Articles tagged with: Gyllian Raby

  • Vocalist Fides Krucker to open Walker Cultural Leaders Series

    Internationally acclaimed artist and vocalist Fides Krucker, far right, will be the first presenter in the 2018-19 Walker Cultural Leaders Series, presenting on Sept. 19. (Photo by Cam MacLennan)


    (From The Brock News, Wednesday, Sept. 12, 2018 | by Sarah Moore)

    An innovative lecture and performance by renowned vocalist Fides Krucker will open the annual Walker Cultural Leaders Series when it returns to the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) on Wednesday, Sept. 19.

    Krucker, a teacher, interdisciplinary artist and singer, will present in Studio C, located in room MWS 251 of the MIWSFPA.

    Working across Canada and internationally, Krucker has devoted 35 years to contemporary vocal practice. Her experience as a singer of contemporary opera and her interest in non-verbal human sound textures, as well as her strong belief in sustainable vocal practices serves as the basis for her emotionally integrated voice teaching method.

    Brock Assistant Theatre Professor Danielle Wilson is especially looking forward to bringing Krucker to the series this year, as her own research on voice and embodiment techniques in the rehearsal process has links to the work Krucker does.

    “I am excited for her to share her unique perspective on the connectivity of breath, voice, body and creative impulse,” said Wilson. “I had heard of Fides for years as a pioneer of voice work and when I saw In This Body, her show at Canadian Stage this past spring, I knew I had to work with her.”

    In her lecture and performance, Krucker will explore voice through non-verbal vocalization. She offers a unique opportunity for connection through breath; to slow down and connect to the deeply felt, unseen parts of body and mind.

    Wilson and Brock Associate Theatre Professor Gyllian Raby had the opportunity to work with Krucker once before on Sabina’s Splendid Brain, a production opening Friday, Sept. 14 at the Walker School.

    That collaboration further cemented Krucker’s well-deserved place as the series’ opener this year.

    “The connection to breath is at the heart of life,” Raby explained. “Fides is an acting teacher who can sing in five octaves and knows the human shape of poetry. I am honoured and inspired to see her work with our students.”

    Krucker’s concert and demonstration is free and open to the public.

    Seating is limited and is being offered on a first-come, first-served basis.

    The concert marks the first event in another great lineup of workshops and performances in this year’s Walker Cultural Leaders Series, bringing leading artists, performers, practitioners and academics to Brock’s MIWSFPA.

    Elizabeth Vlossak, Director of the Walker School, said the series aims to engage students and the community with outstanding programming and cultural opportunities.

    “Our dynamic and impressive lineup of professionals in this year’s series will present content that is engaging and lively while also being challenging and thought-provoking,” she said. “These sessions celebrate artistic endeavour and achievement, as well as the indelible role of culture in our society.”

    2018-19 Walker Cultural Leader Series:

    Alejandro Cartagena

    Public lecture: Oct. 17, 6 p.m., Robertson Theatre, FirstOntario Performing Arts Centre
    Exhibition opening: Oct. 17, 5 p.m., VISA Art Gallery and Student Exhibition Space
    Exhibition runs: Oct. 4 to Nov. 7

    Christine Cucciniello

    Zine-making workshop: Oct. 18, 4:30 to 7:30 p.m., MWS 229A (inside the Learning Commons).
    To reserve a spot, please contact Catherine Parayre at cparayre@brocku.ca

    David Jalbert

    Masterclass for piano students: Nov. 16, 2:30 to 4 p.m., Cairns Recital Hall, FirstOntario Performing Arts Centre
    Public recital (part of the Encore Series): Partridge Hall, FirstOntario Performing Arts Centre, at 7:30 p.m.

