News

• Our commitment to you

  Saturday, September 05, 2020 | By dvivian

  Beginning in June, in part prompted by feedback from students and alumni, as well as in observation of momentum of Black Lives Matter, DART faculty and staff began meeting regularly with Brock’s Office of Human Rights and Equity (HRE).

  With the support of HRE staff, our goal is to examine and identify the department’s contributions to white supremacy and all oppressive structures and practices, whether inside or out of the classroom, in the curriculum, in our productions, in our community engagement, and in our relationships with other offices we collaborate with or who represent us.

  Read about the Department’s commitment to you.

  See also: scholarstrikecanada.ca

  Tags: accountable, alumni, anti-oppressive, anti-racist, Black, Black Lives Matter, BLM, class differences, community, community engagement, curriculum, differently-abled, dismantle, economic circumstances, equity, feedback, gender, HRE, Human Rights and Equity, impact, Indigenous, intention, liberation, marginalized, minoritized, neurodivergent, non-white, oppression, Persons of Colour, power imbalances, privilege, privileges, productions, relationships, safety, sexuality, statement, students, white supremacy
  Categories: Alumni, Announcements, Current Students, Faculty & Instructors, Future students, In the Media, News, Uncategorised

• Joining us for your first year of studies? Interested in a DART minor or elective?

  Wednesday, July 15, 2020 | By dvivian

  

  Welcome to Brock University for September 2020!

  The Chair of the Department of Dramatic Arts, Dr. David Fancy, welcomes you!
  Watch the brief video (also posted on the MIWSFPA YouTube channel.)

  Minor in Dramatic Arts!

  Students in other disciplines may obtain a Minor in Dramatic Arts by successfully completing the following courses with a minimum 60 percent overall average.  You begin with courses in Praxis (Introduction to Theatre and Performance, and Performance as Cultural Practice I), or Drama in Education and Applied Theatre, or Performance and Production and Design, and then select three credits from the entire catalog of DART courses.  Be sure to check for prerequisites!

  DART 1P91 and 1P92, or DART 1P94 and 1P95, or DART 1P97 and 1P99

  three DART credits

  If you are seeking information about the courses at Dramatic Arts during this
  autumn of the covid-19 pandemic, check out this google doc advising sheet.
  You do not require a google account to read the document.

  

  click on the image to open the google doc

  Tags: DART, Dramatic Arts, electives, first year, MIWSFPA
  Categories: Announcements, Current Students, Future students, News, Uncategorised

• DART 1F01: Acting for Non-Majors, now available ONLINE

  Monday, May 25, 2020 | By dvivian

  

  [including content from an article published in The Brock News on TUESDAY, MAY 19, 2020 | by Alison Innes]

  Enliven your TikTok feed, gain the confidence of your own creativity, study acting with the Department of Dramatic Arts!

  The switch to online learning is offering Brock University’s Dramatic Arts students new ways of exploring their craft.

  

  download 2 portrait posters in pdf

  “We’re making some exciting changes to DART 1F01: Acting for Non-Majors,” says Professor David Fancy. “We’re using this opportunity to build a course that we can also share with students who have to work remotely in the future.”

  The course, which Fancy describes as “extreme monologuing,” is designed to help students discover the underlying principles of acting. Students will explore the actor’s process, including awareness, stimulus, impulse, intention and action. Exercises will help students become aware of their ingrained habits and develop playfulness and vitality.

  “We’ve drawn on expertise from actor trainers around the globe,” says Fancy, who has been working on a series of videos featuring professional actors being led through drama exercises. The course consists of 24 modules involving video, reading, and writing.

  Performance submissions (in the form of three separate monologues throughout the course) will be made to the teaching team by video, and there are no specific class times. You can proceed at your own pace though the course during the month-long duration (July). The instructor will be available regularly by phone or video to provide assistance as necessary.

  The course is offered online, July 2-29, 2020.  Please register before July 1, 2020

  For more information: David Fancy dfancy@brocku.ca

  

  download 2 landscape posters in pdf

   

  Tags: acting for non majors, DART 1F01, David Fancy, Dramatic Arts, online
  Categories: Announcements, Current Students, Faculty & Instructors, Future students, In the Media, Media Releases, News, Uncategorised

• Graduate Studies honours Dramatic Arts professor for outstanding mentorship and leadership

  Thursday, May 14, 2020 | By dvivian

  

  Associate Professor Karen Fricker, recipient of the Michael Plyley Graduate Mentorship Award, virtually meets with her graduate student, Russ Martin, and his dog Odee.

