Teaching Areas: Contemporary Canadian Fiction, World War I Narratives, Short Story Collections
Neta Gordon wrote her dissertation on Canadian women writing genealogical narratives, and has published on SKY Lee, Ann-Marie MacDonald, and Barbara Gowdy’s work within this context. She also researches contemporary Canadian literature about the Great War: her most recent work in this area is the book Catching the Torch: Contemporary Canadian Literary Literary Responses to World War I. She has also published a book-length thematic introduction to the comic book series, Fables. Neta’s most current research focuses on contemporary Canadian short story collections by male authors, exploring how such texts interact with changing conceptions of masculinity in a globalized world.
A Tour of Fabletown: Patterns and Plots in Bill Willingham’s Fables. Jefferson, NC: McFarlard & Company Press, 2016.
Catching the Torch: Contemporary Canadian Literary Responses to World War I. Waterloo, ON: Wilfrid Laurier University Press, 2014.
Chalykoff, Lisa, Neta Gordon, and Paul Lumsden, eds. The Broadview Introduction to Literature. Peterborough, ON: Broadview Press, 2013; second edition 2018.
“ ‘The Enemy is The Centre’: The Dilemma of Normative Masculinity in Darwyn Cooke’s DC: The New Frontier.” Men and Masculinities.
“Portability and Pedagogy: The bounded short stories in Stephen Marche’s Shining at the Bottom of the Sea.” Journal of Short Fiction in Theory and Practice. 4.2 (2014).
“White Masculinity and Civility in Contemporary Canadian Short Stories: the Fantasy of Reterritorialization and Return.” Men and Masculinities 17.2 (2014).
” ‘Of inkling, of implication’: John Gould’s Kilter: 55 fictions as a short story cycle.” The Journal of the Short Story in English, Les Cahiers de la Nouvelle 54 (2010).
“Intimate and Conditional: Artistic Gesture in Jane Urquhart’s False Shuffles, The Underpainter and A Map of Glass.” Resurgence in Jane Urquhart’s Oeuvre. Eds. Heliane Daziron-Ventura and Marta Dvorak. Brussels: Peter Lang, 2010.
“Time Structures and the Healing Aesthetic of Joseph Boyden’s Three Day Road.” Studies in Canadian Literature 33.1 (2008).
“Sacrificial Pets and Maternal Instinct in Gloria Sawai’s ‘Mother’s Day’ and Barbara Gowdy’s Falling Angels.” Atlantis: A Women’s Studies Journal 33.1 (2008).
“Charted Territory: Canadian Literature by Women, the Genealogical Plot, and SKY Lee’s Disappearing Moon Cafe.” Narrative 14.2 (2006).
“Barbara Gowdy and the Sanctity of Love.” Descant 132 (2006).
“Symbol, Postmodern Allegory and the Sacred Witness in Barbara Gowdy’s The White Bone.” Canadian Literature 85 (2005)
“Twin Tales: Narrative Profusion and Genealogy in Fall on Your Knees.” Canadian Review of American Studies 35:2 (2005)