Faculty & Instructors

  • Book publishing division launched by Brock’s Centre for Studies in Arts and Culture

    Brock’s Centre for Studies in Arts and Culture is launching two new books, Inland and The Quarry, through the new Small Walker Press.


    Brock’s Centre for Studies in Arts and Culture (STAC) has partnered with The Salon für Kunstbuch in Austria to launch an international book publishing division.

    The new Small Walker Press will celebrate the publication of its first two books at an official launch event on Thursday, May 9 from 4:30 to 7:30 p.m. The event will take place in the main lobby of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) at 15 Artists’ Common in downtown St. Catharines.

    This year’s books were published under the theme of environmental degradation and include Inland, by Associate Professor of Visual Arts Shawn Serfas with creative writing by Atlanta-based New York Times journalist Richard Fausset and an essay by Associate Professor of Visual Arts Derek Knight, and The Quarry, by Associate Professor Adam Dickinson and artist Lorène Bourgeois.

    Noelle Allen, Publisher for Hamilton-based literary press Wolsak and Wynn, will be the guest speaker for the event.

    The launch is free and all are encouraged to attend.

    “The University is the ideal place to promote book culture,” said STAC Director Catherine Parayre. “Working with different authors and artists to bring about the completion of a book project is a fully interdisciplinary challenge that is rewarding intellectually, but also a wonderful opportunity to work with expert graphic designers.”

    Headed by STAC, the Small Walker Press addresses the research and creative interests of faculty members at Brock’s MIWSFPA and engages with authors, artists and academics alike to produce small, innovative publications.

    Funded by the generous support of the Walker Cultural Leader Series and the late Marilyn I. Walker, the press publishes collaborative work that brings together authors and artists from the Niagara region, as well as those across Canada and internationally.

    Parayre and Knight serve as its editors; Bernhard Cella, from The Salon für Kunstbuch in Vienna, Austria, is the press’s book designer.

    Inland provides two distinct reflections on pollution and the consequences of human intervention on natural resources. It features work created by Serfas for his 2016 exhibition Inland, curated by Stuart Reid at Rodman Hall Art Centre, and creative writing by Fausset, whose work includes extensive coverage of the devastating environmental and socio-economic impacts of Hurricane Katrina.

    The Quarry offers a reflection on a walk that Dickinson and Bourgeois embarked upon through the Glenridge Quarry Naturalization Site on the Niagara Escarpment in 2018. Dickinson contributes a poem for the book, which is accompanied by drawings by Bourgeois.

    “We are very much looking forward to sharing these books with the public at the launch on May 9,” Parayre said.

    The Small Walker Press is predicated on, and values, interdisciplinary co-operation, the exploration of image and text, and seeks to contribute to and participate in the promotion of book culture.

    Publications will include exhibition catalogues, artist’s books, chapbooks, short essay format and creative writing as well as online art folios or editions, and recorded sound work or interviews.

    Publications may be in English, French or other languages and books will be available for purchase at the launch.

    They will also be available at Rodman Hall Art Centre, the Brock Campus Store, and The Salon für Kunstbuch in Vienna, Austria.

    Learn more about the Small Walker Press by visiting the STAC website.

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    Categories: Announcements, Events, Faculty & Instructors, News

  • Community voices expressed through Brock art exhibitions

    Curt Richard, a student in VISA 3M90, surveys the exhibition that he and 52 other students have completed over the course of the semester. Manifestos in a Room is a collaboration between students in French, Visual Arts, and Studies in Art and Culture. It will be on display at Rodman Hall Art Centre until Dec. 30.


    (From The Brock News, Friday, Dec. 7, 2018 | By: Alison Innes)

    Two Brock art exhibitions now on display are working to celebrate and amplify community voices.

    Manifestos in a Room and Sauti za Afrika/African Voices/Voix Africaines were each created to engage with Northern Oracle, an exhibition by Heather Hart currently being featured at Rodman Hall Art Centre.