  (Excerpted from the article published WEDNESDAY, MAY 13, 2020 in The Brock News | by Lauryn Carrick )

  The Faculty of Graduate Studies (FGS) has named the five recipients of the annual FGS Awards, which were delivered the news in a virtual format for the first time in the awards’ nine-year history.

  The awards, typically handed out at the Mapping the New Knowledges Graduate Student Conference in April, celebrate the accomplishments and excellence of members of Brock University’s graduate community.

  “Despite not being able to recognize our winners in-person at this time, handing out these awards is still an important and meaningful celebration of the outstanding graduate culture that Brock has worked hard to grow,” says Diane Dupont, Interim Dean of Graduate Studies. “Our winners have all greatly contributed to making Brock an excellent place to pursue graduate education.”

  Michael Plyley Graduate Mentorship Award

  The Michael Plyley Graduate Student Mentorship Award normally awards two Faculty members for their outstanding mentorship of graduate students, one in the category or mentorship of only master’s students, and one in the category of mentorship of both master’s and PhD students. However, this year the adjudication committee was unanimous in their decision to name four award winners.

  Michael Pisaric, Professor in the Department of Geography and Tourism Studies, and Karen Fricker, Associate Professor in the Department of Dramatic Arts, were awarded the Mentorship Award in the master’s only category.

  Pisaric says receiving the award was “easily one of the highlights of my career.”

  “When my students approached me about the nomination, I was touched that they thought of me in such regard as to nominate me. To actually receive the award, however, is humbling. Graduate students are at the heart of my research program. Without my amazing students, my research program would not be nearly as successful. We are creating the scientists and leaders of tomorrow ,and my goal is to ensure they are well prepared for whatever path they follow when they leave Brock.”

  Pisaric says one of the most important aspects of being a mentor to his students is cultivating a thoughtful and supportive experience for his students in the same way he received while he was a student.

  The award is equally as meaningful to Fricker, whose advice to students is to “seek out opportunities and giver ‘er. Such mentorship is one of the deepest rewards of academic life.”

  As there are currently no graduate programs in Dramatic Arts, the opportunity for Fricker to supervise graduate students is small. Working with her current student in the master of Arts in Popular Culture has been educational and helped her stay on her own theoretical and critical game.

  When asked to provide advice and insight to others on effectively mentoring students, all winners felt similar in that there was no perfect recipe, but touted open communication, understanding and kindness.

  The full list of this year’s FGS Awards recipients are below.

  Marilyn Rose Graduate Leadership Award

  Rachel Yufei Luan

  Michael Plyley Graduate Mentorship Award

  Karen Fricker
  Michael Pisaric
  Madelyn Law
  Miriam Richards

  Jack M. Miller Excellence in Research Awards (at least one recipient from each Faculty)

  Faculty of Applied Health Sciences

  Talia Ritondo, MA, Applied Health Sciences
  Nigel Kurgan, PhD, Applied Health Sciences

  Faculty of Education

  Monica Louie, MEd, Education
  Susan Docherty-Skippen, PhD, Education

  Goodman School of Business

  Ardalan Eyni, MSc, Management

  Faculty of Humanities

  Simone Mollard, MA, Classics
  Brett Robinson, PhD, Interdisciplinary Humanities

  Faculty of Mathematics and Science

  Scott Cocker, MSc, Earth Science
  Parisa Abbasi, PhD, Chemistry

  Faculty of Social Sciences

  Madeline Asaro, MA, Applied Disability Studies
  Megan Earle, PhD, Psychology

  Tags: Dramatic Arts, Graduate Studies, Karen Fricker, Michael Plyley Graduate Mentorship Award
  Categories: Announcements, Faculty & Instructors, In the Media, Media Releases, News, Uncategorised

• The show must go on: Brock prof encouraged by theatre’s resiliency in midst of cancellations

  Wednesday, April 08, 2020 | By shashmi2

  

  Karen Fricker, Associate Professor of Dramatic Arts, says that despite the impact of COVID-19 on the performing arts, she’s encouraged by what she’s seen from the industry.

  (published WEDNESDAY, APRIL 08, 2020| by The Brock News {Alison Innes})

  The COVID-19 pandemic has had a devastating blow on the performing arts, but a Brock University Dramatic Arts professor is encouraged by what she has seen from the industry.

