Department/Centre News

  • Sabina’s Splendid Brain opens at MIWSFPA Sept. 14

    Cellist Grace Snippe (BMus ’16), left, and Danielle Wilson bring the story of 20th century psychoanalyst Sabina Spielrein to life in Sabina’s Splendid Brain. The performance opens on Sept. 14 at the Marilyn I. Walker School of Fine and Performing Arts. (Photo by George Enns.)


    (From The Brock News, Wednesday, Sept. 5, 2018 | by Sarah Moore)

    While Sigmund Freud and Carl Jung have become synonymous with psychoanalysis, the name Sabina Spielrein might leave you drawing a blank.

    The Stolen Theatre Collective hopes to change that by bringing the rarely told story of the Russian-Jewish psychoanalyst to life in a new production at Brock beginning next week.

    Sabina’s Splendid Brain, which opens Sept. 14 at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), chronicles the life of the tenacious and passionate Spielrein as she struggles through the circumstances of her family, her education and her therapy, the professional barriers facing women and wartime anti-Semitism.

    Spielrein was often known in relation to her famous colleagues: first as a patient, then as a lover of Jung, and later as a student and friend of Freud. As a psychoanalyst in her own right, however, she moved beyond them both to become one of the great thinkers in 20th century psychology.

    Her work was all but wiped from the history books due to Joseph Stalin’s repression of intellectuals and the Nazi invasion of her hometown of Rostov-on-Don, where she and her daughters were killed. Her diaries were recently discovered, however, and her publications were re-examined to reveal the profound impact that her work had on her teachers and peers.

    “Sabina had to fight for her voice,” said Brock Associate Theatre Professor Gyllian Raby, the production’s Director. “She walks the boundary between genius and delusion, and this production invites the audience to experience her journey from a screaming teenager with spittle in her hair to the woman who wowed Freud’s intellectual Vienna Circle.”

    Scripted by Carol Sinclair, Sabina’s Splendid Brain is rendered on stage in sets by Nigel Scott, projections by Karyn McCallum and lighting by James McCoy (BA ’14), and features performances by Brock Assistant Theatre Professor Danielle Wilson and cellist Grace Snippe (BMus ’16).

    “This is a project that fully explores the interdisciplinarity between the arts that was the founding dream of the Marilyn I. Walker School of Fine and Performing Arts,” said Wilson, who is also the co-founder and co-artistic director of Stolen Theatre Collective. “Music, theatre and philosophy are a natural trio in this story of how psychoanalysis helped shape modern consciousness.”

    Fides Krucker, a Canadian interpreter, vocalist, opera singer and teacher, collaborated on the interdisciplinary production with Stolen Theatre. Her innovative vocal techniques and interdisciplinary work will be further highlighted later this month as part of the Walker Cultural Leaders Series on Wednesday, Sept. 19 at the MIWSFPA.

    Sabina’s Splendid Brain opens with back-to-back weekend performances Sept. 14, 15, 20, 21 and 22, all beginning at 7:30 p.m. Additional matinee performances will take place on Sept. 16 and 23 at 2 p.m.

    All performances are held at the Marilyn I. Walker Theatre in the Marilyn I. Walker School of Fine and Performing Arts, located at 15 Artists’ Common in St. Catharines.

    Tickets are pay-what-you-can-afford ($10, $25, $40 and $55) and can only be purchased in advance through the FirstOntario Performing Arts Centre box office.

    Limited paid parking is available on-site, but city parking is available within close proximity to the venue.

    For more information on the production, please contact info@stolentheatrecollective.ca

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    Categories: Alumni, Department/Centre News, Events, Faculty & Instructors, News

  • Three to Eight exhibition to support student scholarships

    Professor Murray Kropf is exhibiting his most recent collection of paintings in Three to Eight, an exhibition opening Tuesday, Sept. 4 in the VISA Gallery at the Marilyn I. Walker School of Fine and Performing Arts. The paintings are being sold to support student scholarships. (Photo by Lorraine Zandvliet)


    (From The Brock News, Wednesday, August 28, 2018 | by Sarah Moore)

    When Brock Associate Professor Murray Kropf puts brush to canvas, his inspiration tends to stem from an academic problem he is currently working through.

