Articles tagged with: David Vivian

  • Dramatic Arts welcomes the new Foster Festival to St. Catharines

    foster_festival_launch_220The Department of Dramatic Arts is excited to be part of the new Foster Festival and their inaugural 2016 season at the new FirstOntario Performing Arts Centre in St. Catharines, Ontario.  Celebrated Canadian playwright Norm Foster recently joined festival executive director Emily Oriold and artistic director Patricia Vanstone (see photo, at left) for the launch of the festival – which is the first in Canada to celebrate the work of a living playwright.

    Mike Zettel recently wrote about the festival launch in Niagara This Week:

    Vanstone said one of the first partnerships they formed was with Brock’s dramatic arts department, which will be housed in the Marilyn I Walker School of Fine and Performing Arts right behind the performing arts centre. The Foster Festival will have access to a state-of-the-art production facility and will offer summer employment and educational opportunities to the department’s brightest and best current and graduating students, giving them their first crucial work experience in a professional environment.

    “It’s a tremendous partnership,” Vanstone said, adding it’s an example of welcoming atmosphere across the city and the willingness of groups to band together for a common cause. “This is a community that understands a great work ethic and the ability to pull together.”

    Professors Gyllian Raby and David Vivian (Chair) were present for the launch along with Alesia Dane (Coop Programs) and Jana Boniferro (Development and Communications Officer for the Faculty of Humanities) from Brock University and Sara Palmieri and Steve Solski of the FirstOntario Performing Arts Centre, among others.  To read about the launch see the articles in Niagara This Week and the St. Catharines Standard and visit the Festival website.

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    Categories: Announcements, News

  • RUR: Rise of the Robot God

    We are dedicating this final production in the Sean O’Sullivan Theatre to the memory of our late poet, Terrance Cox, who passed in the evening of January 16, 2015. Please see this post for more information.

    Directed by David Fancy
    Set Design & Costume Design by David Vivian
    Lighting Design by Jennifer Jimenez
    Music by Steve Chan

    An updated version of Karel Capek’s 1930s classic robot play.

    The past and future of artificial life, complete with phasers and show tunes!

    Show dates/times: February 12, 13, and 14, 2015 at 7:30 p.m.
    Matinee performance: February 13 at 11:30 a.m.

    purchase tickets here

    social media: rurrobotrising.tumblr.com
    on twitter: #rurrobotrising

    Performed in the Sean O’Sullivan Theatre, Brock University

    Karel Capek invented the word ‘robot’ in 1920s Czechoslovakia and the world has never been the same since. Our updated version of this Marxist robot melodrama features lots of bots and borgs, an apocalyptic vision of the future, and, of course, a theremin. Come witness the robot apocalypse!

    In Rossum’s Universal Robots (1920), Karel Capek invites us into an uncertain future in which the world is overrun by mass-produced robots. Although their makers hoped these machines would free human beings from the bondage of labour, instead, the robots mimic their makers and resort to war against all humans. This play is a precursor to so much subsequent science fiction dealing with artificial intelligence—from Star Trek to Terminator, from 2001: A Space Odyssey to Her. Like these later stories, the play deals with the anxieties of creating artificial life-forms, the awe in the face of robot power and possibility, and the fear of the end of human life on the planet.

    In the play, Rossum’s robot factory is visited by President Glory’s daughter Helena, a robot emancipationist. She attempts to convince the other humans working at the plant that the robots deserve their own freedom. Instead, she never leaves the factory, marries into the Rossum clan, and is present when the robot genocide of humans takes place. The final humans on the planet struggle to understand what has gone wrong. At a time of increasing technologization of labour and the becoming-digital of many people’s daily lives in the Economic North, this production offers an opportunity to imagine different futures beyond the ‘mechanization of everything.’

    Teachers and faculty should read this letter about group bookings and discounts.

    A Primer for Robot Audiences is available for review, prepared by Lead robot author, Andrew Godin: download to print a copy. (PDF, 4.8 MB)

    purchase tickets here


    Media

    See the video below to learn more about the show!

    see the article in Niagara This Week!
    see the article in Niagara This Week!