  “A vibrant industry went to ground over a matter of days, with theatres at first announcing cancelled or postponed productions and then, in most cases, cancelling the remainder of their winter-spring seasons,” says Karen Fricker, Associate Professor of Dramatic Arts and theatre critic for the Toronto Star. “Most performing artists are precarious gig workers who are seeing current and future bookings evaporate.”

  In St. Catharines, arts organizations including the FirstOntario Performing Arts Centre, the Meridian Centre, Essential Collective Theatre and Carousel Players are among those that have cancelled or postponed programming through May.

  The Stratford Festival has cancelled performances through to late May, and Niagara-on-the-Lake’s Shaw Festival through June. While Shaw has not laid-off workers and is conducting rehearsals online, Stratford has temporarily laid off 470 employees, including actors, technicians and box office workers.

  But Fricker sees hope among the gloomy news.

  “Theatre companies and artists have been demonstrating amazing resilience and ingenuity during this time of crisis,” she says. “A lot of activity has gone online.”

  Essential Collective Theatre is turning its annual vaudeville fundraiser into an online affair. “Quarantine Cabaret” will feature short video recordings of various acts, including singing, magic, clowning, drag and melodramatic readings, which will be live-streamed at the end of April.

  Several Toronto-based companies are putting on telephone plays: one-on-one shows in which an audience member gets a hand-made personal story delivered to them over the phone, says Fricker.

  “DLT (DopoLavoro Teatrale), known to local audiences for their immersive shows including That Ugly Mess that Happened in St. Catharines, is producing a series of phone and online performances,” says Fricker. Some of the performances are inspired by Boccacio’s Decameron, a 14th^–century collection of novellas about a group of youth sheltering outside Florence to escape the Black Death.

  “I have been uplifted by engaging with online theatre over the past few weeks,” Fricker says.

  “Watching theatre this way is not the same as sharing the same physical space and time with fellow audience members and the artists themselves, but that doesn’t mean it’s a lesser experience. It’s different, and theatres and audiences alike are adapting to what is, for now, the new normal.”

  Tags: alumni, Carousel Players, DART, Department of Dramatic Arts, Dramatic Arts, FirstOntario Performing Arts Centre, Karen Fricker, Marilyn I. Walker School of Fine and Performing Arts, plays, The Brock News, theatre
  Categories: Announcements, Events, Faculty & Instructors, News, Performance Season

• Announcing DART 3P94: Theatre Criticism, an Online Intensive beginning June 2

  Thursday, April 02, 2020 | By dvivian

  

  [edited on May 25 reflecting the continuing closure of theatre around the world and with content from an article published in The Brock News on TUESDAY, MAY 19, 2020 | by Alison Innes]

  DART 3P94: Theatre Criticism
  Online intensive, June 2-12, 2020

  DART 3P94: Theatre Criticism is a new course that introduces students to the practical craft of and the theoretical background to theatre criticism. The activity of the course is divided between seeing productions and writing reviews of them; workshopping these reviews with the instructor and classmates; editing the reviews towards assessed submission, and eventual possible publication on a dedicated course blogsite; reading and discussing relevant academic and journalistic articles about criticism; and learning about alternative, digital, performative, and visual forms of criticism.

  

  download the poster

  The instruction of this summertime intensive will be online, conducted using a combination of video conferencing, online chatrooms, animated Powerpoint lectures, and related formats. There will be designated course times during which students will be required to be virtually present; other activities during the two-week course will include reading/class preparation; writing and editing reviews and other forms of written response to theatre; creating digital critical responses using social media and other online platforms; participating in digital forums; and developing a summative criticism project. A final research paper about criticism will be due at the end of June.

  Students will be required to see a minimum of four theatre productions as part of the course. While Fricker had hoped to take students on field trips to see live theatre, the pandemic situation has meant that students will be exploring theatre through video.

  “There is an increasing amount of video-captured theatre performances available online, both through online subscriptions and packages that the Brock Library already holds, to theatres and festivals making some of their captured content available to the public,” says Fricker. It may be that a combination of live and recorded viewing is possible but all the performances will be viewed online.

  “One of the interesting wrinkles of critiquing such performances is that you’re not reviewing live theatre but rather a recording of live theatre, and so questions of camera angles, cuts and actors’ relationships to each other and the camera come into play.”

  This is an intensive course experience and prospective students are advised to be prepared to engage with it full-time during the two weeks of the course.