    David Psalmon

    Public talk and workshop: Towards a Contemporary Political Theatre
    Jan. 10 at 7 p.m., Marilyn I. Walker Theatre

    Alinka Echeverria

    Public lecture: Looking Back to Look Forward: The History of Photography in Contemporary Image-Making
    March 7 at 6 p.m., Robertson Theatre, FirstOntario Performing Arts Centre
    The Road to Tepeyac: Opening Reception March 7 at 5 p.m., VISA Gallery
    Exhibition runs March 5 to 26

    Walker String Quartet

    Vera Alekseeva and Anna Hughes (violin), Faith Lau (viola) and Gordon Cleland (cello)
    RBC Music@Noon performance: March 5, Cairns Recital Hall, FirstOntario Performing Arts Centre

    Adam Dickinson

    Author’s talk: March 18 from 1 to 2 p.m., MWS 156

    Shawn Serfas, Adam Dickinson and Lorène Bourgeois

    Serfas, Dickinson and Bourgeois will be celebrated during a book launch through Small Walker Press, which publishes books by professors and students at the MIWSFPA and in the Humanities.
    Guest speaker: acclaimed artist/critic John Kissick
    TBD, week of May 6, MWS 156

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    Categories: Announcements, Events, News

  • Sabina’s Splendid Brain opens at MIWSFPA Sept. 14

    Cellist Grace Snippe (BMus ’16), left, and Danielle Wilson bring the story of 20th century psychoanalyst Sabina Spielrein to life in Sabina’s Splendid Brain. The performance opens on Sept. 14 at the Marilyn I. Walker School of Fine and Performing Arts. (Photo by George Enns.)


    (From The Brock News, Wednesday, Sept. 5, 2018 | by Sarah Moore)

    While Sigmund Freud and Carl Jung have become synonymous with psychoanalysis, the name Sabina Spielrein might leave you drawing a blank.

    The Stolen Theatre Collective hopes to change that by bringing the rarely told story of the Russian-Jewish psychoanalyst to life in a new production at Brock beginning next week.

    Sabina’s Splendid Brain, which opens Sept. 14 at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), chronicles the life of the tenacious and passionate Spielrein as she struggles through the circumstances of her family, her education and her therapy, the professional barriers facing women and wartime anti-Semitism.

    Spielrein was often known in relation to her famous colleagues: first as a patient, then as a lover of Jung, and later as a student and friend of Freud. As a psychoanalyst in her own right, however, she moved beyond them both to become one of the great thinkers in 20th century psychology.

    Her work was all but wiped from the history books due to Joseph Stalin’s repression of intellectuals and the Nazi invasion of her hometown of Rostov-on-Don, where she and her daughters were killed. Her diaries were recently discovered, however, and her publications were re-examined to reveal the profound impact that her work had on her teachers and peers.

    “Sabina had to fight for her voice,” said Brock Associate Theatre Professor Gyllian Raby, the production’s Director. “She walks the boundary between genius and delusion, and this production invites the audience to experience her journey from a screaming teenager with spittle in her hair to the woman who wowed Freud’s intellectual Vienna Circle.”

    Scripted by Carol Sinclair, Sabina’s Splendid Brain is rendered on stage in sets by Nigel Scott, projections by Karyn McCallum and lighting by James McCoy (BA ’14), and features performances by Brock Assistant Theatre Professor Danielle Wilson and cellist Grace Snippe (BMus ’16).

    “This is a project that fully explores the interdisciplinarity between the arts that was the founding dream of the Marilyn I. Walker School of Fine and Performing Arts,” said Wilson, who is also the co-founder and co-artistic director of Stolen Theatre Collective. “Music, theatre and philosophy are a natural trio in this story of how psychoanalysis helped shape modern consciousness.”

    Fides Krucker, a Canadian interpreter, vocalist, opera singer and teacher, collaborated on the interdisciplinary production with Stolen Theatre. Her innovative vocal techniques and interdisciplinary work will be further highlighted later this month as part of the Walker Cultural Leaders Series on Wednesday, Sept. 19 at the MIWSFPA.

