Articles tagged with: dart

  • Welcome to the MIWSFPA: Orientation for 2020!

    Brock University is launching the first-ever Virtual Welcome Week.
    During this year of the pandemic the Orientation activities are all online.
    Watch the welcome below and visit the official Orientation page for all the details!

    (screenshot)


    The Department of Dramatic Arts, Music, Visual Arts, and the Centre for Studies in Arts and Culture are all part of the Faculty of Humanities.

    The Associate Dean, Dr. Neta Gordon, Professor of English, welcomes you to Brock University! She’s prepared an 11 minute video to introduce to you to the Faculty of Humanities:


    Michael Gicante is your Academic Advisor for studies at the MIWSFPA.
    He prepared this video for the April open House:


    Koreen McCullough is the Experiential Education Coordinator for the Faculty of Humanities.
    Watch her 3 minute presentation about Experiential Education opportunities at Brock University:


    The Marilyn I. Walker School of Fine and Performing Arts

    Located at 15 Artists’ Common in downtown St. Catharines, the MIWSFPA is home to four academic programs. We are right next door to the FirstOntario Performing Arts Centre on the main street of St. Catharines, St. Paul.

    Each program at the MIWSFPA is offering a special welcome to their students.  For example, if you are a beginning your studies as a major in Dramatic Arts, check out what that Department has scheduled for you and plan to join in the fun.  You are also welcome to join the activities of each program at the School even if you are only taking one course or beginning a minor program.  The activities and welcome messages from each program are listed below.

    Professor David Vivian, of the Department of Dramatic Arts (he teaches design and production for theatre), is the Director of the School:

    David will be hosting office hours on September 8, 2020, from 12-3:00 pm on Teams.
    Drop in and say hi! (click here)


    THE DEPARTMENT OF DRAMATIC ARTS (DART)

    Dr. David Fancy, Professor of Theatre Praxis, is the Chair of the Department:

    “I wish you a warm welcome to this new academic term, one that DART staff, faculty, and instructors have been carefully preparing for over the spring and summer. And now, with all of its adjustments and changes in delivery, this term is upon us.
    Please know that we are here to support you, to encourage you, and, perhaps most importantly: to collaborate with you to create contexts where much creativity, inquiry, and service will take place.
    Can’t wait to see you, virtually, and perhaps eventually otherwise, soon!
    Vive le théâtre!”

    Join Dramatic Arts Faculty on Tuesday, September 8th from 12 noon to 1pm for a drop-in session about Dramatic Arts. Non-Majors are especially welcome. Dramatic Arts Chair, David Fancy and David Vivian, Director of the Marilyn I Walker School and DART Faculty, will talk informally about the Department. David Fancy will answer your questions about how to take courses as a non-Major and should you how to achieve a Minor in Dramatic Arts. Find us on Lifesize. (click here)

    All Major students are invited to JOIN US at the Annual DART Orientation!
    Tuesday, September 15, 6:00 – 7:15 PM

    Online at :  https://brocku-ca.zoom.us/j/83578938305

    Meeting ID: 835 7893 8305
    (also available via telephone and mobile! contact dvivian@brocku.ca for details)

    The DART community is cordially invited to our 2020 online departmental orientation. This invitation is especially extended to DART first year students: We look forward to seeing you at the Orientation so that you can meet faculty, staff, and fellow students, and learn about the many opportunities for engagement – from auditions to performances to clubs – at DART.

    First-year students who visit at least three of the DART Orientation Zoom breakout rooms will be entered into a draw to win a $50 Brock Campus Store gift card!

    Be it online or face-to-face, DART is a vibrant and welcoming community, and we can’t wait to see you on Tuesday, September 15.


    THE DEPARTMENT OF MUSIC (MUSI)

    Dr. Karin Di Bella, an accomplished pianist and educator, is the Chair of the Department:

    Dr. Di Bella will be holding office hours on September 8th from 2-3 pm on Teams.
    Drop-in and say hi! (click here)

    Reminders from your Music professors:

    • Check Sakai and your Brock email for info about your first class
    • Choir: if you still need to do your choir audition, please look here for more information:
      Sing at Brock!
    • Lessons: if you still need to set up your lesson, contact Dr. Di Bella kdibella@brocku.ca
    • For all other inquiries please contact the Music Office and we’ll be happy to direct you to the right place. nfedj@brocku.ca

    Classes start Wednesday, September 9th! Have fun! We are happy you’re here.

