Articles tagged with: Rodman Hall Art Centre

  • Community voices expressed through Brock art exhibitions

    Curt Richard, a student in VISA 3M90, surveys the exhibition that he and 52 other students have completed over the course of the semester. Manifestos in a Room is a collaboration between students in French, Visual Arts, and Studies in Art and Culture. It will be on display at Rodman Hall Art Centre until Dec. 30.


    (From The Brock News, Friday, Dec. 7, 2018 | By: Alison Innes)

    Two Brock art exhibitions now on display are working to celebrate and amplify community voices.

    Manifestos in a Room and Sauti za Afrika/African Voices/Voix Africaines were each created to engage with Northern Oracle, an exhibition by Heather Hart currently being featured at Rodman Hall Art Centre.

    Through the exhibition, which includes an indoor rooftop installation, Hart asks visitors what they want to say to the world and advises them to shout it from the rooftop.

    Reflecting on Northern Oracle, 53 students in Visual Arts, Studies in Arts and Culture, and French came together to create their own statements, whether poetic, absurd or political. The expressions — in both English and French — were used to create Manifestos in a Room, on display in Rodman Hall’s Studio Gallery.

    Students worked throughout the fall semester to bring the exhibition, curated by Associate Professor Catherine Parayre and instructor Donna Akrey, to life.

    Jean Ntakirutimana, Chair of the Department of Modern Languages, Literatures and Cultures, demonstrates the talking drum used to send messages over long distances in Cameroon. With careful training, a person could use the different tones produced by the drum to send messages. The drum is just one of the items on display in Sauti za Afrika/ African Voices/ Voix Africaines, an exhibition celebrating voices of Niagara’s African diaspora community.

    “It really helps to collaborate in one’s art practice,” said Akrey, whose art students were involved in the project.

    “We also did an assembly line production to create some of the work, which was fun and rewarding. I was impressed with how the 3M90 students embraced this project and made sense of it for the viewing public.”

    For the participating French students, the exhibition was a “great opportunity to practice writing constraints for fun,” said Parayre. “Students produced facetious manifestos, writing eloquently on a light-hearted topic. It allowed all of us to put our creative forces together and share a common space.”

    The exhibition includes a visual component as well as a three-minute audio track created by the students.

    Over at Brock’s main campus, the Department of Modern Languages, Literatures and Cultures (MLLC) is hosting Sauti za Afrika/African Voices/Voix Africaines, an exhibition meant to amplify the voices of the African diaspora in Niagara. Featuring 12 different languages, the exhibition combines modern writing with ancient traditions of communication.

    The display features instruments and figurines used for communication, such as a conch shell, similar to the one used to call for revolution in Haiti, and miniature replicas of Burundi drums used by royalty to communicate with their people.

    Also included is an intricately carved cow horn used to call people to come and hear the chief speak in certain regions of Africa, said Department Chair and Associate Professor Jean Ntakirutimana.

    Ntakirutimana worked with members of Niagara’s African diaspora and Sofifran (Solidarité des femmes et familles immigrantes francophones du Niagara) to collect people’s hopes, dreams and concerns to include in the display. Members have also loaned their personal objects for the exhibition.

    The display is a precursor to an event by the same name coming up in February. Co-hosted by Sofifran, MLLC and Studies in Arts and Culture, the event will be held at Rodman Hall and will also engage with Northern Oracle.

    Sauti za Afrika/African Voices/Voix Africaines is a part of the Museum in the Hallway project, curated by Parayre. Located in the Department of Modern Languages, Literatures and Cultures (Mackenzie Chown A-block), the project features rotating monthly displays.

    Both African Voices and Manifestos in A Room will be on display until the end of December. Northern Oracle will be at Rodman Hall until March 3.

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    Categories: Current Students, Events, Faculty & Instructors, News

  • Public French-language tour to be held at Rodman Hall

    Associate Professor Peter Vietgen and teacher candidates from Brock University’s Faculty of Education explore the Northern Oracle exhibition by Heather Hart at Rodman Hall Art Centre.


    (From The Brock News, Wednesday November 14)

    A public tour will lead French-speaking art enthusiasts through the exhibitions of Rodman Hall Art Centre on Saturday, Nov. 17.

    Catherine Parayre, Associate Professor in Brock’s Department of Modern Languages, Literatures and Cultures, and Director of the Centre for Studies in Arts and Culture, will lead the French-language tour and related discussion while moving through the historic St. Catharines building.

    The event, Maisons de l’art: Conversations en français et visite des expositions, begins at 2 p.m.

