Uncategorised

  • DART Faculty co-direct a Play in Four Hours at Curriculum and Pedagogy conference in New Orleans

    Classroom Territoriality (Left to Right) Joe Norris, Rich Edmonson, Sharon Gile, Rick Breault, Janis McTeer


    A Play in Four Hours

    Using the playbuilding research process,Dramatic Arts Chair Joe Norris and graduate student Kevin Hobbs co-directed delegates at the Curriculum and Pedagogy conference in New Orleans, Oct. 17 and 18.

    After two, one and one-half hour devising sessions, and a one-hour rehearsal, they performed their series of nine vignettes, entitled: The Shape of School, at the closing conference event. The emergent themes included territoriality of classroom spaces, the pervasiveness of heteronormativity in the school yard, forms of administrative control of students and teachers, perceived status of particular schools and competing educational philosophies. It was concluded that these and other issues are strong undercurrents that contribute to the ethos of school experiences.

    Audience members participated in workshopping the scenes through body sculpting and discussions, with one conference delegate claiming that the images and issues would haunt her for some time to come.

     In addition to Norris and Hobbs, the participating playwrights were Rick Breault, Ashland University; Sharon Gile, Claflin University; Janis McTeer, Kent State University; Karen Morris, RJ Reynold High School, North Carolina; Sam Tanner, Penn State University; and Miryam Espinosa-Dulanto, Rich Edmonson, and Zulema Williams all from University of Texas, Rio Grande Valley.

     

    The Shape of Schools (Left to Right) Kevin Hobbs, Sam Tanner, Sharon Gile, Janis McTeer

    Leave it at the Door (Left to Right) Sharon Gile, Janis McTeer, Kevin Hobbs and Rick Breault

     

     

     

     

     

     

     

     

     

     

     

    Tags: , , , ,
    Categories: Events, Faculty & Instructors, News, Uncategorised

  • Brock prof and alumna explore circus performance in joint publication

    Associate Professor of Dramatic Arts Karen Fricker and MA graduate Hayley Malouin at the conference Circus and its Others II in Prague this past August. The two have recently published a special double issue of Performance Matters, titled “Circus and Its Others,” exploring questions around circus performance and gender, difference and dis/ability. (Photo by David Konecny)


    (From The Brock News, Tuesday, Sept. 11, 2018 | by Alison Innes)

    For many people, the circus is a place of mystery and wonder, filled with the extraordinary, unusual and strange.

    But what does it mean to be different and what does it mean to perform those differences?

    For Associate Professor of Dramatic Arts Karen Fricker and Brock alumna Hayley Malouin (BA ’15, MA ’17), these questions have led to a joint publication in the emerging field of circus studies.

    The pair launched a special double issue of the journal Performance Matters, titled “Circus and Its Others,” Aug. 28 in Prague at the similarly named Circus and Its Others II conference.

    Inspired by the inaugural Encounters with Circus and its Others conference organized by Fricker with assistance from Malouin in 2016, the publication features contributions from established scholars, graduate students and circus artists from around the world. Many of the contributors were in Prague to participate in the second conference and celebrate at the launch.

    The conference series brings together scholars from around the world to explore questions about the place of difference and “otherness” in contemporary circus.

    “We’re asking questions about circus in a way that allows people who have been working at these questions from different perspectives and different places to jump on board,” says Fricker.

    Malouin, who has an undergraduate degree from Brock in Dramatic Arts, explored ideas of public performance, political protest and public performance of the grotesque as part of her MA in Studies in Comparative Literature and the Arts.

    “Circus is an interesting cultural touchstone because it reflects societal norms about people, community and politics. This is in contrast to the image of circus – which circuses themselves cultivate – as existing on the margins of society,” says Malouin.

    The special issue of Performance Matters was her first foray into academic publishing. In addition to co-editing the issue with Fricker, Malouin worked with other circus scholars, including Brock student Taylor Zajdlik (BA ’15, MA ’17), on a section of the journal exploring questions of queerness and freakery in the circus.

    “It was a great experience to establish myself as someone with those skills,” says Malouin. “I really care about the work, I feel it’s important. It’s a substantial contribution to an emerging field.”

    The special edition also includes work by DART Associate Professor David Fancy on disability and the circus, making reference to a creative research project in which he participated involving intellectually disabled survivors of institutional abuse.