    PS. Our MUSI student yearly welcome/orientation for all new and returning MUSI students will take place on the first Tuesday@Noon.  Ask Professor Di Bella for details.


    The Department of Visual Arts (VISA)

    Welcome new VISA students to our asynchronous orientation video! It’s always nice to put a name to face, so we took some time to prepare this video, so that you can get acquainted with some of the awesome people in the Department of Visual Arts. We look forward to meeting you in person in the near future. Stay safe, VISA.

    Professor Shawn Serfas, Chair of the Department will be holding office hours on September 8th from 2-3 pm on Teams.
    Drop-in and say hi! (click here)


    The Centre for Studies in Arts and Culture (STAC)

    STAC Major student, Maya Meyerman has prepared this welcome message for you:

    Dr. Catherine Parayre, Director of the Centre, will be holding office hours on September 8th from 2-3 pm on Lifesize.
    Drop-in and say hi! (click here)

    Additional Office hours will be:

    • Tuesday 15 September, 3-4 pm
    • Wednesday 7 October, 2-3 pm
    • Tuesday 17 November, 3-4 pm
    • Wednesday 2 December, 1-2 pm

    Interiors, a curated virtual platform has been launched!  Interiors is the home of various creative projects by Affiliates of STAC’s Research Centre in Interdisciplinary Arts and Creative Culture, also with student exhibitions. Check out our Outreach Activities: participate and be published on the site!

    ti< is an online journal (ISSN 1929-4336) that publishes creative work combining text and image. It is primarily interested in creative work by students, their instructors, as well as by artists and writers whose work combines literature and the visual arts. All languages are welcome, including endangered languages. No translation is needed. Next issue: March 2021. Submissions accepted until 15 February 2020. Please send to cparayre@brocku.ca https://journals.library.brocku.ca/index.php/ti

    Check out the Advising Letter for more news about exciting opportunities at the Centre for Studies in Arts and Culture!

    STAC Majors: more info and regular updates are available on Sakai on the tab titled… ‘STAC Majors’.  Add this tab to your Sakai courses.


    We all wish you a very successful year at the Marilyn I. Walker School of Fine and Performing Arts.

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    Categories: Announcements, Current Students, Department/Centre News, Events, Faculty & Instructors, Future Students, News, Uncategorised

  • The show must go on: Brock prof encouraged by theatre’s resiliency in midst of cancellations

    Karen Fricker, Associate Professor of Dramatic Arts, says that despite the impact of COVID-19 on the performing arts, she’s encouraged by what she’s seen from the industry.

    (published WEDNESDAY, APRIL 08, 2020| by The Brock News {Alison Innes})

    The COVID-19 pandemic has had a devastating blow on the performing arts, but a Brock University Dramatic Arts professor is encouraged by what she has seen from the industry.

    “A vibrant industry went to ground over a matter of days, with theatres at first announcing cancelled or postponed productions and then, in most cases, cancelling the remainder of their winter-spring seasons,” says Karen Fricker, Associate Professor of Dramatic Arts and theatre critic for the Toronto Star. “Most performing artists are precarious gig workers who are seeing current and future bookings evaporate.”

    In St. Catharines, arts organizations including the FirstOntario Performing Arts Centre, the Meridian Centre, Essential Collective Theatre and Carousel Players are among those that have cancelled or postponed programming through May.

    The Stratford Festival has cancelled performances through to late May, and Niagara-on-the-Lake’s Shaw Festival through June. While Shaw has not laid-off workers and is conducting rehearsals online, Stratford has temporarily laid off 470 employees, including actors, technicians and box office workers.

    But Fricker sees hope among the gloomy news.

    “Theatre companies and artists have been demonstrating amazing resilience and ingenuity during this time of crisis,” she says. “A lot of activity has gone online.”

    Essential Collective Theatre is turning its annual vaudeville fundraiser into an online affair. “Quarantine Cabaret” will feature short video recordings of various acts, including singing, magic, clowning, drag and melodramatic readings, which will be live-streamed at the end of April.

