Articles tagged with: plays

TWELFTH NIGHT, (or what you will) a comedy by William Shakespeare at the Department of Dramatic Arts

Tuesday, October 29, 2013 | By mbalsom

image by Nitin Vadukul

TWELFTH NIGHT, (or what you will)

a comedy by William Shakespeare

November 7 – 9, 2013 at 7:30 PM
Student Matinee November 08 at 11:30 AM

DIRECTED BY Gyllian Raby
Co-Director and Vocal Coach: Danielle Wilson
Assistant Director and Dramaturge: Keavy Lynch

If music be the food of love, play on!
“Twelfth Night, (or what you will)” presented on stage at the Sean O’Sullivan Theatre

The Department of Dramatic Arts’ rendition of Twelfth Night gives this classic Shakespearean comedy a 20th century twist, setting it in the 1950s and taking audiences to the era of soul-searching country blues. This production runs November 7, 8 and 9, 2013 at 7:30 p.m., and November 8 at 11:30 a.m., held at the Sean O’Sullivan Theatre, Brock University.

The magical fictitious kingdom of Illyria is a modern world where boys are boys and girls are girls and subterranean passions blow apart rigid conventions. Fools, lovers, and shipwrecked souls grapple adverse fortunes and comic misunderstandings to find what truth and love might mean. To meet Shakespeare’s demand that Illyria be a land where music is “the food of love,” we present the fool musician Feste as the leader of a country blues band.

The production is a directorial collaboration between Dramatic Arts faculty Gyllian Raby and Danielle Wilson, assisted by Keavy Lynch. Raby states, “We are performing Twelfth Night using music rooted in contemporary culture, so although this production is not a musical, music is threaded throughout the play.” Wilson adds, “The play has many of the elements common to Elizabethan romantic comedy, including the devices of mistaken identity, separated twins, and gender-crossing disguise, and its plot revolves around whether one can manage betrayal, and overcome the obstacles to truth and love.“

Have a look at our media release (PDF).

Let us know you’re coming by joining our Facebook Event.

High-School teachers should read this letter about the Matinee performance opportunities available for Twefth Night (November 2013) and Jehanne of the Witches (February 2014) (PDF)

A Study Guide is available for review,
prepared by Gyllian Raby and Keavy Lynch:
download to print a copy (PDF, 2.0 MB)

watch this preview on Cogeco TV:

see the article in the Brock News!

(From left): Sean Rintoul, Chris Chapman and Bri Lidstone perform in the Department of Dramatic Arts production of Twelfth Night, which opens Nov. 7 at the Sean O’Sullivan Theatre.

Announcing $5.00 Fridays!

all holders of Brock ID cards – students, staff and faculty – are invited to take advantage of a special new price for the Matinee mainstage performance. Please present your ID card upon purchase of your ticket.
Tickets for all performances including the $5.00 Friday Matinees are available through the Box Office of the Centre for the Arts
or 905.688.5550 x 3257

For more information, please contact Marie Balsom, Co-ordinator of the School of Fine and Performing Arts, at 905-688-5550, ext. 4765; e-mail: mbalsom@brocku.ca

Tags: comedy, Mainstage, plays, Shakespeare, Twelfth Night
Categories: Events, Plays
The Blue Room

Saturday, January 26, 2013 | By mbalsom

By David Hare, freely adapted from Arthur Schnitzler’s La Ronde

Director: Virginia Reh
Scenographer: David Vivian
Lighting Design: Ken Garrett
Assistant Director: Jessi Robinson

February 14, 15 & 16, 2013: 7:30pm – 9:30pm
Matinee: February 15, 2013: 1pm – 3 pm

Directed by Professor Virginia Reh, The Blue Room is David Hare’s 1998 adaptation of Schnitzler’s Reigen (La Ronde), first produced in 1921. The plot is a “sexual daisychain”: the Girl couples with the Cab Driver, then the Cab Driver with the Au Pair, etc. Each time the new participant in one scene moves on to the next scene and so on, until in the final scene the Girl returns and encounters the Aristocrat. The play looks at casual sexual encounters as a (mostly) unsatisfactory substitute for human connection. This is a universal and timeless quest. The play is an important exploration with diverse current points-of-view: as each character has encounters with two different partners, the play explores the shifting status relationships (both social and personal). The relational dynamics of the play have interesting correspondences to explorations on social media.

Tickets: Adults $15.00, Students/Seniors $12.00, Groups $10.00, eyeGo $5.00. H.S.T. extra.