    Sabina’s Splendid Brain opens with back-to-back weekend performances Sept. 14, 15, 20, 21 and 22, all beginning at 7:30 p.m. Additional matinee performances will take place on Sept. 16 and 23 at 2 p.m.

    All performances are held at the Marilyn I. Walker Theatre in the Marilyn I. Walker School of Fine and Performing Arts, located at 15 Artists’ Common in St. Catharines.

    Tickets are pay-what-you-can-afford ($10, $25, $40 and $55) and can only be purchased in advance through the FirstOntario Performing Arts Centre box office.

    Limited paid parking is available on-site, but city parking is available within close proximity to the venue.

    For more information on the production, please contact info@stolentheatrecollective.ca

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    Categories: Alumni, Events, Faculty & Instructors, News, Plays

  • Dramatic Arts TA recipient of multiple awards

    Brock’s Three Minute Thesis winner Kaitlyn Kerridge, and award winners Shasha Hu and Jonathan Brower all spoke at the Graduate Student Awards and Donor Recognition Celebration on Thursday, May 10.

    (adapted from: The Brock News Monday, May 14, 2018 | by )

    It wasn’t until he started at Brock University that Jonathan Brower was able to marry his passions: theatre, LGBTQ2 studies and spirituality.

    During the Graduate Student Awards and Donor Recognition Celebration held on campus Thursday, May 10, the Master of Social Justice and Equity Studies student spoke about how the University and its donors have made a difference in his life.

    An actor, playwright and producer, Brower told the more than 100 guests in attendance about how support from donors allows him to focus on his research and continue artistic pursuits, without having to worry about financial pressures.

    “For research to truly be enriched, you need to be able to immerse yourself in it completely,” he said. “Support from donors allows me to focus my creative energy on academia, rather than having to worry about how my bills are being paid. Every layer of support I have received lifts me closer to success.”

    Brower was the recipient of multiple awards at the celebration: a Bluma Appel Graduate Entrance Scholarship for Excellence in Social Sciences, the Scotiabank Graduate Award and a Social Sciences and Humanities Research Council CGS Master’s Scholarship.Hosted by the Faculty of Graduate Studies, the awards event celebrated student success and thanked donors for their generous support of graduate students.

    Brower came to Niagara from Calgary, where he co-founded and ran a queer theatre company and wrote and produced a play, oblivion, about the struggle to reconcile faith and sexuality. The production toured Canada over three years, visiting major cities including Vancouver, Calgary, and Toronto, with a stop in St. Catharines last year.

    Starting his master’s at Brock seemed a fitting next step for the student researcher, whose work explores “queer religious agency through narrative inquiry and applied theatre.”

    “My own experience as a queer person in the Christian faith was marginalized, which led to the creation of oblivion,” Brower said. “This thesis project takes things a step further using collective theatre creation to bring the experiences of queer individuals from different faith backgrounds into conversation.”

    In 2017-18 Brower was a teaching Assistant in the Department of Dramatic Arts for the courses DART 1F91 Introduction to Theatre and Performance (Dr. Jacqueline Taucar, Instructor) and DART 4F56 Advanced Studies in Theatre (Professor Gyllian Raby).  He recently collaborated on WE WHO KNOW NOTHING ABOUT HIAWATHA ARE PROUD TO PRESENT HIAWATHA as part of the Rhizomes for the 2018 In The Soil Festival.

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    Categories: Current Students, Faculty & Instructors, News

  • Graduating students present gritty play about oil in Canada

    The cast of Lac/Athabasca takes the stage from April 12 to 14 in the Marilyn I. Walker Theatre for the last Dramatic Arts production of the 2017-18 season.

    For the final production of the regular 2017-18 season, Brock’s fourth-year Dramatic Arts students will tackle some hard-hitting Canadian issues.

    The DART 4F56 ensemble will present Len Falkenstein’s award-winning play Lac/Athabasca in the Marilyn I. Walker Theatre. The production, inspired by the Lac-Mégantic train explosion of 2013, tells the dark truth of the forces behind the disaster.

