Brock’s Three Minute Thesis winner Kaitlyn Kerridge, and award winners Shasha Hu and Jonathan Brower all spoke at the Graduate Student Awards and Donor Recognition Celebration on Thursday, May 10.
(adapted from: The Brock News Monday, May 14, 2018 | by Lauryn Carrick)
It wasn’t until he started at Brock University that Jonathan Brower was able to marry his passions: theatre, LGBTQ2 studies and spirituality.
During the Graduate Student Awards and Donor Recognition Celebration held on campus Thursday, May 10, the Master of Social Justice and Equity Studies student spoke about how the University and its donors have made a difference in his life.
An actor, playwright and producer, Brower told the more than 100 guests in attendance about how support from donors allows him to focus on his research and continue artistic pursuits, without having to worry about financial pressures.
“For research to truly be enriched, you need to be able to immerse yourself in it completely,” he said. “Support from donors allows me to focus my creative energy on academia, rather than having to worry about how my bills are being paid. Every layer of support I have received lifts me closer to success.”
Brower was the recipient of multiple awards at the celebration: a Bluma Appel Graduate Entrance Scholarship for Excellence in Social Sciences, the Scotiabank Graduate Award and a Social Sciences and Humanities Research Council CGS Master’s Scholarship.Hosted by the Faculty of Graduate Studies, the awards event celebrated student success and thanked donors for their generous support of graduate students.
Brower came to Niagara from Calgary, where he co-founded and ran a queer theatre company and wrote and produced a play, oblivion, about the struggle to reconcile faith and sexuality. The production toured Canada over three years, visiting major cities including Vancouver, Calgary, and Toronto, with a stop in St. Catharines last year.
Starting his master’s at Brock seemed a fitting next step for the student researcher, whose work explores “queer religious agency through narrative inquiry and applied theatre.”
“My own experience as a queer person in the Christian faith was marginalized, which led to the creation of oblivion,” Brower said. “This thesis project takes things a step further using collective theatre creation to bring the experiences of queer individuals from different faith backgrounds into conversation.”
In 2017-18 Brower was a teaching Assistant in the Department of Dramatic Arts for the courses DART 1F91 Introduction to Theatre and Performance (Dr. Jacqueline Taucar, Instructor) and DART 4F56 Advanced Studies in Theatre (Professor Gyllian Raby). He recently collaborated on WE WHO KNOW NOTHING ABOUT HIAWATHA ARE PROUD TO PRESENT HIAWATHA as part of the Rhizomes for the 2018 In The Soil Festival.
For those who enjoy comedy with a dark undertow, plan to join us for the world premiere of The Ash Mouth Man, an original theatre work to be held in the Marilyn I. Walker Theatre at 15 Artists’ Common.
Will Eno’s “The Flu Season” plays whack-a-mole with everything you expect love to be.
The Department of Dramatic Arts is excited to be part of the new Foster Festival and their inaugural 2016 season at the new FirstOntario Performing Arts Centre in St. Catharines, Ontario. Celebrated Canadian playwright Norm Foster recently joined festival executive director Emily Oriold and artistic director Patricia Vanstone (see photo, at left) for the launch of the festival – which is the first in Canada to celebrate the work of a living playwright.
Professor Gyllian Raby of Dramatic Arts (DART) and DART Alumna Caitlin English were recently honoured by the news that their film COMMOTION was awarded a Gold medal in the education category and a Silver medal in the research category by Prestige Film Awards, an international juried competition that connects filmmakers with distributors.
Three interlocking stories explore how to survive the turbulence that washes over us when we question fundamental aspects of our identities. Is it better to find the answers to our secrets or to leave them locked away? And where is that elusive happy ending?