    Current Rodman Hall exhibitions include Up Close and In Motion: Selected Works from the Permanent Collection, curated by Emma German, and Northern Oracle by artist Heather Hart.

    Northern Oracle features a rooftop installation rising from the gallery floor and mixed media drawings. The work considers ideas of Black history, access to home ownership and the significance of having a place to call home. Gallery visitors are invited to interact with the installation by accessing the rooftop and its floor-level attic space.

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  • Colour Constructs at Rodman Hall/Constructions en couleurs à Rodman Hall

    Pictured is a view of the exhibition Material Girls at Rodman Hall Art Centre. (source: RHAC)

    In fall 2017, Rodman Hall invites visitors to experience the exhibition Material Girls, which brings together Canadian and international female artists from across artistic disciplines and cultural backgrounds. Giving particular attention to the colourfulness and jubilance of this exhibition, in Colour Constructs, students in Visual Arts, Studies in Arts and Culture, and French Studies explore the materiality of colours in their own diverse ways. Student works are complemented by graffiti art by Niagara-based artist Mat Vizbulis, a classroom guest during the semester. Curators Catherine Parayre and Shawn Serfas. /

    A l’automne 2017, Rodman Hall invite ses visiteurs à découvrir l’exposition Material Girls, qui regroupe des artistes femmes du Canada et d’ailleurs, dont les pratiques artistiques et l’environnement culturel diffèrent. En s’inspirant des couleurs et de la gaieté de cette exposition, des étudiants-e-s en Arts visuels, Arts et cultures et Etudes en français explorent dans Constructions en couleurs la matérialité des coloris par le biais d’approches variées. Les graffitis de l’artiste Mat Vizbulis, établi dans la région du Niagara, complètent les oeuvres des étudiant-e-s. Commissaires: Catherine Parayre et Shawn Serfas.

    Article from the Brock News: Bilingual exhibition to shed light on Material Girls
    TUESDAY, NOVEMBER 28, 2017 | by Darien Temprile

    A new Rodman Hall exhibition aims to help visitors experience Material Girls in a new way.

    Geo, a piece created by third-year Visual Arts student Lilliana Pagliaro, will be featured in the Colour Constructs/Constructions en couleurs exhibition opening at Rodman Hall Thursday, Nov. 30.

    Colour Constructs/Constructions en couleurs, opening at the downtown St. Catharines art centre Thursday, Nov. 30, features works by students in Brock’s Visual Arts (VISA), Studies in Arts and Culture (STAC) and French Studies (FREN) programs.

    The exhibition, curated by Brock Professors Catherine Parayre and Shawn Serfas, initiates a sophisticated dialogue with Material Girls, an ongoing exhibition that opened at Rodman Hall Sept. 14.

    Material Girls is a large-scale group exhibition of work by Canadian and international emerging, mid-career and senior female artists from different artistic disciplines and cultures. Curated by a team from the Dunlop Art Gallery, a unit of the Regina Public Library, it explores material process and notions of excess as they relate to the feminized body, gendered space and capitalist desire.

    For Colour Constructs, students reacted to words, colours and visuals directly related to Material Girls.

    STAC students contributed nine texts based on words and expressions found in the curatorial statement of Material Girls; FREN students provided eight written fragments in French, describing colours from Material Girls; and VISA students, in their own paintings, reference the vividness of artwork presented in Material Girls.

    In addition to the work of students, the exhibition will include a new large commission by local graffiti artist Mat Vizbulis, who describes his work as ‘genre graffuturism.’

    “As the images unfold in layers, we understand that it is truly something unexplainable,” he said. “We are then daring to define things.”

    Earlier this year, Vizbulis led Brock students in experiential learning about graffiti and its role in both high art and popular culture.

    The opening reception of Colour Constructs/Constructions en couleurs takes place Thursday, Nov. 30 at 5 p.m. at Rodman Hall Art Centre, 109 St. Paul Cres. The exhibition will continue until March 4.

    Material Girls continues at Rodman Hall until Dec. 30.

    Admission to Rodman Hall Art Centre is free, although donations are accepted. For more information in French or English, visit ExperienceBU.