    Several Toronto-based companies are putting on telephone plays: one-on-one shows in which an audience member gets a hand-made personal story delivered to them over the phone, says Fricker.

    “DLT (DopoLavoro Teatrale), known to local audiences for their immersive shows including That Ugly Mess that Happened in St. Catharines, is producing a series of phone and online performances,” says Fricker. Some of the performances are inspired by Boccacio’s Decameron, a 14thcentury collection of novellas about a group of youth sheltering outside Florence to escape the Black Death.

    “I have been uplifted by engaging with online theatre over the past few weeks,” Fricker says.

    “Watching theatre this way is not the same as sharing the same physical space and time with fellow audience members and the artists themselves, but that doesn’t mean it’s a lesser experience. It’s different, and theatres and audiences alike are adapting to what is, for now, the new normal.”

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    Categories: Announcements, Department/Centre News, Events, Faculty & Instructors, News, Uncategorised

  • Dramatic Arts grad gets rave reviews in Soulpepper’s The Brothers Size

    Brock Dramatic Arts alumnus Marcel Stewart (BA ’07), centre, plays the role of Elegba in the Soulpepper production of The Brothers Size alongside Daren A. Herbert, left, and Mazin Elsadig. Photo by: Cylla von Tiedemann, courtesy of Soulpepper.


    The reviews are in, and Brock Dramatic Arts alumnus Marcel Stewart (BA ’07) is earning praise for his performance in what the Toronto Star calls a “stunning Canadian premiere.”

    Stewart stars as Elegba in The Brothers Size, the newest offering from Toronto-based production house Soulpepper.

    He describes the experience as a “whirlwind,” especially after Toronto-based rapper Drake made a surprise appearance at the May 10 opening night performance.

    Brock Dramatic Arts alumnus Marcel Stewart (BA ’07), second from right, and his castmates from The Brothers Size got a surprise visit from rapper Drake, third from right, at the opening night performance of the Toronto show.

    “It has been amazing; it’s such a gift to do something like this,” Stewart said. “Through my whole journey as an actor, I have wanted to work on a play that speaks to my experience, one that I can easily dive into, and this text was so comfortable it was like putting on a jacket that was made for me.”

    The Brothers Size is the second play in the Brothers/Sisters series, written by Oscar-winning screenwriter and Tony Award-nominated playwright Tarell Alvin McCraney.

    Set in a fictional town in Louisiana, it tells the story of two brothers, Ogun and Oshoosi, who find themselves living together after Oshoosi’s release from prison.

    Stewart plays Oshoosi’s best friend, who formed a bond with him during their incarceration together.

    “I think on a micro level, Brothers Size is about the experience of black men today in the world,” Stewart said. “But on the macro level, what the characters go through are things that all people experience: grief, trauma and searching for a sense of belonging.”

    Stewart’s performance marks his return to the Soulpepper stage, where he has previously performed three times and was a member of the Soulpepper Academy.

    Some of his other credits include the role of Miles in The Drawer Boy at Prince Edward County’s Festival Players, Coutts in the Mirvish Theatre Production of King Charles III in Toronto, and roles on popular Canadian television series’ Kim’s Convenience and Murdoch Mysteries.

    While he focused primarily on acting for several years after graduation, Stewart also developed a passion for doing outreach work and giving back to young, aspiring actors.

    Brock Dramatic Arts alumnus Marcel Stewart (BA ’07).

    When he’s not on stage, he gives private acting lessons and hosts workshops in communities across Canada. He’s worked with school groups at the Toronto International Film Festival, for example, and was the creator of What Noise is This, a workshop that explores William Shakespeare’s canon through the lens of hip-hop music.

    Stewart is also involved in the local theatre industry, both as the outreach co-ordinator with St. Catharines theatre company Suitcase in Point and the volunteer co-ordinator for the upcoming In The Soil Arts Festival, taking place this June in downtown St. Catharines.

    Brock Assistant Theatre Professor Danielle Wilson offered her congratulations on Stewart’s success.

    “Marcel was bright and hungry to learn and is an example of the breadth of career opportunities that become available after studying in DART,” she said. “We congratulate him on his success as a working artist and are very proud of the contributions he has made in the theatre community over the years.”