    Through the exhibition, which includes an indoor rooftop installation, Hart asks visitors what they want to say to the world and advises them to shout it from the rooftop.

    Reflecting on Northern Oracle, 53 students in Visual Arts, Studies in Arts and Culture, and French came together to create their own statements, whether poetic, absurd or political. The expressions — in both English and French — were used to create Manifestos in a Room, on display in Rodman Hall’s Studio Gallery.

    Students worked throughout the fall semester to bring the exhibition, curated by Associate Professor Catherine Parayre and instructor Donna Akrey, to life.

    Jean Ntakirutimana, Chair of the Department of Modern Languages, Literatures and Cultures, demonstrates the talking drum used to send messages over long distances in Cameroon. With careful training, a person could use the different tones produced by the drum to send messages. The drum is just one of the items on display in Sauti za Afrika/ African Voices/ Voix Africaines, an exhibition celebrating voices of Niagara’s African diaspora community.

    “It really helps to collaborate in one’s art practice,” said Akrey, whose art students were involved in the project.

    “We also did an assembly line production to create some of the work, which was fun and rewarding. I was impressed with how the 3M90 students embraced this project and made sense of it for the viewing public.”

    For the participating French students, the exhibition was a “great opportunity to practice writing constraints for fun,” said Parayre. “Students produced facetious manifestos, writing eloquently on a light-hearted topic. It allowed all of us to put our creative forces together and share a common space.”

    The exhibition includes a visual component as well as a three-minute audio track created by the students.

    Over at Brock’s main campus, the Department of Modern Languages, Literatures and Cultures (MLLC) is hosting Sauti za Afrika/African Voices/Voix Africaines, an exhibition meant to amplify the voices of the African diaspora in Niagara. Featuring 12 different languages, the exhibition combines modern writing with ancient traditions of communication.

    The display features instruments and figurines used for communication, such as a conch shell, similar to the one used to call for revolution in Haiti, and miniature replicas of Burundi drums used by royalty to communicate with their people.

    Also included is an intricately carved cow horn used to call people to come and hear the chief speak in certain regions of Africa, said Department Chair and Associate Professor Jean Ntakirutimana.

    Ntakirutimana worked with members of Niagara’s African diaspora and Sofifran (Solidarité des femmes et familles immigrantes francophones du Niagara) to collect people’s hopes, dreams and concerns to include in the display. Members have also loaned their personal objects for the exhibition.

    The display is a precursor to an event by the same name coming up in February. Co-hosted by Sofifran, MLLC and Studies in Arts and Culture, the event will be held at Rodman Hall and will also engage with Northern Oracle.

    Sauti za Afrika/African Voices/Voix Africaines is a part of the Museum in the Hallway project, curated by Parayre. Located in the Department of Modern Languages, Literatures and Cultures (Mackenzie Chown A-block), the project features rotating monthly displays.

    Both African Voices and Manifestos in A Room will be on display until the end of December. Northern Oracle will be at Rodman Hall until March 3.

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    Categories: Current Students, Events, Faculty & Instructors, News

  • Public French-language tour to be held at Rodman Hall

    Associate Professor Peter Vietgen and teacher candidates from Brock University’s Faculty of Education explore the Northern Oracle exhibition by Heather Hart at Rodman Hall Art Centre.


    (From The Brock News, Wednesday November 14)

    A public tour will lead French-speaking art enthusiasts through the exhibitions of Rodman Hall Art Centre on Saturday, Nov. 17.

    Catherine Parayre, Associate Professor in Brock’s Department of Modern Languages, Literatures and Cultures, and Director of the Centre for Studies in Arts and Culture, will lead the French-language tour and related discussion while moving through the historic St. Catharines building.

    The event, Maisons de l’art: Conversations en français et visite des expositions, begins at 2 p.m.

    Current Rodman Hall exhibitions include Up Close and In Motion: Selected Works from the Permanent Collection, curated by Emma German, and Northern Oracle by artist Heather Hart.

