Articles tagged with: John Law

  • Stolen Theatre back on the scene

    (Source: Niagara Falls Review, Wednesday, September 14, 2016 | by John Law. Photo caption: Danielle Wilson co-wrote and stars in Stolen Theatre Collective’s The Ash Mouth Man, opening Sept. 15. PHOTO: John Law /Postmedia network)

    The small, immersive company is back Sept. 15 with a brand new play written by Wilson and director Gyllian Raby, the “film noir comedy” The Ash Mouth Man. Nine shows are scheduled for the Marilyn I. Walker School of Fine & Performing Arts, and as always, things will get intimate. At just 48 seats per performance, it’ll feel like an up close and personal play.

    It’s a style Wilson loves – the company’s previous show, Harold Pinter’s The Dumb Waiter, was limited to just 28 seats.

    “We really enjoy playing with the atmosphere of a piece, and giving the audience a different experience,” she says. “It’s hard to disengage when you’re that (close). It gives you a much more visceral experience when you’re that close.”

    Wilson, a teacher with Brock University’s Department of Dramatic Arts, and husband Fede Holten – a playwright and Niagara winemaker – formed Stolen Theatre Collective in 2007 as a way to do original and unique material in different ways. They managed three shows in four years before tight schedules forced the four-year layoff.

    “We were super happy to be back,” says Wilson. “We had great attendance for the show (and) got a lot of good press. A lot of people didn’t know who we were, and I felt we put (ourselves) back in people’s minds.
    “We’re all so busy, we all have other jobs and things to do.”

    The Ash Mouth Man is a blending of two short stories Wilson and Raby wrote separately. Once combined, it formed an odd, comical tale about a female dentist named Lorna in the ’50s – Canada’s 31st female dentist, to be precise – who works in a ward for people with disorders. The patients share an urban legend about a figure named the ‘Ash Mouth Man,’ whose kiss will make everything taste like ashes afterwards.

    “It took us awhile to figure out, what is the genre? We’re dabbling in aspects of film noir but there’s also a lightness to it.”

    The show stars Walker, Holten, Colin Bruce Anthes and Sean McClelland.

    Opening a regular show is hard enough – for Wilson, staging and starring in her own play is next level stress.

    “It definitely feels like a bigger risk,” she says. “We’re putting our own work out there that nobody’s seen before, and we don’t know how it’s going to be received.”

    jlaw@postmedia.com

    • WHAT: The Ash Mouth Man
    • WHO: Stolen Theatre Collective
    • WHERE: Marilyn I. Walker Theatre; 15 Artists’ Common; St. Catharines
    • WHEN: Sept. 15 to 25
    • TICKETS: $20; student/seniors/arts worker $15  www.firstontariopac.ca

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    Categories: Faculty & Instructors, In the Media, News

  • Join us for the special two-day colloquium ‘The Changing Face of Theatre Criticism in the Digital Age,’ beginning February 21, 2014.

    Jill Dolan

    In photo: Jill Dolan

    Listening to theatre companies, they’ve never needed theatre critics more. Listening to them after a bad review, they’ve also never resented them more. This strange dance of mutual need has been going on since the first time someone recited dialogue on stage, and someone in the next day’s paper wrote “it doth sucked, verily.” But what of that relationship today? Do critics matter? Can anyone with a blog call themselves a theatre critic? Are critics there to serve theatre companies or readers? (John Law)

    See the complete article by John Law in the Niagara Falls Review about his upcoming participation in the two-day colloquium ‘The Changing Face of Theatre Criticism in the Digital Age‘ organized by Professor Karen Fricker of the Department of Dramatic Arts on the occasion of the special visit by Jill Dolan, Annan Professor in English, Professor of Theater in the Lewis Center for the Arts, Director, Program in Gender and Sexuality Studies, at Princeton University, noted theatre blogger (thefeministspectator.com) and a Walker Cultural Leader for 2013-14.  Special guests J. Kelly Nestruck of The Globe and Mail and Richard Ouzounian of the Toronto Star will join local guests and luminaries including cultural leaders like Jackie Maxwell, artistic director of the Shaw Festival, and Steve Solski, director of the St. Catharines Centre for the Performing Arts.

    The two day program begins this Friday morning with the public lecture, “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings” by Professor Jill Dolan.  The lecture is presented in association with the Department of Dramatic Arts and the Centre for Women’s and Gender Studies.

    For a complete list of participants and more information please see the Brock News Article, the Department of Dramatic Arts and the Marilyn I. Walker School of Fine and Performing Arts web pages.

    Come join us! There is no charge to attend and engage in what will surely be a remarkable exchange of ideas and opinions in this “blossoming” cultural scene of Niagara (Professor Karen Fricker).