    Stewart attributes his ability to “wear many hats” in his career to the skills he gained from studying at Brock.

    “The ‘motor’ that I developed at Brock was probably my biggest takeaway that I still rely on 12 years later,” the 33-year-old said. “To keep going, to keep pursuing, and if a door is closed in my face, then there’s 10 more doors that I can open.”

    After the wrap of Brothers Size in Toronto, Stewart is headed back to work in St. Catharines.

    He wants to continue his outreach work and bring more eclectic and diverse artists to St. Catharines.

    He said instructors at Brock encouraged him to explore his sense of self and find cultural connections through the performing arts — and he wants to do the same for others.

    “My experience at Brock helped open me up to recognizing who I am as a black man and encouraged me use that voice and speak from my perspective whenever I can,” he said. “Now I’m on this representation kick, running workshops, doing outreach and looking at how to bring some more colour — in more ways than one — to the artistic landscape.”

    Brothers Size runs until Saturday, June 1 at the Young Centre for the Performing Arts at 50 Tank House Lane in Toronto. More information and tickets are available at Soulpepper.ca.

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    Categories: Alumni, Faculty & Instructors, News

  • All the world’s a stage for Brock student turned Shaw Festival intern

    Brock Dramatic Arts student Mae Smith gets acquainted with the Shaw Festival theatre in Niagara-on-the-Lake on her first day as the festival’s newest intern.


    (From The Brock News, April 25, 2019 | By: Sarah Ackles)

    Brock Dramatic Arts student Mae Smith is ready to put her in-class learning to the test as she embarks on an eight-week internship with the venerable Shaw Festival.

    Smith, who began in the new role this week, will use her production and design skills as she works alongside Kevin Lamotte, Shaw’s Head of Lighting, Wayne Reierson, Head of Props, and other Shaw staff on the productions of BrigadoonThe Lady Killers, and Sex.

    The shows will run at the festival this summer and fall in Niagara-on-the-Lake.

    Kate Hennig, Associate Artistic Director of the Shaw Festival, said the internship allows students to gain experience in a range of festival activities under the direction of industry professionals.

    Kate Hennig (left), Associate Artistic Director of the Shaw Festival, meets with Mae Smith, Brock’s Department of Dramatic Arts 2019 Shaw Festival intern.

    “In addition to her daily work calls, Mae will have access to the onstage and backstage life of one of North America’s busiest repertory theatres,” she said. “She will meet theatre artists from across Canada and around the world, and will have unique opportunities to attend many lectures, discussions and ancillary events during her residency.”

    Smith said she’s looking forward to the experiential learning opportunities the internship provides and to developing techniques and strategies for staging a production.

    “I’ve had a lot of practical experiences at Brock, but this internship will be quite specific and I’m excited to learn more about lighting design and props construction,” she said. “I also hope I can gain connections with other professionals that will open more career opportunities for me.”

    Brock’s Department of Dramatic Arts (DART) has partnered with the Shaw Festival to provide student internships since 2011.

    Dramatic Arts alumna Michelle Mohammed (BA ’18) was 2018’s intern and worked alongside Peter Hinton on Oh! What a Lovely War. She vlogged about her experiences at the festival on the Marilyn I. Walker School of Fine and Performing Art’s YouTube channel throughout the process.

    Smith will provide weekly updates as well, which will also be shared through the Marilyn I. Walker social media accounts.

    DART students are eligible to apply for this intensive residency following the successful completion of DART 4Y92: Text and Performance at the Shaw Festival Theatre, taught by instructor Barbara Worthy. Students attended festival performances and interacted with festival staff and actors during the course.

    Co-ops and summer contract work at the Shaw has also been available to DART students over the years, and some alumni of the program have even gone on to work for the festival full time.

    Department Chair Joe Norris said all of the internship candidates this year were exceptional students, but Smith was ultimately chosen because her skills and interests were the “best fit” for the particular productions the Shaw Festival is staging this season.

    “The Shaw internship creates a stepping stone between the university world and the student’s future career path,” he said. “Mae will be able to bridge what she’s learned in the classroom with the processes that the Shaw utilizes, and gain experience in a professional environment.”

    Smith is excited to learn more about the inner-workings of the festival and utilize the experience to bolster her resume going forward.

