Faculty & Instructors

  • Stolen Theatre back on the scene

    (Source: Niagara Falls Review, Wednesday, September 14, 2016 | by John Law. Photo caption: Danielle Wilson co-wrote and stars in Stolen Theatre Collective’s The Ash Mouth Man, opening Sept. 15. PHOTO: John Law /Postmedia network)

    The small, immersive company is back Sept. 15 with a brand new play written by Wilson and director Gyllian Raby, the “film noir comedy” The Ash Mouth Man. Nine shows are scheduled for the Marilyn I. Walker School of Fine & Performing Arts, and as always, things will get intimate. At just 48 seats per performance, it’ll feel like an up close and personal play.

    It’s a style Wilson loves – the company’s previous show, Harold Pinter’s The Dumb Waiter, was limited to just 28 seats.

    “We really enjoy playing with the atmosphere of a piece, and giving the audience a different experience,” she says. “It’s hard to disengage when you’re that (close). It gives you a much more visceral experience when you’re that close.”

    Wilson, a teacher with Brock University’s Department of Dramatic Arts, and husband Fede Holten – a playwright and Niagara winemaker – formed Stolen Theatre Collective in 2007 as a way to do original and unique material in different ways. They managed three shows in four years before tight schedules forced the four-year layoff.

    “We were super happy to be back,” says Wilson. “We had great attendance for the show (and) got a lot of good press. A lot of people didn’t know who we were, and I felt we put (ourselves) back in people’s minds.
    “We’re all so busy, we all have other jobs and things to do.”

    The Ash Mouth Man is a blending of two short stories Wilson and Raby wrote separately. Once combined, it formed an odd, comical tale about a female dentist named Lorna in the ’50s – Canada’s 31st female dentist, to be precise – who works in a ward for people with disorders. The patients share an urban legend about a figure named the ‘Ash Mouth Man,’ whose kiss will make everything taste like ashes afterwards.

    “It took us awhile to figure out, what is the genre? We’re dabbling in aspects of film noir but there’s also a lightness to it.”

    The show stars Walker, Holten, Colin Bruce Anthes and Sean McClelland.

    Opening a regular show is hard enough – for Wilson, staging and starring in her own play is next level stress.

    “It definitely feels like a bigger risk,” she says. “We’re putting our own work out there that nobody’s seen before, and we don’t know how it’s going to be received.”

    jlaw@postmedia.com

    • WHAT: The Ash Mouth Man
    • WHO: Stolen Theatre Collective
    • WHERE: Marilyn I. Walker Theatre; 15 Artists’ Common; St. Catharines
    • WHEN: Sept. 15 to 25
    • TICKETS: $20; student/seniors/arts worker $15  www.firstontariopac.ca

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    Categories: Faculty & Instructors, In the Media, News

  • Brock research team studies the evolution of circus performers

    bromance-220(Source: The Brock NewsTuesday, July 12, 2016 | by )

    Flying trapeze artists, elephants standing on one foot while balancing a ball, jugglers, sword swallowers, bearded ladies: these are among the images of the traditional travelling circus.

    The circus is still going strong today and has gone mainstream. Think Cirque du Soleil, the Montreal-based entertainment company that has become a worldwide phenomenon.

    “This positive news for circus companies, artists and audiences with a taste for thrilling entertainment also raises questions about circuses’ historic status as site for the celebration and exploitation of differences, from stagings of exceptional performing bodies to the display of ‘freakery,’” says Assistant Professor of Dramatic Arts Karen Fricker.

    Fricker is part of an international team of academics, artists and producers researching the relationship of contemporary circus to the widespread practice in traditional circus of featuring people with unusual physical features, such as Siamese twins, women who grow beards, and in extreme cases, people living with a disease or condition that exaggerates certain body parts.

    The team is interested in the ways in which today’s circus artists relate to this “freak show” tradition. Fricker is one of three leaders of the project, called “Circus and its Others,” along with Charles Batson of Union College, in New York and L. Patrick Leroux of Concordia University.

    This month, they are co-organizing a conference about this subject as part of the Montreal Complètement Cirque Festival, with the assistance of two Brock graduate students, Hayley Rose Malouin and Taylor Zajdlik.

    “There’s a large history of profound racism, sexism and ableism that I don’t think is present in contemporary circus in the same way, mostly because contemporary ideologies are very transformed,” says Malouin. “However, it’s interesting to see how some of those elements of sideshow ‘freakishness’ and how we view those born bodies finds its way into contemporary circus.”