    All events will be live-streamed at BrockVideoCentre’s DART channel  [Click on the “live video” button on that page.]

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    Categories: Announcements, Events, News

  • Brock community event looks at theatre criticism in the digital age

    (Source: The Brock News, Monday, February 10, 2014)

    An upcoming series of community discussions at Brock University later this month will debate the question: is everyone a critic?

    Media professionals, theatre experts, scholars and students will assemble in Sankey Chamber at Brock Feb. 21 and Feb. 22 to take part in the colloquium, The Changing Face of Theatre Criticism in the Digital Age, hosted by the Marilyn I. Walker School of Fine and Performing Arts.

    “The rise of blogging and Twitter, combined with the decline of print journalism, is raising important questions about what counts as legitimate, professional criticism,” says Karen Fricker, event co-ordinator and a professor of dramatic arts. “Our discussions will focus on the current critical scene in Niagara, as well as imagining possible futures for the arts in our community.”

    Panel members include two of Toronto’s most influential theatre critics: J. Kelly Nestruck of The Globe and Mail and Richard Ouzounian of the Toronto Star. Others include local figures like Jackie Maxwell, artistic director of the Shaw Festival, and Steve Solski, director of the St. Catharines Centre for the Performing Arts.

    The colloquium will also feature international critics: Jill Dolan, Princeton University professor and noted theatre blogger (thefeministspectator.com); Maddy Costa, a London, England blogger and journalist; and Andy Horwitz, founder of New York arts blog culturebot.net

    Dolan is visiting Brock as part of the Walker Cultural Leaders series. While here, she will deliver a public lecture, “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings.” Her lecture, co-sponsored by the Department of Dramatic Arts and Centre for Women’s and Gender Studies at Brock, takes place Friday, Feb. 21, from 10 a.m. to 12 noon, also in Sankey Chamber.

    All of these events are free and open to the public.

    Funding for these events is provided by the Walker Cultural Leaders Series, the Brock Humanities Research Institute and the SSHRC Institutional Grant scheme, and the St. Catharines Performing Arts Centre.

    All events will be live-streamed.  [Click on “live video”]

    SCHEDULE: The Changing Face of Theatre Criticism in the Digital Age

    All events take place in Sankey Chamber at Brock University

    FRIDAY, FEB. 21:

    * 2 – 2:30 p.m.: Welcome
    Presentation by Brock dramatic arts students from the third-year class, Studies in Praxis – Theatre Criticism

    * 2:30 – 4 p.m.: Panel discussion “Critics and the arts in Niagara”

    • Jill Dolan (respondent)
    • Monica Dufault, artistic director, Essential Collective Theatre
    • David Fancy, associate professor of Dramatic Arts, Brock University, co-artistic director, neXt Company Theatre (chair)
    • John Law, arts and entertainment writer, Sun Media
    • Sara Palmieri, co-founder, In the Soil Festival
    • Stephen Remus, minister of energy, minds, and resources, Niagara Arts Centre
    • Steve Solski, director, St. Catharines Centre for the Performing Arts
    • Candice Turner-Smith, managing director, Niagara Symphony Orchestra

    * 4:15 – 5:45 p.m.: Panel discussion “Embedded criticism: a new way forward, or criticism-as-PR?”

    • Maddy Costa, critic and blogger
    • Karen Fricker
    • Andy Horwitz, founder, culturebot.org
    • Jackie Maxwell, artistic director, Shaw Festival
    • Jacob Gallagher-Ross, assistant professor of theatre, University of Buffalo (respondent)
    • Lawrence Switzky, assistant professor of Drama, University of Toronto at Mississauga (chair)

    SATURDAY, FEB. 22:

    * 10 – 10:30 a.m.: Welcome
    Presentation by Brock dramatic arts students from the third-year class, Studies in Praxis – Theatre Criticism

    * 10:30 a.m. – 12 noon: Panel discussion “Bloggers, critics, and cultural legitimation”

    • Jill Dolan
    • Karen Fricker (chair)
    • Andy Horwitz (respondent)
    • J. Kelly Nestruck, lead theatre critic, The Globe and Mail
    • Richard Ouzounian, lead theatre critic, Toronto Star
    • Holger Syme, chair, Department of English and Drama, University of Toronto at Mississauga, and blogger (disposito.net)
    • Odette Yazbeck, director of public relations, Shaw Festival

    * 12:15 – 1 p.m.: Colloquium wrap-up

    • Maddy Costa; Jill Dolan; Karen Fricker (chair); Rosemary Drage Hale, director of the Centre for Medieval and Renaissance Studies, Brock University; and Andy Horwitz

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    Categories: Announcements, Events, In the Media, News