    “I’m really grateful for the opportunity,” she said. “I feel the internship will help me figure out where I want to situate myself in theatre and help me plan my professional path.”

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    Categories: Current Students, Department/Centre News, News

  • Popular One Act Festival returns to Marilyn I. Walker Theatre

    Dramatic Arts students in the Directing II course are presenting a series of short plays as part of the upcoming One Act Festival on Friday, March 22 and Saturday, March 23 at the Marilyn I. Walker Theatre.


    (From The Brock News, March 18, 2019 | By: Sarah Ackles)

    Brock’s Dramatic Arts students will bring the intricacies of human interaction, the banality of small-town life and even the future of ‘designer babies’ to the stage in the upcoming One Act Festival.

    Opening at the Marilyn I. Walker Theatre of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) on Friday, March 22, the popular One Act Festival will stage eight student-led productions in a two-night run.

    A yearly endeavour, the festival puts students in the Directing II course in the spotlight as they bring a selection of one-act plays to life. The students are responsible for the entire production process, including the selection of a script, auditioning the cast, rehearsing, designing the show and co-ordinating with the Dramatic Arts (DART) production team on all technical needs.

    The course’s instructor, Mike Griffin, said the One Act Festival is one of his favourite parts of the DART program.

    An exciting mentoring process happens, he explained, as students from all years collaborate to create theatre under the leadership of the third-year directing class.

    “As the student actors and directors come together, they put into practice the skills they have been developing throughout their courses, which supports them as they teach each other, grow as artists and inspire the next round of future directors,” he said.

    This year’s productions are all being presented under the theme ‘Rise.’

    Lauren Reid, a third-year DART major and Director of On the Porch One Crisp Spring Morning, said the inclusive and collaborative nature of the One Act Festival makes for a valuable learning experience.

    “Everyone is so open and willing to help me with this great opportunity and to make it the best it can be,” she said. “I have a great team on all sides that are there to support me whenever I need help, and I think this course is a great way for people to explore different opportunities within the DART and theatre community, in general.”

    For second-year DART student Holly Hebert, the festival allows her to “actively participate in the growth of a production.”

    “As an actor in Winter Games, Director Chris Murillo had us engage in a number of exercises that built our relationships, our impulses and developed our One Act to become an incredibly stimulating process,” she added.

    The students encourage the community to attend, promising the roster of shows in the festival are “emotionally active” and will often have audiences “on the edge of their seats.”

    The One Act Festival runs on Friday, March 22 and Saturday, March 23, at 7:30 p.m. each night. All shows take place in the Marilyn I. Walker Theatre of the MIWSFPA at 15 Artists’ Common.

    Admission is pay-what-you-can at the door.

    For more information on the 2018 One Act Festival, visit the Current Season page on the DART website.

    One Act Festival 2019

    Inside the Department of the Exterior
    Directed by: Josh Loewen
    Playwright: Philip Hall
    Actors: Jared Geden, Samantha Rideout

    Another Sense
    Directed by: Rina Wilkins
    Playwright: Melissa Major
    Actors: Madison Andrews, Bianca Taylor

    Winter Games  
    Directed by: Rachel Bonds
    Playwright: Chris Murillo
    Actors: Alex Sykes, Holly Hebert, Leah Rantala

    The Worker
    Directed by: Rachel Frederick
    Playwright: Walter Wykes
    Actors: Paige Hunt-Harmon, Asenia Lyall, Diego Blanco

    Baby Factory  
    Directed by: Tyler Simpson
    Playwright: Stephen Bittrich
    Actors: Tristan Holmes, Luke Huffman, Meryl Ochoa, Nathan Rossi, Elizabeth Martin

    Nightstand  
    Directed by: Uchenna Edozie-Egbuna
    Playwright: Fergus Church
    Actors: Molly Lacey, Luca D’Amico

    One Night Fran
    Directed by: Frances Johnson
    Playwright: Adam Szudrich
    Actors: Kristina Miller, Aly Markov, Sarah Rowe

    On the Porch One Crisp Spring Morning
    Directed by: Lauren Reid
    Playwright: Alex Dremann
    Actors: Alexandra, Chubaty Boychuk and Joanna Tran

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    Categories: Announcements, Current Students, Department/Centre News, Events, News

  • King Ubu coming to Marilyn I. Walker Theatre

    Cast and crew members of the upcoming mainstage production King Ubu have been busy preparing for opening night on Friday, March 1. Tickets are on sale now for the production, presented by Brock University’s Department of Dramatic Arts.


