News

  • Canada Research Chair (Tier II) in Indigenous Art Practice: Candidate Research Presentations

    The Brock and wider community is invited to attend the presentations by the three Indigenous artist/researchers who are finalists for the Canada Research Chair (Tier II) in Indigenous Art Practice at the Marilyn I. Walker School of Fine and Performing Arts.

    Our candidates are visiting the Marilyn I. Walker School in January. Each will give an hour-long presentation and engage in an additional half hour of discussion about their current research interests and focus, and about what they would hope to achieve as a Canada Research Chair at Brock University in the next five years.

    MATTHEW MACKENZIE

    Research presentation 5 – 6:30 pm,
    Friday January 10, 2020
    MWS 156

    Edmonton playwright, director and producer Matthew MacKenzie (Métis) is Artistic Director of Punctuate! Theatre, as well as the founder and an Artistic Associate with Pyretic Productions. In 2018, his play Bears won Dora Mavor Moore Awards for Outstanding New Play and Outstanding Production, was named a co-winner of the Toronto Theatre Critics Outstanding New Canadian Play Award, and won the Playwrights Guild of Canada’s Carol Bolt National Playwriting Award. This past fall, Punctuate! premiered MacKenzie’s play The Particulars, which was named one of the top ten productions of 2019 by The Globe and Mail.

    MARK IGLOLIORTE

    Research presentation 11:30 am – 1 pm,
    Friday January 17, 2020
    MWS 156

    Mark Igloliorte is an Inuk artist born in Corner Brook, Newfoundland with Inuit ancestry from Nunatsiavit, Labrador. His artistic work is primarily painting and drawing. Igloliorte’s work has been featured in several notable national exhibitions including the 2015 Marion McCain Exhibition of Contemporary Atlantic Canadian Art, curated by Corinna Ghaznavi; Inuit Ullumi: Inuit Today: Contemporary Art from TD Bank Group’s Inuit Collection; Beat Nation, curated by Kathleen Ritter and Tania Willard; and The Phoenix Art-The Renewed Life of Contemporary Painting, curated by Robert Enright. In addition, Igloliorte has been profiled in features in Canadian Art magazine and Inuit Art Quarterly. Igloliorte is an Assistant Professor at Emily Carr University of Art and Design.

    SUZANNE MORRISSETTE

    Research presentation 5 – 6:30 pm,
    Wednesday January 22, 2020
    MWS 207

    Suzanne Morrissette is a Métis artist, curator, and writer. Using various research-creation methods Morrissette addresses the philosophical roots of historical and contemporary forms of injustice facing Indigenous peoples. Her current and future research looks at the role of locally-based Indigenous knowledges within Indigenous community-based curatorial practice as a way of entering into conversations about robust and unexpected strategies for representing Indigenous art both within Canadian and international contexts. Currently she holds the position of Assistant Professor at OCAD University.r University of Art and Design.


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  • Creative Book Covers!

    Book design plays an important role in making its content attractive. Participants of a recent Centre for Studies in Arts and Culture workshop conducted by artist Candace Couse show their creations of unique book covers in the display window of The Write Bookshop, 285 St. Paul’s Street, until 2 December 2019.

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  • Bernhard Cella shortlisted for LA MENTION SPÉCIALE DU JURY for Queer Publishing: A Family Tree

    The Centre for Studies in Arts and Culture (STAC) is pleased to announce that Queer Publishing: A Family Tree designed and published by Bernhard Cella, has been shortlisted for LA MENTION SPÉCIALE DU JURY of the Paris Photo Aperture Foundation and to be awarded in November. This is a significant recognition of Cella’s important contribution to scholarship in this field. Founder of The Salon für Kunstbuch in Vienna, Austria, Cella is the book designer of the Small Walker Press (SWP), a project of the Centre and generously funded by the legacy of Marilyn I. Walker. Cella was the Centre’s Walker Cultural Leader for 2017-18.

