Articles tagged with: Danielle Wilson

  • Voice exploration workshop to be hosted at downtown arts school

    Friday, October 21, 2022 | By

    Diane Roberts is the founder of the Arrivals Personal Legacy Process, which draws on 30 years of experience and 12 years of focused artistic research.

    Originally published in The Brock News | WEDNESDAY, OCTOBER 19, 2022 | by Charles Kim

    A new workshop this winter will help participants develop a deeper understanding of and stronger relationship with their voice.

    Breathing New Legacies Forward, a Moving Voice Institute intensive, will be hosted Thursday, Dec. 15 to Sunday, Dec. 18 at Brock University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) in downtown St. Catharines. Led by industry specialists Gayle Murphy, Diane Roberts, Gary Logan and Gerry Trentham, Founder and Artistic Director of Pounds Per Square Inch Performance (lbs/sq”), the four-day workshop explores transformative vocal and physical explorations that extend range and deepen presence.

    “It’s a process that is different for everyone,” says Department of Dramatic Arts Associate Professor Danielle Wilson. “There is a connection between the voice, breath and body that the Moving Voice Institute researches. We are excited to have them come to the MIWSFPA this winter and lead this exploratory retreat devoted to the voice.”

    Through the course of this workshop, participants will examine and experience the connections between voice, text and breath in the morning sessions. In the afternoon, participants will work alongside Roberts, an African-Caribbean Canadian theatre practitioner and educator.

    Roberts is the founder of the Arrivals Personal Legacy Process, which draws on 30 years of experience and 12 years of focused artistic research. This work invites participants to consider ancestry as an essential aspect of evolving authority in their voice and body presence.

    Wilson expressed a deep interest in the process because of the strong ties to her personal research in voice and performance.

    “I wanted to experience the Arrivals Legacy work. Participating in the process is essential because voice work is a somatic practice. Experiencing the work is the research,” Wilson says. “We all have a relationship with our voice and this intensive gives participants an opportunity to deepen their relationship with their voice and own their unique sound, regardless of what they do professionally.”

    Breathing New Legacies Forward will be the first voice workshop since before the COVID-19 pandemic.

    Wilson says being connected and in the same room as those who are exploring, hearing and finding their voice is truly special. She encourages anyone interested to take this opportunity to discover a deeper connection with their voice.

    This workshop is open to all Brock community members and the public. More information can be found on the lbs/sq” website. Registration is now open, with early bird registration closing on Tuesday, Nov. 1.

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    Categories: Alumni, Announcements, Current Students, Events, Faculty & Instructors, In the Media, News, Visiting Artists

  • Annual Dramatic Arts Orientation brings students, faculty, and staff together

    Thursday, September 22, 2022 | By

    Department of Dramatic Arts Chair Jennifer Roberts-Smith makes opening introductions to students, faculty, and staff.

    The annual Department of Dramatic Arts Orientation was held on Sept. 13, 2022. This event was an opportunity for all new and returning students to meet with the staff, faculty, and organizations they would be interacting with this upcoming year.

    Department Chair, Jennifer Roberts-Smith, started with opening remarks and then welcomed all faculty and staff members to the stage. Cheers filled the theatre as the faculty and staff introduced themselves and the roles. Associate Professor Danielle Wilson, who is DART’s Undergraduate Program Officer, hosted and welcomed other theatre-associated groups and clubs that are open to all students.

    With introductions out of the way, students were sent off in groups throughout the Marilyn I. Walker School of Fine and Performing Arts on a scavenger hunt. This allowed many new students to become more familiar with the facilities and befriend some upper-year classmates with more experience in their programs. This opportunity was an enriching and fun-filled event that brought the department together and provided some much-needed introductions as the new academic year begins to shape.

     

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    Categories: Current Students, Events, Faculty & Instructors, News

  • Brock alumni, faculty take spotlight at Hamilton Fringe

    Tuesday, August 09, 2022 | By

    A female performer with her arms up on stage while another person watches kneeled on the ground in front.

    Rebekka Gondosh (right) worked with Spark Intensive participants during their rehearsals for their Hamilton Fringe Performance. (Photo Courtesy of Joginder Singh)

    Originally published in The Brock News | TUESDAY, AUG. 9, 2022 | by

    When the Hamilton Fringe Festival got underway last month, Brock alumni and faculty not only shared their talent on stage, but also used their knowledge to inspire the next generation of performers.

    Among the artists who participated in the theatre festival, which returned July 21 to 30 after a two-year pandemic hiatus, were Department of Dramatic Arts (DART) alumni Rebekka Gondosch (BA ’12), Diego Blanco (BA ’21), Holly Hebert (BA ’21) and Asenia Lyall (BA ’22), as well as DART Associate Professors Gyllian Raby and Danielle Wilson.

    A high school Dramatic Arts and English teacher with the Hamilton-Wentworth District School Board, Gondosch led the festival’s Spark Teen Intensive — a performance program for youth ages 13 to 18 living or studying in Hamilton.

