Articles tagged with: alumni relations

  • Early success sets stage for DART grad’s bright future

    Image caption: Chiamaka Glory (left) and Jasmine Case (BA ’20) in Young People’s Theatre production of Truth by Kanika Ambrose.

    THURSDAY, JULY 18, 2024 | by 

    Brock graduate Jasmine Case (BA ’20) is making waves in the Canadian theatre scene by bringing stories of diversity to life for audiences, garnering the attention of national arts and culture media and earning a highly esteemed acting award in the process.

    Case was recently honoured at the 2024 annual Dora Mavor Moore Awards winning the award for Outstanding Performance by an Individual in the Theatre for Young Audiences Division for her compelling performance in Truth by Kanika Ambrose, a world premiere at Young People’s Theatre in Toronto.

    Based on the novel The Gospel Truth by Caroline Pignat and directed by Sabryn Rock, Truth follows the journey of a courageous young Black girl named Phoebe, played by Case, struggling to find freedom while living on a tobacco plantation in Virginia in 1858.

    Headshot of Jasmine Case

    Jasmine Case (BA ’20) recently received the 2024 Dora Mavor Moore Awards in the Theatre for Young Audiences Division for her performance in Truth by Kanika Ambrose.

    “The history of the United States and Canada is forever marred by the many Black and Indigenous stories erased and forgotten. Often, our stories don’t get rewritten by us; with Kanika Ambrose writing the play and Sabryn Rock directing, I knew I was in good hands,” Case said.

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    Diverse representation has only recently started to improve and, as a Black woman, Case rarely saw people like her on stage when she was growing up.

    Thinking of the kids who would be sitting in the audience learning and being fascinated by the world while feeling the emotions of her character sold Case on the role.

    “By going through this journey as Phoebe, I hoped people would walk away with a slightly deeper understanding or empathy for those who dealt with similar hardships,” she said.

    Case first discovered her love for the stage during Brock’s Dramatic Arts (DART) program  when she auditioned for her first mainstage production King Ubu at the University’s Marilyn I. Walker School of Fine and Performing Arts .

    “It was that production, and how I felt on stage, which made me truly fall in love with acting as a career. I had always wanted to act — I was always the kid up on any stage I could get on — but I just never thought that I would have a successful career in it, or a Dora award for that matter” Case said.

    From that point on, Case motivated herself to be the best actor she could be, harnessing the support of DART faculty, students and classmates.

    “It was Brock that showed me theatre wasn’t just a pastime or a hobby, it was actually something I could do as a career,” Case said.

    After graduation, Case was accepted into the prestigious National Theatre School (NTS) where she studied for three years before deepening her creative practice by participating in workshops with heavy-hitting theatre companies including Tarragon Theatre and Persephone Theatre.

    Since then, Case has been in several theatre productions including The Fiancée at Chemainus Festival Theatre, Truth at Young People’s Theatre and most recently the Canadian premiere of seven methods of killing kylie jenner, a Globe and Mail Critic’s Pick, by Jasmine Lee-Jones at Obsidian and Crow’s Theatre.

    As Case celebrates the significant accomplishment of receiving a Dora nomination and award — from Canada’s oldest and largest professional theatre awards celebrating excellence on the stage — she has new productions and creative works on the horizon.

    Professor David Fancy said the Department of Dramatic Arts is delighted with her success so far.

    “Jasmine’s contributions during her time in DART at Brock were marked by generosity, talent, and insight,” he said. “We can’t wait to see what comes next on Jasmine’s impressive career trajectory.”

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    Categories: Alumni, News, Uncategorised

  • Brock grad lands leading role in off-Broadway Big Bang Theory parody

    Brock Dramatic Arts alumnus John McGowan (BA ’14) is playing the role of Dr. Sheldon Cooper in the off-Broadway production of The Big Bang Theory: A Pop-Rock Musical Parody. He is pictured with castmate Meagan Michelson (left), who plays the role of Q/Leslie Winkle. (Photo courtesy of Jeremy Daniel)


    (From The Brock News, April 9, 2019 | By: Sarah Ackles)

    “Stick with it, don’t be afraid and take chances.”