    UPDATE:

    French student Amandine Faivre, right,
    speaks about her poetry with French Professor Renee-Claude Breitenstein at the opening of Colour Constructs Thursday, Nov. 30. Curated by Professors Catherine Parayre and Shawn Serfas, the exhibition is a collaboration by students in Studies in Arts and Culture, Visual Arts and French Studies. Student artwork is complemented by work by local graffiti artist Mat Vizbulis, who worked with STAC and VISA students over the course of the semester. Colour Constructs is on at Rodman Hall Art Centre until March 4.
    Exhibition: Thursday Nov. 30, 2017 – Sunday Mar. 4, 2018

    Opening Reception: Thursday Nov. 30, 2017 at 5:00pm

    GALLERY HOURS:
    Tuesday, Wednesday & Friday: 10 am to 5 pm
    Thursday: 10 am to 9 pm
    Saturday & Sunday: 12 pm to 5 pm
    Closed Mondays, statutory and University holidays

    Free community event however donations accepted (suggested $5).

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    Categories: Current Students, Events

  • Brock, SUNY art show set to open in Buffalo’s Silo City

    (Source: The Brock News, Thursday, April 20, 2017 | by . Photo caption: “Buffalo’s Silo City will play host to a joint art exhibition including the work of students and faculty from Brock University and the State University of New York at Buffalo. (Photo: Derek Knight)”)

    Brock University and the State University of New York (SUNY) at Buffalo have joined forces to showcase artists on both sides of the border while also highlighting a landmark area on the Buffalo River.

    After two years of planning, Post-Industrial Ephemera: Soundings, Gestures, and Poetics will open Saturday, April 22 at Buffalo’s Silo City — an industrial space filled with repurposed grain elevators and other structures built in the first half of the 20th century.

    Several silos will play host to the free art exhibition until Saturday, April 29.

    The exhibition’s opening reception will run from 2 to 5 p.m. and includes, in addition to the artwork of both Brock and SUNY students and faculty, performances by the Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins.

    Parayre, event co-curator and an associate professor in Brock’s Studies in Arts and Culture as well as Modern Languages, Literatures and Cultures, said the event developed from like minds coming together through networking opportunities at Brock’s Rodman Hall Art Centre.

    It was co-curator Reinhard Reitzenstein, an associate professor of sculpture at SUNY-Buffalo, that introduced Parayre to Silo City, the inspiration for the showcase.

    “Everyone is mesmerized because the structures there are stunning,” Parayre said of the area that is filled with buildings worn by weather and time.

    The event, she said, is to encourage people to “reflect on the notion of dispersal.”

    “Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced.”

    Silo City, she said, invites visitors to “become more perceptive to the transience of human endeavours.”

    The exhibition is an opportunity to reflect on the aging structures, their history and nature’s efforts to reclaim the partially vacant space, she said.

    Participating artists come from various disciplines including sculpture, arts, comparative literature, English studies, visual arts, studies in arts and culture, and French studies.

    The showcase features an array of installations, neon signs, readings, paintings, prints, videos and sculptures.

    Brock provided funding for the project through a longstanding research agreement in place between the two institutions, in addition to funding provided through Brock’s Dean of Humanities office.

    “We’re very grateful for Brock’s support,” Parayre said.

    Parking for the event is available onsite and guests are advised to dress warmly as temperatures within the silos remain brisk.

    More information on participating artists and performance schedules for the opening reception is available online.

    A one-day symposium held to relive the exhibition is scheduled to take place in September at Rodman Hall Art Centre in St. Catharines.

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  • Post-Industrial Ephemera: Soundings, Gestures and Poetics

    Photo credit: Derek Knight

    Post-Industrial Ephemera: Soundings, Gestures and Poetics
    Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River

    April 22 – 29, 2017
    105 Silo-City Row, Buffalo, NY 14203, U.S.
    Opening Reception: Saturday, April 22 from 2 – 5 pm
    http://www.silo.city
    Click here for directions
    Free community event

    Buffalo, New York and St. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Coming from different places and practices, we wish to foster interdisciplinarity.

    Together, we want to reflect on the notion of dispersal. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours.

    We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. We will capture the brilliance of a moment.

    A follow-up one-day symposium at Rodman Hall Art Centre, St. Catharines will document and revive the exhibition on September 16, 2017.

    The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins 

    Curators: Catherine Parayre, Reinhard Reitzenstein

    Click here to download the performance program.

    For more images and information, please visit the exhibition website.

     


    Participating artists: 

     

    ArtIndustria+
    Untitled (neon sign)

    ArtIndustria+ was formed in 1995 by Derek Knight and Franc Petric, two Canadian artists who reside in the Niagara region. Motivated by the desire to work collaboratively, they have developed projects over the years with a focus on art, research and technology. Underlining their concerns with the dialectical relationship between ecology and industry, their conceptual models combine installation techniques and situational aesthetics to further examine the artist’s role in post-industrial society.