  Prerequisite(s) are DART 2P96 and 2Q92 (2F94) or permission of the department. Interested students are invited to write to the instructor, Prof. Karen Fricker (kfricker@brocku.ca), as she is willing to consider relevant course experiences from other programs than DART.

  Please register before May 1, 2020.

  Karen Fricker is an associate professor in Dramatic Arts at Brock, a theatre critic at the Toronto Star, and vice-president of the Canadian Theatre Critics Association.

  A PDF version of this page is available for download.

  

  Tags: 3P94, DARTcritics, Karen Fricker, theatre criticism
  Categories: Announcements, Current Students, Faculty & Instructors, Future students, In the Media, Media Releases, News, Uncategorised

• Did you apply to study Dramatic Arts at Brock? We look forward to welcoming you in September!

  Saturday, March 14, 2020 | By dvivian

  

  A scene from our recent production of Perdita, or The Winter’s Tale, showing Jasmine Case (l) as Perdita and Avery Delaney(r) as Florizel.

  Dear applicants!

  As part of Brock University’s ongoing efforts to protect the health and safety of students, faculty, staff and the community in light of the ongoing COVID-19 pandemic, the Department is cancelling the DART Invitational scheduled for May 2, 2020.

  We very much regret not spending a remarkable day of theatre making with you!

  If you are registered for the Invitational you are no longer required to come to campus on that day.  Refunds will be issued to all registered participants.

  In place of the DART Invitational we will be conducting online interviews.  This will require you to prepare some material in advance, answer questions from the two faculty interviewers, and will give you an opportunity to ask questions of us.

  Please read about this online interview, conducted using skype or a similar app, at this url:

  https://brocku.ca/miwsfpa/dramatic-arts/wp-content/uploads/sites/40/Alternate-Arrangement-2020.pdf

  Beginning next week, the Department will be contacting registered applicants to schedule an online interview.  We will provide you with a variety of dates and times to select from.  We hope to complete all of these interviews by May 2, 2020.

  We look forward to meeting you online and to welcoming you in our studios and theatre this coming September!

  Tags: applicant, apply, Covid-19, DART Invitational, Invitational, May 02, May 2
  Categories: Announcements, Future students, Media Releases, News, Uncategorised

• Dramatic Arts presents the ONE ACTS Festival 2020, opening March 20

  Wednesday, March 11, 2020 | By dvivian

  

  EDITOR’S NOTE: This event has been cancelled as part of Brock University’s ongoing efforts to protect the health and safety of students, faculty, staff and the community in light of the ongoing COVID-19 pandemic.

  March 20 and March 21 at 7:30 pm

  performed in the The Marilyn I. Walker Theatre,
  15 Artists’ Common, St. Catharines

  Admission: pay-what-you-can at the door
  Limited paid parking available

  Six Emerging Directors Present a Varied Festival of One Act Theatre Plays

  This year’s play festival offers plays of all moods, from somber to joyful.

  Three Canadian plays by Victoria Dawe, John Lazarus, and Donna-Michelle St. Bernard explore the meaning of Art, why Playwriting might be illegal in some places, and what happens when Feminazis emerge from their bunker to take over the world!

  From Ireland and the US, Deirdre Kinahan and Laurie Powers bring poignant explorations of ageing, of reflection and regret, while Slavomir Mrozek’s expressionist satire of freedom politics in 1968 Poland resonates in many countries today.

  

  download the poster

  The emerging directors from Brock University’s Department of Dramatic Arts are Dillon Bernier, Wyatt Hoskin, Holly Hebert, Juan-Carlos Figueroa, Molly Lacey, and Peter Herbert. These student directors are completing the course DART 3P54 Directing II, a directing practicum focusing on creating action, total theatre composition, team management and communications, lead by Associate Professor Gyllian Raby and instructor/teaching assistant Colin B. Anthes of Twitches and Itches Theatre and Essential Collective Theatre. The directors each selected a play that spoke to them about the world we live in, and worked through all production elements from casting through to design and rehearsal. The Department of Dramatic Arts is proud to launch these young artists with this exciting Spring event.

