Articles tagged with: Shakespeare

  • Distinguished Graduate a class act in Canadian theatre

    Originally published in The Brock News | THURSDAY, SEPTEMBER 29, 2022 | by Charles Kim

    Though the spotlight may seem daunting to many people, it’s where Jordin Hall (BA ’10) feels most at home.

    The Brock Dramatic Arts graduate has found much success in his acting career and credits the groundwork he developed at Brock for helping to set his course.

    “Brock set the foundation for me early in my career. I learned how to respect the room, be diligent and work my craft,” says Hall, who was honoured during Brock’s Homecoming weekend as the Faculty of Humanities Distinguished Graduate Award recipient. “Those skills were all transferable and it immediately impacted my career following graduation.”

    Hall received his Bachelor of Arts in Dramatic Arts with a performance concentration from Brock in 2010. Following graduation, he found success as an actor in Toronto, working with many independent theatre companies and performing in leading roles for several Shakespearean productions, including Love’s Labour’s Lost and The Winter’s Tale (Dauntless City Theatre), Titus Andronicus (Seven Siblings Theatre), A Midsummer Night’s Dream (Humber River Shakespeare Company), and the title role of Othello for Driftwood Theatre.

    A woman on the left presenting a framed certificate to a male on the right pictured in front of a red backdrop.

    Carol Merriam, Dean of Brock’s Faculty of Humanities, presents Jordin Hall with the Faculty’s Distinguished Graduate Award at the Alumni Recognition Reception on Saturday, Sept. 24.

    Although he is now confident and eager to perform the works of Shakespeare, this wasn’t always the case.

    “From what I learned in high school, I thought I hated Shakespeare. In hindsight, this wasn’t the case at all; it was just how it was taught to us,” Hall says. “After breaking down the words and understanding how it was supposed to be read, I felt excited. I understood it and I was hungry for more.”

    Brock Dramatic Arts Professor Danielle Wilson says Hall was “always dedicated and driven.”

    “He was extremely passionate about performing even from a young age,” she says. “It was clear to me after a scene from Othello completed in one of my classes, he had an ability with language. He already knew how to use the words and had the voice to support them.”

    Following his success in Toronto, Hall found a once-in-a-lifetime opportunity to study classical theatre with the Stratford Festival’s Birmingham Conservatory.

    “It is a prestigious organization to be with and it’s every young theatre person’s dream to be part of the conservatory,” he says. “I remember I had my callback, and I didn’t really know how it went. When I got a call offering me a spot, it was surreal, and I was so excited. I was truly grateful for that opportunity.”

    After achieving his dream of working with the Birmingham Conservatory, Hall joined the Stratford acting ensemble in 2018. Since then, he has been part of seven Stratford productions, including his acclaimed leading role of Bertram in this year’s production of All’s Well That Ends Well.

    Dramatic Arts Professor David Fancy praised Hall’s impact as a professional in Canadian theatre.

    “Jordin was very engaged with critical issues of representation and made strong intelligent contributions as a student,” he says. “There have been barriers to inclusion historically for racialized individuals in Canadian theatre. The fact that he is now working at one of the most recognized cultural institutions in the country is a huge sign of success.”

    As for what’s next, Hall says he wants to continue pursuing his craft.

    “In many ways, I am still finding my way as a performer, and I can’t say for sure what the future holds, but I can see myself with the Stratford Festival for a while,” he says. “I enjoy it and hope that we can continue to produce more great work together.”

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    Categories: Alumni, Announcements, Faculty & Instructors, In the Media, News

  • PERDITA, OR THE WINTER’S TALE: our first mainstage for the new decade!

    PERDITA, OR THE WINTER’S TALE,
    ADAPTED BY GYLLIAN RABY

    Join us for our second Mainstage production of the 2019-20 season: a new adaptation of Shakespeare’s classic co-directed by Professors Gyllian Raby and Danielle Wilson, with Gerry Trentham.

    Perdita, or The Winter’s Tale, views through the eyes of a child the chaos set in motion by a father’s paranoid jealousy. King Leontes’ psychosis is terrifying as he plots to kill his best friend Polixenes on suspicion of adultery with Queen Hermione. But when he threatens the lives of the Queen and her newborn daughter, Leontes succeeds only in killing his heir, the ailing prince Maximillius. In the storm of recrimination that follows, Max steps out of Time to save his baby sister, manipulating the Winter’s Tale by imagining reality anew.