Theme-oriented and moderated workshops will be available. DART 3F93: Social Issues Theatre for Community Development, taught by Professor Joe Norris, will employ Process Drama and Applied Theatre techniques to explore themes that underlie the Blue Room. Scenes will be created that delve into issue of identity, innocence, risks, thresholds, secrets, awkwardness, beliefs, mores, taboos, exploitation and power. With a participatory dimension cast and audience will enter into conversations to explore the issues further.

Please contact us for more information.

THE BLUE ROOM: A Primer
is available for review before you come to see the production

low res 709kb
high res 2139 kb
print res 3690 kb

Media:

Interactive Arts and Science program student Patrick Gagliardi has put together a sultry trailer for the show.

from COGECO TV, Published on Feb 8, 2013: The Department of Dramatic Arts at Brock University are hoping to spice up your Valentines Day with their new production “The Blue Room’.

In the buff with Brock’s Blue Room:
A fun full-first-page-of-the-section article about our upcoming mainstage in the city paper – another great reason to study dramatic arts at Brock University. Come see the play and discover what its really all about.

See the article about the show in The Brock Press, the independent student newspaper.

Tags: Arthur Schnitzler, David Hare, La Ronde, Mainstage, plays, The Blue Room
Categories: Events, Plays
Lion in the Streets

Thursday, January 12, 2012 | By Nikki Prudden
Written by Judith Thompson

Directed by Danielle Wilson
Designed by David Vivian

Lion in the Streets is a beautiful nightmare.
– Danielle Wilson, director

February 16, 2012 – 7:30 pm
February 17, 2012 – matinee 11:30 am AND 7:30 pm
February 18, 2012 – 7:30 pm

Adult $15 : Students/Seniors $12 : eyeGO $5 : Group Rates $10
Buy tickets at arts.brocku.ca

All DART Students receive ONE free ticket.

Lion in the Streets is a play in which the obsessions of the characters erupt forth in heightened, surreal and imagistic language. The young protagonist, a Portuguese immigrant to Toronto named Isobel, is a ghost in a purgatorial condition. She deftly moves in and out of critical, extreme moments in each of the characters lives while searching for the man who killed her seventeen years prior. Twentieth century music underscores the critical moments in these characters’ lives animated with contemporary movement inspired by dance company La La La Human Steps. This unique mixture complements and elucidates surreal moments while revealing Thompson’s brilliant, sparkling humor. The production embodies our contemporary quest for faith, truth, and a ‘state of grace’ while contending with the absurdity of daily life.

Lion in the Streets is written by award-winning Canadian Playwright Judith Thompson. Premiered at the Tarragon Theatre in 1990 the play won the Chalmers Outstanding New Play Award in 1991. Thompson’s plays embrace subconscious elements of human experience not often seen on stage, capturing audience’s attention across the country. Canadian theatre companies regularly perform her work, such as Soulpepper’s 2011 production of White Biting Dog at the Young Center in Toronto.Lion in the Streets continues to be one of Thompson’s most known and most popular plays. High School students will be confronted with daring subject matter which could provide context and relevance to their lives. The play explores themes of repressed violence and sexuality, the search for identity and the powerful nature of love and forgiveness. While the subject matter is dark, Thompson has crafted this exquisitely surreal play with moments of humor, hope and redemption or what she calls “moments of grace”.

Contemporary movement will be choreographed by Gerald Trentham, Artistic Director of Toronto’s Pounds Per Square Inch Performance company. Our production will showcase 8 second to fourth year Brock students, playing a total of 29 roles, with additional assistance from students studying the areas of production, stagecraft, design and directing.

With this production both Director Danielle Wilson and scenographer David Vivian look forward to honoring the wit and intelligence of our departed colleague, Dr Marlene Moser, a leading scholar of the oeuvre of Judith Thompson. Moser’s published thesis entitled “Postmodern Feminist Readings of Identity in selected works of Judith Thompson, Margaret Hollingsworth and Patricia Gruben” (Ph.D. Thesis, 1998. Graduate Center for Study of Drama University of Toronto) and the article “Identities of Ambivalence: Judith Thompson’s Perfect Pie” (Theatre Research in Canada, Volume 27 Number 1/ Spring 2006), explore themes of gender, narrative, identification of the subject and patriarchal abuse, dwelling upon their relationship to the stage, the language and how the audience will perceive them.

High School Teachers and Educators: please read this letter for detailed information about the production, curriculum ties, and student matinee booking.

Lion in the Streets: A Study Guide, is an introduction to our production, prepared by our Dramaturge and Third Year DART student, Erica Charles. Included are: 1) Collaboration, 2) Play Synopsis, 3) The Playwright: Judith Thompson, 4) Director’s Notes, 5) Designer’s Notes, 6) Isobel and her Lion, 7) Symbolism, 8) Images, 9) An Interview with Judith Thompson by Eleanor Wachtel, 10) Additional References, 11) List of Figures, 12) Endnotes and Bibliography.