    “In the twenty years since Horacio Fernández first wrote Fotografía Pública (MNCARS, 1999), the first landmark book to position the scholarship of books and magazines as a topic of critical importance to the photographic medium, “book about books” has become a genre of publishing unto itself. Each year, the PhotoBook Awards jury sees at least one well-researched, richly illustrated publication that presents some new facet of photobibliophilia—often using the filter of a particular region or city or even a particular thematic niche. This year, however, the jury noted a rise in the number of books about books that exceeded expectation in terms of design, like Printed Photography in Venezuela; or ventured into new territory, telling the story of a single notable magazine, like Camera Austria International: Laboratory for Photography and Theory. Each of these volumes, in its own way, adds additional detail and texture to the evolving connoisseurship and scholarship dedicated to the photobook.” (from https://programme.parisphoto.com/programme-2019/le-prix-du-livre-photographique-paris-photo-aperture-foundation/la-mention-speciale-du-jury.htm, 19/10/18)

    With the co-editors of the Small Walker Press, Professors Parayre and Derek Knight of Brock University, and accompanied by David Vivian, Director of the Marilyn I. Walker School of Fine and Performing Arts, Cella presented the first two volumes of the SWP at Belvedere 21, Vienna on June 19, 2019. The books were published under the theme of environmental degradation and include Inland, by Associate Professor of Visual Arts Shawn Serfas (Brock University) with creative writing by Atlanta-based New York Times journalist Richard Fausset and an essay by Associate Professor of Visual Arts Derek Knight, and The Quarry, by Associate Professor Adam Dickinson (Brock University) and artist Lorène Bourgeois (Toronto).  The books are available for purchase from the Centre.

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  • Tier 2 Canada Research Chair (CRC) in Indigenous Art Practice

    Brock University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) invites applications for a Tier 2 Canada Research Chair (CRC) in Indigenous Art Practice at the rank of Assistant or Associate Professor.

    The CRC in Indigenous Art Practice will be appointed to one or more of the School’s academic units, depending on the successful applicant’s area(s) of knowledge and expertise. We recognize that in Indigenous art there may be no formal divisions between visual, theatrical, and musical art forms. Brock embraces diverse perspectives and pedagogical practices; it is hoped that the CRC in Indigenous Art Practice will help foster new collaborations across academic units and assist the School and university to move towards Indigenization. The CRC will be welcomed into a tight-knit, friendly, and dynamic community of artists, scholars, staff, and students that respects, promotes, and actively engages with Indigenous arts and culture within the University and Indigenous communities.

    Review of applications will begin on October 31, 2019, and will continue until the position is filled.

    For more information see the complete posting at brocku.wd3.myworkdayjobs.com/brocku_careers/job/St-Catharines-Downtown-Campus/Canada-Research-Chair—Tier-2—Indigenous-Art-Practice—Assistant-Associate-Professor-Tenure-Track_JR-1002413

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  • We are hiring!

    Two positions available:

    Marketing and Communications Officer

    full-time, this position includes full comprehensive benefits coverage, including tuition waiver.
    closing on August 24. see https://brocku.ca/careers/
    direct link: https://brocku.wd3.myworkdayjobs.com/brocku_careers/job/St-Catharines-Downtown-Campus/Marketing—Communications-Officer_JR-1004102

    Communications Assistant (Coop student position)

    full-time, 9 months, beginning September 2019
    tailored for Brock students in Marketing and Communications but other disciplines should apply
    closing on August 17 or until filled. see https://careerzone.brocku.ca

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  • Book publishing division launched by Brock’s Centre for Studies in Arts and Culture

    Brock’s Centre for Studies in Arts and Culture is launching two new books, Inland and The Quarry, through the new Small Walker Press.


    Brock’s Centre for Studies in Arts and Culture (STAC) has partnered with The Salon für Kunstbuch in Austria to launch an international book publishing division.

    The new Small Walker Press will celebrate the publication of its first two books at an official launch event on Thursday, May 9 from 4:30 to 7:30 p.m. The event will take place in the main lobby of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) at 15 Artists’ Common in downtown St. Catharines.

