Articles from:December 2024

  • Picturing a vibrant future for Brock’s fine art collection

    Image caption: Earlier this fall, art consultant Mandy Salter oversaw restoration work on Michael Snow’s Photo Mural for Timed Images, 1972-73 in the Mackenzie Chown A Block stairwell. Efforts included installing new UV and shatterproof glass panels. Snow (1928-2023) developed his concept in collaboration with Mackenzie Chown Complex architect Raymond Moriyama (1929-2023). Both were internationally respected artists and recipients of honorary doctorates from Brock University. Only a few parts of Timed Images remain in place today.

    Thursday, December 19, 2024 | by 

    As Brock celebrates its 60th anniversary, exploring the past and present of the University’s fine art collection is providing fresh perspective to reimagine the future of art on campus.

    “Art in public places has intrinsic value. Art speaks to and from humanity, allowing for exploration of thought and diverse ways of thinking about the world around us,” said Mandy Salter, principal of Salter Art Appraisals and Consulting and an Accredited Member of the International Society of Appraisers.

    An award-winning curator and collections manager, Salter was engaged by Brock to conduct a comprehensive review of its art collection to appraise and catalogue inventory, including identifying all the pieces on campus and building an updated database.

    “We wanted to build upon existing paperwork in order to further locate and condition report all works, and by doing so, gain a clearer understanding of the content and condition of this diverse and important collection of Canadian art,” Salter said.

    Salter said Brock stewards several collections including the Teutloff Collection of large-scale public sculptures, the Steltner Inuit Art Collection, a collection of Carl Beam lithographs, the Buky Schwartz sculptures at Marilyn I. Walker School of Fine and Performing Arts, and many other two-dimensional works of art on paper or canvas.

    With the support of Frank Marcella, Director of Enterprise Risk Management and Insurance, and Bryan Cober, Associate Director of Projects and Structural Services in Facilities Management, Salter created a five-year asset management plan outlining future care strategies for pieces impacted by weather and environmental factors.

    A University Art Collections Committee was also recently formed with representatives from across campus that will help guide the future vision and mandate of Brock’s fine art collection.

    Linda Carreiro, Associate Dean of Fine and Performing Arts, is serving as elected Chair of the University Art Collection Committee.

    “The committee is comprised of stakeholders invested in sharing the important stories told through existing pieces of the collection, with the aim of adding to these perspectives. We’re excited to manage the collection in a meaningful way, so that all members of campus and the public can be engaged in the histories and ideas within the artworks,” she said.

    The work of the committee will oversee acquisitions, deaccessions, conservation and restoration of Brock’s small and large-scale public pieces.

    For example, Salter recently oversaw the restoration of Michael Snow’s (1928-2023) Photo Mural for Timed Images, 1972-73. Timed Images was a multi-part photo and video composition conceived for and installed in the hallways of the Mackenzie Chown Complex, known at the time as the Academic Staging Building.

    “With the help of Bryan Cober and Niagara Glass, the large 10×12 sheets of 55-year-old glass were replaced with UV and shatterproof-resistant glass, with some slight cleaning of the frame and work itself,” she said.

    Salter said the committee will strive to develop a future collection focussed on diversity, foregrounding artists and communities who may not be currently represented in the collection.

    “Understanding gaps is critical and presents an opportunity for decolonization and reconciliation and furthering actions towards thoughtful and meaningful inclusivity,” she said.

    West Coast and Inuit prints — some of the earliest acquisitions in Brock’s collection —  were recently installed in Brock’s Entiohahathe’te Knowledge Den in the Brock University Library.

    “We are excited to continue to curate works from the collection into spaces on campus, such as the library, to allow for new opportunities of engagement for the Brock community,” Salter said.

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    Categories: News

  • Community Connections: Healing Through the Arts

    Image caption: Willow Arts Community member Jo Barham experienced the inspiring artwork of local artists earlier this year at “unscene,” a community exhibition at the Marilyn I. Walker School of Fine and Performing Arts Visual Arts Gallery in collaboration with downtown St. Catharines organization Willow Arts Community.

    Wednesday, December 11, 2024 | by 

    This article is part of a monthly series celebrating Brock’s rich history of community engagement and enduring commitment to the mutual exchange of knowledge and resources within the Niagara community and beyond. To read other stories in the series, visit The Brock News.

    For Dani RJ Hummel, creating art is as necessary as breathing; it’s where everything comes out.

    “Producing artwork helps me work through my trauma and gives the pain somewhere to live outside of my body. My creative practice has taught me to approach life with curiosity and allowed for so much growth as an artist — and a person,” they said.

    A member of Willow Arts Community (Willow), Hummel has showcased their artwork over the past two years in community partnership exhibitions at the Visual Arts Gallery within Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) — the next of which, unscene, opens May 29.

    Located in downtown St. Catharines, Willow is an arts and peer support organization providing low-barrier opportunities for artists with lived experiences of mental illness or substance use in Niagara.