    The Department of Dramatic Arts presents this sad tale with a happy ending. The Winter’s Tale is Maximillius’ attempt to explore the situation that is destroying him, to understand its consequences and to bind his world together.

    Read the review in the Brock Press.

    See the teaser video taken during rehearsal and featuring interviews with the Assistant Directors Rina Wilkins and Emma McCormick, and performer Jasmine Case (Perdita) from YourTV Niagara.

    perspective drawing view of the set, designed by Nigel Scott

    Artistic Direction for our production of Perdita, or The Winter’s Tale.

    The text of 1612 has been re-imagined into the Cold War era of 1970’s where Shakespeare’s ‘evil’ Sicilia is an Iron Curtain country kind of power imagined by John LeCarré and ‘festive’ Bohemia is a flower-power realm where kids rebel against their parents’ values.

    It is a tale of lostness and belonging, of trust-betrayed and loyalty. The craving of a child or youth to understand adulthood, and of people stuck in a role or gender to experience its opposite, is our focus. This is a production where the god and mortal “he” is socially constructed and can be played by actors of any biological sex.

    costume designs by Alexandra Lord. (l-r: Leontes, Polixenes, Dorcas, and Perdita)

    Bring your students to a special matinee performance of Perdita, or The Winter’s Tale on March 06, 2020 at 11:30 am. Group tickets start at $13 each, and discounts available. We are pleased to offer a talkback and Q & A with the actors and creative team after the matinée on March 6th. Should you be interested, contact us for more information. Curriculum connections include Shakespeare Studies, English Literature, World Studies, History, Gender Studies and Drama Studies. The performance of Perdita is appropriate for high school audiences.

    To book your school, please contact the Production Manager Brian Cumberland for all group ticket purchases: bcumberland@brocku.ca . If you are interested in booking a tour of the Marilyn I. Walker School of Fine and Performing Arts prior to the show, please e-mail mroca@brocku.ca .

    download the poster

    Presented at the Marilyn I. Walker School of Fine & Performing Arts. Purchase your tickets at https://brocku.universitytickets.com/.

    When: Feb. 28 and 29, 2020 — 7:30 p.m.
    March 1, 2020 — 2 p.m.
    March 6, 2020 —11:30 a.m. and 7:30 p.m.
    March 7, 2020 — 7:30 p.m.

    Where: Marilyn I. Walker Theatre, 15 Artists’ Common, St. Catharines

    The Marilyn I. Walker Theatre is situated at the Marilyn I. Walker School of Fine and Performing Arts, located at 15 Artists’ Common in downtown St. Catharines, L2R 0B5. We are adjacent to the FirstOntario Performing Arts Centre and the Meridian Centre.

    See our website for maps and contact information:
    brocku.ca/miwsfpa/dramatic-arts/contact/

     

    Directed by Danielle Wilson and Gyllian Raby, with Gerry Trentham
    Set Design by Nigel Scott
    Costume Design by Alexandra Lord
    Lighting Design by Chris Malkowski
    Sound Design and Music by Max Holten-Andersen
    Assistant Direction by Rina Wilkins and Emma McCormick.

    download the rack card

    Stage Manager: Jordine De Guzman
    Asst Stage Manager Elizabeth Martin and Diego Blanco
    Production Manager: Brian Cumberland
    Technical Director: Gavin Fearon
    Shop Supervisor: Ed Harris
    Theatre Technician: Dawn Crysler
    Head of Wardrobe: Roberta Doylend

    CAST:

    Avery Delaney Florizel
    Jackson Wagner Leontes 
    Jasmine Case Perdita 
    Jesse Caines Court Judge/Jailer/Servant 
    Joanna Tran Hermione 
    Juan-Carlos Figueroa Polixenes 
    Lauren Reid Paulina/Shepherd 2 
    Leah Rantala Emilia 
    Meryl Ochoa Maximilius/Time
    Mike Hammond Antigonus/Shepherd 3
    Molly Lacey Clio/Dorcas
    Rachel Frederick Dion/Mopsa
    Taylor Bogaert Camillo

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    Categories: Events, Faculty & Instructors, In the Media, Media Releases, News, Performance Season, Plays, Uncategorised

  • DART alumnus takes the stage in Toronto

    DART Alumnus Jeremy Ferdman performs in the Classic Theatre Project‘s latest production of Macbeth. From the CTP website:

    Set against the backdrop of violent tribal conflicts, this re-imagined, gritty production of Macbeth features epic sword fights and modern stage technology. As hero becomes tyrant, Shakespeare’s masterful commentary on the corrupting nature of power poses the timeless and dangerous question:

    ‘Is he who desires ultimate power capable of being a just leader?’

