In the Media

  • Visual Arts Professor’s short video presented in Photophobia

    Donna Szőke. Midst, single channel video loop, 2019 (Invisible Animals series, 2012-2019). (photo: D.Szőke)

    Professor Donna Szőke of the Department of Visual Arts is thrilled to announce that her new short video “Midst” screens online in the “Photophobia” festival the weekend of Friday August 7, at 7pm.

    Photophobia is an annual festival of short-format contemporary media, film, video and moving image hosted in partnership between the Art Gallery of Hamilton and Hamilton Artists Inc. Established in 1999, Photophobia is Hamilton’s first film and video festival dedicated to the development of experimental time-based media. Not confined by restrictions or themes, Photophobia is a free, juried festival that invites the community to experience a showcase of contemporary work that tests the boundaries of each medium.

    All three nights of the screening are free to watch online at 7 pm each night on August 6, 7 & 8 This year’s festival will be a virtual presentation. A link to view each program will be posted at the page below prior to each event.  Each program will be available to view online for a period of 72 hours after its initial screening. All three screenings will be free.

    See the complete program on the Photophobia website.  

    Installation view of Midst, part of the Industrial Niagara Exhibition at Rodman Hall Art Centre, Brock University, Spring 2020. (photo: D. Knight)

    Program 1: Thursday, August 6, 7:00 pm Online, Followed by a Live Q&A Conversation With the Filmmakers

    Program 2: Friday, August 7, 7:00 pm Online, Followed by a Live Q&A Conversation With the Filmmakers
    ***Donna Szőke (St. Catharines) – Midst, 2019 (4:00)***

    Program 3: Saturday, August 8, 7:00 pm Online, Followed by a Live Q&A Conversation With the Filmmakers 

    Szőke was an invited Walker Cultural Leader for the Centre for Studies in Arts and Culture for 2020.  In January she presented her Artist’s Talk “On Invisibility” at the Marilyn I. Walker School of Fine and Performing Arts.

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  • Assistant Professor in Visual Arts (Digital Media and Design): Candidate Research Presentations

    The Brock and wider community are warmly welcomed to attend the online presentations by the short list of candidates for this position.

    Each will give an hour-long presentation and engage in discussion about their current research interests and focus upon their contributions.

    GUSTAVO CERQUERA BENJUMEA

    WEDNESDAY, MAY 20TH, 2020
    Research Presentation 1:00pm (1:00 – 2:20pm)
    stream.lifesizecloud.com/extension/3327547/cf3bdaf1-eac4-4aa9-8116-3fdc308ebef8

    Gustavo Cerquera Benjumea is a Colombian Canadian Toronto-based digital media artist, animator, music video director, and teacher. He specializes in computer animation, video installation, and drawing. His work explores psychedelia, plant biology, and Latin American histories. His work has exhibited internationally including at: Slamdance Film Festival, Glas Animation Festival, Ottawa International Animation Festival, Art Spin Toronto, the Niagara Artist Centre, Summerworks Festival, Nuit Blanche Toronto, among others. He has directed music videos for Lido Pimienta and Chancha Via Circuito. He is the current programming chair at the Toronto Animated Image Society. Gustavo teaches at OCADU and Brock University.

    TROY DAVID OUELLETTE

    THURSDAY, MAY 21ST, 2020
    Research Presentation 1:00pm (1:00 – 2:20pm)
    stream.lifesizecloud.com/extension/3327527/6fd67857-4515-484b-9d04-9ea9ea756a71

    Troy David Ouellette is an artist/researcher specializing in Assemblage Theory. He received his PhD, in Visual Arts, from York University in 2014 and his M.F.A. from the University of Windsor in 2007. He has taught Design, Sculpture and undergraduate courses, at various universities and colleges, in Southern Ontario. From 1999 until 2005 he was the Sculpture Facilitator at the Banff Centre for the Arts. Ouellette is a founding member of the London Ontario Media Arts Association (LOMAA) and the sound art collective Audio Lodge. His work has been included in several solo and group exhibitions in Canada, Australia and  the United States. He resides in Hamilton, Ontario.

