Articles tagged with: Sean O’Sullivan Theatre

  • Acting exercise helps prepare co-op students for workplace

    From small talk at the water cooler to encounters with testy photocopiers, students embarking on co-op work-terms never quite know the situations they may experience in their new workplace.

    To help lessen stress and increase comfort heading into a new environment, Brock Dramatic Arts students recently visited their co-op peers to share some scenarios they may be faced with.

    Comprised primarily of Dramatic Arts students under the direction of Joe Norris, Dramatic Arts Chair and Professor of Drama in Education and Applied Theatre, Mirror Theatre spent time in three Co-op Education classes over the past few weeks to provide guidance and reassurance by acting out scenes in Sean O’Sullivan Theatre.

    Dramatic Arts exercise in co-op class

    Co-op students Daniel O’Leary, left, and Marsel Avdic, right, play tug of war with fourth-year Dramatic Arts student and Mirror Theatre member Sumer Seth during an ‘Awkward Elevator’ scene.

    The group write and present interactive scenes on a variety of social issues, with the latest art-based research project exploring the interpersonal dynamics of work placements from entry to exit.

    Using applied theatre, experiential and problem-based learning theories and techniques, the students present scenes that address worker safety, on-site learning, asking for help, dealing with unreasonable demands and degree of personal sharing and assessment. Audience members redirect the scenes from their seat and, at times, come on stage to try to act out their thoughts through role-play.

    The initiative was intended to generate discussion amongst the co-op students on a variety of work-related topics in the 0N90 class.

    Students were asked to put themselves in the actors’ shoes in order to understand how they would handle each of the given situations in real life.

    “I would recommend this type of interactive learning in future classes,” said second-year Public Health co-op student Micaela Snow following the exercise. “I feel like the presentation gave us a deeper understanding of expectations and work etiquette rather than if we just listened to the professor talking about it.”

    Julia Zhu, Brock’s Associate Director of Co-op Education, hoped the experience helped to “facilitate ‘a rehearsal for life’ by offering an opportunity for students to safely test out their approach to impromptu social, ethical and culture situations.”

    Course facilitator Ashley Haroutunian said she was impressed by the level of engagement students displayed as they watched the vignettes and participated in the discussions and re-enactments.

    “They demonstrated a keen ability to reflect and contribute thoughtful observations and suggestions to help the players navigate the challenging workplace scenarios and conflicts,” she said. “Professor Norris and his students did an excellent job of supporting their learning by inviting, encouraging and involving students in the process.”

    Mirror Theatre has previously worked with Brock’s English as a Second Language Services in addressing academic integrity issues; Student Health, examining mental health and drinking issues; Health and Safety, discussing violence in the workplace; a Health Sciences class, articulating challenges of patient care; and the Centre for Pedagogical Innovation’s TA training sessions. The group’s members are heading to New York in April to present their arts-based research at the American Educational Research Association.

    Mirror Theatre members who participated in the recent co-op exercises include fourth-year Con-Ed Dramatic Arts students Mike Metz and Lindsey Abrams, third-year Psychology and Dramatic Arts student Nadia Ganesh, fourth-year Dramatic Arts and Education student Aaron Drake, fourth-year Con-Ed student Abby Rollo, second-year Con-Ed Dramatic Arts student Dani Shae Barkley, fourth-year Dramatic Arts student Sumer Seth and first-year Dramatic Arts student Dawson Strangway.

    Speaking with Mirror Theatre members on how this group has impacted their lives, Mike Metz, fourth year Con-Ed Dramatic Arts student says, “When I started Mirror Theatre in my first year, I was a Con-Ed math student. Mirror Theatre was one of the major reasons I decided to switch my major to Drama.”

    Lindsey Abrams, fourth year Con-Ed Dramatic Arts student adds, “Mirror Theatre has given me the opportunity to explore my love for theatre through different lenses as an actor, prospective educator, and learner.  I get the opportunity to explore all different areas of theatre that can be presented, and feel as though I am always a part of a team.”