Download your PDF copy of Lion in the Streets: A Study Guide
(PDF, 8.7 MB, remotely hosted)

Download a copy of the poster (PDF, 1 MB)

Buy tickets at arts.brocku.ca

Press:

“Dramatic Arts play explores the death of a young girl” – see the article in The Brock News

Photos:
Tags: Danielle Wilson, David Vivian, Judith Thompson, Lion in the Streets, Mainstage, plays
Categories: Events, Plays
Orpheus Descending

Tuesday, October 18, 2011 | By Nikki Prudden
Written by Tennessee Williams

Directed by Virginia Reh
Designed by Michael Greves

The tragedy of a closed society, destroying the ‘other’ within and without.
– Virginia Reh, director

November 10, 2011 – 7:30 pm
November 11, 2011 – matinee 1 pm AND 7:30 pm
November 12, 2011 – 7:30 pm

Adults $15 : Students/Seniors $12 : eyeGO $5 : Group Rates $10. Buy tickets at arts.brocku.ca

All DART students receive ONE free ticket.

Orpheus Descending is a modern version of the Greek myth in which Orpheus, the beloved musician of the gods, goes down to the underworld to rescue his dead wife Eurydice. Orpheus is forbidden to look at his wife until they are clear of the underworld, but he cannot resist, looks, and loses her forever. In Williams’ play, Valentine Xavier (Val), a guitar-playing stranger, comes into a small town in the U.S South and “rescues” an unhappy Lady Torrance. He breaks the rules of the tight society of the town, with catastrophic results.

The play was first performed on Broadway in 1957 and was adapted for the screen in 1959, starring Marlon Brando. With this presentation the Marilyn I. Walker School of Fine and Performing Arts is celebrating the 100th birthday of this great twentieth century American playwright. This is one of many productions from the Williams’ canon to be seen this season, including The Night of the Iguana at Hart House Theatre in Toronto, Cat on a Hot Tin Roof at the Shaw Festival, Camino Real at the Goodman Theatre in Chicago and The Wooster Group’s innovative rendition of Vieux Carré in New York.

Director Virginia Reh is delighted to have Brock alumnus Michael Greves design this production of Orpheus Descending. Since graduating from the Department of Dramatic Arts Greves has been involved in countless productions including the Shaw Festival and was seen recently on stage in Stray Theatre’s production of Les chaises at the Sullivan Mahoney Theatre. Our production stars 17 second through fourth year students supported by student colleagues in direction, dramaturgy, stagecraft and production.

High School Teachers and Educators: please read this letter for detailed information about the production, curriculum ties, and student matinee booking.

Orpheus Descending: A Study Guide, is an introduction to our production, prepared by our creative production team. Chapter titles include: Collaboration, List of Characters, The Plot, The Playwright: Tennessee Williams, Director’s Notes, Production History, Faith, Myth and Spirituality, Aunt Conjure and the Choctaw, Historical Content, Dramaturge’s Notes, Discussion Questions, List of Terms, List of Figures, Endnotes and Bibliography.

Download your PDF copy of Orpheus Descending: A Study Guide
(PDF, 2 MB)

Selected Press Coverage:

Brock University’s Orpheus Descending points spotlight at outsiders
see the article by Jonathan van Ekelenberg in The Niagara News

preview article and video in the St. Catharines Standard

Celebrating 100 years of Tennessee Williams in The Brock Press

This year, the Department of Dramatic Arts at Brock University presents Tennesse Williams’ Orpheus Descending directed by Virginia Reh. Pictured is a screenshot from a video feature in the series “Artist Profiles” by BROCK TV, which includes questions answered by Virginia Reh, and actors Trevor Ketcheson and Rebekka Gondosch. This video is not currently online.

Photos:
Tags: 2011-12, Mainstage, Orpheus Descending, plays, Tennessee Williams
Categories: Events, Plays
Phèdre

Tuesday, February 01, 2011 | By Brock University
Phèdre

Written by Jean Racine
Translated by Ted Hughes
Directed by Virginia Reh
Designed by David Vivian

Feb. 17, 18, 19, 2011 at 7:30 p.m.

Student Matinee: Friday, Feb. 18, 2011 at 01:00 p.m.

adults $15.00
students and seniors $12.00
$5.00 matinee for Brock students and staff

The myth of Phèdre is one of the most powerful in all of classical mythology. Believing her absent husband Theseus to be dead, the Queen confesses her obsession for stepson Hippolytus, thus entering a nightmare world and spinning a tale of passion that unwinds with disastrous consequences.