    This year’s books were published under the theme of environmental degradation and include Inland, by Associate Professor of Visual Arts Shawn Serfas with creative writing by Atlanta-based New York Times journalist Richard Fausset and an essay by Associate Professor of Visual Arts Derek Knight, and The Quarry, by Associate Professor Adam Dickinson and artist Lorène Bourgeois.

    Noelle Allen, Publisher for Hamilton-based literary press Wolsak and Wynn, will be the guest speaker for the event.

    The launch is free and all are encouraged to attend.

    “The University is the ideal place to promote book culture,” said STAC Director Catherine Parayre. “Working with different authors and artists to bring about the completion of a book project is a fully interdisciplinary challenge that is rewarding intellectually, but also a wonderful opportunity to work with expert graphic designers.”

    Headed by STAC, the Small Walker Press addresses the research and creative interests of faculty members at Brock’s MIWSFPA and engages with authors, artists and academics alike to produce small, innovative publications.

    Funded by the generous support of the Walker Cultural Leader Series and the late Marilyn I. Walker, the press publishes collaborative work that brings together authors and artists from the Niagara region, as well as those across Canada and internationally.

    Parayre and Knight serve as its editors; Bernhard Cella, from The Salon für Kunstbuch in Vienna, Austria, is the press’s book designer.

    Inland provides two distinct reflections on pollution and the consequences of human intervention on natural resources. It features work created by Serfas for his 2016 exhibition Inland, curated by Stuart Reid at Rodman Hall Art Centre, and creative writing by Fausset, whose work includes extensive coverage of the devastating environmental and socio-economic impacts of Hurricane Katrina.

    The Quarry offers a reflection on a walk that Dickinson and Bourgeois embarked upon through the Glenridge Quarry Naturalization Site on the Niagara Escarpment in 2018. Dickinson contributes a poem for the book, which is accompanied by drawings by Bourgeois.

    “We are very much looking forward to sharing these books with the public at the launch on May 9,” Parayre said.

    The Small Walker Press is predicated on, and values, interdisciplinary co-operation, the exploration of image and text, and seeks to contribute to and participate in the promotion of book culture.

    Publications will include exhibition catalogues, artist’s books, chapbooks, short essay format and creative writing as well as online art folios or editions, and recorded sound work or interviews.

    Publications may be in English, French or other languages and books will be available for purchase at the launch.

    They will also be available at Rodman Hall Art Centre, the Brock Campus Store, and The Salon für Kunstbuch in Vienna, Austria.

    Learn more about the Small Walker Press by visiting the STAC website.

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  • New art exhibition the product of student collaboration

    Quality Family Time (and Space), a piece by Brock alumna Emily Andrews (BA ’11), is part of the new Erasures exhibit that will run from April 2 to 27 in the VISA Art Gallery and Student Exhibition Space at the Marilyn I. Walker School of Fine and Performing Arts. An opening reception is set for Thursday, April 4 from 5 to 8 p.m.


    (From The Brock News, March 27, 2019 | By: Jaquelyn Bezaire)

    While they’re known for correcting errors, erasures are signs of progress and an expanding imagination.

    Students in Brock’s Visual Arts (VISA) and Studies in Arts and Culture (STAC) programs will explore this theme in a new collaborative art exhibit on view from Tuesday, April 2 to Saturday, April 27.

    The exhibit, Erasures, will be open to the public in the VISA Art Gallery and Student Exhibition Space at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) in downtown St. Catharines.

    An opening reception will be held in the gallery on Thursday, April 4, from 5 to 8 p.m.

    Led by Shawn Serfas, Associate Professor of Visual Arts, and Catherine Parayre, Director of the Centre for Studies in Arts and Culture, students enrolled in VISA 4P03/4P04 and STAC 3P01 worked together to create a show that features paintings and text that thematize different types of erasures.

    The work ranges from the exploration of scenes lacking important elements, simplified adaptations of existing artworks and abstracted forms of figurative objects.

    Short written statements commenting on well-known recent artworks accompany the paintings to provide further context.