    Northern Oracle features a rooftop installation rising from the gallery floor and mixed media drawings. The work considers ideas of Black history, access to home ownership and the significance of having a place to call home. Gallery visitors are invited to interact with the installation by accessing the rooftop and its floor-level attic space.

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  • Post-Industrial Ephemera: Soundings, Gestures and Poetics exhibition catalogue published

    CATHERINE PARAYRE, BROCK UNIVERSITY /
    REINHARD REITZENSTEIN, SUNY-BUFFALO, CURATORS

    The exhibition Post-Industrial Ephemera: Soundings, Gestures and Poetics took place in 2017 at Silo-City, Buffalo, NY as a joint project funded by the Agreement for Scholarly Exchange and Collaboration between the State University of New York at Buffalo and Brock University, St. Catharines, Ontario.

    The exhibition catalogue is now available for download.

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  • Students exhibit at Die Bäckerei in Innsbruck, Austria UPDATED

    We are very excited to announce an exhibition by the students of the MIWSFPA in Innsbruck, Austria!

    see photographs from the exhibition, below.

    Geographies of Process

    presented at …

    Die Baeckerei

    13 June – 6 July 2018 (Opening 13 June 2018, 19:00)

    Learning is process. Students in Visual Arts at the Marilyn I. Walker School of Fine and Performing Arts, Brock University, Canada put together a series of paintings to illustrate the process of abstraction at work in referencing urban, industrial, domestic, and natural landscapes. Students in Arts and Culture and French Studies continue the process of abstraction through the creation of written texts responding to their peers’ paintings.

    Curators: Catherine Parayre and Shawn Serfas

    With the generous support of the Canadian Studies Centre, University of Innsbruck

    Geographien als Prozess

    Lernen ist ein Prozess. Studierende der bildenden Kunst der Marilyn I. Walker School of Fine and Performing Arts an der Brock University (Kanada) haben eine Reihe von Bildern zusammengestellt, um den Prozess des Abstrahierens zu illustrieren, der abläuft, wenn auf städtische, industrielle, häusliche und natürliche Landschaften Bezug genommen wird. Studierende der Fächer Kunst, Kultur und Französisch setzen diesen Prozess fort, indem sie Texte verfassen, die auf die Bilder ihrer KollegInnen
    reagieren.

    KuratorIn: Catherine Parayre und Shawn Serfas (Brock University)

    Eröffnung: 13. Juni 2018, 19:00 Uhr

    13. Juni – 6. Juli 2018
    Bäckerei Innsbruck, Dreiheiligenstraße 21a, 6020 Innsbruck

    Geographien als Prozess / Geographies of Process / Géographies en formation

    Lernen ist ein Prozess. Studierende der bildenden Kunst der Marilyn I. Walker School of Fine and Performing Arts an der Brock University (Kanada) haben ein Reihe von Bildern zusammengestellt, um den Prozess des Abstrahierens zu illustrieren, der abläuft, wenn auf städtische, industrielle, häusliche und natürliche Landschaften Bezug genommen wird. Studierende der Fächer Kunst, Kultur und Französisch setzen diesen Prozess fort, indem sie Texte verfassen, die auf die Bilder ihrer KollegInnen reagieren.

    Learning is process. Students in Visual Arts at the Marilyn I. Walker School of Fine and Performing Arts, Brock University, Canada put together a series of paintings to illustrate the process of abstraction at work in referencing urban, industrial, domestic, and natural landscapes. Students in Arts and Culture and French Studies continue the process of abstraction through the creation of written texts responding to their peers’ paintings.

    Tout apprentissage est un processus. Des étudiant.e.s en Arts visuels de l’Ecole des beaux-arts et arts du spectacle Marilyn I. Walker à l’Université Brock au Canada assemblent une série de peintures illustrant un processus d’abstraction faisant référence à des paysages urbains, industriels, domestiques et naturels. Poursuivant cet enchainement vers l’abstraction, des étudiant.e.s d’Arts et Culture et d’Etudes en français répondent aux œuvres de leurs collègues par la création de textes.