    Through Spark, participants learn practical devising skills, work with local guest artists in a variety of disciplines such as movement, poetry, storytelling, theatre and music, and create an original performance piece that is performed during Hamilton Fringe.

    In addition to teaching for the past six years, Gondosch has been busy working with Passing Through Theatre and Light Echo Theatre, sharing her poetry as part of Suitcase in Point’s In the Soil Festival and creating works of her own. She recognizes the growing need for arts and performance programs in youth education and is doing what she can to help nurture the arts locally.

    A woman with a clown nose

    Brock University Dramatic Arts Associate Professor Danielle Wilson performed in the production Stage Fright as part of Hamilton Fringe Festival.

    “A hope I have for the Spark program is that it might encourage young emerging artists to continue making art in Hamilton,” she says.

    Meanwhile, fellow Brock alumni Blanco, Hebert and Lyall produced an original one-act play, Thy Name is Woman, at Hamilton Fringe through their new self-producing company, Into The Abyss Theatre.

    “Several of DART’s upper-year classes provide students with devising and production skills, as well as encouragement to go out and voice their ideas,” says Raby. “We are proud to see these fine artists making their mark.”

    Also taking part in the Fringe Festivities was Raby, who partnered with Wilson on a new production of their own, Stage Fright. The dynamic duo looked to trigger and assuage performers’ worst fears while getting in a few laughs along the way.

    Stage Fright was built on playwright Wilson’s experiences through the COVID-19 pandemic, including attachment to technology, social media consumption and her newfound interest in the art of clown.

    Wilson makes it a point to indicate that clown goes beyond the archetype popularized by circus.

    “Clown is a state of creative play and a state of connection with the audience. You don’t know what the clown is going to do next — the clown comes from the person who is performing. It’s a state of openness to failure,” she says.

    Raby assisted Wilson with dramaturgy and direction, dissecting and exploring the multi-faceted elements of stage fright — a condition of psycho-physical paralysis experienced by most people.

    “Death, taxes and speaking in public are top fears,” Raby says.

    Wilson adds the little-known fact that since many performers are introverts, they are even more deeply affected by stage fright.

    “I was eager to get back on stage, since 2018 was my last performance,” Wilson says. “It’s important to stay in touch with all that it takes to perform, along with the fear that it takes.”

    Reflecting on the the existential humour of the show, Raby says: “How can something so terrifying, and so intellectually fascinating, be so light and funny?”

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    Categories: Alumni, Announcements, Current Students, Events, Faculty & Instructors, In the Media, News, Performance Season, Plays

  • Student-run podcast provides guidance, inspiration for future artists

    Tuesday, April 12, 2022 | By

    The Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines is home to the student-run podcast, Dear Marilyn, named in honour of the late textile artist and philanthropist.

    Originally published in The Brock News | TUESDAY, APRIL 12, 2022 | by 

    What started as a passion project for two Brock University students in search of career tips has become a robust podcast series providing invaluable insight to the next generation of creators.

    Produced for students by students, the popular podcast Dear Marilyn is now in its second season of connecting the student community with professional artists, with plans to continue production on an ongoing basis.

    Created in 2021 by Dramatic Arts (DART) students Danielle Letourneau and Luca D’Amico, the podcast name honours celebrated textile artist, philanthropist and arts advocate Marilyn I. Walker. In 2008, Walker made a historic donation to Brock that led to the creation of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    Letourneau, the podcast’s producer who is now in her fourth year of study with a concentration in Drama and Education and minor in History, says that she has often felt anxiety about entering theatre as a profession.

    “I started this podcast to give students like myself a resource for practical job advice,” Letourneau said. “The arts industry is not always considered the most conventional career path, but we do it because this is what we love; the arts nurture our souls.”

    Supported by Dean Carol Merriam of the Faculty of Humanities through the Dean’s Discretionary Fund in 2021, the Associate Dean of Fine and Performing Arts and MIWSFPA department Chairs, the Dear Marilyn team invites local and surrounding artists from a range of artistic disciplines to share their stories.

    Co-hosts Hayley Bando, a second-year Dramatic Arts major with a concentration in Production and Design, and Chloe Racho, a third-year Music major with a minor in French Studies, are thrilled to be part of the project.

    “We are honoured to help bring these diverse perspectives about professional journeys in the arts to the Brock community,” Bando said.

    Recent podcast guests include actor, writer and producer Thet Win, voice actor Keegan Vaillancourt and singer-songwriter Glenn Marais.

    MIWSFPA faculty have been supportive since day one, with Karen Fricker, Associate Professor of Dramatic Arts, championing the podcast idea in its early stages.

    “I was happy to support Dear Marilyn initially because it’s a great idea, and a positive student-led project during the hard time of the pandemic,” she said. “I looked forward to each episode and was entertained and educated by the hosts’ sparky exchanges with guests.”