    GWEN MACGREGOR

    FRIDAY, MAY 22ND, 2020
    Research Presentation 1:00pm (1:00 – 2:20pm)
    stream.lifesizecloud.com/extension/3326867/e156311e-7437-4e53-a009-eada0c2fcfff

    Gwen MacGregor is a visual artist and geographer working across the disciplines of installation, video, photography, and geographic scholarship. She has artworks in collections such as the Art Gallery of Ontario, Oakville Galleries and the Royal Bank Collection. Recent exhibitions include The Robert McLaughlin Gallery in Oshawa, Ontario and Phoenix Projects Athens, Greece. She has exhibited extensively internationally and has also participated in numerous international art residencies including the International Studio Curatorial Program in New York. She is a Toronto Friends of the Visual Arts Award holder and is represented by MKG127 in Toronto. MacGregor is a PhD Candidate in Geography at The University of Toronto. Her dissertation explores the constructions and contestations of nationhood in contemporary art practices presented at art biennales.


    Please share and post this poster in your community.

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  • Industrial Niagara, a new exhibition at Rodman Hall Arts Centre

    (image: Shawn Serfas)

    EDITOR’S NOTE: This exhibition is unavailable for viewing until further notice. It is closed as part of Brock University’s ongoing efforts to protect the health and safety of students, faculty, staff and the community in light of the ongoing COVID-19 pandemic. Please check here again.

    Industrial Niagara
    March 7-22, 2020, Rodman Hall Art Centre, Brock University
    Saturday, March 14, 2-4 p.m. Speaker Series

    Industrial Niagara, an exhibition, brings together key works by members of the Research Centre, Studies in Arts and Culture, Brock University.

    Visual artists Candace Couse, Catherine Parayre, Shawn Serfas, Donna Szőke, and ARTIndustria share their insights by responding to the natural environs and the features that distinguish the presence, loss or history of industry in Niagara’s landscape. A combination of hinterland, cataract and escarpment, waterways and canals, hydro-electric generators and high tension wires, manufacturing facilities, factories, subdivisions and farmland, this is the first of a series of reflections or aesthetic interpretations on the meaning of locale (genius loci).

    download poster

    Curated by Derek J.J. Knight, with a speaker series programmed by Catherine Parayre, on Saturday, March 14.

    Visit the Industrial Niagara Virtual Gallery.

    See the video produced by YourTV Niagara, on March 16, 2020.

    EDITOR’S NOTE: The below event has been cancelled as part of Brock University’s ongoing efforts to protect the health and safety of students, faculty, staff and the community in light of the ongoing COVID-19 pandemic.

    Rodman Hall Art Centre will host a cultural event on Saturday, March 14, 2-4 p.m. featuring readings by award-winning authors Natalee Caple and Adam Dickinson as well as short reflections by Niagara residents on their observations, research or experience, from the impact of the Welland Canal to the generation of hydro-electric power: Clark Bernat, Derek Knight, Reinhard Reitzenstein, David Sharron, Penelope Stewart, and David Vivian.

    Open to members of the public this event is organized as part of the Research Centre’s outreach and to encourage future partnerships in an ongoing series of thematic projects.

    download the program for Industrial Niagara

    The Research Centre in Interdisciplinary Arts and Creative Culture acknowledges the support of Brock University: Centre for Studies in Arts and Cultures, Marilyn I. Walker School of Fine and Performing Arts, Studies in Comparative Literature and Arts, Dean’s Office in Humanities, Research Services, and Rodman Hall Art Centre.

    New research centre fosters interdisciplinary approach to arts and culture
    [brocknews, alison innes. MONDAY, MARCH 02, 2020]

    The Research Centre in Interdisciplinary Arts and Creative Culture (RCIACC) establishes a network of researchers and creators across Faculties at Brock and beyond the University. The research centre is part of the Centre for Studies in Arts and Culture (STAC).