    Fricker explains that circuses are, in essence, “variety shows” that feature highly-trained people with extraordinary skills performing daring, risky and spectacular feats.

    These acts are very physical; as a result, a lot of attention is focused on performers’ bodies. In traditional circuses, this focus extended to viewing bodies that were born unusual or made different from diseases or other factors beyond someone’s control.

    But societies eventually became more aware of the struggles and rights of people living with physical challenges, and also increasingly became more sensitive to animal exploitation. For example, after 145 years of featuring elephants in its circus acts, Ringling Bros. and Barnum & Bailey announced that it has plans to retire its elephant herd by 2018.

    The creation of Cirque du Soleil was a turning point in circus history. In the early 1980s, a troupe “juggled, danced, breathed fire and played music” for audiences in Baie-Saint-Paul near Quebec City, says the group’s website.

    One of the performers, Guy Laliberté, took the show on the road in 1984 to celebrate the 450th anniversary of Jacques Cartier’s discovery of Canada.

    “The show was a striking, dramatic mix of circus arts (without animals) and street performance that featured wild, outrageous costumes, magical lighting, and original music,” according to the website. Notably, one of the key features that distinguishes Cirque du Soleil from traditional circus is that it does not include animal acts, and rarely puts born difference on display in its shows.

    Zajdlik says contemporary circuses such as Soleil largely feature “achieved bodies,” bodies “transformed into these powerful vessels that become circus performers” through intensive physical training.

    “Are we gazing upon these spectacular bodies because they represent something that we nostalgically long for in what the freak once gave us?” says Zajdlik. “From aerial feats to contortions, these bodies are doing extraordinary things that you would not normally get to see. In a way, that kind-of represents what the ‘freak’ once represented for circus.”

    The researchers note that there are circuses that feature unusual bodies, but in a very different way than in the past.

    The keynote speaker at this month’s conference is Jennifer Miller, who founded Circus Amok in New York City and is also a professor at the Pratt Institute in Brooklyn.

    Miller has had a beard since her early 20s. She is known as the “Bearded Lady,” who uses her performances to “ask people who look at her to think critically about what they understand as normatively female or male, masculine or feminine,” says Fricker.

    “She challenges those boundaries,” says Fricker. “We’re in the age of gender fluidity. I think she speaks from, and to that, culture in an interesting way.”

    The Circus and its Others conference was held in Montreal July 15 to 17, 2016.

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    Categories: Alumni, Current Students, Faculty & Instructors, In the Media, News

  • Brock prof lands gig as Toronto Star theatre critic

    (Source: The Brock News, Thursday, March 3, 2016 | by )

    Professor Karen Fricker has spent the last three years training Brock University students to critique theatre.

    She will soon be practising what she teaches after landing the role of theatre critic for the Toronto Star, Canada’s largest, most-read newspaper.

    The Brock University Dramatic Arts assistant professor isn’t new to the theatre beat – her resume includes 25 years of experience for outlets including The Guardian and Variety. She was also the founding editor-in-chief of Irish Theatre Magazine, a publication that operated from 1998-2014.

    At the Star, Fricker will be reviewing major show openings in the Greater Toronto and Hamilton Areas as well as writing feature articles.

    “It just feels like an un-dreamed-of privilege to get to have a platform like this at this point in my career,” she says. “Toronto is a really exciting and mature theatre market.”

    The theatre scene in the GTHA is rich with plenty of interesting things happening – from major musicals to performance art to original Canadian plays in storefront theatres.

    Fricker can’t wait to see them all and share her observations and critiques with Canadians.

    And, she’s looking forward to sharing her excitement with students, whose critiques are published  on Brock’s DARTcritics.com blog. She started the blog in 2013 to offer students an avenue to be published and edited.

    She plans to make sure her students benefit from the work she’s doing for the Star.

    “Students will gain a strong sense of connection and understanding of how professional arts criticism works,” she says.
    “They will have the opportunity to see their professor go through the same exercises they do and maybe even give her some feedback.”

    Fricker says she’s grateful to be working at Brock both because it’s an exciting time in the arts with the opening of the Marilyn I. Walker School of Fine and Performing Arts and because it’s a university that encourages professors to pursue their creative interests.

    “Being a creator, being an artist, has equal standing to being a scholar and producing peer-reviewed research,” she says.

    Fricker says the Star opportunity fits her creative and research interests of questioning arts criticism in the digital age.

    “I consider this a part of my research,” she says. “It’s a time of extraordinary possibility and growth for criticism.”

