Articles tagged with: Brock University

  • A Special One Night Art Exhibition

    On January 17, students from Donna Akrey’s 3M90 Advanced Art Practices will be “transplanting their work into the Marilyn I. Walker School of Fine and Performing Arts building”. Everyone is invited to explore this one night exhibition between 4 and 9 p.m. Maps will be given out to help navigate the space to see the works – some easy to find, others more hidden.

    Invasive Species is a collection of self-directed works from third and fourth year students in the 3M90 ADVANCED ART PRACTICES course. This exhibition focuses on themes of information, architecture, the archive, regionality, subjectivity and objectivity, death, resilience, ecology, mental health, space, the institution, invasive and symbiotic species, and site-specific art. The works are comprised of painting, drawing, video, projection, animation, performance, and installation. All of the artists respond to the unique specificities and conditions of the facility and its site.

    Victoria Reid, visual arts student in Donna Akrey’s 3M90 course says her objective is “to personify objects in the architecture and space around us to show our connection to the architecture. I chose to do this in order to bring awareness to our relationship and contribution to the growing industrial landscape around us.”

    This event marks the mid-year point as the student progress to a final site-specific exhibition proposed to take over parts of downtown St. Catharines in April 2018.

    In order to provoke creativity and thought into this exhibition, Akrey asked her students, “if your work was to fit in this space (the MIW) and not the white cube – where might it go?” She says, “This allows the students to consider their work outside of the gallery and in effect pushes research further (as well as the logistics of mounting visual art in difficult spaces). The students have risen to it and are doing a great job.”

    Reid comments on what this course and the opportunity of this exhibition has taught her, “Through the process of making this work, I learned how to step outside my comfort zone and I learned that art can be art, even when in unconventional spaces apart from the gallery.”

    Donna Akrey is a part-time instructor of visual arts at Brock University. Her exhibition, Also Also held at Rodman Hall from February to April of 2017, was nominated for Exhibition of the Year: Budget Under $20, 000 (Monographic) Award by the Ontario Association of Art Galleries (OAAG). Her collaboration as a member of the Hamilton Perambulatory Unit was recently seen in the Downtown/s – Urban Renewals Today for Tomorrow: The 2017 Windsor-Essex Triennial of Contemporary Art.

    Isabella Domaradzki, artist, member of the organizational team for Invasive Species, and student in the 3M90 course says what she looks forward to most about this one night exhibition “is seeing our hard work in creating our art and planning this show come to life. We have learned so many valuable lessons throughout this experience that have shaped our identity as artists, and I think it will be exciting to visualize our growth and progress!”

    This one night exhibition is a free event held at the Marilyn I. Walker School of Fine and Performing Arts from 4 to 9 p.m. on Wednesday Jan. 17. Refreshments and snacks will be served in the MIWSFPA lobby. Visit the Invasive Species Facebook event page to stay updated with this exciting event.

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    Categories: Announcements, Current Students, Events, Faculty & Instructors, In the Media, News

  • Brock photographers snap up art show awards

    Danny Custodio collaborated with his father to create compositions exploring tar’s organic forms and textures.

    (Source: The Brock News | Wednesday Dec. 6, 2017 by Alison Innes)

    Two Brock photographers were recently honoured for their ability to capture compelling imagery.

    Visual Arts student Denise Apostolatos and Administrative Assistant Danny Custodio, from the Rodman Hall Art Centre, both won awards at RMG Exposed: Out of this World, the Robert McLaughlin Gallery art show and charity auction held Nov. 25.

    Oil and Vinegar by Visual Arts student Denise Apostolatos, received first place in the youth category at the Robert McLaughlin Gallery Exposed: Out of this World annual photography show and auction.

    Oil and Vinegar by Visual Arts student Denise Apostolatos, received first place in the youth category at the Robert McLaughlin Gallery Exposed: Out of this World annual photography show and auction.

    Apostolatos’ work, Oil and Vinegar, won first place in the youth category from a shortlist of 40 works from across North America. 

    She says it was “truly an honour” to be named the winner of the youth category, and to receive two consecutive acceptances to participate in RMG Exposed.

    “As an undergraduate student, these opportunities are unique in that they provide a professional outlet to gain recognition and network in a larger context,” she says.

    Apostolatos credits the artistic and professional guidance she receives in the Visual Arts program for fostering her development as a creative professional.

    “As an undergraduate artist, it is important to see her work outside of the classroom and in the professional art community,” says Visual Arts Professor and Department Chair Donna Szoke. “We are thrilled to see Denise’s work being celebrated.”