    “STAC has an established reputation as an interdisciplinary academic centre and it was therefore logical to home an interdisciplinary research centre in the unit,” says Associate Professor Catherine Parayre, who led the initiative with Associate Professor Derek Knight and is the Centre’s new director.

    The Centre will engage with a broad range of creative expression, including visual arts, dramatic arts, music, creative writing and translation, book and graphic design, cultural heritage, and photography.The Centre includes faculty from Arts and Culture, Visual Arts, Dramatic Arts, Music, Curatorial Studies, French Studies, English Literature, Digital Humanities, and Education.

    The centre will be doing outreach at Rodman Hall Art Centre through exhibitions and talks and in collaboration with the Willow Arts Community.

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  • Our Walker Cultural Leader for March 2020: The MIWSFPA welcomes Landon Mackenzie to Niagara

    Signal (Red Star), 2017-2018. oil and synthetic polymer on linen, 82 1/2 x 126 in.

    Walker Cultural Leader Public Lecture and Artist Talk by Landon Mackenzie 

    March 12, 2020 at 7:30 p.m.

    Robertson Theatre, FirstOntario Performing Arts Centre, 250 St. Paul Street, St. Catharines, L2R 3M2

    reception: March 12th, 5 p.m. at the VISA Gallery and Student Exhibition Space, Marilyn I. Walker School of Fine & Performing Arts. (This is also the reception for the CrissCross exhibition, above.)

    Niagara welcomes one of Canada’s most celebrated painters!

    The Moon is the Message: A survey of works traversing over four decades.  A revealing personal exploration of creativity, painting and mapping.

    Landon Mackenzie is an acclaimed visual artist based in Vancouver. Her international exhibiting and teaching career has been awarded the inaugural Ian Wallace Award for Excellence in Teaching, the Golden Jubilee and Diamond Jubilee Queen Elizabeth II Medals for outstanding contribution to culture in British Columbia and Canada, and the Governor General’s Award in Visual and Media Arts (2017), among others.

    Blue Star / Red Light, 2018-2019. oil and synthetic polymer on linen, 82 1/2 x 126 in.

    This is a free community event. No tickets required. Join us for the reception at the MIWSFPA at 5 p.m. and then walk over to hear Landon talk about her work in the Robertson Theatre of the FirstOntario Performing Arts Centre at 7:30 p.m.

    For more information about her work visit www.landonmackenzie.com


    Landon Mackenzie is an acclaimed visual artist based in Vancouver. The National Gallery of Canada, Vancouver Art Gallery, Art Gallery of Ontario, Montreal Museum of Fine Arts, Musée d’art contemporain de Montréal, and Confederation Centre for the Arts are among the institutions that collect her paintings. As well, her large format works are in several Canadian embassies. Her works have been shown in over 100 exhibitions in Canada and internationally. Recent exhibitions include a 40-year touring survey of her works on paper, “Landon Mackenzie: Parallel Journey, (1975-2015)”, accompanied by a book by Black Dog publishers; “Landon Mackenzie: Nervous Centers” at the Esker Foundation in Calgary; “Emily Carr and Landon Mackenzie: Woodchopper and the Monkey” at the Vancouver Art Gallery; and “Tracing Mobility: Cartography in Networked Space” at HKW, Berlin.

    Mackenzie is a passionate educator starting at Concordia University followed by 33 years at Emily Carr University of Art + Design in Vancouver where she was appointed the university’s first full Professor. She has been a visiting artist at over 75 universities, art departments and galleries in Canada, US, UK, Europe and China. She has served on many juries including the Canada Council for the Arts, VIVA, BMO 1st, and RBC Painting Award. She has been a trustee of the Vancouver Art Gallery, Royal Canadian Academy of Arts and Joseph Plaskett Foundation. Her work is represented by Art 45 and Nicholas Metivier Gallery.