    DARTcritics.com is a response to that research interest and the question of how to turn an earnest blog into trusted criticism. The site has grown from a space for outstanding reviews by third-year students as part of their coursework to include reviews and features by students and recent graduates who are paid for their work. Fricker hopes that the site will continue to blossom into a year-round source of quality arts criticism in Niagara.

    Fricker’s role with the Star was announced Thursday. She’s looking forward to reviewing her first production for the paper this month.

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  • Marilyn I. Walker School of Fine & Performing Arts Alumni Homecoming

    Event date: September 18, 2015, 5 pm – 11 pm

    ***PLEASE SEE THIS NEWS UPDATE ABOUT PARKING ON SEPTEMBER 18TH***

    Alumni of the Arts and Culture, Dramatic Arts, Music and Visual Arts programs and our friends and guests from the Niagara Region and GTA are cordially invited to the Marilyn I. Walker School of Fine and Performing Arts Alumni Homecoming and Grand Opening!

    Please join us for an evening of captivating artwork, exciting performances and beautiful music. Grab a glass of wine, take yourself on a tour of the incredible new MIWSFPA facility and spend some time reconnecting with classmates, professors and friends from the Departments of Dramatic Arts, Music, and Visual Arts, and our Centre for Studies in Arts and Culture.

    Official opening ceremonies begin at 3:00; Open house begins at 5:00 pm; VISA Art Gallery Alumni exhibition opens at 5:00 pm; VISA Alumni Dinner, 6:30 – 8 pm at Gord’s Place, 84 James Street; MUSI programming across the evening in multiple venues at 15 Artists’ Common; Cabaret in the DART Theatre at 7:30 pm.

    Affiliated events also include:

    Tale of a Town St. Catharines
    Addressing the Void

    and

    Confluence Field Trip #1, a fifteen minute walk from Rodman Hall to MWSFPA along the Merritt Trail and McGuire St.. for more information see: confluencefieldtrips.ca

    Hope to see you there!

    See the Facebook event by clicking here.

    GET YOUR TICKETS HERE to reserve a seat at the VISA Alumni dinner!

    GET YOUR TICKETS HERE for the DART theatre CABARET!

    For more information about the Homecoming Weekend program at Brock University, to register for events and to learn about shuttle bus service to the region be sure to visit
    https://brocku.ca/alumni/celebrate-homecoming-2
    ***Please note this event will take place at our new address at 15 Artists’ Common, also known as the former Canada Haircloth Building, in downtown St. Catharines. ***not at 500 Glenridge Avenue ***

    Here is a link to a Google street view from June, when our address was known to be IceDogs Way, and here is a Google map for directions to the facilities.

    Please see the Brock University Campus Map here: https://brocku.ca/blogs/campus-map/miwsfpa/

    We are adjacent to the First Ontario Performing Arts Centre and the Meridian Centre.

    ***PLEASE SEE THIS NEWS UPDATE ABOUT PARKING ON SEPTEMBER 18TH***

    *****

    Hear ye! Hear ye! the excellent program for our event on September 18th!

    VISA Painting Studio 
    location: MW 416
    4:00-9:00 pm
    Open house Exhibition
    and
    Musical performances in the VISA Painting Studio by:
    Brock Jazz Band
    Carly Manley
    Danny Lamb Trio
    Grace Notes String Ensemble
    Brock Beatles Band

    VISA Drawing Studio 
    location: MW 406
    4:00 – 9:00 pm
    Open house Exhibition
    and
    Musical performances in the VISA Drawing Studio by:
    Sabrina Xin Liu, piano
    Leanne Vida, piano/vocal
    Andrea Nolan, piano/vocal
    Neva Tesolin, piano/vocal
    Leland, piano/vocal
    Melissa-Marie Shriner, piano/vocal
    H. Campbell, piano/vocal

    VISA Gallery
    First floor at the Main Entrance, 15 Artists’ Common
    MW 159
    5:00-7:00 pm
    Opening Reception for the Alumni exhibition
    and
    Musical performances in the VISA Gallery by:
    Grace Snippe, cello
    Brody Smith, guitar
    Allison Scholtens, violin
    Tyler Merza, guitar

    Classical Recital in the MUSI Vocal Studio 
    location: MW 104
    6:00 – 9:00 pm
    Christina Lerose, piano
    Leanne Vida, soprano
    Jorgo Kalo, piano
    Victoria Hoshowsky, soprano
    Negin Rezaei Asl, piano
    Caroline Nicole Corkum, soprano and Alexandre Soulodre, piano
    Serena Atallah, piano
    Erika Versluis, soprano and Tyler Versluis, piano
    Sabrina Xin Liu, piano
    Leanne Vida, soprano and Jorgo Kalo, piano