    Serfas and Parayre frequently bring students from different backgrounds together to collaborate on creative endeavours.

    “It has been an enriching learning experience, for both the students and the instructors,” Parayre said of working with the students on Erasures.

    The exhibition evokes transformations and process, an important theme in both Serfas’ senior studio courses and Parayre’s Media Transformations in the Creative Arts course.

    Whether in visual expressions or in texts, Parayre added, erasures are invitations to scrutinize, read and interpret, which is exactly what the public is encouraged to do at the upcoming exhibition.

    Erasures runs from April 2 to 27 in the VISA Art Gallery and Student Exhibition Space at the MIWSFPA in downtown St. Catharines. The gallery is open to the public Tuesdays to Saturdays from 1 to 5 p.m.

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  • Canadian poet Adam Dickinson to reflect on human impact to our environment in upcoming Author Talk

    (From The Brock News, March 15, 2019 | By: Sarah Ackles)

    Join Brock Associate Professor Adam Dickinson as he uses poetry to explore the dramatic impact humans have made on Earth’s climate, geology and biological makeup.

    Presented by the Centre for Studies in Arts and Culture (STAC), Dickinson’s talk will be the next presentation in the Walker Cultural Leaders Series. It will take place on Monday, March 18, from 8 to 9 p.m., in room 211 of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    “Writing in the Anthropocene: Poetics and the Environment” will focus on the intersections between poetry and science as a way of exploring new ecocritical perspectives and alternative modes of poetic composition.

    Catherine Parayre, Director of STAC, said Dickinson is a fitting artist to welcome to the Walker Cultural Leaders Series this year because of his involvement with the Centre’s new Small Walker Press.

    Officially launching this spring, the press publishes books by artists and authors working together on a given theme.

    “The Small Walker Press is publishing works on the theme of environmental degradation this year, and Adam Dickinson’s work perfectly aligns with it,” explained Parayre. “He was inspired to write his contribution to the press after a walk he took with artist Lorène Bourgeois at Glenridge Quarry in the Fall of 2018.”

    Dickinson is an award-winning poet whose work has been featured at prominent international literary festivals such as Poetry International in Rotterdam, The Harbourfront International Festival of Authors in Toronto, and the Oslo International Poetry Festival in Norway.

    He is perhaps best known for his work The Polymers (2013), which was a shortlisted finalist for the Governor General’s Award for English-language poetry at the 2013 Governor General’s Awards, the 2014 ReLit Award for Poetry and for the 2014 Trillium Book Award.

    He is also the author of Cartography and Walking (2002), Kingdom, Phylum (2006) and Anatomic (2018).

    His poem “My Fear of Being Eaten” will appear alongside art by Lorène Bourgeois in the forthcoming Quarry, to be published by The Small Walker Press later this year.

    His upcoming author’s talk is free and open to the public. No registration is required.

    For more information, please contact Catherine Parayre at cparayre@brocku.ca

    Generously funded by Marilyn I. Walker, the Walker Cultural Leader series brings leading artists, performers, practitioners and academics to the Marilyn I. Walker School of Fine and Performing Arts at Brock University. Engaging, lively and erudite, these sessions celebrate professional achievement, artistic endeavour and the indelible role of culture in our society.

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  • Community voices expressed through Brock art exhibitions

    Curt Richard, a student in VISA 3M90, surveys the exhibition that he and 52 other students have completed over the course of the semester. Manifestos in a Room is a collaboration between students in French, Visual Arts, and Studies in Art and Culture. It will be on display at Rodman Hall Art Centre until Dec. 30.


    (From The Brock News, Friday, Dec. 7, 2018 | By: Alison Innes)

    Two Brock art exhibitions now on display are working to celebrate and amplify community voices.

    Manifestos in a Room and Sauti za Afrika/African Voices/Voix Africaines were each created to engage with Northern Oracle, an exhibition by Heather Hart currently being featured at Rodman Hall Art Centre.

    Through the exhibition, which includes an indoor rooftop installation, Hart asks visitors what they want to say to the world and advises them to shout it from the rooftop.