    In Three to Eight, his new exhibition opening Tuesday, Sept. 4, Kropf challenged himself to create movement in a piece by using only tone, hue and intensity and painting on square canvases with a very limited colour palette.

    “I was trying to find a better way to teach students about colour theory,” he said of the work that he began last year in early fall. “I was looking for a way to create a harmonious and structured composition that is asymmetrical, but still balanced, using only a palette of between three to eight colours.”

    The result was a series of paintings — the first purely abstract of his career — that Kropf will be selling to fund visual arts scholarships for students in the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    While he is mainly a location and still-life painter, Kropf said he welcomed the change of pace for this work.

    “It went better than I thought it could,” he said of his first stab at abstractionism. “It’s always a problem for painters approaching a canvas, because it’s blank, but everything that came out of this was a surprise and that was lovely. It was a refreshing thing to do.”

    He also said the process will “further inform his teaching” in the future, making him more “appreciative” of what can be accomplished with a limited range of colours.

    Assistant Professor Amy Friend, Chair of the VISA Gallery Committee, said this is the first time a professor has hosted a solo show as a fundraising initiative since she has been involved with the gallery operations.

    “To showcase the work that Murray, one of our senior professors, accomplishes behind-the-scenes in his studio, is really important,” she said. “It also shows the way that art can support community, the generosity of our relationship with our students and the ongoing need to fund student studies.”

    Kropf, who has been teaching at Brock for more than 30 years, said simply that it was “time” to give back to the students and the institution he has been connected to for so long.

    “I want to show my gratitude to my students, to my colleagues, and to the university because I have been very lucky to work here, and I’ve enjoyed it a great deal,” he said. “I’ve always wanted to contribute to awards for students because I’ve been a student and I know how badly support is needed.”

    Three to Eight will be displayed in the VISA Gallery, located on the first floor of the MIWSFPA, beginning Tuesday, Sept. 4, with an opening reception taking place Friday, Sept. 7. The reception will run from 4 to 7 p.m., also in the gallery, and is free and open to the community. The VISA gallery is open to the public Tuesday to Saturday from 1 to 5 p.m.

    All proceeds from the sales of Kropf’s pieces will be donated to scholarships for students in Visual Arts immediately after the exhibition.

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    Categories: Announcements, Current Students, Department/Centre News, Events, Faculty & Instructors, News

  • First-year orientation activities for DART, Music, VISA, and STAC students

    Welcome to the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA)!

    As a new student with the school, you are invited to The New Student Welcome and Academic Orientation as your official welcome to Brock University on September 4! The orientation begins at 8 a.m. in the Ian Beddis Gym, where you’ll hear from President Gervan Fearon and enjoy an inspirational keynote to begin your day and kick-start your term. Afterwards, you are welcome to connect with your faculty and upper year student mentors to receive important information about academic supports and resources. Then, go check out the vendor and welcome fair, take a campus tour and to locate your classes, and get an orientation to the Brock Library. * Don’t forget to register for this orientation at Experience BU.

    As a student in Dramatic Arts, Music, Visual Arts or the Centre for Studies in Arts and Culture, you are invited to then attend the Faculty of Humanities orientation session, beginning at 10:00 a.m. in the Sean O’Sullivan Theatre on Brock’s main campus.

     


    First-year MIWSFPA mixer and lunch

    September 4

    12 to 1:30 p.m.

    MIWSFPA lobby

    Downtown St. Catharines

    15 Artists’ Common

     

     


    There are also several department-specific orientation events that you are encouraged to attend!