    DART Theatre Cabaret!  
    Location: DART Theatre
    MW 262
    7:30 pm – 11:00 pm
    Hosted by Cass Van Wyck and Rox Chwaluk
    Guests are welcome to come and go.
    In order of performance:

    Arms Up Comedy: Caitlin English, Jacqueline Costa, Eric Frank, Chris Boyle
    Attic Window Theatre, In Real Life: Collin Glavac, Colin B. Anthes, Eduardo DiMartino, Nicola Franco, Hayley Rose Malouin
    Piano and Vocal: Lee Stewart
    Brock Improv Alumni: Richard Varty, Rox Chwaluk, Brandon Pachan, Alana Perri.
    Piano and Vocal: Melissa-Marie Shriner and Grace Snippe
    One Four One Collective, Stuck in Horse- Send Help! : Evan Mulrooney and Kevin Chew
    Piano and Vocal: Neva Tesolin
    MOVE! : Alex Kazam, Adrien Hurst, Jerry Prom, Mitchell Peebles, Caleb Fast, Mikey Henley
    Music by Alejandro Del Pino
    The Labour of Forrest Nympho: A Drag Birthing: Geoffrey Heaney
    Piano and Vocal: Andrea Nolan
    Empty Box Theatre, Waiting for Alonzo:  Hayley Rose Malouin, Victoria Cutler, Sean Rintoul
    Piano and Vocal: Holly Campbell
    Garden City Improv: Collin Glavac, Ross Mosher, Jamie Roboz, David Bernard, Hayley Malouin, Jonas McLean
    Guitar and Vocal: Aaron Berger
    Open Mic!
    FOX TRAIL: Iain Lidstone, Marcus Schwan, Brent Cairns, Adam Wood, Alannah Garrett
    ~the end~

    Special events not to be missed!:

    New Work in Progress: Addressing the Void 
    by Maggie Hunter and performed by Abby Rollo, Gemma Bordonaro and Jacqui Noel. (DART)
    location: Studio D MW 256.
    6:00 pm, 6:30 pm and 7:00 pm

    Special Installation of Tale of a Town St. Catharines. Listening Booths by FIXT POINT and Suitcase in Point Theatre Company.
    Various locations in the MIWSFPA.

    Confluence Field Trip #1, a fifteen minute walk from Rodman Hall to the MIWSFPA along the Merritt Trail and McGuire St.
    Artist: Elizabeth Chitty. Participants are invited to participate in this self-guided tour of a section of the Twelve Mile Creek valley. For more information see: http://confluencefieldtrips.ca/

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    Categories: Alumni, Announcements, Current Students, Events, Faculty & Instructors, Future students, News

  • Exhibition: DART@PQ2015

    September 2015 – April 2016

    Opening: Alumni Homecoming and Grand Opening,
    September 18, 2015
    Location: DART Theatre Lobby, 2nd Level, 15 Artists’ Common

    Exhibit of DART’s participation in the Canadian PQ2015 (Prague Quadrennial) exhibit Elevations, including parts of national collective project Totem. Theme: MUSIC. WEATHER. POLITICS. Also including: Fault Lines: digital exhibit of Brock students’ work. 

     

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  • Class blog takes centre stage with theatre criticism

    (Source: The Brock NewsFriday, July 3, 2015 | by . Photo: DARTcritics started as a class blog but has grown to fill the void of local arts criticism.)

    They call themselves critics with class.

    But more than being clever, the student writers behind the DARTcritics website are providing theatrephiles with thoughtful arts criticism about performances in Niagara and beyond.

    That wasn’t always its purpose, however. The two-year-old theatre review website, which was recently relaunched with a new look, started as a forum for Dramatic Arts Prof. Karen Fricker to post standout assignments by students in her theatre criticism class. But it soon became apparent the site served a larger purpose.

    DARTcritics picked up where slashed and shrunken newsrooms left off with their arts coverage. Other than a handful of metro and national dailies, few newsrooms boast a dedicated arts and entertainment reporter anymore, leaving a void to be filled.

    “What we discovered was that in some instances, the reviews that we published were among the only, if not the only, review response that productions would receive, because there is so little arts criticism in Niagara,” Fricker said. “This was a startling and empowering realization for the students — that they were in dialogue with art and artists in a privileged way.”