    DART Associate Professor Gyllian Raby guided the grant proposal for Dear Marilyn resulting in the expansion of the podcast to include all four departments at the downtown arts campus (Dramatic Arts, Music, Visual Arts and Centre for Studies in Arts and Culture).

    “What’s not to like about Dear Marilyn? It relates directly to our mission to create experiential, professionalized learning for students producing, hosting, editing and broadcasting,” Raby said. “And, it’s entertaining and insightful.”

    DART Associate Professor Danielle Wilson has been working with the team on the second season. Episodes are edited by Alex Sykes, a fourth-year DART student with a concentration in Production and Design.

    Available on Spotify, the next episode goes live this week. For the latest news, follow Dear Marilyn on Instagram.

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    Categories: Announcements, Faculty & Instructors, News, Uncategorised, Visiting Artists

  • Dramatic Arts students to interview Canadian theatre leaders during online event

    Friday, March 26, 2021 | By

    An online panel discussion Monday, March 29 will see Brock University Dramatic Arts students interview Canadian theatre leaders (clockwise from top left) Jani Lauzon from Stratford Festival and National Theatre School; Kaitlyn Riordan from Shakespeare in the Ruff; Nikki Shaffeeulah, a theatre and community artist; and Kate Hennig from the Shaw Festival.

    An upcoming online panel discussion will explore life and careers in the arts, with Brock Dramatic Arts students interviewing celebrated Canadian theatre makers.

    Open to the Brock community as well as the public, The Act of Creation: A Panel Discussion will take place Monday, March 29 from 7 to 8:45 p.m. on the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) YouTube channel.

    Hosted by Danielle Wilson, Associate Professor of Theatre, the event will include prominent theatre artists Kate Hennig from the Shaw Festival, theatre and community artist Nikki Shaffeeula, Kaitlyn Riordan from Shakespeare in the Ruff and Jani Lauzon from Stratford Festival and the National Theatre School.

    The special guests will be interviewed by DART students Joanna Tran, Holly Hebert, Heidi Nickel and Genevieve Batista. Conversations will explore what it is like to be a multi-faceted theatre artist, and how to sustain a career in the arts.

    The online event is free to attend and no registration is required. Watch by clicking here.

    The event is presented by the Department of Dramatic Arts and supported by the MIWSFPA and Faculty of Humanities.

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    Categories: Announcements, Current Students, Events, Faculty & Instructors, Future students, In the Media, News, Uncategorised, Visiting Artists

  • PERDITA, OR THE WINTER’S TALE: our first mainstage for the new decade!

    Friday, January 17, 2020 | By

    PERDITA, OR THE WINTER’S TALE,
    ADAPTED BY GYLLIAN RABY

    Join us for our second Mainstage production of the 2019-20 season: a new adaptation of Shakespeare’s classic co-directed by Professors Gyllian Raby and Danielle Wilson, with Gerry Trentham.

    Perdita, or The Winter’s Tale, views through the eyes of a child the chaos set in motion by a father’s paranoid jealousy. King Leontes’ psychosis is terrifying as he plots to kill his best friend Polixenes on suspicion of adultery with Queen Hermione. But when he threatens the lives of the Queen and her newborn daughter, Leontes succeeds only in killing his heir, the ailing prince Maximillius. In the storm of recrimination that follows, Max steps out of Time to save his baby sister, manipulating the Winter’s Tale by imagining reality anew.

    The Department of Dramatic Arts presents this sad tale with a happy ending. The Winter’s Tale is Maximillius’ attempt to explore the situation that is destroying him, to understand its consequences and to bind his world together.

    Read the review in the Brock Press.

    See the teaser video taken during rehearsal and featuring interviews with the Assistant Directors Rina Wilkins and Emma McCormick, and performer Jasmine Case (Perdita) from YourTV Niagara.

    perspective drawing view of the set, designed by Nigel Scott

    Artistic Direction for our production of Perdita, or The Winter’s Tale.

    The text of 1612 has been re-imagined into the Cold War era of 1970’s where Shakespeare’s ‘evil’ Sicilia is an Iron Curtain country kind of power imagined by John LeCarré and ‘festive’ Bohemia is a flower-power realm where kids rebel against their parents’ values.

    It is a tale of lostness and belonging, of trust-betrayed and loyalty. The craving of a child or youth to understand adulthood, and of people stuck in a role or gender to experience its opposite, is our focus. This is a production where the god and mortal “he” is socially constructed and can be played by actors of any biological sex.

    costume designs by Alexandra Lord. (l-r: Leontes, Polixenes, Dorcas, and Perdita)

    Bring your students to a special matinee performance of Perdita, or The Winter’s Tale on March 06, 2020 at 11:30 am. Group tickets start at $13 each, and discounts available. We are pleased to offer a talkback and Q & A with the actors and creative team after the matinée on March 6th. Should you be interested, contact us for more information. Curriculum connections include Shakespeare Studies, English Literature, World Studies, History, Gender Studies and Drama Studies. The performance of Perdita is appropriate for high school audiences.