    Centre for Studies in Arts and Culture

    Sept. 4:   2 to 6 p.m.
    Marilyn I Walker School of Fine and Performing Arts Room 334
    15 Artists’ Common

    Visual Arts

    Sept. 7:  3 to 4 p.m.
    Marilyn I Walker School of Fine and Performing Arts Lobby
    15 Artists’ Common
    *This will be followed by an opening of Murray Kropf’s new exhibit, Three to Eight at 4 p.m. in the VISA Gallery

    Dramatic Arts

    Sept 24: 6 to 8 p.m.
    MIWSFPA Theatre
    15 Artists’ Common

    Music

    September 11: 12 -12:50 p.m.
    Cairns Recital Hall.
    For all Music majors, single or combined.  

     

     

     

     

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    Categories: Announcements, Current Students, Department/Centre News, Events, Faculty & Instructors, News, Uncategorised

  • Closing Reception for International Scholar Canan Demir

    Closing reception : Canan demir
    July 23, 3:30 p.m. – 6 p.m.
    Marilyn I. Walker School of Fine and Performing Arts Lobby
    15 Artists’ Common, St. Catharines, On

    Everyone is invited to attend a closing reception featuring Visiting International Scholar Canan Demir, from Abant İzzet Baysal University, Turkey.
    Demir’s İNSTALLATIONS intervention will be available for viewing and a meet-the-artist reception will follow, where guests can learn more about her work. Refreshments will be served and the event is open to all members of the community. It is family friendly and takes place on July 23 from 3:30 p.m. – 6 p.m.

    Demir has been working at the school as a Visiting International Scholar since last August, completing the research project “Analysis of Recycling Efforts at Canadian Universities and the Use of Scrap Materials in Sculpture Classes.” The VIS program invites scholars and researchers from abroad, who are interested in an international research and scholarship opportunity, to visit Brock and collaborate with faculty and students in a range of academic activities.

    Demir’s installations utilize found and repurposed scrap materials with a focus on the memories tied to these items. The installations will be on display for viewing outside of the front entrance to the MIWSFPA building from now until the closing reception.

     

     

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  • New grad honoured for textile artwork

    Victoria Reid was recently honoured for her artwork, which was on display at Rodman Hall Art Centre as part of the Turnin’ this Car Around exhibition in April.

    (From The Brock News, Wednesday, June 20, 2018 | by Alison Innes)

    The eye-catching pieces were hard to miss.

    Made from everyday materials, the headless human forms could be seen cascaded down a wall within Rodman Hall Art Centre, drawing attention and sparking conversations among visitors.

    Created by Victoria Reid, the pieces were featured during the VISA 4F06 Honours exhibition, Turnin’ this Car Around, in April, but continue to earn the young artist praise.

    Visual arts graduate Victoria Reid has been awarded the inaugural Marilyn I. Walker Textile Art Award. (Photo: Jimmy Limit)

     

     

    The June graduate was chosen to receive the inaugural Marilyn I. Walker Textile Art Award for her work. The honour is given to a graduating student for a piece of textile art and is intended to support the student’s continued artistic development.

    Reid’s figures, made from yarn, fabric scraps, plaster and packing tape, challenge the viewer to see bodies as objects taking up space.

    “The bodies are not human without their contents,” says Reid. “These sculptures embrace the oddity and the awkwardness of the human body, focusing on the fact that we are weird masses of matter and, together with soul, we become beings.”

    Reid says for as long as she can remember, she has been intrigued by textiles.

    “They have so much personality and can be handled with a variety of different methods to morph them into something new,” she says.

    It was her grandmother who taught her how to weave, stitch, sew, knit and crochet at an early age.

    Reid applied these more traditional ways of working with textiles to new ideas to create her award-winning work and cites Walker’s own work as inspiration.

    “Marilyn I. Walker’s piece in the first floor hall inspired me greatly this year with the variety in colour and texture, and the stitching together of different fabric patterns and materials,” she says.

    Reid’s pieces are cast from her own body and lend drama to the philosophical question of the mind-body dichotomy, writes Associate Professor Derek Knight in the exhibition catalogue.