    Mackenzie holds a BFA from NSCAD and an MFA from Concordia University. Her work has been extensively written about and she has received many awards including the inaugural Ian Wallace Award for Excellence in Teaching, both the Golden and Diamond Jubilee Queen Elizabeth II Medals for outstanding contribution to culture in British Columbia and Canada and the Governor General’s Award in Visual and Media Arts (2017).

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  • Sacred Spaces: a student exhibition about mental health, at the MIWSFPA

    Sacred Spaces:Student Exhibition

    Feb. 6 to 29, 2020
    Opening reception: Feb. 12, 2020 — 5 to 8 p.m.

    VISA Art Gallery and Student Exhibition Space, MIWSFPA
    15 Artists’ Common, St. Catharines

    The gallery is open Tuesday to Saturday from 1 to 5 p.m.

    With a focus on mental health, an exhibition about understanding emotional vulnerability and self-reflection, while unpacking the human need for comfort. Featuring Visual Arts students Kaitlyn Roberts and Chardon Trimble-Kirk.

    Sacred Spaces – Artist Statement
    Kaitlyn Roberts and Chardon Trimble-Kirk

    Mental illnesses often destroy from the inside out. It is a sickness that is hidden through the action of covering oneself from the world, in fear of discovery. Doctors will prescribe medication in an attempt to cure mental illness; medication that comes with dizziness, fatigue, loss of appetite, bruising, sexual dysfunction, and countless other side effects. All of which to shut out the voices from inside one’s mind. Voices that proclaim that you are not good enough, you do not deserve to be happy, you do not deserve to eat. I would much rather stay in bed. If I stay in bed, the medication isn’t necessary. The demons and monsters can be let out and no one will ever know.

    When living with mental illness, it is living a double life. One must hide behind a mask, only finding true relief in the intimate space of the bedroom, amongst the comfort of bedding. Only within these spaces is one truly allowed to express the realities of mental illnesses, whilst finding safety in the sacred spaces of the bed.

    Each work represents the safety and intimacy found within these spaces, whilst offering a juxtaposition between the covering and uncovering realities of the illnesses. The uncovering comes from personal texts written across these spaces, as well as the exposure of the body, and curiously the covering of the eyes in each figurative work. The text which is a direct thought, and nude figures which are an indirect representation of vulnerability, invite viewers into the sacred spaces of one’s true thoughts. The vague figures and various text will resonate with viewers, bringing awareness to mental illness, its prevalence, and its resonance within many.

    The works aim to de-stigmatize some of the most serious and misunderstood mental illnesses, all within the sacred spaces of our beds.

    download poster

    Kaitlyn Roberts is currently in her fourth and final year at Brock University, achieving an Honours Bachelor of Arts with a major in Studio Art. Her artistic education birthed an attraction to explore autoethnography. Roberts’ studio practice, specifically, surveys the complexity of mental illness translated through visual art while highlighting how it affects both the artist and the viewer.

    Roberts is currently using her practice to investigate the relationship between the mind and the body, through the artistic process of ‘mapping’. This includes research into the connections between mental illnesses and the physical sicknesses that follow, including trauma.

    Roberts has shown her work in juried shows around Ontario including, St. Catharines City Hall’s Transformations, Niagara Artist Centre’s Fortune Favours, and the Visual Arts Centre of Clarington’s The VAC 39th Annual Juried Show where she was the only student, and youngest person to be accepted. Roberts has also shown her work in exhibitions including; Niagara Artist Centre’s Small Feats, Marilyn I. Walker School of Fine, and Performing Arts’ Art Block: BAC
    on the Block, as well as many exhibitions hosted by Mahtay Café.

    Roberts will be showing her thesis work titled, Dear Euodia, in April 2020 at Rodman Hall in St. Catharines, Ontario alongside co-artists Chardon Trimble-Kirk, Brianne Casey, Rachel McCartney, Zach White, Kira Pretty, Curt Richard, and Jess McClelland. Opening reception is Friday, April 3rd at 7 pm.

    Roberts is planning on pursuing a Master’s Degree in Fine Arts once she graduates from Brock University.