    KuratorIn / Curators / Commissaires: Catherine Parayre / Shawn Serfas

    Mit der Unterstützung des Zentrums für Kanadastudien der Universität Innsbruck
    With the generous support of the Canadian Studies Centre, University of Innsbruck
    Avec le généreux appui du Centre d’Etudes canadiennes de l’Université d’Innsbruck

    KünstlerIn / Artists / Artistes

    Gianna Aceto
    Jessica Angelevski
    Elizabeth Angotti
    Denise Apostolatos
    Teresa Badgley
    Renz Baluyot
    Chris Belanger
    Marilyn Blanchette
    Brandon Boudreau
    Hannah Brown
    Andrea Caruso
    Maddy Cugini
    Thomas Denton
    Chelsea Dietrich
    Amy Doan
    Hannah Dobbie
    Isabella Domaradski
    Mariah Dubeau
    Amandine Faivre
    Alex Finlayson
    Dailia Frigault
    Jill Greer
    Stefanie Gugliucciello
    Kylie Haveron
    Gail Higenell
    Samantha Hilton
    Aimee Hu
    Syerra Jasmin
    Gabriella Jones
    Phuong Le
    Laura Levesque
    Brendan Long
    Craig Maltais
    Sarah Martin
    Jim Maunder
    Katie McGinness
    Kaitlyn Michie
    Avery Mikolic-O’Rourke
    Andrey Mintchev
    Jennie Montes
    Victoria Morinello
    Jaclyn Morse
    Lauren Mucciarone
    Michelle Nazari
    Alona Nyforovska
    Joseph Opara
    Lillianna Pagliaro
    Connor Playfair
    Anna Podvalni
    Jacob Primeau
    Brittany Reitzel
    Curt Richard
    Jessie Richard
    Cynthia Richards
    Keira Robertson-Worden
    Abby Rollo
    Kourtney Spadoni
    Samantha Stein
    Sophia Strachan
    Charlotte Tarr
    Evan Weins
    Zachary White
    Amber Lee Williams

    LISTEN to an interview (in German) by Sarah von Karger with Co-Curator Catherine Parayre for “KulturTon”, Freirad Radio, Innsbruck, Austria, 2 Juli 2018

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    Categories: Current Students, Events, Faculty & Instructors, News, STAC Courses

  • Expressions of Today / Expressions d’aujourd’hui

    Art by Mat Vizbulis.

    Students in Studies in Arts and Culture as well as in French Studies at Brock University explore contemporary expressions in art and literature and create unusual stories mixing narrative and art-making. Their starting point is a graffiti artwork by artist Mat Vizbulis.

    Des étudiants en Etudes en français et en Studies in Arts and Culture à l’Université Brock explorent des expressions contemporaines dans l’art et la littérature, et construisent des histoires inhabituelles mélangeant narration et création d’art. Leur point de départ est un graffiti de l’artiste Mat Vizbulis.

    Exhibition: Saturday Mar. 3 to Friday Mar. 16 / samedi 3 mars à vendredi 16 mars

    Gallery hours: Wednesday 10-5, Thursday 12-9, Friday 12-9, and Saturday 12-5 / mercredi 10-5, jeudi 12-9, vendredi 12-9, et samedi 12-5

    Opening Reception: Thursday Mar. 8 from 6-8 pm / jeudi 8 mars 6h-8h en soirée

    Location: Niagara Artists Centre (NAC)

    354 St. Paul Street, St. Catharines, ON

    This is free community event!

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  • Brock, SUNY art show set to open in Buffalo’s Silo City

    (Source: The Brock News, Thursday, April 20, 2017 | by . Photo caption: “Buffalo’s Silo City will play host to a joint art exhibition including the work of students and faculty from Brock University and the State University of New York at Buffalo. (Photo: Derek Knight)”)

    Brock University and the State University of New York (SUNY) at Buffalo have joined forces to showcase artists on both sides of the border while also highlighting a landmark area on the Buffalo River.