Held at the Sean O’Sullivan Theatre, call the Centre for the Arts Box Office, 905-688-5550, ext. 3257 for tickets.

High School teachers and Educators: A description of the play and the performance is available for download (3 mb, PDF). Subjects include: The Play, Artistic Direction, Curriculum Ties, Student Matinee Booking, Study Guide/School Outreach.

Phèdre: A Primer, is an introduction to our production, prepared by our Dramaturge and Fourth Year DART student, Spencer Smith. Included are:
1) Collaboration, 2) Play Synopsis, 3) Director’s Notes, 4) Scenographer’s Notes, 5) The Playwright: Jean-Baptiste Racine, 6) The Translator: Ted Hughes, 7) Family Tree, 8) The Myths: Theseus, Phaedra, and Hippolytus, 9) The Labyrinth of Lexicon: People and Places, 10) The Many Faces of Phaedra, 11) Dramaturge’s Notes, 12) List of Figures, 13) Bibliography.

Download your PDF copy of Phèdre: A Primer (PDF, 16.1 MB, remotely hosted)

Media:

See the article in The Brock News

Professor Virginia Reh speaks about life in theatre and the production of Phedre that was performed by students of DART in the Sean O’Sullivan Theatre in 2011. Screenshot from a video interview in the series “University People”, by BROCK TV.

Photos:
Tags: Emma Bulpin, Eric Frank, Kasey Dunn, Mainstage, Phèdre, plays
Categories: Events, Plays
Blood Relations

Tuesday, October 12, 2010 | By Nikki Prudden

Written by Sharon Pollock

Directed by Danielle Wilson
Designed by Kelly Wolf

November 11, 12, 13, 2010 at 7:30 p.m.
Student Matinee: Friday, November 12, 2010 at 1:00 p.m.

“Lizzie Borden took an axe, gave her mother forty whacks…” In June of 1893, Lizzie Borden stood trial for the brutal murders of her father and stepmother, thus inspiring the popular children’s rhyme. Borden was acquitted but the crime was never solved. So did she, or didn’t she?

Held at the Sean O’Sullivan Theatre, call the Centre for the Arts Box Office, 905-688-5550, ext. 3257 for tickets.
Adult $15 / Seniors $12 / Students $12 / Groups $10 / eyeGo $5
Presented by the Department of Dramatic Arts.

Please see the MEDIA RELEASE

High School teachers and Educators: A description of the play and the performance is available for download (3 mb, PDF). Subjects include: The Play, Artistic Direction, Curriculum Ties, Student Matinee Booking, Study Guide/School Outreach.

Blood Relations: A Primer, is an introduction to our production, written by our Dramaturge and Fourth Year DART student, Spencer Smith. Included are: 1. Production Synopsis; 2. Lizzie Borden: The Legend; 3. Veins of Blood Relations; 4. Director’s Notes; 5. Sharon Pollock: The Playwright; 6. Collaboration; 7. List of Figures; 8. Bibliography.

Download your PDF copy of Blood Relations: A Primer (PDF, 10.3 MB, remotely hosted)

Tags: Blood Relations, Danielle Wilson, Kelly Wolf, Lizzie Borden, Mainstage, plays, Sharon Pollock
Categories: Events, Plays
Theatre at Brock embraces BIG LOVE

Wednesday, January 27, 2010 | By Brock University

From left: Sadie Isaak, Rebecca Durance-Hine, Jacqueline Costa. Photo credit: Bethany Scholl

Performance Dates:

Thurs., Feb. 11, 2010 at 7:30 p.m.
Fri., Feb. 12 at 1 p.m. & 7:30 p.m.
Sat., Feb. 13 at 7:30 p.m.

Location: Sean O’Sullivan Theatre, Brock University, 500 Glenridge Avenue in St. Catharines, Ontario

Tickets: $15 adults; $12 seniors & students; $10 groups; The Department of Dramatic Arts is proud to be a partner of eyeGo to the Arts, encouraging high school students to attend live performing arts through an innovative $5 ticket program.
Announcing $5 Friday! – attend the matinee performance on Fri., Feb. 12 at 1 p.m. for only $5 – available to holders of Brock ID cards.
Available at the Centre for the Arts Box Office, 905-688-5550, ext. 3257, or e-mail boxoffice@brocku.ca.

Charles Mee’s contemporary look at Aeschylus’s Greek tragedy The Suppliant Women is an astonishingly fresh take on an age-old story: love versus power.