    The questions Fricker and Malouin are researching have application beyond the circus to culture as a whole.

    “What we’re looking at is how questions about difference and otherness play out in certain practices in the contemporary moment,” says Fricker. “And more broadly we’re asking, how do we work to make culture more inclusive?”

    The full issue can be read online for free.

    Tags: , , , , , , , ,
    Categories: Events, Media Releases, Uncategorised

  • ONE ACT FESTIVAL 2018: Expectation vs. Reality

    Theatre students take charge in Brock University’s ONE ACT FESTIVAL 2018!

    Every year, Brock University’s Department of Dramatic Arts presents an exciting festival of one-act plays, directed, designed and starring the bright and talented students of the Marilyn I. Walker School of Fine and Performing Arts. This year’s ONE ACT FESTIVAL 2018 will be held at the Marilyn I. Walker Theatre on March 24 and 25, 2018, and promises an engaging and diverse variety of experiences for the theatre-going audience.

    When: Saturday, March 24 and Sunday, March 25 (NOTE: this represents a change from dates published in the Season Brochure)

    Time: 7:00 p.m.

    Articulation by Alicia Richardson
    directed by Jazmine Jeffrey

    Your Mother’s Butt by Allan Ball
    directed by Sumer Seth

    Echo by Joseph T. Shipley
    directed by Isaac Brown

    The Little Stone House by George Calderon
    directed by Colin Williams

    The Lesson by Eugene Ionesco
    directed by Kristina Ojaperv

    The St. Valentine’s Day Massacre by Allan Knee
    directed by Alyson Markov

    The Marilyn I. Walker Theatre | 15 Artists’ Common, St. Cathrines
    Admission: pay-what-you-can | Limited paid parking available
    brocku.ca/dramaticarts

    Tags: ,

  • The Flu Season

    Showtime: April 14 – 16, 2016, Curtain at 7:30 pm

    Location: the Dramatic Arts Theatre at 15 Artists’ Common

    Will Eno’s “The Flu Season” plays whack-a-mole with everything you expect love to be.

    On stage in the Dramatics Arts Theatre, this Oppenheimer award-winning play has been selected by the graduating dramatic arts students as the strangest, most theatrical screen shot of the state of romantic affairs today.

    This unexpected comedy comes from the playwright the New York Times hails as “a Samuel Beckett for the Jon Stewart generation.”

    Romance is hacked and hijacked when a man and woman meet in a “retreat centre” that is surely unique in the known universe. They are under the observation of technicians and caretakers who are themselves infected by the multiplying pathetic fallacies of romance. Lovers are mad. Love hurts. Love makes you do crazy things. Love is The Flu Season.

    Guided by director and Professor Gyllian Raby, the 4F56 company includes: Elizabeth Amos, Eliza Anthony, Kelsey Burcher, Mary Askwith, Maria Evers, Alex Franks, Mark Harrigan, Robert Herr, Daryl Hunter, Jeremy Knapton, Katelyn Lander, Kevin Langendyk, Cole Larson, Oriana Marrone, Melinda Mohammed, Josh Sanger, and Raylene Turner.

    The Flu Season runs April 14, 15, and 16, at 7:30 pm, in the Dramatic Arts Theatre at the Marilyn I.Walker School of Fine and Performing Arts, 15 Artists’ Common, in downtown St. Catharines. Tickets are $5 (applicable fees and taxes are extra) and can be purchased at the door, or through the FirstOntario Performing Arts Centre Box Office. email: boxoffice@firstontariopac.ca; or visit online at: firstontariopac.ca

    You can receive a $2 discount on your ticket with a purchase of a meal of $5 or more from the following participating downtown eatries: Mahtay Café, Rise Above, The Bull BBQ Pit, Sky Bar Lounge at Brock University, Bella Noella’s Pizzeria, Gwen’s Teas, and So Jollof. Simply bring your restaurant receipt or voucher to the FirstOntario Performing Arts Centre Box Office to receive this discount. This offer is not available online.

    Limited paid parking is available on-site, however, there are more than 1,000 spots available in nearby parking garages, surface lots and on city streets within a five-minute walk to our address at 15 Artists’ Common. Visit http://www.stcatharines.ca/en/livein/ParkingLotsGarages.asp for a list of parking locations.

    FACEBOOK EVENT

    INSTAGRAM

     

    Tags: , , , , , , , ,