    After two years of planning, Post-Industrial Ephemera: Soundings, Gestures, and Poetics will open Saturday, April 22 at Buffalo’s Silo City — an industrial space filled with repurposed grain elevators and other structures built in the first half of the 20th century.

    Several silos will play host to the free art exhibition until Saturday, April 29.

    The exhibition’s opening reception will run from 2 to 5 p.m. and includes, in addition to the artwork of both Brock and SUNY students and faculty, performances by the Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins.

    Parayre, event co-curator and an associate professor in Brock’s Studies in Arts and Culture as well as Modern Languages, Literatures and Cultures, said the event developed from like minds coming together through networking opportunities at Brock’s Rodman Hall Art Centre.

    It was co-curator Reinhard Reitzenstein, an associate professor of sculpture at SUNY-Buffalo, that introduced Parayre to Silo City, the inspiration for the showcase.

    “Everyone is mesmerized because the structures there are stunning,” Parayre said of the area that is filled with buildings worn by weather and time.

    The event, she said, is to encourage people to “reflect on the notion of dispersal.”

    “Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced.”

    Silo City, she said, invites visitors to “become more perceptive to the transience of human endeavours.”

    The exhibition is an opportunity to reflect on the aging structures, their history and nature’s efforts to reclaim the partially vacant space, she said.

    Participating artists come from various disciplines including sculpture, arts, comparative literature, English studies, visual arts, studies in arts and culture, and French studies.

    The showcase features an array of installations, neon signs, readings, paintings, prints, videos and sculptures.

    Brock provided funding for the project through a longstanding research agreement in place between the two institutions, in addition to funding provided through Brock’s Dean of Humanities office.

    “We’re very grateful for Brock’s support,” Parayre said.

    Parking for the event is available onsite and guests are advised to dress warmly as temperatures within the silos remain brisk.

    More information on participating artists and performance schedules for the opening reception is available online.

    A one-day symposium held to relive the exhibition is scheduled to take place in September at Rodman Hall Art Centre in St. Catharines.

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  • Brock radio series airing in Austria to highlight Canadian culture

    (Source: The Brock News, Thursday, April 13, 2017 | by )

    A Brock Radio-produced series is hitting the airwaves overseas and receiving rave reviews for its efforts to highlight Canada’s rich culture.

    Catherine Parayre, Associate Professor in Studies in Arts and Culture as well as Modern Languages, Literatures and Cultures, has partnered with the University of Innsbruck and the Canadian Embassy in Austria to create “Kanada: Nouvelles littéraires and more.”

    The seven-part radio series is one of a number of initiatives launched in 2017 to celebrate the 20th anniversary of the Centre of Canadian Studies at Innsbruck.

    The show began April 4 and will run biweekly until June 20 on Innsbruck radio station Freirad.

    Each hour-long instalment features interviews in English, French and German, as well as a wealth of Canadian music between segments.

    “It’s all about Canadian culture, but it’s also about diversity and being able to use resources in different languages,” said Parayre, who is producing the series.

    Since the initial episode aired, Parayre has received a wealth of positive feedback and has been invited to speak about Canadian culture and about Brock on other international platforms.

    The project was born through a research agreement between Brock and the University of Innsbruck, which houses the oldest centre of Canadian studies in Europe.

    The centre promotes research in any discipline that has a connection to Canada.

    “You don’t have to be focused on literature or culture, you can be focused on biochemistry — as long as there is Canadian content,” Parayre said.

    That ideal is reflected in the radio show, which covers a broad range of topics in some way related to Canada.

    Some of the many guests featured throughout the series include Konstanze Zwintz, University of Innsbruck astrophysicist, Mark Bailey, Canadian Ambassador to Vienna, Herménegilde Chiasson, Acadian author and former Lieutenant Governor of New Brunswick, and Phil Cormeau, Acadian filmmaker. The shows also feature a variety of Canadian authors, musicians and artists.