     

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    Categories: Events, Plays

  • Lion in the Streets

    Written by Judith Thompson

    Directed by Danielle Wilson
    Designed by David Vivian

    Lion in the Streets is a beautiful nightmare.
    – Danielle Wilson, director

    February 16, 2012 – 7:30 pm
    February 17, 2012 – matinee 11:30 am AND 7:30 pm
    February 18, 2012 – 7:30 pm

    Adult $15 : Students/Seniors $12 : eyeGO $5 : Group Rates $10
    Buy tickets at arts.brocku.ca

    All DART Students receive ONE free ticket.

    Lion in the Streets is a play in which the obsessions of the characters erupt forth in heightened, surreal and imagistic language. The young protagonist, a Portuguese immigrant to Toronto named Isobel, is a ghost in a purgatorial condition. She deftly moves in and out of critical, extreme moments in each of the characters lives while searching for the man who killed her seventeen years prior. Twentieth century music underscores the critical moments in these characters’ lives animated with contemporary movement inspired by dance company La La La Human Steps. This unique mixture complements and elucidates surreal moments while revealing Thompson’s brilliant, sparkling humor. The production embodies our contemporary quest for faith, truth, and a ‘state of grace’ while contending with the absurdity of daily life.

    Lion in the Streets is written by award-winning Canadian Playwright Judith Thompson.  Premiered at the Tarragon Theatre in 1990 the play won the Chalmers Outstanding New Play Award in 1991. Thompson’s plays embrace subconscious elements of human experience not often seen on stage, capturing audience’s attention across the country. Canadian theatre companies regularly perform her work, such as Soulpepper’s 2011 production of White Biting Dog at the Young Center in Toronto.Lion in the Streets continues to be one of Thompson’s most known and most popular plays. High School students will be confronted with daring subject matter which could provide context and relevance to their lives. The play explores themes of repressed violence and sexuality, the search for identity and the powerful nature of love and forgiveness.  While the subject matter is dark, Thompson has crafted this exquisitely surreal play with moments of humor, hope and redemption or what she calls “moments of grace”.

    Contemporary movement will be choreographed by Gerald Trentham, Artistic Director of Toronto’s Pounds Per Square Inch Performance company. Our production will showcase 8 second to fourth year Brock students, playing a total of 29 roles, with additional assistance from students studying the areas of production, stagecraft, design and directing.

    With this production both Director Danielle Wilson and scenographer David Vivian look forward to honoring the wit and intelligence of our departed colleague, Dr Marlene Moser, a leading scholar of the oeuvre of Judith Thompson. Moser’s published thesis entitled “Postmodern Feminist Readings of Identity in selected works of Judith Thompson, Margaret Hollingsworth and Patricia Gruben” (Ph.D. Thesis, 1998. Graduate Center for Study of Drama University of Toronto) and the article “Identities of Ambivalence: Judith Thompson’s Perfect Pie” (Theatre Research in Canada, Volume 27 Number 1/ Spring 2006), explore themes of gender, narrative, identification of the subject and patriarchal abuse, dwelling upon their relationship to the stage, the language and how the audience will perceive them.

    High School Teachers and Educators: please read this letter for detailed information about the production, curriculum ties, and student matinee booking.

     

    Lion in the Streets: A Study Guide, is an introduction to our production, prepared by our Dramaturge and Third Year DART student, Erica Charles. Included are: 1) Collaboration, 2) Play Synopsis, 3) The Playwright: Judith Thompson, 4) Director’s Notes, 5) Designer’s Notes, 6) Isobel and her Lion, 7) Symbolism, 8) Images, 9) An Interview with Judith Thompson by Eleanor Wachtel, 10) Additional References, 11) List of Figures, 12) Endnotes and Bibliography.

    Download your PDF copy of Lion in the Streets: A Study Guide
    (PDF, 8.7 MB, remotely hosted)

    Download a copy of the poster (PDF, 1 MB)
    Download a copy of the poster (PDF, 1 MB)

    Buy tickets at arts.brocku.ca


    Press:

    “Dramatic Arts play explores the death of a young girl” – see the article in The Brock News


    Photos:

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  • Director of cSTAC and DART Professor honoured for his contribution to the City of St. Catharines

    Pictured left to right are Professor Debra Maclauchlan and Associate Professor Peter Vietgen (Faculty of Education), Associate Professor David Vivian and Assistant Professor Virginia Reh (Department of Dramatic Arts, Faculty of Humanities)