    “References to the human body are rarely benign and Reid is no different when she describes her plaster figures as symbolizing the existential dilemma between spiritual life and physical existence,” he writes.

    Reid will be continuing her arts education this fall at the University of Western Ontario, where she is enrolled in a Master of Library and Information Science program to study Collections and Archive Management.

    “I want my future career to work with, influence and inform my art practice,” says Reid, who continues to create, show and sell her art. She is also working with Brock Visual Resources Librarian Lesley Bell for the summer.

    “Being awarded the Marilyn I Walker Textile art award means so much to me,” Reid says. “Working with textiles in my art is what I do and being awarded for something that I have worked hard on and put so much energy into is a great feeling. It makes me feel not only proud of myself, but thankful for all of the friends, family, peers and instructors who have helped and supported me along the way.”

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  • Moulding a masterpiece

    (From The Brock News, Wednesday, June 20, 2018 | by Alison Innes)

    Brock Visual Arts students have been busy pouring, carving and cutting in preparation for their sculpture exhibition taking place Wednesday, July 4. Angelina Turner, a third-year Concurrent Education student, checks the silicone mould she made for her poured plaster bottle sculpture. Students have been working with cardboard, plaster, soapstone and styrofoam over the course of the semester as they explore the fundamentals of 3D work. They meet from 9 a.m. to 3 p.m. twice a week to design, construct and analyze sculptures in VISA2F05 Introduction to Sculpture. Students will be completing a final project in their chosen medium for the class exhibition at the Marilyn I. Walker School of Fine and Performing Arts gallery.

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  • MIWSFPA to host international philosophy conference

    (from The Brock News, Tuesday, June 12, 2018 | by )

    Brock will welcome philosophers from around the world this week for a conference devoted to contemporary French feminist thinker Luce Irigaray.

    Hosted by Brock’s Department of Philosophy, the ninth annual meeting of the Luce Irigaray Circle will be held at the Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines from Thursday, June 14 to Saturday, June 16. The Circle is an interdisciplinary group of academics who produce significant scholarship on Irigaray’s philosophy and feminist thought.

    This will be the first time the event is held in Canada, making it the first Canadian conference devoted to Irigaray’s work.

    “Each meeting of the Circle is a purposively unique event, which is organized around a specific theme in order to further Irigarayan scholarship in a new direction,” says Athena Colman, conference organizer and Brock Associate Professor of Philosophy.

    “Site selection for the meeting is highly competitive and is a recognition of the organizer’s contribution to new areas of research in the field.”

    The event has previously been hosted by Stony Brook University in New York, University of Bergen in Norway and University College of London in England, among other locations.

    This year’s three-day interdisciplinary conference, titled “Horizons of Sexual Difference,” will explore scholarship and creative work inspired by Irigaray.

    The conference will look at new ways in which Irigaray’s thinking can be applied to recent philosophical and feminist discussions.

    Themes explored by the circle include analyses of contemporary social and political issues and spirituality in relation to sexual differences, as well as investigations into the role of literature and art in philosophical thinking.

    to register: https://www.eventbrite.com/e/the-irigaray-circle-2018-horizons-of-sexual-difference-tickets-45213383447?aff=es2 

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  • Student completes music degree started 18 years ago in Mexico

    Mexico’s Luis Gerardo Molina will graduate from Brock Friday with a degree in Music.

    (from The Brock News,  Tuesday, June 05, 2018 | by )

    For 20 years, Luis Gerardo Molina worked his way up the corporate ladder of a growing computer software firm in his home country of Mexico.

    After high school, he had made what he viewed as a responsible decision to choose a stable career in technology over a fragile one as a classical pianist, but his love of music kept pulling at him like a magnet.

    Eventually, he gave in, and on Friday, June 8, at the age of 48, his career change will be official when he graduates from Brock University with a degree in Music.

    “It means everything,” said Molina. “That was a dream that I always wanted to make happen and I really struggled to get it.”