    Brock English Language and Literature Associate Professor Adam Dickinson and Modern Languages, Literatures and Cultures Instructor Paul Savoie will also be featured on the show, in addition to Tabitha Lewis from Brock’s MakerSpace.

    “It’s not just about getting people to know Canada — Canada in Austria is known,” Parayre said. “It’s about bringing together cultures, expressions and languages and sharing knowledge.”

    The project was made possible with the assistance of Brock Radio, which has provided Parayre use of its professional equipment and the expertise of Brock Radio Director Deborah Cartmer to produce each session.

    “Preparing this series has been a great experience in solidarity and intercultural and linguistic exchanges,” Parayre said. “Freirad is interested in continuing its co-operation with Brock Radio, which is very interesting for us. Scientists, professors and students at the University of Innsbruck regularly use Freirad as a platform for the dissemination of knowledge and for teaching.”

    The Canadian Embassy and the University of Innsbruck will archive the radio series and will use segments for promotional purposes. The series will also be archived at Brock Radio with some segments broadcast locally.

    “Kanada: Nouvelles littéraires and more” can be streamed online and airs live on Freirad from 11 a.m. to noon Eastern Standard Time.

    The first episode is available online.

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  • Post-Industrial Ephemera: Soundings, Gestures and Poetics

    Photo credit: Derek Knight

    Post-Industrial Ephemera: Soundings, Gestures and Poetics
    Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River

    April 22 – 29, 2017
    105 Silo-City Row, Buffalo, NY 14203, U.S.
    Opening Reception: Saturday, April 22 from 2 – 5 pm
    http://www.silo.city
    Click here for directions
    Free community event

    Buffalo, New York and St. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Coming from different places and practices, we wish to foster interdisciplinarity.

    Together, we want to reflect on the notion of dispersal. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours.

    We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. We will capture the brilliance of a moment.

    A follow-up one-day symposium at Rodman Hall Art Centre, St. Catharines will document and revive the exhibition on September 16, 2017.

    The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins 

    Curators: Catherine Parayre, Reinhard Reitzenstein

    Click here to download the performance program.

    For more images and information, please visit the exhibition website.

     


    Participating artists: 

     

    ArtIndustria+
    Untitled (neon sign)

    ArtIndustria+ was formed in 1995 by Derek Knight and Franc Petric, two Canadian artists who reside in the Niagara region. Motivated by the desire to work collaboratively, they have developed projects over the years with a focus on art, research and technology. Underlining their concerns with the dialectical relationship between ecology and industry, their conceptual models combine installation techniques and situational aesthetics to further examine the artist’s role in post-industrial society.

     

    Continuous Monument
    Silo Sessions at the American (noise/drone performance)

    Continuous Monument is an affiliation of interdisciplinary culture-makers working among design, text, architecture and sound fields. Born from the ashes of a contaminated political landscape, Continuous Monument gathers to spatialize sound and signal in temporary, site specific soundscape improvisations. Monument will perform at The American in Silo City as an acoustic inhabitation; live ghosts active in remnant industrial anatomy.

     

    Akasya Crosier
    Likeness (typeface study)

    Akasya Crosier is a multifaceted artist based in Western New York. She is currently a senior at UB studying Studio Art and Communication. In her artwork, she focuses on effective communication skills, idealized spaces, and bright imagery.

     

    Catherine Parayre (assisted by Josh Dawson, SUNY and Paul Savoie, Brock U)
    Ingrained Words (14 posters: assembled fragments from texts by 33 writers)

    Catherine works in Arts and Culture, and in Modern Languages, Literatures and Cultures at Brock University. She is particularly interested in contemporary Occitan literature, as well as the co-presence of literatures and visual arts. She includes her four languages in her creative work.