    Reflecting on Northern Oracle, 53 students in Visual Arts, Studies in Arts and Culture, and French came together to create their own statements, whether poetic, absurd or political. The expressions — in both English and French — were used to create Manifestos in a Room, on display in Rodman Hall’s Studio Gallery.

    Students worked throughout the fall semester to bring the exhibition, curated by Associate Professor Catherine Parayre and instructor Donna Akrey, to life.

    Jean Ntakirutimana, Chair of the Department of Modern Languages, Literatures and Cultures, demonstrates the talking drum used to send messages over long distances in Cameroon. With careful training, a person could use the different tones produced by the drum to send messages. The drum is just one of the items on display in Sauti za Afrika/ African Voices/ Voix Africaines, an exhibition celebrating voices of Niagara’s African diaspora community.

    “It really helps to collaborate in one’s art practice,” said Akrey, whose art students were involved in the project.

    “We also did an assembly line production to create some of the work, which was fun and rewarding. I was impressed with how the 3M90 students embraced this project and made sense of it for the viewing public.”

    For the participating French students, the exhibition was a “great opportunity to practice writing constraints for fun,” said Parayre. “Students produced facetious manifestos, writing eloquently on a light-hearted topic. It allowed all of us to put our creative forces together and share a common space.”

    The exhibition includes a visual component as well as a three-minute audio track created by the students.

    Over at Brock’s main campus, the Department of Modern Languages, Literatures and Cultures (MLLC) is hosting Sauti za Afrika/African Voices/Voix Africaines, an exhibition meant to amplify the voices of the African diaspora in Niagara. Featuring 12 different languages, the exhibition combines modern writing with ancient traditions of communication.

    The display features instruments and figurines used for communication, such as a conch shell, similar to the one used to call for revolution in Haiti, and miniature replicas of Burundi drums used by royalty to communicate with their people.

    Also included is an intricately carved cow horn used to call people to come and hear the chief speak in certain regions of Africa, said Department Chair and Associate Professor Jean Ntakirutimana.

    Ntakirutimana worked with members of Niagara’s African diaspora and Sofifran (Solidarité des femmes et familles immigrantes francophones du Niagara) to collect people’s hopes, dreams and concerns to include in the display. Members have also loaned their personal objects for the exhibition.

    The display is a precursor to an event by the same name coming up in February. Co-hosted by Sofifran, MLLC and Studies in Arts and Culture, the event will be held at Rodman Hall and will also engage with Northern Oracle.

    Sauti za Afrika/African Voices/Voix Africaines is a part of the Museum in the Hallway project, curated by Parayre. Located in the Department of Modern Languages, Literatures and Cultures (Mackenzie Chown A-block), the project features rotating monthly displays.

    Both African Voices and Manifestos in A Room will be on display until the end of December. Northern Oracle will be at Rodman Hall until March 3.

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  • Public French-language tour to be held at Rodman Hall

    Associate Professor Peter Vietgen and teacher candidates from Brock University’s Faculty of Education explore the Northern Oracle exhibition by Heather Hart at Rodman Hall Art Centre.


    (From The Brock News, Wednesday November 14)

    A public tour will lead French-speaking art enthusiasts through the exhibitions of Rodman Hall Art Centre on Saturday, Nov. 17.

    Catherine Parayre, Associate Professor in Brock’s Department of Modern Languages, Literatures and Cultures, and Director of the Centre for Studies in Arts and Culture, will lead the French-language tour and related discussion while moving through the historic St. Catharines building.

    The event, Maisons de l’art: Conversations en français et visite des expositions, begins at 2 p.m.

    Current Rodman Hall exhibitions include Up Close and In Motion: Selected Works from the Permanent Collection, curated by Emma German, and Northern Oracle by artist Heather Hart.

    Northern Oracle features a rooftop installation rising from the gallery floor and mixed media drawings. The work considers ideas of Black history, access to home ownership and the significance of having a place to call home. Gallery visitors are invited to interact with the installation by accessing the rooftop and its floor-level attic space.

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