Articles from:March 2021

  • Brock community mourns the loss of theatre artist and MIWSFPA staff member, dawn e crysler

    dawn e crysler, celebrated MIWSFPA staff member and Theatre Technician, will be remembered for her creativity and dedication to her work.


    originally posted in The Brock News on WEDNESDAY, MARCH 24, 2021 | by 

    The Brock and local arts community is mourning the death of dawn e crysler, a theatre maker and artist who will be greatly missed by all who knew her. Faculty, staff and students at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) were deeply saddened to learn of crysler’s passing earlier this week.

    crysler (BA ’00), who preferred her name referred to in all lowercase, had been a Theatre Technician at Brock’s MIWSFPA since 2018. Working in the Department of Dramatic Arts (DART), the multi-talented artist played a pivotal role working with students and faculty to bring performances to life through her work as technician and scenic painter.

    “The entire DART community is shocked and saddened at the departure of this sensitive, observant and generous soul. As a former student of the program, dawn brought her many talents and insights to a wide range of theatrical activity at Brock and beyond,” says David Fancy, Professor and Chair of DART.

    crysler also worked as a theatre technician at the Shaw Festival and Carousel Players, and in Toronto on various film, TV and theatre projects. Most recently, she had been painting the Klingon ship on the set of Star Trek: Strange New Worlds (a spinoff series currently being filmed in Toronto).

    A Brock graduate, crysler conferred on June 9, 2000 with a Bachelor of Arts in Dramatic Literature and Theatre.

    Peter Feldman, retired Associate Professor and former Chair of DART taught crysler during her studies.

    “dawn was one of the most highly motivated students I had in my 20 years at Brock, working with distinction in almost every aspect of our program,” he says.

    Feldman also fondly recalls joining crysler and other former students in starting a St. Catharines-based fringe theatre group known as Stray Theatre in 2003. In addition to building and painting sets, crysler was a gifted actor, he says.

    “dawn played an astonishingly wide range of roles in drama and comedy, all beautifully, movingly and totally believably.”

    White Crow, drawn by Jana Bergsma, in honour of dawn e crysler. photo: Gavin Fearon.

    “All of us with whom she worked will remember dawn’s sunny personality, her always positive view of life, her gift for friendship, the enthusiasm she brought to everything she worked on, and her sense of wonder. ‘Awesome!’ must have been her favourite word,” Feldman says. “Altogether, dawn was one of the most remarkable young women I’ve known in the theatre.”

    David Vivian, Associate Professor, Scenographer and Director of the MIWSFPA, says hiring crysler felt like a puzzle piece falling into place.

    “When we hired dawn in 2018, it was as if she was coming home to the MIWSFPA. She was a celebrated member of the arts community and Brock graduate contributing to local arts and culture — it was so very right to have dawn join us here at the School,” he says.

    In addition to being a valued staff member and friend of Brock, crysler was a dedicated theatre artist with a strong presence in the Niagara arts scene. Born and raised on a farm in Pelham, crysler explored her roots though her artistry. She was a published playwright. Her play White Crow, which ran in November of 2012 mounted by Essential Collective Theatre, chronicled a family facing adversity on a Pelham farm.

    In 2013, crysler was nominated for the Emerging Artist Award for the eighth annual St. Catharines Arts Awards. She brought creativity and energy to cultural initiatives, such as In the Soil Arts Festival, where she held an interactive workshop entitled “Play!” that involved massive checker pieces, a giant Jenga set and oversized “pick-up sticks.”

    The flags in front of Brock’s Schmon Tower were lowered to half-mast on Friday, March 26 to commemorate crysler’s passing.

    MIWSFPA colleagues remember crysler for her energetic attitude and sense of play.

    Gyllian Raby, Associate Professor of Dramatic Arts, reflects on crysler’s bright personality and her professional talent and work ethic. Raby, along with other DART faculty and staff, were working closely with crysler on the spring Mainstage production.

    “Across the community she was known and loved for her infectious energy,” Raby says of crysler. “She was a beam of light, a roller-derby queen, a published playwright, cabaret performer, theatre-technician and maker-builder extraordinaire. She believed in art and was endlessly creative.”

    A space on the MIWSFPA website memorializing crysler will be created in the coming weeks, where colleagues, friends and family will be invited to share their memories.

     


    The obituary for dawn is available in the St. Catharines Standard.

