Articles by author: Brock University

  • DART Co-op experiences in 2014

    Tuesday, September 09, 2014 | By

    DART Co-op students take their studies in theatre to related work opportunities at some of the best employers in the the GTA and Niagara cultural sector.  Fifteen students began their Co-op studies at DART in the fall of 2014.

    Elena Milenkovski, DART, worked as an intern with SummerWorks Performance Festival, Toronto.  The SummerWorks Festival is an 11-day festival spanning theatre, dance, live art and music that enables approximately 40 – 50 independent productions per year to be staged. SummerWorks supports work that has a clear artistic vision and explores a specific theatrical aesthetic. It encourages risks, questions, and creative explorations while insisting on accessibility, integrity and professionalism. Elena was very excited to add this experience to her resume. She proved to be an invaluable part of the team.  Her organizational skills, initiative and strong interpersonal skills aided the festival in marketing and gaining sponsors for the 2014 event.
    @alesiadane @BrockCoop Ditto! We can’t overstate our love for Elena and her significant contributions to #SW14.
    Emi Forster, SummerWorks Performance Festival, August 19, Twitter

    Three DART students worked at the Shaw Festival Theatre for the 2014 season.  Amanda McDonnell, Sarah Bradford and Alexandra Towne worked in various roles in the green room, box office and retail sections of the theatre. Dianne Gibbs, Human Resources Manager, felt that these students had the perfect combination of communication and interpersonal skills mixed with a love of theatre for these roles.

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    Categories: Current Students, News

  • Dramatic Arts is Digging In The Soil

    Sunday, April 27, 2014 | By

    Brock students, staff, alumni and volunteers brought downtown St. Catharines to life April 25-27, 2014 as the In The Soil festival once again took over the core for a weekend of creative arts, entertainment and more.

    The three-day multidisciplinary arts fest, now in its sixth year, kicked off Friday at 5 p.m. with a performance by the Woodshed Orchestra at the Festival Hub on St. Paul St. between James and Carlisle Streets, closed off to vehicle traffic.

    The annual showcase for Niagara’s budding creative arts scene expected to draw more than 400 artists and 5,000 attendees to the city for the three-day weekend festival.

    Check out the 2014 festival’s promo video here.

    “With more than 140 acts, artisans and installations to check out, this is truly a festival that celebrates and highlights the arts in Niagara and beyond,” says Sara Palmieri, Committee Chair for In The Soil.

    This year’s festival also included a 50-foot-high ferris wheel right on St. Paul St. – a first for the City of St. Catharines. Thrill–seekers caught glimpses of the adjacent Academic and Cultural Arts Centre and future home of Brock’s Marilyn I. Walker School of Fine and Performing Arts , both under construction for their 2015 opening.

    Other festival highlights included musical performances by Canadian hip-hop artist Buck 65; Billy Martin, drummer with the New York City-based jazz-funk trio Medeski Martin & Wood; and St. Catharines-based group Creature Speak.

    There was also live theatre and comedy such as Paper Song by Concrete Theatre group; The Dirty Cabaret III by St. Catharines theatre company Suitcase in Point; and The Al Borland Band or Tool Time Take Two by local artist Danny Fast.

    Not to mention art and photography installations around downtown like Adam CK Vollick’s Frame of Reference and a Vendor Bender marketplace, both at the Festival Hub. Just to name a few of the many things to see and do.

    Check out the full schedule at inthesoil.on.ca

    DART alumni and students involved with In the Soil in 2014 include Colin Bruce Anthes, Genevieve Bain, Stephanie Baxter, Brent Cairns, Edwin Conroy Jr., Miles Coverdale, Dawn Crysler, Brian Foster, Collin Glavac, Geoffrey Heaney, Nathan Heuchan, Saide Isaak, Deanna Jones, Katelyn Lander, Nicholas Leno, Bri Lidstone, Anna MacAlpine, Nathan Tanner MacDonald, Karen McDonald, Hayley Malouin, Dylan Mawson, Tanisha Minson, Erica Nauta, Kendra Neaves, Natasha Pedros,  Jonathan Phillips, Caitlin Popek, Rachel Romanoski, Marcus Schwan, Nicole Titus, Annie Wilson, among others.  Three new plays written by DART alumni and students were premiered: a-PIE-calypso NOW!!! by Geoffrey Heaney and Nathan Tanner Mac Donald, Once, adapted for the stage by Colin Bruce Anthes, and The After Year by Anna MacAlpine and Tanisha Minson.