    The partnership between Brock and Willow aims to provide an enriching gallery experience for community members.

    MIWSFPA Visual Arts Gallery Co-ordinator Sonya Marie de Lazzer said this community driven work is important because it centres and empowers local voices and perspectives.

    “By creating a shared space for expression and connection, together we are encouraging public dialogue and expanding opportunity for conversation, reflection and empathy in our community,” de Lazzer said.

    For Leigh MacLeod, Willow Founder and Executive Director, the ability for members to publicly showcase artwork is significant.

    “I have the privilege of getting to know our Willow members and seeing their creativity and perspectives expressed through their brilliant art; working with the MIWSFPA allows more people to witness and connect to these experiences,” they said.

    For Hummel, showing their work in a professional gallery setting was not something they always thought possible; on one hand it has been exhilarating, but on the other, it has been uncomfortable.

    Hummel has developed their artistic practice and now leads educational initiatives at Willow, including supporting others with creative writing courses and leading projects with community partners.

    “It’s been incredible to share my art and creativity with the world,” Hummel said.

    MacLeod said Hummel’s experience resonates with other Willow members and that the partnership with MIWSFPA has allowed for their diverse perspectives to be heard by the community in meaningful ways.

    “Our members are often marginalized individuals who do not have access to the same opportunities because of their lived experiences with mental illness or substance use. Whether they face financial, social, psychological or health barriers, we strive to remove real obstacles so folks can access enriching and meaningful opportunities,” MacLeod said.

    Planning the exhibition begins several months before the opening reception when de Lazzer visits Willow offering an open information session. She provides details to members such as gallery floor plan, available space, electricity options, ceiling mount options and technological capability.

    “Before artists begin or complete the work that will be exhibited, everyone has a chance to visualize the space and ask any questions about the process,” she said.

    On installation day when Willow members bring their work to the gallery, de Lazzer said the collaborative nature of the process is thrilling.

    “We see all the artwork in the space and begin to play with layout. Artists are always invited to be there and be part of those discussions,” de Lazzer said.

    Guiding the process with her curatorial expertise, de Lazzer ensures that accessibility and inclusivity are addressed.

    “We want to make sure we are incorporating accessibility features like text placement, audio components or clear pathways to move through the space itself, so everyone can enjoy the artwork,” she said.

    In addition to mounting the exhibition, Brock graduates work on an ongoing basis with Willow to deliver artistic workshops and sessions including interdisciplinary artist Amber Lee Williams (BA ’20), multidisciplinary artist Skye Rogers (STAC ’22) and musician Joe Lapinski (BA ’99), among others.

    MacLeod said for Willow, the arts are vital to people’s survival.

    “When we speak of recovery, it is not as a finish line, but an ongoing journey of knowing you belong somewhere. Seeing our members shine with their work at the MIWSFPA gallery is a profound honour,” MacLeod said.

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  • Faculty Fellows in Accessibility

    Congratulations to the the inaugural Faculty Fellows in Accessibility!

    • Keri Cronin, Visual Arts;
    • Mike Griffin, Dramatic Arts; 
    • Chelsea Jones, Child & Youth Studies;
    • Melanie Pilkington, Chemistry;

    The adjudication committee was inspired by the insight and collective possibility this cohort will bring to accessible pedagogy and Scholarship of Teaching and Learning (SoTL) research at Brock. The Fellows will meet and work on exciting course and discipline-based projects over the next year and will be sharing their findings and experiences with the Brock community.

    Congratulations to all and thank you for supporting accessibility at Brock!  

    The Faculty Fellows in Accessibility initiative is one part of a multi-pronged approach to increasing accessibility awareness at Brock University.

    Supported by the Centre for Pedagogical Innovation (CPI) the Faculty Fellows in Accessibility will work to support the development of accessible pedagogical practice as well as the Scholarship of Teaching and Learning research around accessibility at Brock University.

    This program is aligned to the following area of Brock’s Academic Plan:

    • 2c: Focus efforts on curriculum review and program reimagination to allow for a well-designed mix of on-campus, online, and blended course options, as determined by the alignment between course delivery mode and learning outcomes;
    • 2i: Support the creation, adaptation, and adoption of open educational resources;
    • 4g: Identify and work to dismantle systemic academic barriers experienced by BIPOC, disabled, 2SLGBTQ+, and gender-diverse faculty, staff, and students and develop supports and community that foster inclusive participation and belonging, and that support flourishing;
    • 4h: Implement the relevant recommendations of the post-secondary education standards development committee for a new accessibility education standard under the Accessibility for Ontarians with Disabilities Act (AODA).

    The program is also aligned with Brock’s Strategic Plan priority of “fostering a culture of inclusivity, accessibility, reconciliation and decolonization.”

    For more information about the program, please click here.

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    Categories: Faculty & Instructors, News