    (From The Brock News, February 13, 2019 | By: Sarah Ackles)

    Alfred Jarry’s controversial classic King Ubu will bring audiences face-to-face with the absurdity of modern life when the production comes to Brock University’s Marilyn I. Walker Theatre starting Friday, March 1.

    Presented by Brock’s Department of Dramatic Arts (DART), the show is an avant-garde and hilarious commentary on human folly and the dangers of unchecked political ambition.

    Director and Associate Professor David Fancy said Ubu’s references to populism and the blurred lines between celebrity culture and politics are fitting themes for our current climate. Although first performed in 19th century France, King Ubu, he added, offers “an invitation to look critically at, but not disengage with, the current moment in time.”

    The play centres on Ma and Pa Ubu’s bloodthirsty quest to become the new king and queen of a fictionalized version of Poland.

    Between their continuous bickering, Pa, an egotistical and inept tyrant who wields an enormous toilet brush while speaking nonsense, and Ma, his enabling and devious wife, scheme to take over the world through a series of antics that play out like a reality show gone wrong.

    To emphasize the theatrical nature of Ma and Pa Ubu’s political exploits, the show features puppets, karaoke numbers and a giant puppet head that eats half the cast.

    Although the production stays true to the absurdist spirit of Jarry’s original work, Fancy said there is also a layer of introspection that exists beneath all the silliness.

    “On one side we’re being playful, irreverent and sarcastic like Jarry, but on the other side there are also lots of heartfelt moments,” he said. “We can use laughter on some level to celebrate, criticize and escape, but we will also be forced to confront the fact that these are real people having difficult experiences. We question what caused them to become such trainwrecks — and whether we need to have compassion for these people who are perhaps not so different from us.”

    The show’s gender-bending lead role selection also provides a unique twist.

    Ubu admonishes supremacy logic in all of its forms and casting a woman as Ubu helps heighten the critique of patriarchy. At the same time, this casting points out that anyone, given the right context, can engage in human folly,” Fancy said of the distribution of roles across genders. “Everybody can behave like a dangerous fool.”

    All these aspects of the production, combined with intense and moving performances, make for an entertaining experience, he added.

    “I think a big part of it is tapping into the creative possibility of what theatre can be as an art form,” Fancy said. “The experience gives our cast and crew the creative confidence to respond to the world around them, like Jarry did, using their own, creative voices.”

    King Ubu is translated by David Edney and directed by David Fancy, with costume design by Jo Pacinda and scenography and scenography by James McCoy.

    The production showcases the talents of students in the DART undergraduate program, including Ash McEachern, Avery Delaney, Chris Murillo, Emma McCormick, Jackson Wagner, Jasmine Case, Juan-Carlos Figueroa, Lauren Reid, Leah Eichler, Rachel Frederick, Samuel Donovan, Taylor Bogaert and Tsipporah Shendroff.

    Brock students, staff and faculty members of the creative and production team include Kristina Ojaperv (Assistant Director), Jordine De Guzman (Stage Manager), Alicia Bender (Assistant Stage Manager), Meryl Ochoa (Assistant Lighting Designer), Trevor Copp (Choreographer), Holly Kurelek (Wardrobe Supervisor), Diego Blanco and Molly Lacey (Dressers), Brian Cumberland (Production Manager), Gavin Fearon (Technical Director), Ed Harris (Shop Supervisor), Dawn Crysler (Theatre Technician), Danielle Wilson (Shakespeare Coach) and Roberta Doylend (Head of Wardrobe).

    King Ubu runs from Friday, March 1 to Saturday, March 9 at the Marilyn I. Walker Theatre at the Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines. Showtimes are March 1, 2 and 9 at 7:30 p.m., March 3 at 2 p.m. and March 8 at 11:30 a.m. and 7:30 p.m.