    Born into a family of talented musicians, Molina grew up around choirs and instruments, and by the age of six it was obvious he had a gift. At nine, he started working with a piano teacher and for eight years he attended a specialized school of music that turned his hobby into a craft.

    “I finished my high school and I had that dilemma many people face — should I devote my life to music? Is that a safe path for the rest of my life?” Molina said. “I decided to follow an alternative career. I always really liked the maths, so I decided to choose engineering.”

    A literal flip of a coin at the age of 17 made Molina choose computer engineering over civil engineering, and that set in motion a software career that lasted 20 years.

    But while his career progressed to the point of becoming a manager, so did his ongoing love of music. Having never truly given up his dream of being a professional pianist, Molina went back to the University of the Americas part time in 2000, completing two years of a four-year degree before realizing the workload wasn’t sustainable.

    Luis Molina’s music career has taken him to competitions and performances around the world.

    “It was just too much,” he said.

    But an invitation to an international piano competition in Paris in 2003 ramped up his duelling interests. After beating out nearly 100 competitors from 35 countries to win the contest, he was invited to more international performances and competitions, leading to the production of his first album of live recordings.

    “I got very good support from the company I was working for. The owner was a kind guy who was also involved in music and he always felt proud to tell them he had an employee with this background in competition and music,” said Molina, who traveled to the U.S., Germany, Russia, Poland and elsewhere over the years.

    “After doing all that, I decided the music is calling me more and more,” he said. “The company I was working for was growing and every day it was getting more complicated to do both things together.”

    Finally in 2015, the door opened to make music his full-time endeavour. He was hired as a pianist with a philharmonic orchestra in Mexico and went back to university for his third year of music school.

    Then, in 2017, a trip to Canada to visit friends in Niagara led to another big change.

    “I loved the Niagara region so I thought, if I’m going for my passion in music, I found the perfect place to do it,” he said.

    A tour of Marilyn I. Walker School of Fine and Performing Arts and a meeting with Associate Professor of Music Karin Di Bella confirmed that Brock was where Molina would finish his degree.

    “I fell in love with what I found here. And now that I’m almost done, I feel very lucky to have had this great opportunity in this great country and at this great University,” he said.

    Di Bella called Molina “the real deal.”

    “He possesses a rare combination of drive, discipline, musical maturity, technical facility, innate musicality and a true flair for performance,” she said. “Despite his many accomplishments, he is very humble and always eager to learn, making him a true joy to work with.”

    After graduating Friday in the final day of Brock’s Spring Convocation, Molina will move on to do his master’s in musical literature and performance at Western University.

    From there, a PhD and potentially a teaching career are in his sights.

    “I’ve been performing for more than 30 years and I want to continue doing that, but I’d like to share my perspectives and teach others,” he said.

    Molina credits his wife, Marcela Lagunas Burgos, herself a talented musician who plays the cello, as playing a major role in his career success.

    “We’re definitely on the same frequency. She has supported me with everything and all the decisions.”

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  • MIWSFPA welcomes Elizabeth Vlossak as Director

    Associate Professor of History Elizabeth Vlossak will take on the role of Interim Director of the Marilyn I. Walker School of Fine and Performing Arts on July 1.

    (adapted from The Brock News, Sunday, June 03, 2018 | by )

    Associate Professor of History Elizabeth Vlossak will be become Interim Director of the Marilyn I. Walker School of Fine and Performing Arts on July 1 when current Director David Vivian begins a year-long sabbatical.

    “I’m really looking forward to continuing to strengthen our community partnerships and perhaps develop new ones,” says Vlossak. “I’m thinking of ways to bridge the Humanities so that there is more interaction and collaboration between the MIWSFPA and other departments on the main campus.”

    Being a historian, Vlossak says she loves how “the city’s past has been preserved in a way that is relevant to the present, while also looking to the future,” in terms of the MIWSFPA building. But the school isn’t just the building. “It’s the people — students, faculty and staff — doing incredible work that enriches Brock as well as St. Catharines and the Niagara region.”