     

    Continuous Monument
    Silo Sessions at the American (noise/drone performance)

    Continuous Monument is an affiliation of interdisciplinary culture-makers working among design, text, architecture and sound fields. Born from the ashes of a contaminated political landscape, Continuous Monument gathers to spatialize sound and signal in temporary, site specific soundscape improvisations. Monument will perform at The American in Silo City as an acoustic inhabitation; live ghosts active in remnant industrial anatomy.

     

    Akasya Crosier
    Likeness (typeface study)

    Akasya Crosier is a multifaceted artist based in Western New York. She is currently a senior at UB studying Studio Art and Communication. In her artwork, she focuses on effective communication skills, idealized spaces, and bright imagery.

     

    Catherine Parayre (assisted by Josh Dawson, SUNY and Paul Savoie, Brock U)
    Ingrained Words (14 posters: assembled fragments from texts by 33 writers)

    Catherine works in Arts and Culture, and in Modern Languages, Literatures and Cultures at Brock University. She is particularly interested in contemporary Occitan literature, as well as the co-presence of literatures and visual arts. She includes her four languages in her creative work.

     

    Catherine Parayre and Jim Watkins
    The Silo-Minder (recording, reading)

    Jim Watkins lives in Silo-City and is our silo-minder/keeper. His passion for the arts and for Silo-City is central to our cross-border project.

     

    Lauren Regier
    Where I stand is fair and square (performance/grass seed & dirt)

    Lauren Regier is Honours graduate from Brock University’s Visual Arts program, and is an emerging artist based in the Niagara Region. Much of her work is inspired by the notion of functionality and relationships between the industrial world and the natural realm. Interested in the experiential nature of contemporary art, her practice includes photography, installation, performance, drawing and video.

     

    Reinhard Reitzenstein
    ArbreTreeBaum (vocal piece in 5 languages)

    Reitzenstein has held over 100 solo exhibitions and over 300 group exhibitions globally, and has completed over 25 public and private art commissions. His work is represented in more than 50 public and corporate collections internationally. Reitzenstein has been Director of the Sculpture Program at, SUNY, Buffalo since 2000. He is represented by the Olga Korper Gallery in Toronto.

     

    Casey Ridings
    Untitled Emotion (acrylic paint)

    Casey Ridings is currently a Graphic Design student at the University at Buffalo. She is intrigued by the geometric nature of organic patterns; through a spontaneous and intuitive process she creates intricate paintings and drawings inspired by the exploration of her experiences and emotions.

     

    Cody Schriever
    Vanity Case / Skeletons of Perception (painting/sculpture)

    Cody Schriever is a student in the University at Buffalo art department. His paintings and sculptures deal with human nature, and the structures of its self-perception. By combining various styles of painting and modes of expression he creates a complex narrative of the global condition.

     

    Shawn Serfas
    Alloyed (acrylic)

    Shawn is an Assistant Professor in the Visual Arts Department, Marilyn I. Walker School of Fine and Performing Arts at Brock University. His research interests include contemporary painting, drawing and printmaking practices concerning relational abstraction, environmental aesthetics, religion, the landscape as well as issues bordering abstraction and representation.

     

    Lucas Veraldi
    2mp (inkjet prints)

    Lucas is an artist currently residing in Buffalo, NY. His practice examines the different methods of representation that exist within the realm of photography and explores the truth value that a photograph holds as a piece data that showcases life.

     

    Sophia Yung
    Voyage Voyage 

    Sophia Yung is a Chinese American graphic designer and artist from Brooklyn, NY. Her most recent work involves the analysis of Asian American culture shock, language barriers, mixed martial arts and the role of financial capital in the precarious 21st century.

     

    Jean Zhu
    bacteria (video)

    Jean Zhu is currently a Media Study student at the University at Buffalo. She is both a photographer and a filmmaker. Her experimental films and straightforward photographs of everyday objects and scenes are noted for their color combination, explicit composition and rich content.


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  • Rodman Hall Art Centre wins at OAAG awards

    (Source: The Brock News, Thursday, November 6, 2014. Photo: Installation view – Jimmy Limit – “Recent Advancements”)

    Brock University’s Rodman Hall Art Centre was recognized with two prestigious prizes this week at the 37th annual Ontario Association of Art Galleries (OAAG) Awards, presented at the Gladstone Hotel in Toronto Nov. 5.

    Twenty-eight public art galleries in 19 cities across Ontario were nominated for awards.