    Chardon Trimble-Kirk is a Canadian painter based in St. Catharines. Through the use of figuration and pattern making, themes of femininity and gender roles are explored within her work. In addition to this, Trimble-Kirk is interested in the themes of sexuality, vulnerability, repetition and mental health, and their intersections within femininity. Thematic and aesthetic contrasts are often included within the work, allowing viewers to interpret the work individually while also thinking critically about the concepts presented.

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  • The MOSAÏQUE PROJECT arrives in St. Catharines to launch the ENCORE! Professional Concert Series for 2020

    This Friday, January 24, at 7:30 pm the Marilyn I. Walker School of Fine and Performing Arts and the FirstOntario Performing Arts will be co-presenting the final performance of the massive musical initiative by Ensemble Made In Canada: The Mosaïque Project.

    The project is a suite of new compositions by 14 Canadian composers, inspired by each province, territory, and the Indigenous regions of Canada. The thrilling new works from composers including Ana Sokolović, Sarah Slean, Kevin Lau, Samy Moussa, Julie Doiron, Barbara Croall, David Braid, encompass a wide variety of musical genres – from classical, jazz, singer-songwriter, electronic, and First Nations traditions – making up a richly inspiring whole to represent the beauty and diversity of Canada.

    Travelling to almost every corner of the country – from Iqaluit, Nunavut to British Columbia’s Sunshine Coast to Pouch Cove, Newfoundland, and beyond, Ensemble Made In Canada has chosen St. Catharines as the final performance of the two-year long tour, featuring a live-streamed concert and album launch in Partridge Hall.

    The evening promises an extraordinary cinematic concert experience featuring multiple screens providing close-ups of the musicians and their instruments, footage from the tour across the country, as well as newly-created images inspired by the music.

    Friday’s performance will also be the first ENCORE! Professional Concert of the decade for the 250 students enrolled in MUSI 1F10 Introduction to Classical Music, a Humanities context elective course offered by the Department of Music.

    Many of the students attending Friday’s concert have traveled from international destinations to pursue their university studies in Canada. Ensemble Made in Canada’s performance will be an introduction to the piano quartet as a genre and an opportunity to discover a wide variety of musical styles from geographically and culturally diverse regions of the country.

    This course is offered as part of the Walker School’s commitment to exposing Brock students to a broad range of cultural experiences, and nurturing future audiences for the performing arts.

    Ensemble Made In Canada (EMIC) is rapidly gaining recognition as Canada’s premier piano quartet. Awarded the 2006 CBC Galaxie Stars Award from the Banff Centre for the Arts, EMIC was featured in 2008 Chatelaine Magazine’s 80th anniversary issue as “Women to Watch” and called “an ensemble that is leading the next generation of classical musicians.” The members of the group: Angela Park (piano), Elissa Lee (violin), Sharon Wei (viola) and Rachel Mercer (cello) have been forging outstanding individual careers and bring together a wealth of experience having already appeared at prestigious festivals such as Marlboro, Ravinia, Orford, Verbier, Prussia Cove, Pablo Casals and Evian. EMIC has been Ensemble-in-Residence at Western University since 2014.

    The concert will be live-streamed on Ensemble Made In Canada’s website as well as via the streaming service Stingray, reaching millions across Canada and 156 countries around the globe. The same day features the release of the Mosaïque Project album, which will be available on CD, download and streaming channels.

    Maestro Johannes Debus will be hosting a pre-show chat with composers Kevin Lau, Sarah Slean, David Braid and Richard Mascall at 6:45pm

    To purchase tickets visit the FirstOntario Performing Arts Centre website.

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  • Donna Szőke presents ‘On Invisibility’, January 21 at the MIWSFPA

    On 21 January, the Centre for Studies in Arts and Culture welcomes artist Donna Szőke, Chair of the Department of Visual Arts and a member of the recently created Research Centre in Interdisciplinary Arts and Creative Culture, as a Walker Cultural leader for 2020.

    Szőke will present an artists’ talk “On Invisibility” at 7:00 pm at the Marilyn I. Walker School of Fine and Performing Arts of Brock University (MIWSFPA). This is a free community event and everyone is welcome to attend.