    Pictured left to right are Professor Debra Maclauchlan and Associate Professor Peter Vietgen (Faculty of Education), Associate Professor David Vivian and Assistant Professor Virginia Reh (Department of Dramatic Arts, Faculty of Humanities)

    Associate Professors Peter Vietgen (Visual Arts Education in the Department of Teacher Education, Faculty of Education) and David Vivian (Department of Dramatic Arts and the Centre for Studies in Arts and Culture, Marilyn I. Walker School of Fine and Performing Arts, Faculty of Humanities) were each presented with three Volunteer Recognition Certificates from the Government of Canada, the Province of Ontario, and the City of St. Catharines, at the 23rd Annual Volunteer Recognition Night co-sponsored by the City of St. Catharines, the St. Catharines-Thorold Chamber of Commerce, and the Henry of Pelham Family Estate Winery.

    Professor Vietgen was nominated by the Niagara Artist’s Centre for his contribution to the Public Art Advisory Committee of the City of St. Catharines. Professor Vivian was nominated for his service over four years as Chair of the Culture Committee of the City of St. Catharines.  Both Committees of Council are actively engaged in developing new policy, advocacy, funding, recognition and opportunities in the arts and culture sector, contributing to the creation of stimulating and sustainable culturally-rich lives in the city of St. Catharines.

    Given annually, the Volunteer Recognition Awards recognize those outstanding volunteers whose unselfish and dedicated service to an organization has made a significant difference in the community. Nominations are open to youth and adult volunteers, who are presented with their awards at a banquet hosted by the Mayor and councillors in April. This year the banquet was held at the Quality Hotel Parkway Convention Centre on Tuesday, April 19, 2011.

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  • Dramatic Arts performance of Phèdre examines passion, politics and jealousy

    (Source: The Brock News, Monday, February 14, 2011)

    Suppressed desire and ancient power struggles collide in this week’s production of Phèdre at Brock.

    Phèdre, written by Jean Racine, will be presented by the Department of Dramatic Arts at the Sean O’Sullivan Theatre. Phèdre – translated into English by British poet Ted Hughes – mixes poetry, political intrigue and sexual jealousy.

    The play contains a principal love triangle of Phèdre, her husband Theseus and his son Hippolytus. Phèdre has a forbidden passion for her stepson that unleashes a wave of tragic consequences.

    The roles are played by Dramatic Arts undergraduate students, including Kasey Dunn, Michael Pearson, Eric Frank, Emma Bulpin, Lauren Beaton, Josh Davidson, Kedie McIntyre, and Madison Roca. The play is directed by Virginia Reh and designed by David Vivian, both Dramatic Arts faculty members.

    The myths around Theseus, Phaedra and Hippolytus have fascinated playwrights for ages, Reh said.

    “Racine’s masterpiece distils the best of his major sources, particularly Euripides’ Hippolytus,” she said. “From Euripides he borrows the fundamentally principled Phaedra, an essentially moral woman who is tormented by a forbidden passion and chooses to die rather than surrender to it. The tragedy is at once epic and domestic.“

    Performances:

    • Thursday, Feb. 17, 7:30 p.m.
    • Friday, Feb. 18, 1 p.m. and 7:30 p.m.
    • Saturday, Feb. 19, 7:30 p.m.

    Tickets are $15 for adults and $12 for students and seniors. To order, call 905-688-5550 x3257 or email boxoffice@brocku.ca

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  • Earp Dance at Brock Nuit Blanche 2010

    earpresidenceFor those of you unable to attend Nuit Blanche Brock this year, check out the short video above to see dancers Shannon Perugino and Jessica Goncalves of the Department of Dramatic Arts perform on the beautifully lit top floor of Earp Student Residence at Brock University.   The original piece was performed every half hour from 6pm to midnight on the chilly night of December 3, 2010, to audiences outside on the street below as part of Nuit Blanche Brock 2010. 

    Performed by Dramatic Arts students Jessica Goncalves and Shannon Perugino; Sound Op: Matthew Viviano; Tech and Design Support: Doug Ledingham and David Vivian; Conceived by Natalie Alvarez. Choreography by Jessica Goncalves, Shannon Perugino and Natalie Alvarez.