    To book your school, please contact the Production Manager Brian Cumberland for all group ticket purchases: bcumberland@brocku.ca . If you are interested in booking a tour of the Marilyn I. Walker School of Fine and Performing Arts prior to the show, please e-mail mroca@brocku.ca .

    download the poster

    Presented at the Marilyn I. Walker School of Fine & Performing Arts. Purchase your tickets at https://brocku.universitytickets.com/.

    When: Feb. 28 and 29, 2020 — 7:30 p.m.
    March 1, 2020 — 2 p.m.
    March 6, 2020 —11:30 a.m. and 7:30 p.m.
    March 7, 2020 — 7:30 p.m.

    Where: Marilyn I. Walker Theatre, 15 Artists’ Common, St. Catharines

    The Marilyn I. Walker Theatre is situated at the Marilyn I. Walker School of Fine and Performing Arts, located at 15 Artists’ Common in downtown St. Catharines, L2R 0B5. We are adjacent to the FirstOntario Performing Arts Centre and the Meridian Centre.

    See our website for maps and contact information:
    brocku.ca/miwsfpa/dramatic-arts/contact/

     

    Directed by Danielle Wilson and Gyllian Raby, with Gerry Trentham
    Set Design by Nigel Scott
    Costume Design by Alexandra Lord
    Lighting Design by Chris Malkowski
    Sound Design and Music by Max Holten-Andersen
    Assistant Direction by Rina Wilkins and Emma McCormick.

    download the rack card

    Stage Manager: Jordine De Guzman
    Asst Stage Manager Elizabeth Martin and Diego Blanco
    Production Manager: Brian Cumberland
    Technical Director: Gavin Fearon
    Shop Supervisor: Ed Harris
    Theatre Technician: Dawn Crysler
    Head of Wardrobe: Roberta Doylend

    CAST:

    Avery Delaney Florizel
    Jackson Wagner Leontes 
    Jasmine Case Perdita 
    Jesse Caines Court Judge/Jailer/Servant 
    Joanna Tran Hermione 
    Juan-Carlos Figueroa Polixenes 
    Lauren Reid Paulina/Shepherd 2 
    Leah Rantala Emilia 
    Meryl Ochoa Maximilius/Time
    Mike Hammond Antigonus/Shepherd 3
    Molly Lacey Clio/Dorcas
    Rachel Frederick Dion/Mopsa
    Taylor Bogaert Camillo

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    Categories: Events, Faculty & Instructors, In the Media, Media Releases, News, Performance Season, Plays, Uncategorised

  • Dramatic Arts grad gets rave reviews in Soulpepper’s The Brothers Size

    Friday, May 31, 2019 | By

    Brock Dramatic Arts alumnus Marcel Stewart (BA ’07), centre, plays the role of Elegba in the Soulpepper production of The Brothers Size alongside Daren A. Herbert, left, and Mazin Elsadig. Photo by: Cylla von Tiedemann, courtesy of Soulpepper.

    The reviews are in, and Brock Dramatic Arts alumnus Marcel Stewart (BA ’07) is earning praise for his performance in what the Toronto Star calls a “stunning Canadian premiere.”

    Stewart stars as Elegba in The Brothers Size, the newest offering from Toronto-based production house Soulpepper.

    He describes the experience as a “whirlwind,” especially after Toronto-based rapper Drake made a surprise appearance at the May 10 opening night performance.

    Brock Dramatic Arts alumnus Marcel Stewart (BA ’07), second from right, and his castmates from The Brothers Size got a surprise visit from rapper Drake, third from right, at the opening night performance of the Toronto show.

    “It has been amazing; it’s such a gift to do something like this,” Stewart said. “Through my whole journey as an actor, I have wanted to work on a play that speaks to my experience, one that I can easily dive into, and this text was so comfortable it was like putting on a jacket that was made for me.”

    The Brothers Size is the second play in the Brothers/Sisters series, written by Oscar-winning screenwriter and Tony Award-nominated playwright Tarell Alvin McCraney.

    Set in a fictional town in Louisiana, it tells the story of two brothers, Ogun and Oshoosi, who find themselves living together after Oshoosi’s release from prison.

    Stewart plays Oshoosi’s best friend, who formed a bond with him during their incarceration together.

    “I think on a micro level, Brothers Size is about the experience of black men today in the world,” Stewart said. “But on the macro level, what the characters go through are things that all people experience: grief, trauma and searching for a sense of belonging.”

    Stewart’s performance marks his return to the Soulpepper stage, where he has previously performed three times and was a member of the Soulpepper Academy.

    Some of his other credits include the role of Miles in The Drawer Boy at Prince Edward County’s Festival Players, Coutts in the Mirvish Theatre Production of King Charles III in Toronto, and roles on popular Canadian television series’ Kim’s Convenience and Murdoch Mysteries.

    While he focused primarily on acting for several years after graduation, Stewart also developed a passion for doing outreach work and giving back to young, aspiring actors.