    Of course, seeing their names in print was nothing short of thrilling, too. Hayley Malouin was hooked the moment she got her first byline for her review of London Road, a musical about an English town coping with the murders of five of its women.

    “I thought ‘OK, we’ll see some shows,’” said Malouin, who signed up for Fricker’s class in her third year. “I wrote the first review and got it up on the blog and was ‘This is like crack.’”

    Being published was an incentive, but writing reviews for posting was ultimately a way for Malouin to use what she had learned from Fricker about articulating her opinions of a production beyond saying whether or not she like it.

    “I hated (London Road) and finding out why I hated it was so fun,” she explained. “It really changed my view of what happens in theatre. There’s this critical side to it – this analytical side to it…. I think you can be analytical and creative and that’s a really special thing.”

    Fricker, a former critic with The Guardian in the U.K., capitalized on the opportunity to turn DARTCritics into a bona fide source of arts criticism last April when Malouin and fellow student Nick Leno landed funding from BUSU to cover St. Catharines’ In the Soil Arts Festival.

    She also coached the duo to be editors and social media curators. This summer, they’re running the site like a newsroom with two staff writers, fourth-year DART students Elizabeth Amos and Alex Jackson. Together, they cover theatre in Hamilton, Niagara, Toronto and Stratford, thanks to support from the Match of Minds program run by the Office of Research Services and BUSU.

    The relaunch of the DARTcritics site coincides with this summer’s move of Dramatic Arts to the new home of the Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines, Fricker noted.

    “It’s such an exciting moment for the arts at Brock and in St. Catharines more broadly, with the new First Ontario Performing Arts Centre opening in the autumn, as well as our own building,” she said. “This seemed the perfect occasion for us to take DARTcritics to a new level with a new look, and more reviews.”

    Fricker will resume the editor’s post when classes resume in the fall, but for summer, the site is “Nick and Hayley’s baby.”

    “It’s a great experience of entrepreneurialism and leadership for them.”

    It has also carved out a potential career path for Malouin. Theatre criticism has become something she would like to pursue further, either as a freelance writer or by developing her own theatre review site.

    Still, there has been one downside to being a DARTcritic: it’s tough to shut off and watch a show for pleasure.

    “I see theatre and can’t not be critical now,” Malouin said. “People see that as a negative but it’s not. I’m always on now when I see a show. I do wish I could go see a Mirvish show and say ‘That’s great!’”

    Visit DARTcritics

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    Categories: Alumni, Current Students, Faculty & Instructors, In the Media, News

  • DART, MUSI and MARS present in Toronto at PLS (Poculi Ludique Societas) Festival of Medieval Theatre

    vsCOLLEAGUES, STUDENTS, FRIENDS & FAMILY, If you were in Toronto in early June you were fortunate to see a performance of:

    Visitatio Sepulchri
    (the Visit to the Sepulchre)

    A 12th-CENTURY EASTER MUSIC DRAMA
    acting version transcribed and translated
    by W. L. Smoldon from the ‘Fleury Playbook’

    A collaboration between:
    Centre for Medieval and Renaissance Studies,
    Department of Dramatic Arts, Department of Music

    Part of the PLS (Poculi Ludique Societas) Festival of Medieval Theatre.

    When: Saturday, June 6, 7 p.m.
    Sunday, June 7, 2:30 p.m.
    Where: Trinity College Chapel University of Toronto,  6 Hoskin Avenue

    Music Director: Dr. Brian Power, Department of Music
    Stage Director: Professor Virginia Reh, Department of Dramatic Arts

    img_1284cr_400px

    The company of Visitatio Sepulchri in the Trinity College Chapel. Photograph by Mrs. Chin Tso.

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  • Trio of awards for dramatic arts professor

    (Source: The Brock NewsTuesday, May 19, 2015 | by . Photo: Joe Norris was recently presented with two international awards and one from Brock for his unique approach to research.)

    It has been a busy spring for Joe Norris.

    In the midst of packing up his office to transfer to the new Marilyn I. Walker School of Fine and Performing Arts, the dramatic arts professor added three newly acquired items to take with him: two awards from the American Educational Research Association and one from Brock University.

    Norris and Richard D. Sawyer from Washington State University captured the association’s Significant Contribution to Educational Measurement and Research Methodology Award.

    They were recognized for their book, Understanding Qualitative Research: Duoethnography, which Norris and Sawyer co-wrote. The book details the duo’s new research methodology called “duoethnography.”