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  • Musical theatre takes centre stage

    virginiareh

    Assistant Professor Virginia Reh in the DART Props Shop

    Canadian musical theatre is a little like Canadian film and Canadian writing. It takes place in our own backyard, but our brightest stars are often hidden from public consciousness.

    Virginia Reh is on a mission to change that.

    An assistant professor of Dramatic Arts, Reh is the driving force behind an upcoming conference called Lyric CANADA 2010 from Oct. 21 to 23. David Vivian, associate professor and director of the Centre for Studies in Arts and Culture, is also an organizer.

    With the conference, Reh hopes to push Canadian musicals and opera into the minds of academics and the general public. That way, she said, more people will write about it. More people will study it. And most importantly, more people will know that it exists. (See the full article here.)

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  • Spring & Summer News 2010

    DART faculty presented at the recent CATR (Canadian Association for Theatre Research) conference (part of the SSHRC Congress, or “Learneds”) at Concordia University in Montreal (May 2010).


    PSi16 Performing Publics was held in Toronto June 9-13. Professor Natalie Alvarez and graduate Victoria Mountain of DART were on the Program Commitee.


    The IFTR (International Federation for Theatre Research) 2010 World Congress Cultures of Modernity occurred in July in Munich, Germany. DART Professors David Fancy and David Vivian were both part of the conference program. See the official website for information.

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  • A Little Night Music

    Music and Lyrics by STEPHEN SONDHEIM
    Book by HUGH WHEELER
    Suggested by a film by Ingmar Bergman

    Director: Virginia Reh
    Scenographer: David Vivian

    Three households, three generations, twisted love triangles, upstairs/downstairs come together for “A Weekend in the Country”. Tangled romance and passion in the relentless daylight of the northern midsummer night, all in 3/4 waltz time. The musical, probably best known for the song “Send in the Clowns”, is based on Ingmar Bergman’s film Smiles of a Summer Night, which was set in turn-of-the-20th century Sweden. A fresh young approach from major collaboration between the Departments of Dramatic Arts and Music. A whirl of intoxicating music, dance and witty lyrics.

    Performance 1 (Opening): Thursday Nov. 12th, 7:30 pm
    Performance 2: Friday November 13th, 1:30 pm (group and student Matinee) ***new time/ new price!***
    Performance 3: Friday November 13th, 7:30 pm
    Performance 4: (Closing): Saturday November 14th, 7:30 pm

    Educators and Counsellors:
    A Little Night Music: A Primer is an introduction to our production, written by our Director, Virginia Reh
    Download your PDF of A Little Night Music: A Primer.

    To prepare this gem of lyric theatre the director and company of actors and singers recently took their questions right to the source. Using a video conference link-up from the famed Friars Club in Manhattan, the Canadian actor and director Len Cariou answered our students probing questions about the development of A Little Night Music for the 1973 Broadway premiere.

    Photos:

    Video:

    A Little Night Music - BrockTV screenshotClick on the screenshot to the left to watch a video about our production, including an interview with DART actors Becca Pleschke and Jordan Imray, and with the Director and DART Professor, Virgina Reh (produced by BrockTV). (NOTE: link currently broken. We are tracking down the original video.)

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  • Excellence in Teaching and Research

    In February 2009 Associate Professor Gyllian Raby was awarded a very significant SSHRC Research and Creation Grant in the Fine and Performing Arts for her project Devised Theatre with Youth in Niagara Schools. Gyllian’s project draws on her RSVP research and is in collaboration with Carousel Players of St. Catharines.

    Services for Students with Disabilities awarded Associate Professor David Fancy the Making A Difference Award from the Services for Students with disABILITIES department in the Student Development Centre. The award was presented in April of 2009.

    In 2008 our part-time instructor in Drama in Education and Society – Suzanne Burchell – received this award.

    Associate Professor David Vivian was awarded the 2009 Faculty Award for Excellence in Teaching (Faculty of Humanities), presented at the 2009 June Convocation.

    Part-time Instructor and recent Limited Term Appointee Helen Zdriluk was awarded the Best Practices Recognition Award, 2008 by the Brock Centre for Teaching, Learning and Educational Technologies (CTLET).

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    Categories: Announcements, Faculty & Instructors, News