    Brock Dramatic Arts alumnus Marcel Stewart (BA ’07).

    When he’s not on stage, he gives private acting lessons and hosts workshops in communities across Canada. He’s worked with school groups at the Toronto International Film Festival, for example, and was the creator of What Noise is This, a workshop that explores William Shakespeare’s canon through the lens of hip-hop music.

    Stewart is also involved in the local theatre industry, both as the outreach co-ordinator with St. Catharines theatre company Suitcase in Point and the volunteer co-ordinator for the upcoming In The Soil Arts Festival, taking place this June in downtown St. Catharines.

    Brock Assistant Theatre Professor Danielle Wilson offered her congratulations on Stewart’s success.

    “Marcel was bright and hungry to learn and is an example of the breadth of career opportunities that become available after studying in DART,” she said. “We congratulate him on his success as a working artist and are very proud of the contributions he has made in the theatre community over the years.”

    Stewart attributes his ability to “wear many hats” in his career to the skills he gained from studying at Brock.

    “The ‘motor’ that I developed at Brock was probably my biggest takeaway that I still rely on 12 years later,” the 33-year-old said. “To keep going, to keep pursuing, and if a door is closed in my face, then there’s 10 more doors that I can open.”

    After the wrap of Brothers Size in Toronto, Stewart is headed back to work in St. Catharines.

    He wants to continue his outreach work and bring more eclectic and diverse artists to St. Catharines.

    He said instructors at Brock encouraged him to explore his sense of self and find cultural connections through the performing arts — and he wants to do the same for others.

    “My experience at Brock helped open me up to recognizing who I am as a black man and encouraged me use that voice and speak from my perspective whenever I can,” he said. “Now I’m on this representation kick, running workshops, doing outreach and looking at how to bring some more colour — in more ways than one — to the artistic landscape.”

    Brothers Size runs until Saturday, June 1 at the Young Centre for the Performing Arts at 50 Tank House Lane in Toronto. More information and tickets are available at Soulpepper.ca

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    Categories: Alumni, Faculty & Instructors, News

  • Vocalist Fides Krucker to open Walker Cultural Leaders Series

    Wednesday, September 12, 2018 | By

    Internationally acclaimed artist and vocalist Fides Krucker, far right, will be the first presenter in the 2018-19 Walker Cultural Leaders Series, presenting on Sept. 19. (Photo by Cam MacLennan)

    (From The Brock News, Wednesday, Sept. 12, 2018 | by Sarah Moore)

    An innovative lecture and performance by renowned vocalist Fides Krucker will open the annual Walker Cultural Leaders Series when it returns to the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) on Wednesday, Sept. 19.

    Krucker, a teacher, interdisciplinary artist and singer, will present in Studio C, located in room MWS 251 of the MIWSFPA.

    Working across Canada and internationally, Krucker has devoted 35 years to contemporary vocal practice. Her experience as a singer of contemporary opera and her interest in non-verbal human sound textures, as well as her strong belief in sustainable vocal practices serves as the basis for her emotionally integrated voice teaching method.

    Brock Assistant Theatre Professor Danielle Wilson is especially looking forward to bringing Krucker to the series this year, as her own research on voice and embodiment techniques in the rehearsal process has links to the work Krucker does.

    “I am excited for her to share her unique perspective on the connectivity of breath, voice, body and creative impulse,” said Wilson. “I had heard of Fides for years as a pioneer of voice work and when I saw In This Body, her show at Canadian Stage this past spring, I knew I had to work with her.”

    In her lecture and performance, Krucker will explore voice through non-verbal vocalization. She offers a unique opportunity for connection through breath; to slow down and connect to the deeply felt, unseen parts of body and mind.

    Wilson and Brock Associate Theatre Professor Gyllian Raby had the opportunity to work with Krucker once before on Sabina’s Splendid Brain, a production opening Friday, Sept. 14 at the Walker School.

    That collaboration further cemented Krucker’s well-deserved place as the series’ opener this year.

    “The connection to breath is at the heart of life,” Raby explained. “Fides is an acting teacher who can sing in five octaves and knows the human shape of poetry. I am honoured and inspired to see her work with our students.”

    Krucker’s concert and demonstration is free and open to the public.

    Seating is limited and is being offered on a first-come, first-served basis.

    The concert marks the first event in another great lineup of workshops and performances in this year’s Walker Cultural Leaders Series, bringing leading artists, performers, practitioners and academics to Brock’s MIWSFPA.

    Elizabeth Vlossak, Director of the Walker School, said the series aims to engage students and the community with outstanding programming and cultural opportunities.

    “Our dynamic and impressive lineup of professionals in this year’s series will present content that is engaging and lively while also being challenging and thought-provoking,” she said. “These sessions celebrate artistic endeavour and achievement, as well as the indelible role of culture in our society.”