    Co-directed by Professor Gyllian Raby and student Mark Dickinson, the play premiered at the Marilyn I. Walker School of Fine and Performing Arts on Thursday, April 12 and will continue nightly until Saturday, April 14.

    Production poster designed by Michelle Mohammed. click to download a PDF copy.

    Audiences follow the train filled with explosive fuel as it journeys across time and place, beginning with townsfolk sharing their experiences of the tragic event and lamenting for the lives lost. The crowd is taken to tour the magnificent Athabasca glacier and meets workers at the oil sand companies in Fort McMurray, witnessing Canada’s exploitation of its land and peoples from the 1800s to now. The beauty and terror of these encounters reveal a Canadian dream as twisted as the train tracks that stretch across it.

    The DART 4F56 students unanimously picked the play not only because of its Canadian roots, but also because “it’s about something that matters,” says Raby. The production tells the story of the train explosion, but audiences can also “expect to see a First Nations story play out,” she says.

    “We were fortunate enough to be advised by Adrienne Smoke of the Six Nations and William Constant, a Cree mentor, to make sure we were approaching the Indigenous story correctly.”

    On a daily basis, Canadians are reading about the problem of oil and the exploitation of natural resources. Lac/Athabasca is a deeply Canadian play that provokes reflection on corporate greed, environmental policies and the future transportation of oil.

    In addition to Dickinson, the 2017-18 Dramatic Arts fourth-year ensemble features cast members Mackenzie Kerr, Adrian Marchesano, Sarah Marks, Michelle Mohammed, Tarndeep Pannu, Naomi Richardson and Kaylyn Valdez-Scott. Set construction is by Helena Ciuciura, costume design by Samantha Mastrella, properties design by Rebecca Downing, sound design by Jillian Wardell, lighting design by Meryl Ochoa, and projections design and production management by Chelsea Wilson, assisted by guest instructor and Brock University Dramatic Arts alumnus, James McCoy. The production team also includes Allie Aubry as stage manager and Candice Burn as head of publicity.

    Lac/Athabasca plays Friday, April 13 and Saturday, April 14 at 7:30 p.m. at the MIWFSPA in downtown St. Catharines. Tickets are $5 (plus taxes and fees) from the FirstOntario Performing Arts Centre box office at 905-688-0722 or online. Tickets will also be available at the door. Limited parking is available onsite.


    see the preview article by Mike Balsom on YourTV Niagara/Cogeco

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    Categories: Current Students, Events, Faculty & Instructors, News, Performance Season, Plays

  • Stolen Theatre Collective and Brock University’s Department of Dramatic Arts present The Ash Mouth Man

    16r10_the_ash_mouth_manFor those who enjoy comedy with a dark undertow, plan to join us for the world premiere of The Ash Mouth Man, an original theatre work to be held in the Marilyn I. Walker Theatre at 15 Artists’ Common.

    Meet Lorna, who in the ‘50’s, is the 31st lady dentist in Canada. A bit of a social misfit, Lorna works on Pretty Girl Street, treating people with all kinds of disorders. Gradually, she discovers the dark forces lurking beneath the too perfect fantasy of her life – where even the Royal Mail Canada Man might carry a threat. She survives a sex scandal, discovers unusual and groundbreaking therapies, and with some help from her friends in the audience, confronts the timeless mythic figure of the Ash Mouth Man…Betty Crocker’s smile has never been so frightening.

    Inspired by Australian short story writer Kaaron Warren, director Gyllian Raby, and actor Danielle Wilson created the script, with the assistance of Wilson’s and Federico Holten-Andersen’s Stolen Theatre Collective company. The acting ensemble, led by Wilson, features Federico Holten-Andersen, Colin Bruce Anthes and Sean McClelland. Original music is by Max Holten-Andersen, set and lighting design is by Nigel Scott, costume design is by Genevieve Habib and stage management is by Dramatic Arts student Kaitlyn Séguin.