    Dramatic Arts Students Hayley Malouin and Nick Leno blogged about the In the Soil Festival in a variety of formats (features, interviews, reviews, etc). You can find their posts at the DARTcritics blog http://dartcritics.com/ Be certain to check out their sign-off at dartcritics.com/2014/05/01/thats-a-wrap/

    In The Soil is produced by Suitcase in Point Theatre Company – whose artistic director Deanna Jones and general manager Annie Wilson are both alumnae of Brock’s dramatic arts program – with many community partners, sponsors and funders from all levels of government.

    Including content by Jeff Sinibaldi published in the article “Brock well represented at In The Soil downtown arts festival” by The Brock News.

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    Categories: Alumni, Current Students, News

  • Brock Students & Carousel Players Share Their Love of Theatre With Special Gift

    Wednesday, April 16, 2014 | By

    brockconnectionsdonationapril2014Brock University students showed their support for Carousel Players with a $600 donation this month. All of the box office proceeds from their Brock Connections production of Star-Crossed: A Musical Shakespeare from March 28-29, 2014 were donated to Carousel Players, Niagara’s theatre for young audience company. Directors of the one-act parody of Romeo & Juliet, Megan Dene & Nick Leno added “Please continue to inspire young people and their families to pursue and be involved in the arts.”

    “We were deeply touched by this unexpected gift that showed the true passion for the arts of these 23 students, “said Jane Gardner, General Manager of Carousel Players. “We used the funds to give the gift of theatre to St. Christopher Catholic School who received a free performance of Carousel’s Dib and Dob and the Journey Home at their school. Paul Lukacs, a teacher at St. Christopher told us of the wonderful theatre experiences the children aged 4 and up had at his school that day. For many children it was their first theatre experience.”

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    Categories: Current Students, News

  • DART graduate produces film about the Japanese Tsunami of 2011

    Tuesday, March 11, 2014 | By

    nicolinaThe work of Dramatic Arts graduate Nicolina Lanni (2005) was featured at the conclusion of CBC’s The Current on March 11, 2014.  She recently began the documentary film “Lost & Found” with colleague John Choi about the continuing impact on the lives forever changed by the Japanese Tsunami that occurred on this day three years ago.

     

    From the film’s website:

    Imagine losing everything. Your home, your business, all your worldly possessions. Gone forever… or are they?

    Right now an epic endeavor is underway involving 2 continents, 3 countries and the largest body of water on earth. Join us as we go on a journey to discover the stories of those whose lives were stolen by the sea.

    Nicolina’s project is made possible by HotDocs and the Doc Ignite crowd-funding platform.  “We feel so lucky to have been given the opportunity through Hot Docs and Doc Ignite to share our film with you and to work towards reaching our goal of raising $30,000 to help make this film and tell the amazing stories behind the artifacts that have washed ashore,” she exclaims on the film’s website.

    Learn more about Nicolina’s film at the Hot Docs Canadian International Documentary Festival website and the project website www.lostandfoundthefilm.ca.

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    Categories: Alumni, News

  • One Acts Festival

    Thursday, February 20, 2014 | By

    Break-a-leg! to the student directors, cast and crew, faculty and staff who are opening the One Acts Festival TODAY!

    Every year as the final assignment for the Third Year Directing class each student choses a one act play to produce for the One Act Festival. This year’s One Acts Festival is approaching and the dates are as follow:

    Friday March 21st: Group A starting at 2pm Group B at 7pm
    Saturday March 22nd: Group B starting at 2pm & Group A at 7pm.