    2018-19 Walker Cultural Leader Series:

    Alejandro Cartagena

    Public lecture: Oct. 17, 6 p.m., Robertson Theatre, FirstOntario Performing Arts Centre
    Exhibition opening: Oct. 17, 5 p.m., VISA Art Gallery and Student Exhibition Space
    Exhibition runs: Oct. 4 to Nov. 7

    Christine Cucciniello

    Zine-making workshop: Oct. 18, 4:30 to 7:30 p.m., MWS 229A (inside the Learning Commons).
    To reserve a spot, please contact Catherine Parayre at cparayre@brocku.ca

    David Jalbert

    Masterclass for piano students: Nov. 16, 2:30 to 4 p.m., Cairns Recital Hall, FirstOntario Performing Arts Centre
    Public recital (part of the Encore Series): Partridge Hall, FirstOntario Performing Arts Centre, at 7:30 p.m.

    David Psalmon

    Public talk and workshop: Towards a Contemporary Political Theatre
    Jan. 10 at 7 p.m., Marilyn I. Walker Theatre

    Alinka Echeverria

    Public lecture: Looking Back to Look Forward: The History of Photography in Contemporary Image-Making
    March 7 at 6 p.m., Robertson Theatre, FirstOntario Performing Arts Centre
    The Road to Tepeyac: Opening Reception March 7 at 5 p.m., VISA Gallery
    Exhibition runs March 5 to 26

    Walker String Quartet

    Vera Alekseeva and Anna Hughes (violin), Faith Lau (viola) and Gordon Cleland (cello)
    RBC Music@Noon performance: March 5, Cairns Recital Hall, FirstOntario Performing Arts Centre

    Adam Dickinson

    Author’s talk: March 18 from 1 to 2 p.m., MWS 156

    Shawn Serfas, Adam Dickinson and Lorène Bourgeois

    Serfas, Dickinson and Bourgeois will be celebrated during a book launch through Small Walker Press, which publishes books by professors and students at the MIWSFPA and in the Humanities.
    Guest speaker: acclaimed artist/critic John Kissick
    TBD, week of May 6, MWS 156

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    Categories: Announcements, Events, News

  • Sabina’s Splendid Brain opens at MIWSFPA Sept. 14

    Thursday, September 06, 2018 | By

    Cellist Grace Snippe (BMus ’16), left, and Danielle Wilson bring the story of 20th century psychoanalyst Sabina Spielrein to life in Sabina’s Splendid Brain. The performance opens on Sept. 14 at the Marilyn I. Walker School of Fine and Performing Arts. (Photo by George Enns.)

    (From The Brock News, Wednesday, Sept. 5, 2018 | by Sarah Moore)

    While Sigmund Freud and Carl Jung have become synonymous with psychoanalysis, the name Sabina Spielrein might leave you drawing a blank.

    The Stolen Theatre Collective hopes to change that by bringing the rarely told story of the Russian-Jewish psychoanalyst to life in a new production at Brock beginning next week.

    Sabina’s Splendid Brain, which opens Sept. 14 at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), chronicles the life of the tenacious and passionate Spielrein as she struggles through the circumstances of her family, her education and her therapy, the professional barriers facing women and wartime anti-Semitism.

    Spielrein was often known in relation to her famous colleagues: first as a patient, then as a lover of Jung, and later as a student and friend of Freud. As a psychoanalyst in her own right, however, she moved beyond them both to become one of the great thinkers in 20th century psychology.

    Her work was all but wiped from the history books due to Joseph Stalin’s repression of intellectuals and the Nazi invasion of her hometown of Rostov-on-Don, where she and her daughters were killed. Her diaries were recently discovered, however, and her publications were re-examined to reveal the profound impact that her work had on her teachers and peers.

    “Sabina had to fight for her voice,” said Brock Associate Theatre Professor Gyllian Raby, the production’s Director. “She walks the boundary between genius and delusion, and this production invites the audience to experience her journey from a screaming teenager with spittle in her hair to the woman who wowed Freud’s intellectual Vienna Circle.”

    Scripted by Carol Sinclair, Sabina’s Splendid Brain is rendered on stage in sets by Nigel Scott, projections by Karyn McCallum and lighting by James McCoy (BA ’14), and features performances by Brock Assistant Theatre Professor Danielle Wilson and cellist Grace Snippe (BMus ’16).

    “This is a project that fully explores the interdisciplinarity between the arts that was the founding dream of the Marilyn I. Walker School of Fine and Performing Arts,” said Wilson, who is also the co-founder and co-artistic director of Stolen Theatre Collective. “Music, theatre and philosophy are a natural trio in this story of how psychoanalysis helped shape modern consciousness.”

    Fides Krucker, a Canadian interpreter, vocalist, opera singer and teacher, collaborated on the interdisciplinary production with Stolen Theatre. Her innovative vocal techniques and interdisciplinary work will be further highlighted later this month as part of the Walker Cultural Leaders Series on Wednesday, Sept. 19 at the MIWSFPA.