    The Marilyn I. Walker Theatre will be transformed into an intimate theatre space, which allows seating for 48 people per performance, running approximately 70 minutes in length.

    Danielle Wilson and Gyllian Raby are grateful for the community support for Stolen Theatre Collective’s endeavor. The City of St. Catharines Cultural Investment, the Walker Cultural Leader Foundation, The Match of Minds program and the Humanities Research Institute match the investment of the company members in creating original work out of our city. Wilson states, “Gyllian and I are very excited to be collaborating on an original Canadian piece after our production of Twelfth Night which we co-directed in 2013.”

    Presented by Stolen Theatre Collective and Brock University Department of Dramatic Arts
    September 15-18 & 23-25, 2016
    Evening shows (Thurs., Fri. and Sat.) at 8 p.m. (no Thurs., Sept. 22nd show); Sat. & Sun. matinees at 2 p.m.
    Marilyn I. Walker Theatre, Marilyn I. Walker School of Fine and Performing Arts, 15 Artists’ Common, St. Catharines
    Limited seating, only 48 seats available per performance with a total of nine performances
    Tickets: $20† adult/senior; $15† student/art worker; $5 eyeGo program
    †Applicable fees and taxes are extra.
    Order tickets from the FirstOntario Performing Arts Centre Box Office: 905.688.0722 or Toll Free: 1.855.515.0722; online: firstontariopac.ca

    Limited paid parking is available on-site, however, there are more than 1,000 spots available in nearby parking garages, surface lots and on city streets within a five-minute walk to our address at 15 Artists’ Common. Visit www.stcatharines.ca/en/livein/ParkingLotsGarages.asp for a list of parking locations.

    For interviews please contact: 
Marie Balsom, Communications Coordinator, Marilyn I. Walker School of Fine and Performing Arts
 T: 905-688-5550, ext. 4765 | E: mbalsom@brocku.ca  | W: www.brocku.ca/miwsfpa

    For all other inquiries, please contact: Danielle Wilson 

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  • DART 4F56 presents: The Flu Season by Will Eno

    Will Eno’s “The Flu Season” plays whack-a-mole with everything you expect love to be.

    On stage in the Dramatics Arts Theatre, this Oppenheimer award-winning play has been selected by the graduating dramatic arts students as the strangest, most theatrical screen shot of the state of romantic affairs today.

    This unexpected comedy comes from the playwright the New York Times hails as “a Samuel Beckett for the Jon Stewart generation.”

    Romance is hacked and hijacked when a man and woman meet in a “retreat centre” that is surely unique in the known universe. They are under the observation of technicians and caretakers who are themselves infected by the multiplying pathetic fallacies of romance. Lovers are mad. Love hurts. Love makes you do crazy things. Love is The Flu Season.

    Guided by director and Professor Gyllian Raby, the 4F56 company includes: Elizabeth Amos, Eliza Anthony, Kelsey Burcher, Mary Askwith, Maria Evers, Alex Franks, Mark Harrigan, Robert Herr, Daryl Hunter, Jeremy Knapton, Katelyn Lander, Kevin Langendyk, Cole Larson, Oriana Marrone, Melinda Mohammed, Josh Sanger, and Raylene Turner.

    Such programs from the Department of Dramatic Arts are an integral part of the Marilyn I. Walker School of Fine and Performing Arts’ mandate in building connections between the community and the breadth of talent and creativity at Brock University. For more information about the Department of Dramatic Arts visit: brocku.ca/dramaticarts The Marilyn I. Walker School of Fine and Performing Arts is located at its new, state-of-the-art teaching, production and performance facility in the heart of the City of St. Catharines.