    Communities represented in the visual art nominations this year included Barrie, Cambridge, Chatham-Kent, Hamilton, Kingston, Kitchener, Kleinburg, London, Mississauga, Oakville, Oshawa, Ottawa, Owen Sound, St. Catharines, Sarnia, Toronto, Waterloo, Whitby, and Windsor.

    The OAAG Awards are annual, province-wide, juried art gallery awards of artistic merit and excellence.

    They recognize the new exhibitions, publications, programs and community partnerships that have been commissioned by and produced by Ontario’s public art galleries over the previous year.

    Jimmy Limit: Recent Advancements, curated by Marcie Bronson, was recognized as Exhibition of the Year, Monographic.

    In her acceptance speech, Bronson noted that this exhibition was St. Catharines-based Limit’s first public art gallery showing.

    The award citation noted the curator and artist as well as the Rodman Hall installation team, including Danny Custodio, Matthew Tegel and Jesse Harris.

    Inspired by commercial photography practices and the design of industrial supply catalogues and weekly flyers, Jimmy Limit builds and photographs simple constructions of hardware store goods and fruits.

    Selecting his varied subjects for their aesthetic interest rather than function, he engages them from a strictly formal standpoint.

    Through photographs and installations, Limit engages layers of reflection on past and present photography traditions to explore the relationship between an object and its image in a consideration of how desire is created and sold.

    The exhibition catalogue Milutin Gubash – co-published by Rodman Hall Art Centre, Carleton University Art Gallery, Kitchener-Waterloo Art Gallery, Southern Alberta Art Gallery and Musée d’art de Joliette – received an Honourable Mention in the category of Art Publication of the Year.

    Serbian-born artist Milutin Gubash has developed a diverse practice focused on the investigation of his own personal, social and cultural identity.

    This first monograph examines the overlap of history, humour and authenticity found in his multifaceted practice.

    Often cast as the lead alongside his family and friends, Gubash employs narrative to blur the boundaries between real, lived lives and the people who we wish we were.

    Produced to accompany a multi-venue 10-year survey of Gubash’s work, the publication includes original essays and complete photographic documentation. Milutin Gubash lives and works in Montreal.

    Stuart Reid, director/curator of Rodman Hall Art Centre, said the awards are important recognition from peers.

    “They mean a great deal to our institution,” he said. ” We are very proud of the excellent program of contemporary art exhibitions that Rodman Hall produces for the Brock community and the people of Niagara.”

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  • Brock appoints new director/curator of Rodman Hall Art Centre

    Stuart Reid

    An internationally recognized art curator and writer with extensive experience in arts administration in Canada is the new director/curator of Brock University’s Rodman Hall Art Centre.

    After two and a half years as executive director of the MacKenzie Art Gallery in Regina, Sask., Stuart Reid will assume his new position in January 2012.

    “We are pleased to have someone of Stuart’s calibre join our team at Rodman Hall,” says Douglas Kneale, Dean, Faculty of Humanities, Brock University. “His experience and leadership will help to foster our region’s vibrant arts scene, and his expertise will be an asset in the development of opportunities for Brock to engage our communities.”

    “The post of director/curator at Rodman Hall Art Centre holds a lot of interest for me,” says Reid in a press released issued by the MacKenzie Art Gallery. “I’m eager to continue my curatorial work and writing. I’ll also have teaching opportunities at Brock University. This move also takes me back to Ontario and my family.”

    Reid is a Past President of the Board of Directors of the Ontario Association of Art Galleries. He has served as director and curator of the Tom Thomson Memorial Art Gallery in Owen Sound, Ont., is an alumnus of the J. Paul Getty Trust’s Museum Leadership Institute at the University of California at Berkeley, and is also an elected member of the International Curators of Contemporary Art Network based in Luxembourg.

    Born in Dundee, Scotland, Reid immigrated to Canada in 1967. He studied art and art history at York University (BFA 1986) in Toronto. From 1990 to 1992, Reid was an associate curator at The Craft Gallery of the Ontario Crafts Council in Toronto. From 1992 to 2001, he was curator at the Art Gallery of Mississauga. In 1997, he was a guest of the British Council on a study tour of contemporary art in Northern Ireland.

    Brock University assumed ownership of Rodman Hall, the Walker Botanical Gardens and the Centre’s permanent art collection in 2003.

    Rodman Hall Art Centre is committed to excellence in visual arts programming and education, providing services and resources to students and faculty of Brock University and the Niagara region. Nationally, the Centre supports the development of artists and cultural workers in southern Ontario through the dissemination of contemporary art.

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