     

    Catherine Parayre and Jim Watkins
    The Silo-Minder (recording, reading)

    Jim Watkins lives in Silo-City and is our silo-minder/keeper. His passion for the arts and for Silo-City is central to our cross-border project.

     

    Lauren Regier
    Where I stand is fair and square (performance/grass seed & dirt)

    Lauren Regier is Honours graduate from Brock University’s Visual Arts program, and is an emerging artist based in the Niagara Region. Much of her work is inspired by the notion of functionality and relationships between the industrial world and the natural realm. Interested in the experiential nature of contemporary art, her practice includes photography, installation, performance, drawing and video.

     

    Reinhard Reitzenstein
    ArbreTreeBaum (vocal piece in 5 languages)

    Reitzenstein has held over 100 solo exhibitions and over 300 group exhibitions globally, and has completed over 25 public and private art commissions. His work is represented in more than 50 public and corporate collections internationally. Reitzenstein has been Director of the Sculpture Program at, SUNY, Buffalo since 2000. He is represented by the Olga Korper Gallery in Toronto.

     

    Casey Ridings
    Untitled Emotion (acrylic paint)

    Casey Ridings is currently a Graphic Design student at the University at Buffalo. She is intrigued by the geometric nature of organic patterns; through a spontaneous and intuitive process she creates intricate paintings and drawings inspired by the exploration of her experiences and emotions.

     

    Cody Schriever
    Vanity Case / Skeletons of Perception (painting/sculpture)

    Cody Schriever is a student in the University at Buffalo art department. His paintings and sculptures deal with human nature, and the structures of its self-perception. By combining various styles of painting and modes of expression he creates a complex narrative of the global condition.

     

    Shawn Serfas
    Alloyed (acrylic)

    Shawn is an Assistant Professor in the Visual Arts Department, Marilyn I. Walker School of Fine and Performing Arts at Brock University. His research interests include contemporary painting, drawing and printmaking practices concerning relational abstraction, environmental aesthetics, religion, the landscape as well as issues bordering abstraction and representation.

     

    Lucas Veraldi
    2mp (inkjet prints)

    Lucas is an artist currently residing in Buffalo, NY. His practice examines the different methods of representation that exist within the realm of photography and explores the truth value that a photograph holds as a piece data that showcases life.

     

    Sophia Yung
    Voyage Voyage 

    Sophia Yung is a Chinese American graphic designer and artist from Brooklyn, NY. Her most recent work involves the analysis of Asian American culture shock, language barriers, mixed martial arts and the role of financial capital in the precarious 21st century.

     

    Jean Zhu
    bacteria (video)

    Jean Zhu is currently a Media Study student at the University at Buffalo. She is both a photographer and a filmmaker. Her experimental films and straightforward photographs of everyday objects and scenes are noted for their color combination, explicit composition and rich content.


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    Categories: Alumni, Announcements, Events, Faculty & Instructors, News

  • Federal board now led by Brock faculty member

    (Source: The Brock News, Wednesday, January 11, 2017. Photo: Sharilyn J. Ingram, Assistant Professor in the Brock University’s Centre for Studies in Arts and Culture and former director of the Marilyn I. Walker School of Fine and Performing Arts, was recently appointed Chair of the Canadian Cultural Property Export Review Board.)

    The Canadian Cultural Property Export Review Board is now being led by a Brock University faculty member.

    Sharilyn J. Ingram, Assistant Professor in the Centre for Studies in Arts and Culture and former director of the Marilyn I. Walker School of Fine and Performing Arts, was recently appointed Chair of the federal board for a three-year term.

    The independent administrative tribunal, which reports to Parliament through the Minister of Canadian Heritage, determines whether cultural property is of outstanding significance and national importance.

    The board aims to protect and preserve significant examples of Canada’s artistic, historic and scientific heritage.

    Ingram’s appointment was announced Jan. 7 by Canadian Heritage Minister Mélanie Joly.

    Congratulations, Sharilyn!

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