Associate Professor of Visual Arts Keri Cronin examines the role of visual images, such as Edward Landseer’s A Distinguished Member of the Humane Society (exhibited 1838), in animal activism in her new book, Art for Animals: Visual Culture and Animal Advocacy, 1870-1914.
(Source: The Brock News, Tuesday, May 22, 2018 | by Alison Innes)
It was while searching for a set of lantern slides many years ago that Keri Cronin inadvertently found inspiration for her latest book.
The slides never materialized but what Cronin, an associate professor in Brock’s Department of Visual Arts, did find was an abundance of material on animal advocacy.
That material has helped to form her latest publication, Art for Animals: Visual Culture and Animal Advocacy, 1870-1914, which explores the use of visual art material in campaigns for animal advocacy.
Influenced in part by authors who looked at visual culture in other social justice movements, such as suffrage and civil rights, Cronin’s book explores how animal advocacy images were created, circulated and consumed, and the impact that had on ideas about the humane treatment of animals.
“Visual culture played an important role in defining campaign goals, recruiting membership, raising funds, and, ultimately, sustaining and challenging dominant ideas about nonhuman animals,” writes Cronin.
Her biggest challenge has been locating archival material to piece together the stories of animal advocacy.
“For so long, the history of human-animal relationships was not a particularly valued area of research, and archival collections often reflect this,” says Cronin, who hopes the book will lead people to recognize relevant print material they might have in their own collections.
The cheap, mass-produced pamphlets created and distributed by animal advocacy groups in the late 19th and early 20th century often weren’t considered valuable enough to save.
The field of animal-human relations, however, has recently seen an explosion of interest both within the University and the broader public. Cronin notes that although her book deals with historical material, many of the key points have relevance for how images are used in animal advocacy today.
“It is high time we turn our attention to how animals have always been part of our stories, histories, labour and societies,” she says.
“Art for Animals asks us to think about the ways in which visual images can both shape and challenge dominant narratives about non-human animals.”
A public book launch will be held for Art for Animals on Wednesday, May 23 from 4 to 6 p.m. at Mahtay Café, 241 St. Paul St. in St. Catharines.