    Tickets for the show are $18 for adults and $15 for students and seniors. A group rate is also available. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

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    Categories: Current Students, News, Uncategorised

  • MIWSFPA faculty, alumni nominated for 2019 St. Catharines Arts Awards

    Visual Arts alumna Kylie Haveron (BA ’18) is among the nominees selected for the Emerging Artist category for the 2019 City of St. Catharines Arts Awards.


    (From The Brock News, January 31, 2019 | By: Sarah Ackles)

    Congratulations are in order for the numerous faculty members and alumni of Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) nominated for the 2019 City of St. Catharines Arts Awards.

    The awards recognize and celebrate excellence in all areas of artistic creation and seek to increase the visibility of St. Catharines’ artists and cultural industries, honour cultural leaders and their achievements and cultivate financial and volunteer support for the arts sector.

    Visual Arts alumna Kylie Haveron (BA ’18) is among the nominees selected for the Emerging Artist category, while Dramatic Arts Chair Joe Norris and Assistant Theatre Professor Danielle Wilson were both nominated for the Arts in Education award.

    Nominated in the Established Artist category are Wayne Corlis (BA ’05, MA ’12), who majored in Visual Arts and earned a master’s in Studies in Comparative Literatures and Arts, and Colin Anthes (BA ’14, MA ’16), who completed a combined Psychology/Dramatic Arts degree with a minor in Philosophy and a master’s degree in Philosophy. Anthes currently works as a part-time instructor in Brock’s Department of Dramatic Arts.

    Nominated in the Making a Difference category is alumna Emma German (BA ’14), who majored in Visual Arts and worked as a curator at the City of St. Catharines and Brock’s Rodman Hall Art Centre.

    Also nominated in the same category is the Willow Arts Community, a non-profit arts organization based at Rodman Hall that provides free artistic training and exhibition opportunities to community members with lived experience of mental health and addiction.

    The recipients of the City of St. Catharines Arts Awards will be recognized at a reception on Friday, May 3 at the FirstOntario Performing Arts Centre. Tickets will be available in March.

    A full list of nominees is available online.

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    Categories: Alumni, Faculty & Instructors, News

  • King Ubu tickets on sale now!

    Tickets for our spring mainstage presentation of King Ubu, presented by the Department of Dramatic Arts, are on sale now!

    The show runs from March 1 to 9 at the Marilyn I. Walker Theatre.


    King Ubu

    Written by Alfred Jarry
    Translated by David Edney
    Directed by David Fancy
    Set and lighting by James McCoy
    Costumes by Jo Pacinda

    Alfred Jarry wrote King Ubu in the 1890’s in large part to poke fun at the idiocy, capriciousness and vanity of political and personal power. it is almost like its author could see into the future and predict the very political climate we are living in today.

    The character of King Ubu is a complete fool who talks about poop, loves himself a lot and kills everybody around him whenever he feels like it. He is a patriarch, a racist and a megalomaniac.

    His wife, Ma Ubu, is very much like Shakespeare’s Lady Macbeth and pushes King Ubu to increasing feats of violence and narcissism. When they are not bickering or having food-fights, Ma Ubu demands King Ubu kill off their adversaries and take over the world. They spend the show chasing their enemies all over a fairy-tale-like Poland before sailing off into a sunset.

    In short: the Ubus are the ultimate reality TV show gone wrong.

    Read more about the performance.

    PERFORMANCES:
    Friday, March 1, 2019 @ 7:30 PM
    Saturday, March 2, 2019 @ 7:30 PM
    Sunday, March 3, 2019 @ 2:00 PM
    Friday, March 8, 2019 @ 11:30 AM
    Friday, March 8, 2019 @ 7:30 PM
    Saturday, March 9, 2019 @ 7:30 PM

    Tickets:
    $18 Adult
    $15 Student/Senior
    $12 Group (10+) each
    $5 EYEGO Highschool Student (with Valid ID upon ticket Pick-Up)

    General Admission seating.

    Performance location:
    The Marilyn I. Walker Theatre
    Marilyn I. Walker School of Fine & Performing Arts – downtown campus – Brock University
    15 Artists’ Common, St. Catharines, ON

    Tickets for all performances are available online through the Box Office of the First Ontario Performing Arts Centre. by email at boxoffice@firstontariopac.ca, or in person in downtown St. Catharines at 250 St. Paul Street, St. Catharines, ON, L2R 3M2.