    Photo courtesy of thectp.ca

    Jeremy Ferdman
    (Macduff, Bleeding Saergent)

    Jeremy Ferdman is an award-winning actor from Toronto. Beginning his career ‘belly dancing’ in a National Rogers commercial at 15, Jeremy trained at the Stella Adler Studio of Acting (NYC), Art of Acting Studio (LA), University of North Carolina and Brock University. He played the role of Marty Glickman in Focus Features’ Race, opposite Jason Sudeikis and Jeremy Irons, and recently wrapped the Dylan Thomas biopic, Dominion, with John Malkovich and Tony Hale, which Jeremy is Executive Producing with Film Colony (Hateful 8/Cider House Rules). Theatre credits include A Midsummer Night’s Dream (Georgia Shakespeare), Bad Jews (Theatre Calgary), Metamorphoses (Georgia Shakespeare), Soon (Young Storytellers Foundation), Waiting for Lefty (Off-Broadway/Harold Clurman Lab) and Revenger’s Tragedy (Kennedy Center). Television credits include Rookie Blue (ABC), Killer Kids (Lifetime), Unusual Suspects (Discovery), Warehouse 13 (NBC Universal) and Man Seeking Woman (FX). Follow Jeremy on Twitter: @jeremy_ferdman

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    Categories: Alumni, Announcements, News

  • Brock students on the Royal Botanical Garden stage

    (Source: The Brock NewsMONDAY, AUGUST 15, 2016 | by . Photo: “Performers in Midsummer Night’s Dream playing at the Royal Botanical Gardens in Hamilton. Back left: John Wamsley, Zach Parsons, Jesse Horvath, Sean McLelland, Caitlin Popek, Nicole James and Dana Morin. Front left: Trevor Copp, Sean Rintoul, Claudia Spadafora, Michael Hannigan and Alma Sarai.”)

    A troupe of Brock University students is putting their dramatic arts talents to work this summer.

    Tottering Biped Theatre’s production of Shakespeare’s “A Midsummer Night’s Dream” – on now at the Royal Botanical Gardens in Hamilton – features a number of familiar Brock faces.

    The production, held at the newly opened David Braley and Nancy Gordon Rock Garden, has been three years in the making. Director and Brock drama instructor Todd Copp says his goal is to offer local opportunities to recent theatre grads.

    “We’ve noticed the difficulty emerging artists have here in getting off the ground and we lose artistic talent to Toronto and further cities every year as a result,” he says on the production’s Facebook page. “In casting this piece, we searched this area’s post secondary theatre programs for the most talented senior students/recent graduates – and offered them paid theatre work. It’s unprecedented in our area.”

    The production links young actors with more experienced ones, teaching the next generation of actors that they don’t need to move away to pursue their passion.

    A number of recent and current Brock drama students are involved on the stage and behind the scenes including Sean McClelland, Sean Rintoul, Caitlin Popek, Nicole James and Dana Morin.

    Nicole James, who is pursuing her BA in dramatic arts with a concentration in production and design, is the production’s stage manager and embraces the challenge of managing a nine-person cast. She works with assistant stage manager and fellow Brock student, Dana Morin.

    James credits Carolyn Mackenzie’s stage management course for giving her the skills she needs for the job.

    “I have the privilege to work professionally in the theatre,” she says. “It’s so obvious that the instructors at the Marilyn I. Walker School of Fine and Performing Arts Dramatic Arts department actually care and are invested in the education of every single student.”

    Copp was an instructor with Brock’s Dramatic Arts program in 2016 and is the artistic director of Burlington’s Tottering Biped Theatre. Founded in 2009, the company is inspired by social justice. They have toured regionally and internationally.

    “A Midsummer Night’s Dream” runs August 10-14 and 17-21 at RBG Rock Garden 1185 York Blvd, Hamilton. Performances start at 7 p.m.; tickets are available at http://tickets.rbg.ca/PEO/default.asp.