    Invisibility is this year’s theme at The Small Walker Press, a small press valuing interdisciplinary cooperation and the exploration of image and text, homed in the Centre for Studies in Arts and Culture (STAC) at the MIWSFPA.

    Szőke creates expanded animation, media art, video, drawing, and collaborations. She investigates immanence, embodied perception, and the fluidity of lived experience.

    In her artist’s talk, she will present her work and her current book project The Dark Redacted in cooperation with author Gary Barwin, to be published in April 2020 by the Small Walker Press.

    In an excerpt from the forthcoming volume, editors Catherine Parayre and Derek Knight write:

    Donna Szőke thoughtfully investigates the fluidity of meaning and presence. Rather than elucidating a concept or an experience, she proposes a semi-abstract perusal of collective or intimate issues. Offering a reflection on the evocative instability of the biographical and the personal, and opting for an approach close to autofiction, her work constellates subtle possibilities and its scope defies the limitations of certainty. The artist is a compelling storyteller for whom the quest for meaning and the vagrancies of that search are more significant than plain facts. For The Dark Redacted Szőke proposes traces of a fragile story and never-faltering endurance. Her sequence of images alternates beautifully detailed natural life – a buffalo, intricate vegetation – and minimally sketched-out human presence and personal objects. As a result, her work addresses the viewers’ intuition and sensitivity to the environment.

    The event is presented by the Centre for Studies in Arts and Culture for the Walker Cultural Leader Series, generously founded by Marilyn I. Walker. The Walker Cultural Leader series brings leading artists, performers, practitioners and academics to the Marilyn I. Walker School of Fine and Performing Arts at Brock University. Engaging, lively and erudite, these sessions celebrate professional achievement, artistic endeavour and the indelible role of culture in our society.

    Join us on January 21, 2020 at 7-8:30 pm.  The presentation takes place in the Art & Val Fleming Smart Classroom (MWS 156), located on the lower level of the MIWSFPA.  Limited parking is available at the MIWSFPA, with additional parking nearby at the Garden Park/Carlisle Street Parking garage and adjacent lots.

    Centre for Studies in Arts and Culture: Walker Cultural Leader Artist’s talk
    ‘On Invisibility’, with Donna Szőke
    21 January 2020, 7-8:30 pm, MWS 156

    download the poster

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  • Music@Noon is on the stage for November 12, 2019

    Today’s performance of the Walker Quartet will commence as scheduled at noon in the PAC Recital Hall.  Please join us!

    The Walker String Quartet is: Vera Alekseeva, Faith Lau (violins), Roman Kosarev (viola) and Gordon Cleland (cello)

    see the event listing: experiencebu.brocku.ca/event/132926 

    FirstOntario Performing Arts Centre
    250 St. Paul Street, St. Catharines, ON

    Please drive safely!

     

    Categories: Announcements, Department/Centre News, Events, In the Media, News, Uncategorised, Walker Cultural Leader Series

  • Visual Art professor’s work chosen for prestigious U.K. exhibition

    “Wayfinding in Cold Light from the Multi-Verse Series” by Amy Friend, an Assistant Professor in Brock’s Department of Visual Arts, is one of just 55 photographs included in this year’s Taylor Wessing Photographic Portrait Exhibition at the National Portrait Gallery in London, U.K.

    (published in The Brock News TUESDAY, NOVEMBER 05, 2019 | by  )

    Nearly 4,000 portraits by more than 1,000 photographers from 70 countries were submitted, but only 55 were chosen for this year’s Taylor Wessing Photographic Portrait Exhibition in the United Kingdom.

    One of those portraits is by Amy Friend, an Assistant Professor of Visual Arts at Brock’s Marilyn I. Walker School of Fine and Performing Art.

    The Taylor Wessing Photographic Portrait Prize is a prestigious annual award that attracts amateur and professional photographers alike. Only 55 of the 3,700 submissions were chosen for the exhibition. Three photos are shortlisted for the top award of £15,000 (approximately $25,000 CAD).