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    Categories: Announcements, Department/Centre News, Faculty & Instructors, In the Media, Media Releases, News, Uncategorised

  • MIWSFPA community mourns the loss of Dramatic Arts graduate Dana Morin

    Pictured above: (Left) Elena Milenkovski, Roberta Doylend (Head of Wardrobe, holding Miss Bit), Paige Morris, and Dana Morin in the Green Room of the MIWSFPA Theatre. 

    Dana Morin standing in the hallway outside of the Costume Shop at the MIWSFPA, seen beside the emptied boxes and crates used to move costume inventory.  Dana assisted with the move from main campus to the new MIWSFPA at 15 Artists’ Common in the Summer of 2015.

    The staff, faculty and students at Brock University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) are mourning the death of Dana Grace Morin, a beloved former student at the School.

    In 2017, Dana graduated with First-Class Standing in Dramatic Arts, Concentration in Production and Design.

    “Dana was a very large and generous heart in the student community of the Department of Dramatic Arts.  Following her updates to a Facebook group set up to keep everyone updated on her progress through treatment for cancer, we shared our hopes and encouragement for a successful outcome.  We are deeply saddened by the news of her passing and so very thankful for the time she shared with us at the MIWSFPA,” reflects David Vivian, Associate Professor of Scenography and Director of the MIWSFPA.

    Roberta Doylend is creating a rainbow for Dana in honour of her life and memory. Roberta will find a permanent location for the rainbow backstage at the MIW Theatre – a place that Dana loved to be.

    Memorial donations in Dana’s honour can be made to Pink Pearl Canada and Young Adult Cancer Canada.

    Dana Morin’s obituary can be found on Smith’s Funeral Homes website.

     

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  • Online symposium celebrates new publication on theatre pedagogy and climate crisis

    Image caption:The Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines.

    An upcoming weekend of online events will explore the role that theatre education plays in relation to climate crisis.

    To launch the new Routledge publication Theatre Pedagogy in the Era of Climate Crisis, the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) is hosting a two-day online symposium featuring historians, theatre practitioners, playwrights, designers, professors and activists.

    Presented as part of the 2020-21 Walker Cultural Leader’s Series program, the online symposium “Theatre Pedagogy in the Era of Climate Crisis” runs Saturday, March 20 and Sunday, March 21 and will be livestreamed free on the MIWSFPA YouTube channel.

    Convened by volume co-editors David Fancy, Professor and Chair of the Department of Dramatic Arts at Brock University, and Conrad Alexandrowicz, Associate Professor of Theatre at the University of Victoria, the event features four online panel discussions with contributing authors of the volume, each a theatre scholar and/or practitioner.

    Through these panel discussions, volume contributors will answer the question of how theatre pedagogy can be transformed in response to the global climate crisis. Panelists are purposely divided into groups that mix their different expertise, encouraging a rich and invigorating discussion.

    “Nothing could be more pressing than understanding how to evolve our theatre training and pedagogy to address the climate crisis,” says Fancy.

    The volume’s authors, he adds, also “unpack how supremacy thinking informing the climate crisis — that humans are more important than nature — is echoed across racial and gendered violence in contemporary societies.”

    Each panel is based on a theme in the anthology: Intersectionality and the Body of the Earth; Eco-Aesthetics in Performance and Design; Eco-literacies in Teaching Theatre; and Theatre Pedagogy and the Climate Crisis.

    A summary of the volume can be found in a manifesto signed by all contributing authors in the epilogue of the book.

    Upcoming Walker Cultural Leaders events:

    Saturday, March 20

    1 to 2:15 p.m. — Theatre Pedagogy and the Climate Crisis
    Moderated by David Fancy with Lara Aysal, Derek Davidson, Katrina Dunn and Beth Osnes.
    Watch the livestream.

    3 to 4:15 p.m. – Eco-Aesthetics in Performance and in Design
    Moderated Conrad Alexandrowicz with Tanja Beer, Rachel Bowditch, Joan Lipkin and David Vivian.
    Watch the livestream.

    Sunday, March 21

    1 to 2:15 p.m. – Eco-Literacies in Teaching Theatre
    Moderated by Sasha Kovacs with Mary Anderson, Dennis Gupa and David Fancy.
    Watch the livestream.

    3 to 4:15 p.m. – Intersectionality, Solidarity and the Body of the Earth
    Moderated by Rachel Rhoades with Gloria Akayi Asoloko, Soji Cole and Conrad Alexandrowicz.
    Watch the livestream.