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    Categories: Alumni, Current Students, In the Media, News

  • The Department of Dramatic Arts presents: Goodnight Desdemona (Good Morning Juliet)

    WRITTEN BY: Ann-Marie Macdonald
    DIRECTED BY: Danielle Wilson
    ASSISTED BY: Mark Harrigan
    SET DESIGN BY: Nigel Scott
    COSTUMES BY: Kelly Wolf
    SOUND DESIGN BY: Gavin Fearon
    LIGHTING DESIGN BY: Yasmine Kandil
    FIGHT DIRECTION BY: Jamie Treschak

    Show dates/times: Feb. 26 & 27 and March 4 & 5 at 7:30 p.m.
    Matinee performances: Feb. 28 at 2:00 p.m. & March 4 at 11:30 a.m.

    Performed in the Dramatic Arts Theatre, Marilyn I. Walker School of Fine and Performing Arts, 15 Artists’ Common, St. Catharines.

    purchase tickets here

    What would happen if Desdemona and Juliet didn’t die? Constance Ledbelly, an overlooked academic, is transported into Shakespeare’s Othello and Romeo and Juliet, becomes entangled in the plays, meets these iconic women and changes the plots entirely.

    Goodnight Desdemona (Good Morning Juliet) showcases the talents of students in the Department of Dramatic Arts undergraduate program, including the performers: Raylene Turner; Katelyn Lander; Elizabeth Amos; Alexandra Li Tomulescu; Michael Fusillo; Robert Herr; Josh Sanger; and Jeremy Knapton. See the media release below for a complete list of artists and collaborators.

    Check out A Shakespearean whirlwind: Behind the Scenes with Goodnight Desdemona @BrockuDART and see dartcritics.com to follow development of this production.

    Teachers and faculty should read this letter about group bookings and discounts.

    A Study Guide is available for review, prepared by Assistant Director Mark Harrigan: download to print a copy (PDF)

    See the media release below or via this downloadable PDF for more details about the production and to schedule your participation in the media day:


    Media Release:

    Ann-Marie MacDonald’s award-winning Canadian classic, Goodnight Desdemona (Good Morning Juliet), on stage at the Dramatic Arts Theatre in downtown St. Catharines

    The Department of Dramatic Arts (DART) is proud to present Goodnight Desdemona (Good Morning Juliet), a clever, lively comedic tale of self-discovery, to be held in the Dramatic Arts Theatre at the Marilyn I. Walker School of Fine and Performing Arts, 15 Artists’ Common, from February 26 – March 5, 2016.

    Goodnight Desdemona (Good Morning Juliet) was first performed in Toronto in 1988, and went on to be performed nationally and internationally. It has become one of Ann-Marie MacDonald’s most popular plays. Winner of the Governor General’s Award for Drama, Goodnight Desdemona (Good Morning Juliet) is a feminist re-envisioning of Othello and Romeo and Juliet. Set at Queen’s University in Kingston, overlooked and under-appreciated academic Constance Ledbelly has spent the last ten years ghost writing for a professor while trying to prove her theory that Othello and Romeo and Juliet were originally comedies written by an unknown author that Shakespeare plundered and made into tragedies. When she deciphers the ancient ‘Gustav Manuscript,’ Constance is propelled smack dab into the tragic turning points of each play, saving both Desdemona and Juliet from their tragic fates. The result is a topsy-turvy ride through the recesses of her own mind as Constance learns to appreciate her own self-worth, find confidence and discover who she really is.

    Heading up the creative team is Director Danielle Wilson who is also an actor and voice coach. In 2006, she moved to St. Catharines to take up her current position at Brock University where she teaches voice and performance. She is also active in the local theatre scene as a vocal coach and director, and is the co-artistic director of Stolen Theatre Collective. This is Professor Wilson’s fourth mainstage direction for Brock University’s Department of Dramatic Arts and her first production for the new DART theatre opened in September 2015.

    Assistant Director Mark Harrigan is a fourth year BA (Honours) Dramatic Arts student. Lighting design is by Professor Yasmine Kandil with sound design by Gavin Fearon (assisted by student Kelsey Burcher). DART is delighted to engage guest artists to complete their creative team: set design by Nigel Scott (assisted by student Charlotte Nazari), costume design by Kelly Wolf, and fight direction by Jamie Treschak. Goodnight Desdemona (Good Morning Juliet) showcases the talents of students in the Department of Dramatic Arts undergraduate program, including the performers: Raylene Turner; Katelyn Lander; Elizabeth Amos; Alexandra Li Tomulescu; Michael Fusillo; Robert Herr; Josh Sanger; and Jeremy Knapton. The student Stage Manager is Oriana Marrone, assisted by Kaitlyn Seguin and Elena Milenkowski. Second year students in Stagecraft build and operate the show under the direction of the Production Manager Brian Cumberland, Technical Director Gavin Fearon (assisted by student Jennifer Dewan) and Head of Wardrobe Roberta Doylend assisted by students Dana Morin (Properties Co-ordinator) and Paige Patterson (Wardrobe Assistant).