    Open Monday to Friday, 10 a.m. to 6 p.m., and Saturday, 10 a.m. to 2 p.m. (Holiday and summer hours may vary).


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    Categories: Alumni, Announcements, Current Students, Department/Centre News, Events, Faculty & Instructors, News

  • DART prof wins national award for theatre criticism

    (From The Brock News, Tuesday Oct.30, 2018 | By: )

    Karen Fricker is getting rave reviews from a respected national audience.

    The associate professor in Brock’s Department of Dramatic Arts is being honoured with the 2018 Nathan Cohen Award for excellence in critical writing by the Canadian Theatre Critics Association.

    Fricker won the award’s short category for her 2016 Toronto Star review of Michel Tremblay’s classic Hosanna, as revived by Toronto’s Soulpepper Theatre.

    Fricker, whose research areas include Quebec theatre, said the play is a complicated touchstone of Quebecois culture.

    “A big challenge of writing this review was trying to use the research-based knowledge I had about the play without being overwhelmed by it,” she said. “It was a really hard review to write, so it’s gratifying that it’s being recognized.”

    Fricker has a long history with theatre criticism, having written for outlets including The Guardian and Varietyas well as being the founding editor-in-chief of Irish Theatre Magazine, a publication that operated from 1998 to 2014. She has written for the Toronto Star since March 2016.

    Fricker joined Brock’s Department of Dramatic Arts in 2013. Her research interests include contemporary theatre and globalization, popular performances of nation and cultural identities, and theatre criticism. Recent projects have included work on circus performance.

    “The benefits between my work at Brock and at the Toronto Star flow both ways,” Fricker said.

    “I try to connect students in my courses to what’s happening in GTA theatre, and we learn from each other’s responses to the work. When we publish their edited reviews on the DARTcritics website, their voices enter the broader dialogue.”

    As part of her interest in arts criticism in the digital age, Fricker established the blog DARTcritics.com to provide students with an opportunity to publish their work. The site grew from a space for student coursework to a year-round source of quality arts criticism in Niagara. The site now includes reviews and features by students and graduates who are paid for their work.

    The Nathan Cohen Awards were established in 1981 and are given out every two years to honour outstanding critical writing about theatre and performance in print or electronic media. The awards are named after legendary Toronto Star and CBC critic Nathan Cohen.

    A history of the awards and past recipients may be found on the CTCA website.

    Fricker will receive her award in December at a special luncheon in Toronto.

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  • DART Faculty co-direct a Play in Four Hours at Curriculum and Pedagogy conference in New Orleans

    Classroom Territoriality (Left to Right) Joe Norris, Rich Edmonson, Sharon Gile, Rick Breault, Janis McTeer


    A Play in Four Hours

    Using the playbuilding research process, Dramatic Arts Chair Joe Norris and graduate student Kevin Hobbs co-directed delegates at the Curriculum and Pedagogy conference in New Orleans, Oct. 17 and 18.

    After two, one and one-half hour devising sessions, and a one-hour rehearsal, they performed their series of nine vignettes, entitled: The Shape of School, at the closing conference event. The emergent themes included territoriality of classroom spaces, the pervasiveness of heteronormativity in the school yard, forms of administrative control of students and teachers, perceived status of particular schools and competing educational philosophies. It was concluded that these and other issues are strong undercurrents that contribute to the ethos of school experiences.

    Audience members participated in workshopping the scenes through body sculpting and discussions, with one conference delegate claiming that the images and issues would haunt her for some time to come.

     In addition to Norris and Hobbs, the participating playwrights were Rick Breault, Ashland University; Sharon Gile, Claflin University; Janis McTeer, Kent State University; Karen Morris, RJ Reynold High School, North Carolina; Sam Tanner, Penn State University; and Miryam Espinosa-Dulanto, Rich Edmonson, and Zulema Williams all from University of Texas, Rio Grande Valley.

     

    The Shape of Schools (Left to Right) Kevin Hobbs, Sam Tanner, Sharon Gile, Janis McTeer

    Leave it at the Door (Left to Right) Sharon Gile, Janis McTeer, Kevin Hobbs and Rick Breault

     

     

     

     

     

     

     

     

     

     

     

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    Categories: Department/Centre News, Events, Faculty & Instructors, News