    The award is also a means to recognize the “talent being produced here in Niagara in our Visual Arts program at the Marilyn I. Walker School of Fine and Performing Arts,” she says.

    Rodman Hall’s Danny Custodio took first place in the Conceptual/Non-Representational category at the Robert McLaughlin Gallery’s Exposed: Out of this World annual photography show and auction. He is pictured with award sponsor Mason Bennett of Johncox professional Corporation.

    Rodman Hall’s Danny Custodio took first place in the Conceptual/Non-Representational category at the Robert McLaughlin Gallery’s Exposed: Out of this World annual photography show and auction. He is pictured with award sponsor Mason Bennett of Johncox professional Corporation.

    Custodio received the Conceptual/Non-Representational Prize for his image Tar, which explores themes of blue-collar labour.

    “Tar is a commonly used substance in roofing, the profession my father worked for 45 years,” says Custodio, who collaborated with his father to create compositions exploring tar’s organic forms and textures.

    RMG Exposed: Out of this World brings together artists, collectors and curators to celebrate digital photography and support free arts programming for kids and families. The event, now in its eighth year, includes both live and silent auctions of images carefully selected from 466 submissions.

    The event is designed to recognize contemporary photographers and draws artist submissions from across Canada and the United States.

    The Robert McLaughlin Gallery is a public art museum in Oshawa and features a collection of over 4,500 works including Canadian contemporary art and photography.

    To view this year’s images, visit the RMG Exposed website.

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    Categories: Current Students, In the Media, News

  • Acting exercise helps prepare co-op students for workplace

    From small talk at the water cooler to encounters with testy photocopiers, students embarking on co-op work-terms never quite know the situations they may experience in their new workplace.

    To help lessen stress and increase comfort heading into a new environment, Brock Dramatic Arts students recently visited their co-op peers to share some scenarios they may be faced with.

    Comprised primarily of Dramatic Arts students under the direction of Joe Norris, Dramatic Arts Chair and Professor of Drama in Education and Applied Theatre, Mirror Theatre spent time in three Co-op Education classes over the past few weeks to provide guidance and reassurance by acting out scenes in Sean O’Sullivan Theatre.

    Dramatic Arts exercise in co-op class

    Co-op students Daniel O’Leary, left, and Marsel Avdic, right, play tug of war with fourth-year Dramatic Arts student and Mirror Theatre member Sumer Seth during an ‘Awkward Elevator’ scene.

    The group write and present interactive scenes on a variety of social issues, with the latest art-based research project exploring the interpersonal dynamics of work placements from entry to exit.

    Using applied theatre, experiential and problem-based learning theories and techniques, the students present scenes that address worker safety, on-site learning, asking for help, dealing with unreasonable demands and degree of personal sharing and assessment. Audience members redirect the scenes from their seat and, at times, come on stage to try to act out their thoughts through role-play.

    The initiative was intended to generate discussion amongst the co-op students on a variety of work-related topics in the 0N90 class.

    Students were asked to put themselves in the actors’ shoes in order to understand how they would handle each of the given situations in real life.

    “I would recommend this type of interactive learning in future classes,” said second-year Public Health co-op student Micaela Snow following the exercise. “I feel like the presentation gave us a deeper understanding of expectations and work etiquette rather than if we just listened to the professor talking about it.”

    Julia Zhu, Brock’s Associate Director of Co-op Education, hoped the experience helped to “facilitate ‘a rehearsal for life’ by offering an opportunity for students to safely test out their approach to impromptu social, ethical and culture situations.”

    Course facilitator Ashley Haroutunian said she was impressed by the level of engagement students displayed as they watched the vignettes and participated in the discussions and re-enactments.

    “They demonstrated a keen ability to reflect and contribute thoughtful observations and suggestions to help the players navigate the challenging workplace scenarios and conflicts,” she said. “Professor Norris and his students did an excellent job of supporting their learning by inviting, encouraging and involving students in the process.”

    Mirror Theatre has previously worked with Brock’s English as a Second Language Services in addressing academic integrity issues; Student Health, examining mental health and drinking issues; Health and Safety, discussing violence in the workplace; a Health Sciences class, articulating challenges of patient care; and the Centre for Pedagogical Innovation’s TA training sessions. The group’s members are heading to New York in April to present their arts-based research at the American Educational Research Association.