    The Flu Season runs April 14, 15, and 16, at 7:30 pm, in the Dramatic Arts Theatre at the Marilyn I. Walker School of Fine and Performing Arts, 15 Artists’ Common, in downtown St. Catharines. Tickets are $5 (applicable fees and taxes are extra) and can be purchased at the door, or through the FirstOntario Performing Arts Centre Box Office at 905.688.0722; long distance toll free 1-855-515-0722; email: boxoffice@firstontariopac.ca; online: firstontariopac.ca

    You can receive a $2 discount on your ticket with a purchase of a meal of $5 or more from the following participating downtown eatries: Mahtay Café, Rise Above, The Bull BBQ Pit, Sky Bar Lounge at Brock University, Bella Noella’s Pizzeria, Gwen’s Teas, and So Jollof. Simply bring your restaurant receipt or voucher to the FirstOntario Performing Arts Centre Box Office to receive this discount. This offer is not available online.

    Limited paid parking is available on-site, however, there are more than 1,000 spots available in nearby parking garages, surface lots and on city streets within a five-minute walk to our address at 15 Artists’ Common. Visit stcatharines.ca/en/livein/ParkingLotsGarages.asp for a list of parking locations

    For interviews please contact:
    Marie Balsom, Communications,
    Marilyn I. Walker School of Fine and Performing Arts
    T: 905-688-5550, ext. 4765 | E: mbalsom@brocku.ca | W: brocku.ca/miwsfpa

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  • Dramatic Arts welcomes the new Foster Festival to St. Catharines

    foster_festival_launch_220The Department of Dramatic Arts is excited to be part of the new Foster Festival and their inaugural 2016 season at the new FirstOntario Performing Arts Centre in St. Catharines, Ontario.  Celebrated Canadian playwright Norm Foster recently joined festival executive director Emily Oriold and artistic director Patricia Vanstone (see photo, at left) for the launch of the festival – which is the first in Canada to celebrate the work of a living playwright.

    Mike Zettel recently wrote about the festival launch in Niagara This Week:

    Vanstone said one of the first partnerships they formed was with Brock’s dramatic arts department, which will be housed in the Marilyn I Walker School of Fine and Performing Arts right behind the performing arts centre. The Foster Festival will have access to a state-of-the-art production facility and will offer summer employment and educational opportunities to the department’s brightest and best current and graduating students, giving them their first crucial work experience in a professional environment.

    “It’s a tremendous partnership,” Vanstone said, adding it’s an example of welcoming atmosphere across the city and the willingness of groups to band together for a common cause. “This is a community that understands a great work ethic and the ability to pull together.”

    Professors Gyllian Raby and David Vivian (Chair) were present for the launch along with Alesia Dane (Coop Programs) and Jana Boniferro (Development and Communications Officer for the Faculty of Humanities) from Brock University and Sara Palmieri and Steve Solski of the FirstOntario Performing Arts Centre, among others.  To read about the launch see the articles in Niagara This Week and the St. Catharines Standard and visit the Festival website.

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  • COMMOTION wins Gold and Silver!

    commotion_prestige_220Professor Gyllian Raby of Dramatic Arts (DART) and DART Alumna Caitlin English were recently honoured by the news that their film COMMOTION was awarded a Gold medal in the education category and a Silver medal in the research category by Prestige Film Awards, an international juried competition that connects filmmakers with distributors.

    Commotion is a tri-generational program that trains emerging Brock Graduates to create theatre and work with high school students in the surrounding community. The program is run by Gyllian Raby, a Brock professor and Pablo Felices Luna, the past artistic director for Carousel Players youth theatre in St Catharines.

    In reaching out to the local youth, this program is a vital resource to identifying and teaching the relationship between the creative process and group dynamics for Brock’s emerging artists.

    For more information about the project see this news item from November 2011.  See also Prestige Film Awards.

    The COMMOTION project was made possible by SSHRC: Social Sciences and Humanities Research Council of Canada, the Department of Dramatic Arts of the Marilyn I. Walker School of Fine and Performing Arts at Brock UniversityCarousel Players, TALK Niagara and with support from the District School Board of Niagara.