    This involves two people conversing with one another on the same subject from very different viewpoints. As they gain insights and knowledge through the course of the conversation, the two people begin to change their perspectives. These changes in viewpoints become the research data.

    This differs from traditional information-gathering methods, such as using questionnaires, surveys, interviews, observations and other methods.

    Norris’s second American Educational Research Association recognition is the 2015 Tom Barone Award for Distinguished Contributions to Arts-Based Educational Research, which is given every three years for a lifetime of dedicated research.

    “It is rewarding to know that something you’ve created supports the work of a large number of people,” says Norris of his recognitions and his focus on creating and developing unique research methodologies. “People have come up to me and said I’ve been able to provide a rationale that gives them justification for what they want or need to do.”

    Among his many activities, Norris is credited with transforming playbuilding into a research methodology that uses theatrical devices to create performance/workshops that deepen our understanding of the social world.

    Here, the participatory research “data” includes audience members’ responses to what they see on the stage or video. The audience addresses the problems they see being acted out, teaching themselves about the topic in the process.

    To add to his collection, Norris also won the Faculty of Humanities’ 2015 Humanities Award for Excellence in Research and Creative Activity.

    “Professor Norris’s accumulated record of work in theatre and social issues has certainly earned him this award,” says Carol Merriam, Interim Dean of the Faculty of Humanities.

    “His use of his skills and talents in the exploration of social issues, including mental health issues, violence in the workplace and the negative impacts of alcohol, and the involvement of his students in this work, is especially impressive.”

    Norris says he is heartened by the “generosity, playfulness and rigour” of students involved in his research projects, particularly Mirror Theatre, which he co-ordinates. Norris is currently exploring the pros and cons of the written word compared to other media, such as visual work, performances, dance, music and video.

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  • Dramatic Arts Professor reports on Eurovision’s 60th birthday

    book cover for: Performing the 'New' Europe: Identities, Feelings and Politics at the Eurovision Song Contest

    book cover for: Performing the ‘New’ Europe: Identities, Feelings and Politics at the Eurovision Song Contest

    Professor Karen Fricker of Brock University’s Department of Dramatic Arts reports about the Eurovision Song Contest for the May 19th, 2015 edition of the national CBC radio show “Q”.

    “Eurovision turns 60: Karen Fricker on what to watch for this year
    Yes, Eurovision is a song competition — but it’s also a microcosm of geopolitical tensions, says scholar Karen Fricker.”
    (source: CBC website)

    Professor Fricker is co-founder of the Eurovision and ‘New’ Europe academic research network. She has spent the last decade attending “Europe’s favourite TV show”, the Eurovision Song Contest, the annual pop song festival watched by over 170 million people all over the world.

    Professor Fricker, who lectures in the praxis concentration at DART, launched her co-edited book Performing the ‘New’ Europe: Identities, Feelings and Politics at the Eurovision Song Contest in 2013. This volume argues that this popular music competition is a symbolic contact zone between European cultures: an arena for European identification in which both national solidarity and participation in a European identity are confirmed, and a site where cultural struggles over the meanings, frontiers and limits of Europe are enacted.

    To listen to the radio interview, read more about the 60th anniversary edition of Eurovision and to see select videos of participating artists see the cbc.ca article herehttp://bit.ly/1HqiC1a

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  • COMMOTION wins Gold and Silver!

    commotion_prestige_220Professor Gyllian Raby of Dramatic Arts (DART) and DART Alumna Caitlin English were recently honoured by the news that their film COMMOTION was awarded a Gold medal in the education category and a Silver medal in the research category by Prestige Film Awards, an international juried competition that connects filmmakers with distributors.

    Commotion is a tri-generational program that trains emerging Brock Graduates to create theatre and work with high school students in the surrounding community. The program is run by Gyllian Raby, a Brock professor and Pablo Felices Luna, the past artistic director for Carousel Players youth theatre in St Catharines.

    In reaching out to the local youth, this program is a vital resource to identifying and teaching the relationship between the creative process and group dynamics for Brock’s emerging artists.

    For more information about the project see this news item from November 2011.  See also Prestige Film Awards.

    The COMMOTION project was made possible by SSHRC: Social Sciences and Humanities Research Council of Canada, the Department of Dramatic Arts of the Marilyn I. Walker School of Fine and Performing Arts at Brock UniversityCarousel Players, TALK Niagara and with support from the District School Board of Niagara.

    Congratulations Gyllian and Caitlin!

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