    Danielle Wilson states, “I wanted to do a play with strong female characters, which is surprisingly difficult to find in 2016. Ann-Marie MacDonald brilliantly revises Shakespeare’s Juliet and Desdemona by exploring the role of gender in romantic alliances and questioning their boundaries.”

    Goodnight Desdemona (Good Morning Juliet) runs February 26 and 27 at 7:30 pm; February 28 at 2 pm; March 4 at 11:30 am and 7:30 pm; and March 5 at 7:30 pm, and will be held in the Dramatic Arts Theatre, Marilyn I. Walker School of Fine and Performing Arts, 15 Artists’ Common, St. Catharines. Tickets are $18 Adults; $15 Students/Seniors; $12 Groups (10+); $5 eyeGo high school program, and are available through the FirstOntario Performing Arts Centre Box Office at 905.688.0722, online: firstontariopac.ca; or e-mail: boxoffice@firstontariopac.ca

    Such programs from the Department of Dramatic Arts (https://brocku.ca/miwsfpa/dramaticarts) are an integral part of the Marilyn I. Walker School of Fine and Performing Arts’ mandate in building connections between the community and the breadth of talent and creativity at Brock University.

    Limited paid parking is available on-site, however, there are more than 1,000 spots available in nearby parking garages, surface lots and on city streets within a five-minute walk to our address at 15 Artists’ Common. Visit stcatharines.ca/en/livein/ParkingLotsGarages.asp for a list of parking locations.

    Media Day: Thursday, February 18 at 5 pm, held at the Dramatic Arts Theatre, 15 Artists’ Common, St. Catharines, ON.

    For interviews please contact:

    Marie Balsom, Communications Coordinator, Marilyn I. Walker School of Fine and Performing Arts
    T: 905-688-5550, ext. 4765 | E: mbalsom@brocku.ca | W: brocku.ca/miwsfpa


    Video Teaser:

     

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    Categories: Events, Media Releases, News, Plays

  • TWELFTH NIGHT, (or what you will) a comedy by William Shakespeare at the Department of Dramatic Arts

    image by Nitin Vadukul

    image by Nitin Vadukul

    TWELFTH NIGHT, (or what you will)

    a comedy by William Shakespeare

    November 7 – 9, 2013 at 7:30 PM
    Student Matinee November 08 at 11:30 AM

    DIRECTED BY Gyllian Raby
    Co-Director and Vocal Coach: Danielle Wilson
    Assistant Director and Dramaturge: Keavy Lynch

    If music be the food of love, play on!
    “Twelfth Night, (or what you will)” presented on stage at the Sean O’Sullivan Theatre

    The Department of Dramatic Arts’ rendition of Twelfth Night gives this classic Shakespearean comedy a 20th century twist, setting it in the 1950s and taking audiences to the era of soul-searching country blues. This production runs November 7, 8 and 9, 2013 at 7:30 p.m., and November 8 at 11:30 a.m., held at the Sean O’Sullivan Theatre, Brock University.

    The magical fictitious kingdom of Illyria is a modern world where boys are boys and girls are girls and subterranean passions blow apart rigid conventions. Fools, lovers, and shipwrecked souls grapple adverse fortunes and comic misunderstandings to find what truth and love might mean. To meet Shakespeare’s demand that Illyria be a land where music is “the food of love,” we present the fool musician Feste as the leader of a country blues band.

    The production is a directorial collaboration between Dramatic Arts faculty Gyllian Raby and Danielle Wilson, assisted by Keavy Lynch. Raby states, “We are performing Twelfth Night using music rooted in contemporary culture, so although this production is not a musical, music is threaded throughout the play.” Wilson adds, “The play has many of the elements common to Elizabethan romantic comedy, including the devices of mistaken identity, separated twins, and gender-crossing disguise, and its plot revolves around whether one can manage betrayal, and overcome the obstacles to truth and love.“

    Have a look at our media release (PDF).

    Let us know you’re coming by joining our Facebook Event.

    High-School teachers should read this letter about the Matinee performance opportunities available for Twefth Night (November 2013) and Jehanne of the Witches (February 2014)  (PDF)

    A Study Guide is available for review,
    prepared by Gyllian Raby and Keavy Lynch:
    download to print a copy (PDF, 2.0 MB)

    watch this preview on Cogeco TV:

    see the article in the Brock News!