    Congratulations Gyllian and Caitlin!

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  • Awkward and Uncomfortable

    Three interlocking stories explore how to survive the turbulence that washes over us when we question fundamental aspects of our identities. Is it better to find the answers to our secrets or to leave them locked away? And where is that elusive happy ending?

    More details:

    The Department of Dramatic Arts’ fourth-year production brings “Awkward and Uncomfortable” to a whole new level!

    An original performance by the fourth-year Devised Theatre class (DART 4F56) will be held on April 16, 17, and 18, 2015 at 7:30 pm, in the Studio Theatre (ST107) at Brock University.

    It is awkward and uncomfortable, but you’ll always have to deal with the two per cent of negative extremists.  If you’re an artist or you buck the trend of mainstream culture you’ll always be shouting out from the margins! How does one keep going when the struggle always comes looking for us? Answers are explored through spoken word, choreography and scenes that explore trust, relationships, and self-acceptance. Do we continue relationships when trust is unclear? Do we follow our future when those around us do not believe in it?

    Tracy is a construction worker who’s just been accepted by the guys, but it all falls apart. Diane and her partner have struggled to be accepted as a lesbian couple, and won, but suddenly her relationship seems empty. Carl has successfully completed his gender transition but his past comes back to bite him in a lawsuit that has unexpected consequences. This production by graduating students of Dramatic Arts’ devising class offers superhero guidance for the survival of the quirkiest at the Droopy Vine bar where all are welcome.

    Set designer Alanna Stewart has created a playful space inspired by Brazilian Favelas that displays the distressed urban world though graffiti and bright colours, a giant community piecing together against all odds. Costume designer Gina Greco, positions the characters as parts of the urban hierarchy through a clash of modern Toronto Queen West and Church Wellesley style, in order to present a beautiful slum, haute, and fantasy world.

    Professor and director Gyllian Raby guided the creative process drawing on her experience of creating new plays with One Yellow Rabbit and the RSVP process. Ensemble members include: Amanda McDonnell; Nick Leno; Kendra Neaves; Hayley Malouin;  Misha Harding; Michael Caccamo; Chloe Coyle;  Bri Lidstone; Nicola Franco; Rachel Romanoski; Katie Coseni;  Sean Rintoul; Marie Barros;  Emily Ferrier;  Maggi Robertson and Kate Croome.

    The DART 4F56 class is one where students work together collectively. Students use the knowledge they have accumulated throughout their four years of the Dramatic Arts program to create, build, and produce a collaborative piece that embraces the physical expressivity of Grotowski and LeCoq, action study from Stanislavsky, the performance clarity of Brechtian theories, and the work in voice, speech and spontaneity that grounds research and critical theory in human relations. A good theatre process takes awkward and uncomfortable to a whole new level!

    FOR TICKET RESERVATIONS: awkwardanduncomfortable@gmail.com
    Location: Room ST107 (Studio Theatre), Schmon Tower, Brock Campus.
    Admission: Donations accepted

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    Categories: Events, Plays

  • THE BELLE’S STRATAGEM

    “Marie Antoinette” by Yuling Deng

    WRITTEN BY: Hannah Cowley
    DIRECTED BY: Gyllian Raby
    SCENOGRAPHER: Kelly Wolf

    November 13, 14, and 15, 2014 at 7:30 p.m.
    Matinee performance: November 14 at 11:30 a.m.

    Performed in the Sean O’Sullivan Theatre, Brock University

    Hannah Cowley’s most successful Town Comedy of 1783 demonstrated how to get your man and keep him in Georgian times — but once relocated in today’s Toronto, the laughing feminism lurking within the Marriage Plot is exposed in all its decadent hilarity.

    purchase tickets here

    A Study Guide is available for review, prepared by Assistant Director Nicholas Leno: download to print a copy (PDF, 3.7 MB)

    Please scan here to buy tickets and follow us on social media. keepingupwithmrsracket.com

    The Belle’s (Social Media) Stratagem
    A central character in the Department of Dramatic Arts’ autumn Mainstage production, The Belle’s Stratagem, will have an active life on social media thanks to a partnership between students in one of the department’s courses and the Mainstage production team. The goal of this partnership is extend the life of The Belle’s Stratagem both before ad after the actual run (November 13-15) and to engage audiences in critical dialogue around the show.