  THE ILLEGAL PLAYWRITING CLASS
  by John Lazarus
  Directed by Wyatt Hoskin

  THE TRUNK
  by L. Elizabeth Powers
  Directed by Molly Lacey

  SALAD DAY
  by Deirdre Kinahan
  Directed by Juan-Carlos Figueroa

  THE WORK OF ART
  by Victoria Dawe
  Directed by Dillon Bernier

  SAY THE WORDS
  by Donna-Michelle St. Bernard
  Directed by Holly Hebert

  OUT AT SEA
  by Sławomir Mrozek
  Directed by Peter Herbert

  Tags: DART 3P54, Directing, Dramatic Arts, One Acts, One Acts Festival
  Categories: Current Students, Events, Faculty & Instructors, News, Performance Season, Plays, Uncategorised

• Studio Taxi Theatre presents TomorrowLove, opening April 3 at the MIW Theatre

  Tuesday, March 03, 2020 | By dvivian

  

  EDITOR’S NOTE: This event has been cancelled as part of Brock University’s ongoing efforts to protect the health and safety of students, faculty, staff and the community in light of the ongoing COVID-19 pandemic.

  Have you ever wondered what would happen if someone decided to erase you from their memory completely? Would you use an app that could match you with your soulmate? What if you could communicate with the dead via video chat?

  Rosamund Small’s TomorrowLove is a collection of stories about love, sex, technology, and the future. Studio Taxi Theatre’s (DART 4F56 – Advanced Studies in Theatre) production features 9 of Small’s stories performed as an immersive experience around the Marilyn I. Walker School of Fine and Performing Arts. The stories range from the poignant and comedic, to the dramatic and heartbreaking.

  Every audience member will see 4 stories as they travel through this experience, therefore, audiences are encouraged to see the show at least twice in order to catch as many stories as they can. The number of audience members is limited to 40 per show, split into 2 groups in order to allow for intimate audience/actor relationships, so it is recommended that audience members buy their tickets in advance and arrive early to choose their own adventure!

  Each location in the production is accessible and will have seating for audience members.
  If you anticipate extra assistance being needed, please contact studiotaxitheatre@gmail.com

  Content warning: contains scenes with sexual content, strong language, and references to sexual and physical violence.

  This is a presentation by the DART 4F56 (Advanced Studies in Theatre)/DART 4P97 (Collaborative Stage Production) graduating students’ ensemble for Spring 2020. All productions are created, produced and performed by DART students under the direction of Mike Griffin.

  Presented at the Marilyn I. Walker School of Fine & Performing Arts.
  Purchase your tickets at https://brocku.universitytickets.com/.

  When:
  April 3, 2020 — 5:00 p.m.
  April 3, 2020 — 9 p.m.
  April 4, 2020 —1:00 p.m.
  April 4, 2020 —5:00 p.m.
  April 4, 2020 —9:00 p.m.

  Where: Marilyn I. Walker Theatre, 15 Artists’ Common, St. Catharines

  Director: Mike Griffin
  Assistant Director: Josh Loewen
  Set Designer: Josh Loewen
  Props Designer/Set Decoration: Joanna Trann
  Costume Designer: Rachel Frederick
  Lighting Designer: Lauren Reid
  Sound Design: Taylor Bogaert
  Dramaturge: Alexandra Chubaty Boychuk
  Stage Manager: Shannon Fletcher
  Assistant Stage Manager: Jasmine Case
  Production Manager: Jordine De Guzman
  Head of Publicity: Shannon Fletcher

  Cast:

  Alexandra Chubaty Boychuk
  Emily Clegg
  Paige Hunt-Harman
  Samantha Rideout
  Beth Martin
  Frances Johnson

  Tags: 4F56, DART 4F56, love, Michael Griffin, Tomorrow, TomorrowLove
  Categories: Announcements, Current Students, Events, Faculty & Instructors, Future students, News, Performance Season, Plays, Uncategorised

• PERDITA, OR THE WINTER’S TALE: our first mainstage for the new decade!

  Friday, January 17, 2020 | By dvivian

  

  PERDITA, OR THE WINTER’S TALE,
  ADAPTED BY GYLLIAN RABY

  Join us for our second Mainstage production of the 2019-20 season: a new adaptation of Shakespeare’s classic co-directed by Professors Gyllian Raby and Danielle Wilson, with Gerry Trentham.

  Perdita, or The Winter’s Tale, views through the eyes of a child the chaos set in motion by a father’s paranoid jealousy. King Leontes’ psychosis is terrifying as he plots to kill his best friend Polixenes on suspicion of adultery with Queen Hermione. But when he threatens the lives of the Queen and her newborn daughter, Leontes succeeds only in killing his heir, the ailing prince Maximillius. In the storm of recrimination that follows, Max steps out of Time to save his baby sister, manipulating the Winter’s Tale by imagining reality anew.