    Group A’s shows are:
    The Feast
    Overtones
    Hide & Seek
    Fourteen

    Group B’s shows are:
    Tales of the Grotesque
    Don Juan in Chicago
    Playwriting 101
    Rat Snake

    When: March 21 & 22, 2014 at 2 p.m. and 7 p.m.
    Location: ST 107 “Studio Theatre” and ST 103 “Black”
    Admission: Donations Accepted
    Contact: [email protected] or 905-988-5550 x 5255

    Come out and support the 3rd year directors and all the students involved this year! Seating is limited, so please show up early to get your seats! See the FB events page here.

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    Categories: Events, Plays

  • Renowned Canadian Theatre Director visits Department of Dramatic Arts

    Wednesday, February 19, 2014 | By

    img_4449_x331_crOn 13 February, 2014, the director Peter Hinton visited the Department of Dramatic Arts for a two-hour talk about his work as a director and adaptor. He responded to questions from students in DART 3P96: Studies in Praxis – Theatre Criticism, as well as from other students in the department.

    Hinton spoke about a number of his recent projects, including his adaptation of Chekhov’s The Seagull, which premiered Montreal’s Segal Centre in February 2014; his 2013 Shaw Festival production of Wilde’s Lady Windermere’s Fan; and his upcoming staging of the musical Cabaret, also at Shaw. Discussion focused on Hinton’s research processes and how these inform his directorial concepts, in particular on his approach to existing and canonical works. Hinton also spoke about his relationship to theatre critics: “I’m not after five stars; I’m after a respectful dialogue,” Hinton said of the critics who regularly review his work. “I don’t want to be in search of [their] praise or victim of [their] ignorance.” When asked for his advice for a new generation of Canadian theatre artists and professionals, Hinton reminded the group that the professional relationships they form during their student years may be the most important ones in their careers, and urged them to consider their professional creative lives as already underway: “I always thought that theatre was an elite club to get into, but theatre already belongs to you.”

    Hinton has worked with major theatre companies across Canada including Theatre Passe Muraille and Canadian Stage; Playwrights Theatre Centre in Vancouver; Playwrights Workshop Montréal; and the Stratford and Shaw Festivals. He was the director of the English theatre division of the National Arts Centre from 2005-2011, and is originally from Toronto.

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    Categories: News, Visiting Artists

  • Brock community event looks at theatre criticism in the digital age

    Monday, February 10, 2014 | By

    (Source: The Brock News, Monday, February 10, 2014)

    An upcoming series of community discussions at Brock University later this month will debate the question: is everyone a critic?

    Media professionals, theatre experts, scholars and students will assemble in Sankey Chamber at Brock Feb. 21 and Feb. 22 to take part in the colloquium, The Changing Face of Theatre Criticism in the Digital Age, hosted by the Marilyn I. Walker School of Fine and Performing Arts.

    “The rise of blogging and Twitter, combined with the decline of print journalism, is raising important questions about what counts as legitimate, professional criticism,” says Karen Fricker, event co-ordinator and a professor of dramatic arts. “Our discussions will focus on the current critical scene in Niagara, as well as imagining possible futures for the arts in our community.”

    Panel members include two of Toronto’s most influential theatre critics: J. Kelly Nestruck of The Globe and Mail and Richard Ouzounian of the Toronto Star. Others include local figures like Jackie Maxwell, artistic director of the Shaw Festival, and Steve Solski, director of the St. Catharines Centre for the Performing Arts.

    The colloquium will also feature international critics: Jill Dolan, Princeton University professor and noted theatre blogger (thefeministspectator.com); Maddy Costa, a London, England blogger and journalist; and Andy Horwitz, founder of New York arts blog culturebot.net

    Dolan is visiting Brock as part of the Walker Cultural Leaders series. While here, she will deliver a public lecture, “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings.” Her lecture, co-sponsored by the Department of Dramatic Arts and Centre for Women’s and Gender Studies at Brock, takes place Friday, Feb. 21, from 10 a.m. to 12 noon, also in Sankey Chamber.