    Sabina’s Splendid Brain opens with back-to-back weekend performances Sept. 14, 15, 20, 21 and 22, all beginning at 7:30 p.m. Additional matinee performances will take place on Sept. 16 and 23 at 2 p.m.

    All performances are held at the Marilyn I. Walker Theatre in the Marilyn I. Walker School of Fine and Performing Arts, located at 15 Artists’ Common in St. Catharines.

    Tickets are pay-what-you-can-afford ($10, $25, $40 and $55) and can only be purchased in advance through the FirstOntario Performing Arts Centre box office.

    Limited paid parking is available on-site, but city parking is available within close proximity to the venue.

    For more information on the production, please contact info@stolentheatrecollective.ca

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    Categories: Alumni, Events, Faculty & Instructors, News, Plays

  • TOP GIRLS: opens March 2!

    Wednesday, January 10, 2018 | By

    by Caryl Churchill.

    Directed by DANIELLE WILSON
    Set Design by NIGEL SCOTT
    Costume Design by KELLY WOLF
    Lighting Design by JENNIFER JIMENEZ
    Original Music by MAX HOLTEN-ANDERSEN
    Assistant Direction by MICHELLE MOHAMMED
    Dialect Coaching by JANE GOODERHAM

    When: March 2-10, 2018

    FRIDAY, MARCH 2 and SATURDAY, MARCH 3 at 7:30 pm
    SUNDAY, MARCH 4 at 2:00 pm
    FRIDAY, MARCH 9 at 11:30 am and 7:30 pm
    SATURDAY, MARCH 10 at 7:30 pm

    What would you sacrifice to get to the top?
    Top Girls opens at the MIWSFPA on March 2.

    TOP GIRLS, by celebrated playwright Caryl Churchill and directed by Danielle Wilson, runs from Friday, March 2, 2018 to Saturday, March 10, 2018 in the Marilyn I. Walker Theatre, at the Marilyn I. Walker School of Fine and Performing Arts, 15 Artists’ Common, St. Catharines.

    Manchari Paranthahan as Nell, Meryl Ochoa as Win, in Top Girls at Brock University.

    The Department of Dramatic Arts, part of Brock University’s Marilyn I. Walker School of Fine and Performing Arts, is proud to present an original production of this venerable play about women and power. First produced in 1982, last seen in Niagara at the Shaw Festival in 2015, this contemporary play tells the story of Marlene, a career-driven woman who is only interested in women’s success in business.

    The play is an exploration and critical look at women and their relationship to power and success. For the director, Professor Danielle Wilson, the main question at the heart of the play is “what would you sacrifice to get to the top?”

    The play follows the story of Marlene, who in 1980’s London has just been promoted to managing director of the Top Girls Employment Agency. With a magic realist twist we see Marlene celebrate her success at a dinner party with five women from history, literature, and art, and as the drink begins to flow, so do their stories of family, adventure, and loss which overlap in witty and humorous dialogue.

    Manchari Paranthahan as Nell, Meryl Ochoa as Win, Helena Ciurciura as Marlene, in Top Girls at Brock University.

    Throughout the play we also meet the real-life women in Marlene’s life at the office. They struggle to rise to the top of the corporate ladder but are held back by lack of opportunity and the harsh competitiveness of the business world.

    The themes and story of the play are extremely topical.  The play examines the challenges of working women who choose self-promotion and career over motherhood, family, domesticity. We learn of the cost of Marlene’s ‘successful’ life. Set during the reign of the British Prime Minster Margaret Thatcher, known as the “Iron Lady”, the play asks whether it was an advance to have a woman prime minister if we elected someone with policies like hers.

    TOP GIRLS highlights the contradictions between feminism and capitalism. A running theme throughout the play is the secrets that underpin Marlene’s success which in some ways serve to perpetuate the patriarchal structure common in many workplaces. We only learn of these secrets in the final confrontational scene with her closest family, Joyce and her daughter, Angie.

    The play is directed by Dramatic Arts faculty Danielle Wilson. Professional collaborating artists include set designer Nigel Scott, costume designer by Kelly Wolf, lighting designer Jennifer Jimenez and music composer Max Holten-Andersen. Jane Gooderham is the Dialect Coach.

    Helena Ciurciura as Marlene, Emma McCormick as Angie, in Top Girls at Brock University.

    TOP GIRLS showcases the talents of students in the Department of Dramatic Arts undergraduate program. Michelle Mohammed is the Assistant Director, Alicia Marie Bender is the Stage Manager, Whiney Braybrook-Byl is Assistant Stage Manager. Performers include: Helena Ciuciura, Emma McCormick, Samantha Mastrella, Meryl Ochoa, Manchari Paranthahan, Catherine Tait and Kristina Ojaperv.

    READ ALL ABOUT IT!

    Director Danielle Wilson discusses feminism, ambition, #MeToo and the unique challenge of mounting this play in a brief interview found at the bottom of this page.