  The Department of Dramatic Arts presents this sad tale with a happy ending. The Winter’s Tale is Maximillius’ attempt to explore the situation that is destroying him, to understand its consequences and to bind his world together.

  Read the review in the Brock Press.

  See the teaser video taken during rehearsal and featuring interviews with the Assistant Directors Rina Wilkins and Emma McCormick, and performer Jasmine Case (Perdita) from YourTV Niagara.

  

  perspective drawing view of the set, designed by Nigel Scott

  Artistic Direction for our production of Perdita, or The Winter’s Tale.

  The text of 1612 has been re-imagined into the Cold War era of 1970’s where Shakespeare’s ‘evil’ Sicilia is an Iron Curtain country kind of power imagined by John LeCarré and ‘festive’ Bohemia is a flower-power realm where kids rebel against their parents’ values.

  It is a tale of lostness and belonging, of trust-betrayed and loyalty. The craving of a child or youth to understand adulthood, and of people stuck in a role or gender to experience its opposite, is our focus. This is a production where the god and mortal “he” is socially constructed and can be played by actors of any biological sex.

  

  costume designs by Alexandra Lord. (l-r: Leontes, Polixenes, Dorcas, and Perdita)

  Bring your students to a special matinee performance of Perdita, or The Winter’s Tale on March 06, 2020 at 11:30 am. Group tickets start at $13 each, and discounts available. We are pleased to offer a talkback and Q & A with the actors and creative team after the matinée on March 6th. Should you be interested, contact us for more information. Curriculum connections include Shakespeare Studies, English Literature, World Studies, History, Gender Studies and Drama Studies. The performance of Perdita is appropriate for high school audiences.

  To book your school, please contact the Production Manager Brian Cumberland for all group ticket purchases: bcumberland@brocku.ca . If you are interested in booking a tour of the Marilyn I. Walker School of Fine and Performing Arts prior to the show, please e-mail mroca@brocku.ca .

  

  download the poster

  Presented at the Marilyn I. Walker School of Fine & Performing Arts. Purchase your tickets at https://brocku.universitytickets.com/.

  When: Feb. 28 and 29, 2020 — 7:30 p.m.
  March 1, 2020 — 2 p.m.
  March 6, 2020 —11:30 a.m. and 7:30 p.m.
  March 7, 2020 — 7:30 p.m.

  Where: Marilyn I. Walker Theatre, 15 Artists’ Common, St. Catharines

  The Marilyn I. Walker Theatre is situated at the Marilyn I. Walker School of Fine and Performing Arts, located at 15 Artists’ Common in downtown St. Catharines, L2R 0B5. We are adjacent to the FirstOntario Performing Arts Centre and the Meridian Centre.

  See our website for maps and contact information:
  brocku.ca/miwsfpa/dramatic-arts/contact/

   

  Directed by Danielle Wilson and Gyllian Raby, with Gerry Trentham
  Set Design by Nigel Scott
  Costume Design by Alexandra Lord
  Lighting Design by Chris Malkowski
  Sound Design and Music by Max Holten-Andersen
  Assistant Direction by Rina Wilkins and Emma McCormick.

  

  download the rack card

  Stage Manager: Jordine De Guzman
  Asst Stage Manager Elizabeth Martin and Diego Blanco
  Production Manager: Brian Cumberland
  Technical Director: Gavin Fearon
  Shop Supervisor: Ed Harris
  Theatre Technician: Dawn Crysler
  Head of Wardrobe: Roberta Doylend

  CAST:

  Avery Delaney Florizel
  Jackson Wagner Leontes 
  Jasmine Case Perdita 
  Jesse Caines Court Judge/Jailer/Servant 
  Joanna Tran Hermione 
  Juan-Carlos Figueroa Polixenes 
  Lauren Reid Paulina/Shepherd 2 
  Leah Rantala Emilia 
  Meryl Ochoa Maximilius/Time
  Mike Hammond Antigonus/Shepherd 3
  Molly Lacey Clio/Dorcas
  Rachel Frederick Dion/Mopsa
  Taylor Bogaert Camillo

  Tags: Danielle Wilson, DART, Dramatic Arts, Gerry Trentham, Gyllian Raby, Mainstage, PERDITA, Shakespeare, WINTER’S TALE
  Categories: Events, Faculty & Instructors, In the Media, Media Releases, News, Performance Season, Plays, Uncategorised