    All of these events are free and open to the public.

    Funding for these events is provided by the Walker Cultural Leaders Series, the Brock Humanities Research Institute and the SSHRC Institutional Grant scheme, and the St. Catharines Performing Arts Centre.

    All events will be live-streamed.  [Click on “live video”]

    —

    SCHEDULE: The Changing Face of Theatre Criticism in the Digital Age

    All events take place in Sankey Chamber at Brock University

    FRIDAY, FEB. 21:

    * 2 – 2:30 p.m.: Welcome
    Presentation by Brock dramatic arts students from the third-year class, Studies in Praxis – Theatre Criticism

    * 2:30 – 4 p.m.: Panel discussion “Critics and the arts in Niagara”

    • Jill Dolan (respondent)
    • Monica Dufault, artistic director, Essential Collective Theatre
    • David Fancy, associate professor of Dramatic Arts, Brock University, co-artistic director, neXt Company Theatre (chair)
    • John Law, arts and entertainment writer, Sun Media
    • Sara Palmieri, co-founder, In the Soil Festival
    • Stephen Remus, minister of energy, minds, and resources, Niagara Arts Centre
    • Steve Solski, director, St. Catharines Centre for the Performing Arts
    • Candice Turner-Smith, managing director, Niagara Symphony Orchestra

    * 4:15 – 5:45 p.m.: Panel discussion “Embedded criticism: a new way forward, or criticism-as-PR?”

    • Maddy Costa, critic and blogger
    • Karen Fricker
    • Andy Horwitz, founder, culturebot.org
    • Jackie Maxwell, artistic director, Shaw Festival
    • Jacob Gallagher-Ross, assistant professor of theatre, University of Buffalo (respondent)
    • Lawrence Switzky, assistant professor of Drama, University of Toronto at Mississauga (chair)

    SATURDAY, FEB. 22:

    * 10 – 10:30 a.m.: Welcome
    Presentation by Brock dramatic arts students from the third-year class, Studies in Praxis – Theatre Criticism

    * 10:30 a.m. – 12 noon: Panel discussion “Bloggers, critics, and cultural legitimation”

    • Jill Dolan
    • Karen Fricker (chair)
    • Andy Horwitz (respondent)
    • J. Kelly Nestruck, lead theatre critic, The Globe and Mail
    • Richard Ouzounian, lead theatre critic, Toronto Star
    • Holger Syme, chair, Department of English and Drama, University of Toronto at Mississauga, and blogger (disposito.net)
    • Odette Yazbeck, director of public relations, Shaw Festival

    * 12:15 – 1 p.m.: Colloquium wrap-up

    • Maddy Costa; Jill Dolan; Karen Fricker (chair); Rosemary Drage Hale, director of the Centre for Medieval and Renaissance Studies, Brock University; and Andy Horwitz

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    Categories: Announcements, Events, In the Media, News

  • Dramatic Arts Professor directs Canadian premiere of a Benjamin Britten opera

    Tuesday, November 19, 2013 | By

    vb-glorianaThe 2013-2014 season of Toronto’s Voicebox/Opera in Concert showcases some ‘rarities of performance’ and features Gloriana by Benjamin Britten.

    The one-time concert performance at the Jane Mallet Theatre in Toronto is directed by Brock University Dramatic Arts Professor Virginia Reh.

    Gloriana was composed for the coronation of Queen Elizabeth II in June 1953 and VOICEBOX’s performance marks the 100Th Anniversary of the Composer’s birth.

    Queen Elizabeth I is approaching the end of her reign. Her affection for the impressive Earl of Essex is tested when he grows increasingly ambitious. Should she listen to the guidance of her advisors or be swayed by emotion? Moving from the pomp of state ceremony to the intimacy of the Queen’s private rooms, Gloriana depicts the public and private faces of the Virgin Queen, and the deterioration of her relationship with the impulsive Earl of Essex.