    “Having my work included in the Taylor Wessing Portrait Exhibition is an exciting adventure in my creative practice,” said Friend. “I had been working on this long-term project for several years, so it is uplifting to see this new work recognized. The piece has personal connections, which extends this recognition in a meaningful way.”

    Friend’s series Multi-Verse draws on her own and found photographs featuring diverse subject matter and imagery from across several time periods to explore the idea of a multi-verse. The series references both the idea of alternate realities and the numerous stories or ‘verses’ the viewer encounters in the photographs.

    She uses experimental photographic methods and manual manipulation to alter photos. While they are not overtly political photographs, her works references darker elements such as floodwaters and images of soldiers.

    “I reference the past, the here and now, the visible and invisible, literally and poetically, albeit not through overtly political photographs,” said Friend. “The medium of photography has always had a currency of possibility. In this series I work to find meaning in the chaos, to be with it and to look for an alternate story from where we are — a multiverse.”

    The exhibition opens at the National Portrait Gallery in London, U.K., on Tuesday, Nov. 5 and carries through to February 2020. The exhibition will then go on tour throughout the U.K.

    In 2017, a portrait by Finnish artist Maija Tammi, who studied under Friend, won third place in the Taylor Wessing Photographic Portrait Prize.

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  • Re-imagining power relations in Canadian theatre: A special Walker Cultural Leader event!

    (published WEDNESDAY, NOVEMBER 06, 2019 | by The Brock News )

    Equity, diversity, inclusion.

    We’re hearing these words more and more, as Canadian universities and other institutions strive to address historic, systemic biases and structural inequities. For the award-winning theatre director Ravi Jain, however, the language of “EDI” is already shopworn.

    “I’m not interested in using those words anymore,” said Jain, Artistic Director of the Toronto-based company Why Not Theatre. “You either do it or you don’t, and how you do it demonstrates to me how invested you actually are in the conversation.”

    For Jain, concepts such as innovation and leadership are much more interesting. He’ll be covering these topics in a keynote address, “Alternative Visions of Existence,” that he’s delivering as part of a series of events taking place from Nov. 9 to 10, co-sponsored by Brock’s Walker Cultural Leaders Series and the St. Catharines-based theatre company Suitcase in Point.

    The events also include a staged reading of Pipeline, a 2017 play by Dominique Morisseau, the title of which refers to the widespread perception of a school-to-prison pipeline for young African American men. It’s the story of a black teacher’s struggle to protect her son, Omari, after he assaults his high school teacher for aggressively singling him out to answer why a book character behaved like an “animal” and murdered a woman.

    Toronto-based actor, director and producer Lisa Karen Cox is directing a cast largely made up of seasoned and emerging professional actors, with Brock students also participating onstage and behind the scenes. Of the six-person cast, five are people of colour. Jain’s keynote runs from 3 to 4 p.m. on Saturday, Nov. 9, with the Pipeline reading from 4 to 5:15 p.m., followed by a Q&A session.

    The events, being presented under the title “Pipeline to a Better Way,” are spearheaded by Department of Dramatic Arts (DART) Assistant Professor Danielle Wilson and Suitcase in Point’s Outreach Coordinator Marcel Stewart, a 2007 DART graduate.

    “The Marilyn I. Walker School of Fine and Performing Arts is a place of both learning and artistic creation,” said Wilson. “I felt the play was a perfect fit as part of the Walker Cultural Leaders Series.”

    Suitcase in Point’s “Pipeline to a Better Way” programming on Nov. 9 includes a forum and panel discussion around questions of power, privilege, race and theatre in Niagara.

    The Brock-based events on Sunday, Nov. 10 are free of charge, but tickets are required and can be found online. Information about the Suitcase in Point events on Saturday, Nov. 9 can be found at suitcaseinpoint.com

    This article was written by Karen Fricker, Associate Professor in the Marilyn I. Walker School of Fine and Performing Arts.

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