    That’s the advice Brock Dramatic Arts alumnus John McGowan (BA ’14) has for those looking to make it big in New York City.

    McGowan was recently cast for the starring role of Dr. Sheldon Cooper in the off-Broadway production The Big Bang Theory: A Pop-Rock Musical Parody.

    While this isn’t his first off-Broadway gig — he recently played Gabe Goodman in the Pulitzer Prize winner, Next to Normal — the buzz from this production is what McGowan describes as a “breakout role.”

    Brock dramatic arts alumni John McGowan (BA ’14) is playing the role of Dr. Sheldon Cooper in the off-Broadway production of The Big Bang Theory: A Pop-Rock Musical Parody. He is pictured with castmate Teresa Hui (right), who plays the role of Amy Farrah-Fowler. (Photo courtesy of Jeremy Daniel)

    “I have fan groups following me on Instagram and other social media — yes, there are fan groups for this show — and I’ve been getting a lot of international attention, doing a lot of interviews and people are sending me a lot more job offers because word is starting to travel,” he said.

    Although he has been cast as “extreme” characters in the past, McGowan said playing a beloved pop culture character in a long-running comedy has been a new and exciting challenge.

    “The thing about comedies is that some audiences are absolutely with you, and it’s easy to feed off of their energies, and then some are dead silent and you have to overcome that,” he said. “That’s been a bit of a learning curve, but it’s been going quite well.”

    Shelley Huxley, Brock’s Director of Alumni Relations, offered her congratulations to the actor.

    “It’s wonderful to see Brock grads finding their way in such a competitive industry after leaving Brock,” she said. “The University’s fine and performing arts programs were designed to enrich the lives of students pursuing careers in arts and culture, and it’s exciting to see this vision come to life through success stories like John’s.”

    McGowan was bitten by the theatre bug at the age of nine, when he began auditioning for a wide range of productions on stage and screen.

    He then enrolled to study at Brock, where he majored in Dramatic Arts with a Concentration in Production and Design.

    Although he had talent both on the stage and behind the scenes, acting eventually became his sole focus.

    He was also an active member of Brock Musical Theatre, playing the part of Nicky in Avenue Q and Angel Dumott Schunard in Rent, and would later land other roles in the Niagara region and Greater Toronto area, including Link in Hairspray.

    After graduation, McGowan set his sights on New York City and was accepted into the American Musical and Dramatic Academy (AMDA) with three scholarships.

    “It was everything you’d think a performing arts school in New York would be, it was like a boot camp,” he recalled. “I was glad that I went to Brock before going to AMDA because it instilled a maturity in me. Because AMDA is very challenging, the skills I developed at Brock really powered me through and helped me out a lot.”

    It doesn’t get any less challenging after graduating, either, he added.

    “When you want to be a performer, everyone tells you it’s hard, and that kind of goes without saying because it is hard, and you always want to retreat to that more stable job because you get rejected, and rejected, and rejected,” he said.

    Even the process of becoming eligible to work in another country can be what McGowan describes as “somewhat traumatizing,” because “your career, your life’s work and your validity to stay in their economy and industry” is being judged.

    How did he overcome those hurdles?

    “Endurance is key if this is what you really want to do,” McGowan said. “You just have to keep going and things will eventually start to fall into place. If you keep showing up, they are going to see you have the drive and eventually pick you up.”

    In addition to his most recent role, McGowan has also appeared in several theatrical productions and in venues such as Feinstein’s/54 Below, The West End and The Green Room 42 while working in New York.

    With a mounting body of work under his belt, McGowan is now looking toward the future and taking on his next challenge.

    “I’d like to branch into film and television more, that’s the next thing I have my eye on,” he said.

    And while he wants to give it a few more years in New York, he plans to return to Canada someday.

    “Just not quite yet; I’m not quite done with New York,” he said.

    The Big Bang Theory: A Pop-Rock Musical Parody is scheduled for an open-ended run and is currently playing at the Anne Bernstein Theatre (The Theater Center) in New York City. Tickets are available online.

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    Categories: Alumni, News