    Fourth-year student and Assistant Director for the production, Michelle Mohammed, is writing about the development of the show in a dedicated blog: darttopgirls.wordpress.com and dartcritics.com

    The public presentation program of the Department of Dramatic Arts is an integral part of the Marilyn I. Walker School of Fine and Performing Arts’ mandate to contribute to regional cultural development and build community connections by engaging our audiences with the breadth of talent and creativity of the students, staff, guest artists and faculty of Brock University.

    The Department invites teachers and educators to bring their students to see this exciting production of TOP GIRLS.
    Read the Special Invitation to learn more.

    Marilyn I. Walker Theatre at the
    Marilyn I. Walker School of Fine and Performing Arts
    Limited parking onsite.

    Purchase tickets at the FirstOntario PAC Box Office
    905.688.0722 or online firstontariopac.ca
    Tickets: $18 Adults|$15 Seniors/Students| $5 eyeGo | $12 Groups
    *Applicable fees and taxes are extra

    See the article in the Brock News.

    We asked the director of Top Girls, Professor Danielle Wilson, about feminism, ambition, and the unique challenges of mounting this play.

    What type of feminist beliefs does Top Girls draw upon?

    The play is an exploration and critical look at women and their relationship to power and success. For me the main question at the heart of the play is “what would you sacrifice to get to the top?” Something is always sacrificed, whether it be relationships, personal integrity, mental health, leisure time etc., in the pursuit of success. Top Girls looks specifically at women’s responsibilities and relationships with each other in a capitalistic and individualistic society. It tackles these issues in a broader political spectrum vs. it being about women overcoming their oppression. You can’t get away from being a woman in this play, no matter how hard these women try. What I understand is that the play was inspired by two streams of feminism: one which is about changing the economic situation for everyone which is more collectively oriented and one that accepts and supports an individual’s success over the collective gain. Top Girls examines an individualistic society in which the few thrive at the expense of many and one in which isolated female success overshadows the plight of the majority.

    How do you connect the feminism of the 1980’s portrayed in Top Girls to feminist movements and/or beliefs today? How do you think our students will understand the representation of feminist thought in your production?

    Fourth wave feminism, which we are seeing now, tends to be more collectively oriented. Social media started an entire #MeToo movement, which questions abuse of power. Top Girls discusses power and success in relationship to women. The main character in the play, Marlene, tends to use what one might call more ‘masculine’ tactics in the workplace. The entire corporate structure has been built on more masculine characteristics of leadership. When a woman is in a top position, masculine qualities can run contrary to what is expected of her gender, so she may be perceived as cold or distant or a bitch. Margaret Thatcher, who serves as an unseen character in the play was described as the ‘Iron Lady”, but no man who ruled in the way she did was ever called the ‘Iron Man’, he was just a man. She even had voice lessons to help her sound more masculine so that her cabinet would take her seriously. One of the characters in the play, Nell says that “an employer is going to have doubts about a lady, whether she’s got the guts to push through to a closing situation. They think we’re too nice. They think we listen to the buyer’s doubts. They think we consider his needs and his feelings.” We’re becoming aware that there is more than one way to lead and it is not an imperative to oppress or step on others in order to succeed.

    I think students will recognize the issues being debated between Marlene and Joyce as they each argue opposite political viewpoints. Today, there is definitely a more collectively oriented mindset as evidenced by the Occupy movement, Idle No More, and the #MeToo movement. There is resistance to the social and economic status quo. Young people, both men and women, are building strength through bonds with each other and challenging systemic abuse, racial profiling, and poor economic prospects.

    What is “the top”?

    I think it depends on the person. Success and reaching ‘the top’ is complicated and is defined by each person differently. For some it may be reaching the top over someone else, for others it may be reaching the top of one’s own potential.

    Marlene’s character seems to be the one striving for the “top” and stepping on anyone in her way, should we be feeling empathy for her? Should we like or dislike her? What should we be learning from her actions?

    I think ultimately it will be up to the audience to decide how they feel about her.  We learn a lot about her personal life in the third act and what she has sacrificed to get to where she is. Caryl Churchill, the playwright, has written a complex character who is flawed, but what human being isn’t? Some may admire and empathize with her actions. She did what she had to do. Others may not. We see both sides of the story in the final act in which she has a showdown with her sister, Joyce, who has taken a very different path in life. Ultimately, Churchill has written a play that involves more questions than answers, but that’s the beauty of it, you get to chew over these questions after the play is over. To me, that’s the mark of a great play.

    Are there significant challenges with this production that our audience would be interested in knowing about?

    The play involves a big dinner party at the very beginning. Caryl Churchill has written overlapping dialogue where people are talking over each other, like at a real dinner party. It has been challenging to choose what the audience hears and doesn’t hear.  Sometimes the audience will hear both and have to choose which to listen to. It has been both a challenge as a director and as an actor. Not only must the actors learn their lines, but they must also learn when they begin speaking in the middle of someone else’s line.

     

    February 17, 2018
    /dv

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    Categories: Events, Performance Season, Plays

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