    When Nadia Ganesh, third year Psychology and Dramatic Arts student was asked what she enjoys about participating in Mirror Theatre, she said, “I love the fact that Mirror Theatre gives me the ability to impact the lives of others even if it is only in a minor way. If it’s just making one person laugh, I’m happy that I’ve had the opportunity to affect that individual in a positive way.”

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    Categories: Announcements, Current Students, Faculty & Instructors, In the Media, News

  • Moving on up!

    The Department of Dramatic Arts has moved to our new location! We are part of the Marilyn I. Walker School of Fine and Performing Arts located at 15 Artists’ Common, adjacent to the FirstOntario Performing Arts Centre in downtown St. Catharines. During the summer of 2015 we will preparing our new location for the very first classes to begin in September 2015. Please visit this page again to read about our excellent new facilities.

    When we were located on the main campus at 500 Glenridge we had a variety of facilities including 3 stages and numerous workshops to allow students to work in all aspects of design, set building, wardrobe and rehearsal.

    Students had access to the following facilities at Brock:

    • 543-seat Sean O’Sullivan Theatre with its thrust stage
    • The Studio Theatre, a 99-seat proscenium stage (renovated 2009)
    • The Playhouse Theatre, a 508-seat proscenium theatre
    • three Acting studios, including Black which doubles as a ‘black box’ theatre (renovated 2005, 2009)
    • Scenery and properties construction workshops
    • Wardrobe workshop
    • Wardrobe Storage for 7000 items (new 2009)
    • Design Studio (renovated 2005)
    • Green Room/student lounge
    • For more information about the two large performing venues, please click here.

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    Categories: Announcements, News

  • RUR: Rise of the Robot God

    We are dedicating this final production in the Sean O’Sullivan Theatre to the memory of our late poet, Terrance Cox, who passed in the evening of January 16, 2015. Please see this post for more information.

    Directed by David Fancy
    Set Design & Costume Design by David Vivian
    Lighting Design by Jennifer Jimenez
    Music by Steve Chan

    An updated version of Karel Capek’s 1930s classic robot play.

    The past and future of artificial life, complete with phasers and show tunes!

    Show dates/times: February 12, 13, and 14, 2015 at 7:30 p.m.
    Matinee performance: February 13 at 11:30 a.m.

    purchase tickets here

    social media: rurrobotrising.tumblr.com
    on twitter: #rurrobotrising

    Performed in the Sean O’Sullivan Theatre, Brock University

    Karel Capek invented the word ‘robot’ in 1920s Czechoslovakia and the world has never been the same since. Our updated version of this Marxist robot melodrama features lots of bots and borgs, an apocalyptic vision of the future, and, of course, a theremin. Come witness the robot apocalypse!

    In Rossum’s Universal Robots (1920), Karel Capek invites us into an uncertain future in which the world is overrun by mass-produced robots. Although their makers hoped these machines would free human beings from the bondage of labour, instead, the robots mimic their makers and resort to war against all humans. This play is a precursor to so much subsequent science fiction dealing with artificial intelligence—from Star Trek to Terminator, from 2001: A Space Odyssey to Her. Like these later stories, the play deals with the anxieties of creating artificial life-forms, the awe in the face of robot power and possibility, and the fear of the end of human life on the planet.

    In the play, Rossum’s robot factory is visited by President Glory’s daughter Helena, a robot emancipationist. She attempts to convince the other humans working at the plant that the robots deserve their own freedom. Instead, she never leaves the factory, marries into the Rossum clan, and is present when the robot genocide of humans takes place. The final humans on the planet struggle to understand what has gone wrong. At a time of increasing technologization of labour and the becoming-digital of many people’s daily lives in the Economic North, this production offers an opportunity to imagine different futures beyond the ‘mechanization of everything.’

    Teachers and faculty should read this letter about group bookings and discounts.

    A Primer for Robot Audiences is available for review, prepared by Lead robot author, Andrew Godin: download to print a copy. (PDF, 4.8 MB)

    purchase tickets here


    Media

    See the video below to learn more about the show!

    see the article in Niagara This Week!
    see the article in Niagara This Week!

     

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    Categories: Events, Plays