    (From left): Sean Rintoul, Chris Chapman and Bri Lidstone perform in the Department of Dramatic Arts production of Twelfth Night, which opens Nov. 7 at the Sean O'Sullivan Theatre.

    (From left): Sean Rintoul, Chris Chapman and Bri Lidstone perform in the Department of Dramatic Arts production of Twelfth Night, which opens Nov. 7 at the Sean O’Sullivan Theatre.

    Announcing $5.00 Fridays!

    all holders of Brock ID cards – students, staff and faculty – are invited to take advantage of a special new price for the Matinee mainstage performance. Please present your ID card upon purchase of your ticket.
    Tickets for all performances including the $5.00 Friday Matinees are available through the  Box Office of the Centre for the Arts
    or  905.688.5550  x 3257

    For more information, please contact Marie Balsom, Co-ordinator of the School of Fine and Performing Arts, at 905-688-5550, ext. 4765; e-mail: mbalsom@brocku.ca

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    Categories: Events, Plays

  • DART Students attend Stratford Shakespeare Academy

    Every summer students of the Department of Dramatic Arts (DART) attend the annual Stratford Shakespeare Academy for a three week intensive two-course experience. The courses present an opportunity to study Shakespeare through the lenses of both performance and structured analytical criticism with some of Ontario’s leading university professors and Stratford professional coaches. During the typical 7.5 hour day students observe and enquire of the talent of working actors, trainers and directors while experiencing first-hand the programming of one of Canada’s most triumphant theatre Festivals. In 2012 fourteen students will attend the Stratford Academy.  To read more click here.

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    Categories: Current Students, News

  • DART students attend Stratford Shakespeare Academy

    Stratford Shakespeare Academy.
    DART Students Josh Davidson and Emma Bulpin engage in valued ‘Art Talk’ between classes!

    Every summer students of the Department of Dramatic Arts (DART) attend the annual Stratford Shakespeare Academy for a three week intensive two-course experience. The courses present an opportunity to study Shakespeare through the lenses of both performance and structured analytical criticism with some of Ontario’s leading university professors and Stratford professional coaches. During the typical 7.5 hour day students observe and enquire of the talent of working actors, trainers and directors while experiencing first-hand the programming of one of Canada’s most triumphant theatre Festivals.

    Josh Davidson, a fourth year performing arts student at DART, describes this opportunity as “…an experience unlike any other. During my traditional school experience, I never had the opportunity to embody Shakespeare, or any stylized theatrical form, quite like this course offered. My fellow students and I are always asked to focus on a multiplicity of various forms, in relationship to different classes during the school year. The Stratford Shakespeare Academy offers you the opportunity to study Shakespeare, and only Shakespeare, for a three week period. The benefit of this intensive class structure was invaluable.”

    The course encouraged students to formulate opinions and discussions in response to the four Shakespearean plays presented during the 2011 Stratford season. Davidson says “having the ability to witness professional Shakespeare productions, while in the midst of studying Shakespeare, was helpful and inspirational.” Acting students train to develop a personal artistic palette, molded and shaped with specific skill sets, knowledge and vocabulary. He continues, “Observing Shakespearean acting professionals “live” allowed me to reflect upon what my artistic palette already consists of and helped identify the areas needing more time and improvement.”

    Complementing the coursework is the opportunity for theatre students from the sponsoring universities – Guelph, Windsor, Queens and Waterloo – to meet and share their learning experiences. Josh asserts “the other side of this adventure was found in the social environment. We were able to share experiences, class work, opinions, and beliefs with other students who have been trained in different forms, theories and techniques from our own. This made for some great art-talk! I brought what Brock had to offer, and they brought what their own school offered. This intermingling between schools sparked new friendships, new artistic discoveries and made the course experience very rewarding as a student and actor.”

    Josh concluded, “I would encourage any high-school student with performance interests to attend Brock University for these types of remarkable course experiences. The benefit of this intensive class structure is invaluable… I don’t think anyone could walk away from this experience without finding something to enrich their studies, while also helping to form the work they create in the future.”

    In September these fourth year students return to DART, fresh with the legacy of these formative course experiences.  Working together with their newly tuned artistic palettes, they will create provocative and innovative theatrical performance for the Brock community.

    Students interested in more information about the Stratford Shakespeare Academy should contact the Department at dramatic.arts@brocku.ca

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    Categories: Alumni, Current Students, News