 | by 

    A panel of prominent Black Canadian theatre leaders will explore the industry’s evolving landscape during an upcoming community discussion hosted by Brock’s Department of Dramatic Arts (DART).

    The webinar, “Black Canadian Theatre Leadership: Embracing Transformation and Adaptation,” takes place Monday, Sept. 20 from 6:30 to 8 p.m. and is the first presentation of the 2021-22 Walker Cultural Leader Series (WCL Series).

    The online event will feature panelists Philip Akin, former Artistic Director of Obsidian Theatre Company, and Mike Payette, Artistic Director of Tarragon Theatre, with moderator Luke Reece, Associate Artistic Director of Soulpepper Theatre. Registration is required through the Zoom webinar page.

    The speakers and moderator will reflect on changes in Canadian theatre in recent years, with a focus on the artistic missions of theatre organizations. Discussion points will include how the panelists have approached season planning within existing and evolving organizational missions and how programming can bring in the audiences they intend to cultivate.

    This is the first of three presentations in a new series launched by DART called Transformation and Adaptation in Theatre Pedagogy and Training. The series will run throughout the academic year and is supported by the WCL fund.

    “This fall’s Walker Cultural Leader program follows on from DART’s BIPOC (Black, Indigenous and People of Colour) Speaker Series last year and intends to build on its momentum,” said DART Associate Professor Karen Fricker, who co-organizes the series with DART sessional instructor Carolyn Mackenzie and DART Associate Professor David Vivian. “We are excited to welcome this intergenerational group of Black theatre leaders for our first event. This is an all-star panel.”

    The WCL Series celebrates the legacy and vision of Marilyn I. Walker and her contributions to Brock University’s Marilyn I Walker School of Fine and Performing Arts (MIWSFPA). Through her generous gift, the four academic programs at the MIWSFPA invite recognized cultural leaders, top researchers, artists, scholars, musicians and theatre professionals to contribute to the intellectual and creative life of the School and the Niagara region.

    To learn more about upcoming WCL Series events, please visit the website.

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  • DART Orientation + Dance Party 2021

    Hey DART! You are invited! Join DART students, faculty, and staff for the:

    DART ORIENTATION + DANCE PARTY 2021
    TUESDAY SEPT. 14, 2021, 6-7 PM

    Outdoors in the courtyard between the Marilyn I. Walker School and the First Ontario Performing Arts Centre (The Mann Raceway Plaza).

    At this festive gathering, you’ll meet the departmental faculty, staff, and fellow students. This meeting is for all – especially for first- and second-year students, who we’ve not been able to welcome to the department in person yet.
    No RSVP necessary.

    Masks required; Brock vaccination policies apply.

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