    The opera features 15 soloists. In this concert production 10 of the soloists will be coming out of the chorus. The production is in memory of Reh’s friend Stephen Ireland who passed away last October from complications arising from prostate cancer.  The production is sponsored by his foundation.

    Professor Reh will be directing the next Mainstage production of the Department of Dramatic Arts, Jehanne of the Witches, opening February 13, 2014.

    BENJAMIN BRITTEN
    GLORIANA

    Sunday, November 24, 2013 — 2:30pm
    IN english
    Jane Mallett Theatre (at the St. Lawrence Centre for the Arts) Sunday, November 24 @2:30 p.m.

    purchase tickets here

    Featuring
    Peter Tiefenbach, Music Director and Pianist
    Virginia Reh, Dramatic Advisor
    Robert Cooper, Chorus Director

    Betty Waynne Allison as Queen Elizabeth I
    Jennifer Sullivan as Penelope (Lady Rich)
    Adam Luther as Lord of Essex
    Dion Mazerrole as Cecil
    Jesse Clark as Lord Mountjoy
    Christina Campsall as Countess of Essex
    Marco Petracchi as Sir Walter Raleigh
    Domenico Sanfilippo as Henry Cuffe
    Fabian Arciniegas as The Recorder of Norwich
    Joshua Wales as The Spirit of the Masque
    Keenan Viau as The Master of Ceremonies
    Gregory Finney as Old Man
    Lise Maher as Page
    Jessika Monea as Lady in Waiting

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    Categories: Faculty & Instructors, News

  • Dramatic Arts Professor gives plenary address “Performance and Its Genealogies of War” in Gothenburg, Sweden

    Wednesday, November 13, 2013 | By

    (Source: Skogen)

    Department of Dramatic Arts Professor Natalie Alvarez will be presenting her plenary address lecture “Performance and Its Genealogies of War” in the Seminar: CREATIVITY AND AUTHORSHIP IN WARFARE to be held November 27, 2013 at the Skogen performance space in Gothenburg, Sweden (Göteborgs Konsthall).

    Professor Alvarez moves through several sites of her field research at military bases in the US, Canada, and the UK to observe the ways in which the performance paradigm has been taken up by the military-industrial-academic complex as it attempts to advance training methodologies nimble enough to take on a new frontier of irregular and asymmetrical warfare. Each site raises a particular set of concerns that, when taken together, trace the genealogies of performance and war. In her studies of scenarios at an insurgent training camp for US Special Forces in Utah, USA, and mock Afghan villages at CFB Wainright, Canada, and the Stanford Training Area in England, Alvarez raises questions concerning how the affective entrainment of soldiers through large-scale immersive improvisations converges in unsettling ways with histories of performance theory. She examines the instrumental use of empathy in military strategy and queries how the immersion of soldiers in the mise en scène of an Afghan village designed to foster Cultural Intelligence (CQ)—positioned by military strategists as a “force multiplier”—prepares soldiers to engage in an irreconcilable paradox of punitive, yet culturally “sensitive,” militarism.

    Professor Alvarez is an associate professor in the Department of Dramatic Arts at the Marilyn I. Walker School of Fine and Performing Arts at Brock University, Ontario, Canada, where she teaches in the Theatre Praxis concentration. She holds a PhD in Theatre Studies from the University of Toronto. In 2010, she received a grant from the Social Sciences and Humanities Research Council of Canada for her current book project on immersive simulations and intercultural performance in military training and dark tourism, which allowed her to conduct field research at military bases and tourist sites in Mexico, the US, Canada, and the UK. Her research on performance and simulation, performance theory, and contemporary experimental performance in the Americas has been published in a variety of periodicals, as well as national and international book collections. She is the editor of the first two collections on Latina/o-Canadian performance, which establish the field of Latina/o performance studies in Canada. She is the recipient of the 2013 Richard Plant Essay Prize and the Robert G. Lawrence emerging scholar prize, both by the Canadian Association of Theatre Research.