    Vlossak’s research area is 20th century European history, with particular interest in cultural history during the two world wars, women’s history, gender and nationalism, and memory and the politics of commemoration.

    She is a founding member and Associate Fellow of The History Lab, a collaboration with the Niagara Falls Military Museum, Seedling for Change in History, and Associate Professor Maria del Carmen Suescun Pozas.

    Vlossak has also consulted with the Department of Dramatic Arts on two Mainstage productions, Ring Around the Moon (2006) and The Rise and Fall of the City of Mahagonny (2016), sharing her research specialization with students and contributing to their successful performances.

    “The executive of the school is particularly excited by Associate Professor Vlossak’s record of community engagement through undertakings such as The History Lab,” says Vivian. “We look forward to her contribution to existing programming and relationship building with our community partners, as well as her unique new initiatives.”

    “I’m very pleased that Professor Vlossak is willing to take on the role of Interim Director of the MIWSFPA,” says Faculty of Humanities Dean Carol Merriam. “Professor Vlossak is an active, energetic, and imaginative teacher and scholar, and will bring those same qualities to the work of the School.”

    Vivian, Associate Professor with the Department of Dramatic Arts, has been Director of the MIWSFPA since 2016. Previously he was Director of the Centre for Studies in Arts and Culture (3 years) and Chair of the Department of Dramatic Arts (4 years). He teaches theatrical design, production and stagecraft and has designed sets and costumes for Department mainstage productions.

    “The directorship is an unusual job involving work with faculty, staff, students and external partners, and Professor Vivian has balanced all of these demands very effectively,” says Merriam. “I wish him well of his rightly-deserved sabbatical.”

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  • New book explores the art of animal advocacy

    Associate Professor of Visual Arts Keri Cronin examines the role of visual images, such as Edward Landseer’s A Distinguished Member of the Humane Society (exhibited 1838), in animal activism in her new book,  Art for Animals: Visual Culture and Animal Advocacy, 1870-1914.

    (Source: The Brock NewsTuesday, May 22, 2018 | by )

    It was while searching for a set of lantern slides many years ago that Keri Cronin inadvertently found inspiration for her latest book.

    The slides never materialized but what Cronin, an associate professor in Brock’s Department of Visual Arts, did find was an abundance of material on animal advocacy.

    That material has helped to form her latest publication, Art for Animals: Visual Culture and Animal Advocacy, 1870-1914, which explores the use of visual art material in campaigns for animal advocacy.

    Art for Animals cover

    Art for Animals: Visual Culture and Animal Advocacy, 1870-1914 is the latest book by by Associate Professor Keri Cronin.

    Influenced in part by authors who looked at visual culture in other social justice movements, such as suffrage and civil rights, Cronin’s book explores how animal advocacy images were created, circulated and consumed, and the impact that had on ideas about the humane treatment of animals.

    “Visual culture played an important role in defining campaign goals, recruiting membership, raising funds, and, ultimately, sustaining and challenging dominant ideas about nonhuman animals,” writes Cronin.

    Her biggest challenge has been locating archival material to piece together the stories of animal advocacy.

    “For so long, the history of human-animal relationships was not a particularly valued area of research, and archival collections often reflect this,” says Cronin, who hopes the book will lead people to recognize relevant print material they might have in their own collections.

    The cheap, mass-produced pamphlets created and distributed by animal advocacy groups in the late 19th and early 20th century often weren’t considered valuable enough to save.

    The field of animal-human relations, however, has recently seen an explosion of interest both within the University and the broader public. Cronin notes that although her book deals with historical material, many of the key points have relevance for how images are used in animal advocacy today.

    “It is high time we turn our attention to how animals have always been part of our stories, histories, labour and societies,” she says.

    Art for Animals asks us to think about the ways in which visual images can both shape and challenge dominant narratives about non-human animals.”

    A public book launch will be held for Art for Animals on Wednesday, May 23 from 4 to 6 p.m. at Mahtay Café, 241 St. Paul St. in St. Catharines.

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