    Director and DART professor Gyllian Raby and assistant director Nick Leno have adapted and updated Hannah Cowley’s 18th-century comedy to be set in today’s Toronto. Through Instagram, Twitter, and YouTube, tech-savvy students in DART 3P95: Studies in Praxis I: Theatre Criticism are creating an online identity for one of the play’s central characters, Mrs. Racket. Followers of @racketlife can see photos of her favourite products, read her daily aphorisms, and watch “fan” videos posted on YouTube. Mrs. Racket’s online persona not only develops the character beyond the page and stage, but also highlights some of the production’s key themes related to consumerism, celebrity, and social class.

    The social media platforms officially launch on October 20. Each platform is interconnected through the blog www.keepingupwithmrsracket.com; the blog is also accessible via the production’s QR code, which is included in all publicity materials. Followers are encouraged to interact with Mrs. Racket across all three platforms using the hashtag #racketlife: they can repost her Instagram photos or post and tag their own, tweet with Mrs. Racket, and vlog about the production on YouTube. The possibilities for participation are endless! During the show’s run, Praxis students will be present before each performance to demonstrate this technology through an interactive lobby display.

    This partnership is part of a key component of the Theatre Criticism course, in which students immerse themselves behind-the-scenes in creative processes with local arts organizations, and write about it for the course blog, DARTcritics.com. The Belle’s (Social Media) Stratagem is an innovation this year, the first time that Theatre Criticism students have gone behind the scenes on a DART Mainstage and the first time that the learning outcomes involve a social media strategy.

    Instagram account: @racketlife
    Twitter account: @racketlife
    YouTube channel: Racketlife


    some words from our guests:

    …excellent adaptation with the references to modern Toronto and all its foibles.
    – Associate Dean, Dr. Brian Power

    By re-historicizing Hannah Cowley, [Gyllian Raby, the director] is able to liberate her message. Cowley’s hesitant feminism is sharpened in Raby’s adaption. And shifting the play’s locale from eighteenth-century London to twenty-first century Toronto, Raby adds biting commentary – much of it delivered through choruses of rap music – on the ravaging cultural and economic effects of unfettered financial capitalism, which goes well beyond Cowley’s predictable tut-tutting about the vulgar spending displays of England’s nabobs. . . . . Mixing rap music with formal eighteenth-century drama sounds depressingly like a sterile post-modern conceit. But it works wonderfully well in this instance, partly because Raby is the director of the play she adapted. She directs an exuberant student cast who seem just as much at home mincing through the formalities of a masqued ball as they do gyrating to the strains of Rick Ross, Lil’ Mama, and Salt ’n’ Pepa.
    – from a review by Professor Emeritus John Sainsbury in the online British Journal of Eighteenth-Century Studies published by the The British Society for Eighteenth-Century Studies.


    Press:

    Published on Nov 8, 2014: The Department of Dramatic Arts at Brock University presents The Belle’s Stratagem from November 13th to 15th. Katie Jones reports. See the Cogeco TV report on The Belle’s Stratagem:

     

    Published on Nov 11, 2014: From Brock TV, a look into The Belles Stratagem, opening this Thursday! Meet the cast and crew of DART’s latest production of Hannah Cowley’s The Belle’s Stratagem.

     


    Photos:

    Painting the set floor for Belles Stratagem. L-R: Nikka Collison, Caroline Coon, Andrew Von Lukawiecki, and Brian Cumberland (Production Manager)

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    Categories: Events, Plays