    The seminar is curated by Cecilie Ullerup Schmidt and Skogen. It is presented in collaboration with Göteborgs Konsthall and Glänta with support from Västra Götalandsregionen and Goethe-Institut Schweden.

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    Categories: Faculty & Instructors, News

  • Teaching Opportunity: Assistant Professor – Drama in Education/Applied Theatre & Performance

    Tuesday, October 29, 2013 | By

    miwsfpa-icon-220Full-time Teaching Opportunity in the Department of Dramatic Arts:
    Assistant Professor – Drama in Education/Applied Theatre and Performance

    The Department of Dramatic Arts in the Marilyn I. Walker School of Fine and Performing Arts at Brock University invites applications for a tenure-track appointment in Drama in Education/Applied Theatre and Performance at the rank of Assistant Professor starting July 1st, 2014. The position is subject to final budgetary approval.

    Qualifications

    The successful candidate must hold a PhD with an emphasis on process drama/participatory theatre and exhibit exemplary practice in the profession. Teaching experience in elementary/secondary schools is an asset. Applicants should be able to teach courses with mixed studio/lecture components as well as larger-scale survey courses and studio performance intensives.

    The successful candidate will teach a range of courses in drama in education, applied theatre, performance, movement, and praxis. The preferred individual will bring knowledge of a spectrum of teaching methodologies in diverse pedagogical situations and critical performance theory, as well as expertise in synthesizing these modes of knowledge. The individual will engage energetically with departmental production activity, specifically the conceptualization and realization of departmental main-stage events and/or outreach educational outcomes. Skills in a secondary area featuring interdisciplinary research and practice may also be of value. Administrative skills are a definite asset.

    The salary is competitive and commensurate with qualifications.

    Notes

    The Department of Dramatic Arts offers a BA Honours in Dramatic Arts. For Honours students, Concentrations are available in Drama in Education/Applied Theatre, Performance, Production and Design, and Theatre Praxis. The Department also offers a four-year (20 credit) BA with Major Dramatic Arts degree and a three-year BA Pass degree, as well as two concurrent BA (Honours)/BEd programs over five years. For more information, see  www.brocku.ca/dramatic_arts/

    Located at the center of Canada’s beautiful Niagara peninsula in St. Catharines, Ontario, we are a community of learners and researchers with a strong and expanding regional base, with excellent resources in cultural, social, and athletic enrichment. Canadian and American metropolitan centres are within easy distance.

    In the summer of 2015 the Marilyn I. Walker School of Fine and Performing Arts, including the Department of Dramatic Arts, will move to its new comprehensive facility in downtown St. Catharines, adjacent to a new regional performing arts centre built by the City of St. Catharines.

    Applications will include a brief covering letter, a letter of intent (1200 words max.) and a current curriculum vitae including a teaching dossier and/or artistic/academic portfolio in a theatrical field (mask, movement, directing, publications etc.). A five-year research plan should indicate directions for the future. In addition, candidates will provide the names of three referees who will be contacted in the event of a short listing. Please address applications to:

    Professor David Vivian
    Chair, Department of Dramatic Arts
    Brock University
    St. Catharines ON L2S 3A1
    [email protected]

    The application deadline is December 10th, 2013. This position is subject to budgetary approval. More information on Brock University may be found on the University’s website: brocku.ca. Brock University is actively committed to diversity and the principles of Employment Equity and invites applications from all qualified candidates. Women, Aboriginal peoples, members of visible minorities, and people with disabilities are especially encouraged to apply and to voluntarily self identify as a member of a designated group as part of their application. Candidates who wish to have their application considered as a member of one or more designated groups should fill out the Self-Identification Form available at https://brocku.ca/hr-ehs/career-opportunities-2 and include the completed form with their application. All qualified candidates are encouraged to apply; however, Canadians and permanent residents will be given priority.

    This posting can be found at
    www.brocku.ca/hr/careers/position_detail.php?id=1370

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    Categories: Announcements, News

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