    More event information, including full biographies of each panelist, can be found online at brocku.ca/tpcc

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    Categories: Alumni, Announcements, Current Students, Department/Centre News, Events, Faculty & Instructors, Future Students, In the Media, Media Releases, News, Uncategorised, Walker Cultural Leader Series

  • Brock welcomes Indigenous artist, curator and scholar to MIWSFPA

    Originally published in The Brock News on WEDNESDAY, MARCH 03, 2021 | by 

    Caption: Suzanne Morrissette has joined the Department of Visual Arts at Brock’s Marilyn I. Walker School of Fine and Performing Arts, where she is teaching Studio Art. (Photo courtesy of Red Works Photography)

    First and foremost, Suzanne Morrissette is an Indigenous artist. Métis by way of the Red River Valley and Interlake regions in Winnipeg, Man., the artist, curator and scholar is a transplant to the territories of southern Ontario.

    She vividly remembers the work of Indigenous artists on the walls of her childhood home and in her father’s office space, as well as the murals on buildings in her community.

    “Growing up and being surrounded by this creativity was an exciting part of my everyday experience,” Morrissette says.

    She always knew that working in the arts is where she would land professionally.

    Working across disciplines in Indigenous and curatorial studies, Morrissette is the newest member of Brock’s Visual Arts Department, teaching Studio Art at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA). A trained artist, she holds a Bachelor of Fine Arts from Emily Carr University of Art + Design, a master’s degree in Criticism and Curatorial Practice from OCAD University, and a PhD in Social and Political Thought from York University.

    Morrissette has worked extensively in the field with Indigenous artists curating diverse shows with focuses ranging from perceptions of Indigenous political thought to relationships between land and place.

    As a studio-based artist and scholar, Morrissette is deeply engaged in research creation, committed to exploring how creative work can be used to find solutions to research questions or problems. Her identity as an Indigenous artist and curator has a lot to do with the type of research she is involved with, and also shapes the way she participates in projects.

    Engaging with Indigenous methodologies, histories and knowledge systems will be critical to her teaching and continued research work that she now brings to the Brock community.

    “At Brock, I see a great opportunity to continue the research and work that I am doing alongside colleagues who share a commitment to rigorous visual arts and studio arts-based research, and in a strong program and facility that is incredible for student research and work,” she says.

    Morrissette is currently working on a project close to her heart and personal history,  a research study with collaborators Richard Hill of Emily Carr University of Art + Design and Jamie Isaac of the Winnipeg Art Gallery entitled “Social Histories / Indigenous Art: Curating Social Work’s Influence on Winnipeg’s Indigenous Art of the ’80s and ’90s.”

    The project examines the relationship between the early developments of Indigenous social work that were taking place in Winnipeg in the ’80s and ’90s, and how these efforts supported concurrent developments in Indigenous arts.

    Even though it wasn’t necessarily in the mandate for these organizations, they supported the arts and creative practice in the community, Morrissette says.

    “My father and uncle were two of the people really involved in growing Indigenous social work capacity,” she says. “Our research team wants to learn about how this unstated but nonetheless important support of the arts came to be at that time.”

    In addition to work on the study, Morrissette is currently taking part in an exhibition out of Kingston’s Agnes Etherington Gallery featuring Métis artists, and is involved in ArtworxTO: Toronto’s Year of Public Art, a new initiative reflecting the city’s renewed commitment to public art.

    While she uses different mediums in her studio practice, Morrissette has recently been working with video and image projection in conjunction with audio recordings to create interactive experiences. As part of ArtworxTO, she aims to take over the walls and facades of Toronto’s trendy Junction neighbourhood at night throughout 2021.

    Ultimately, the motivation for Morrissette’s research and creative practice is born of her work as a Métis curator and artist.

    “I am working to address concerns that not only interest me and make me curious, but also to understand how I can contribute to healthier Indigenous communities in the future,” she says.

    She plans to develop a course at Brock over the next few years centred on Indigenous representation that will enrich the educational experience for all students at the MIWSFPA.

    “Issues of representation for Indigenous people are very important considerations for anyone with a creative practice, in any genre,” she says.

    Morrissette is strategizing long term with her goals at Brock, acknowledging the history of the University and ongoing moves toward Indigenization.

    “I bring a speciality in Indigenous art and I am mindful of the work done before my arrival. I am excited to learn what have my colleagues been working towards, who are the students, and how I can support Brock in its commitment to inclusivity and decolonization through my teaching and research practices.”

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