BIG LOVE tells the story of fifty brides (all sisters) who flee from arranged marriages to fifty grooms (their cousins) who pursue them across the sea to Italy. Three of the brides seek asylum in an Italian family’s villa. When their hosts are unable to negotiate their way through the moral predicament and allow the forced marriages, the brides make a murderous pact to kill their husbands on their wedding night. One of them fails to kill. Who betrayed whom?

Director Gyllian Raby states, ”I am drawn to the play because it has the scale of a Greek tragedy, but it is dressed in the global culture of today. Mee invites a wild post-modern performativity, but his story is so deeply sourced in western culture that it is very accessible.” Designer Karyn McCallum has set our production in an installation suggestive of a temple-gymnasium where the body wrestles with the spirit. Mattel’s gendered Ken and Barbie dolls hang from the lighting grid and punch-bag mannikin forms are anchored to the stage floor. A deeply passionate movement score with choreography from Gemini nominated Director and Award winning Choreographer Allen Kaeja conveys chaotic savagery and the tenderness of love, as well as the dark endurance of the survivor.

BIG LOVE showcases the talents of students in Brock University’s Department of Dramatic Arts undergraduate acting classes: Rebecca Durance-Hine, Jacqueline Costa, Sadie Isaak, Rob MacMenamin, Corey Mehlenbacher, Trevor Ketcheson, Jen Bender, Chris Boyle, Michael Pearson, Eric Frank, Dylan Mawson and Kasey Dunn.

BIG LOVE exhibits the extremes of passion as it explores two impossibilities: love and forgiveness. Performed on stage at the Sean O’Sullivan Theatre, Brock University, performances are held on Thurs., Feb. 11, 2010 at 7:30 p.m., Fri., Feb. 12 at 1 p.m. and 7:30 p.m., and Sat., Feb. 13 at 7:30 p.m.

Such productions by the Department of Dramatic Arts are a key part of the Marilyn I. Walker School of Fine and Performing Arts’ mandate in building connections between the community and the breadth of talent and creativity at Brock University.
Media Day: Thurs., Feb. 4, 2010 at 6 p.m. held at the Sean O’Sullivan Theatre, Brock University.

Tags: Big Love, Mainstage, plays
Categories: Events, Media Releases, News, Plays
MEDEA

Monday, November 03, 2008 | By Brock University

click on the poster above to download your own copy. Medea Media Release: download here (PDF)

by Euripides
directed by Natalie Alvarez. scenography by David Vivian.

November 13, 14, 15, 2008 @ 7:30 p.m.
November 14, 2008 @ 11:30 a.m. Student Matinee

An ancient Greek tragedy crashes against the shores of modern life and lingers in televised ruins.

A riveting retelling of Euripides’ Medea set in a multi-media talk-show environment, with a musical guest appearance, live cameras, and haunting visual effects.

Backstage Workshop, Performance, and Talk-Back Package:
Student groups can book a Medea field-trip package that begins with a pre-show workshop led by members of the Medea creative team, faculty, and students of the Department of Dramatic Art’s Drama in Education and Society Stream.
see here for more information: Medea Field Trip package (PDF)

Medea Teaching Module:
A series of thematic topics followed by discussion questions and exercises that high school teachers may use in preparation for their field trip to the Department of Dramatic Art’s production of Medea.
download here: Medea Workshop (PDF)

Medea promo for students (PDF file)

Media:

Watch the slideshow for Medea featuring images from the production and narration provided by Natalie Alvarez, the Director of Medea:

Listen to the Director of Medea, Natalie Alvarez, introduce you to the show:

Tags: Euripides, Mainstage, Medea, plays, talk-back, teaching module, workshop
Categories: Events, Plays
Marat/Sade

Thursday, November 01, 2007 | By Brock University
(The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade)
by Peter Weiss
directed by Virginia Reh, scenography by David Vivian.

Set in the asylum in 1808, Sade’s drama is about the assassination of the populist revolutionary Jean Paul Marat by Charlotte Corday. This incident is viewed through the lens of Sade’s exploration of sexual excess and physical cruelty. In Brechtian fashion, the story is continually interrupted and analyzed. At the heart of Sade’s drama is the debate between himself as the author and his character Marat, who is played by another inmate.

We have developed a Study Guide incorporating information and ideas about the historical context of the play as well as our directorial and scenographic direction to this production. Click on the link below:

Study Guide for Marat/Sade

v. 16.11.07; Updates will be posted as available.

November 15, 16, 17, 2007, @ 7:30 p.m.

The Assistant Director has set up a Facebook Event Page for the project. Click here.
Tags: Mainstage, Marat/Sade, Peter Weiss, plays
Categories: Events, Plays