    Mirror Theatre members who participated in the recent co-op exercises include fourth-year Con-Ed Dramatic Arts students Mike Metz and Lindsey Abrams, third-year Psychology and Dramatic Arts student Nadia Ganesh, fourth-year Dramatic Arts and Education student Aaron Drake, fourth-year Con-Ed student Abby Rollo, second-year Con-Ed Dramatic Arts student Dani Shae Barkley, fourth-year Dramatic Arts student Sumer Seth and first-year Dramatic Arts student Dawson Strangway.

    Speaking with Mirror Theatre members on how this group has impacted their lives, Mike Metz, fourth year Con-Ed Dramatic Arts student says, “When I started Mirror Theatre in my first year, I was a Con-Ed math student. Mirror Theatre was one of the major reasons I decided to switch my major to Drama.”

    Lindsey Abrams, fourth year Con-Ed Dramatic Arts student adds, “Mirror Theatre has given me the opportunity to explore my love for theatre through different lenses as an actor, prospective educator, and learner.  I get the opportunity to explore all different areas of theatre that can be presented, and feel as though I am always a part of a team.”

    When Nadia Ganesh, third year Psychology and Dramatic Arts student was asked what she enjoys about participating in Mirror Theatre, she said, “I love the fact that Mirror Theatre gives me the ability to impact the lives of others even if it is only in a minor way. If it’s just making one person laugh, I’m happy that I’ve had the opportunity to affect that individual in a positive way.”

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  • COLOUR CONSTRUCTS at Rodman Hall/ Constructions en couleurs à Rodman Hall

    Pictured is a view of the exhibition Material Girls at Rodman Hall Art Centre. (source: RHAC)

    In fall 2017, Rodman Hall invites visitors to experience the exhibition Material Girls, which brings together Canadian and international female artists from across artistic disciplines and cultural backgrounds. Giving particular attention to the colourfulness and jubilance of this exhibition, in Colour Constructs, students in Visual Arts, Studies in Arts and Culture, and French Studies explore the materiality of colours in their own diverse ways. Student works are complemented by graffiti art by Niagara-based artist Mat Vizbulis, a classroom guest during the semester. Curators Catherine Parayre and Shawn Serfas. /

    A l’automne 2017, Rodman Hall invite ses visiteurs à découvrir l’exposition Material Girls, qui regroupe des artistes femmes du Canada et d’ailleurs, dont les pratiques artistiques et l’environnement culturel diffèrent. En s’inspirant des couleurs et de la gaieté de cette exposition, des étudiants-e-s en Arts visuels, Arts et cultures et Etudes en français explorent dans Constructions en couleurs la matérialité des coloris par le biais d’approches variées. Les graffitis de l’artiste Mat Vizbulis, établi dans la région du Niagara, complètent les oeuvres des étudiant-e-s. Commissaires: Catherine Parayre et Shawn Serfas.

    Article from the Brock News: Bilingual exhibition to shed light on Material Girls
    TUESDAY, NOVEMBER 28, 2017 | by Darien Temprile

    A new Rodman Hall exhibition aims to help visitors experience Material Girls in a new way.

    Geo, a piece created by third-year Visual Arts student Lilliana Pagliaro, will be featured in the Colour Constructs/Constructions en couleurs exhibition opening at Rodman Hall Thursday, Nov. 30.

    Colour Constructs/Constructions en couleurs, opening at the downtown St. Catharines art centre Thursday, Nov. 30, features works by students in Brock’s Visual Arts (VISA), Studies in Arts and Culture (STAC) and French Studies (FREN) programs.

    The exhibition, curated by Brock Professors Catherine Parayre and Shawn Serfas, initiates a sophisticated dialogue with Material Girls, an ongoing exhibition that opened at Rodman Hall Sept. 14.

    Material Girls is a large-scale group exhibition of work by Canadian and international emerging, mid-career and senior female artists from different artistic disciplines and cultures. Curated by a team from the Dunlop Art Gallery, a unit of the Regina Public Library, it explores material process and notions of excess as they relate to the feminized body, gendered space and capitalist desire.

    For Colour Constructs, students reacted to words, colours and visuals directly related to Material Girls.

    STAC students contributed nine texts based on words and expressions found in the curatorial statement of Material Girls; FREN students provided eight written fragments in French, describing colours from Material Girls; and VISA students, in their own paintings, reference the vividness of artwork presented in Material Girls.

    In addition to the work of students, the exhibition will include a new large commission by local graffiti artist Mat Vizbulis, who describes his work as ‘genre graffuturism.’

    “As the images unfold in layers, we understand that it is truly something unexplainable,” he said. “We are then daring to define things.”

    Earlier this year, Vizbulis led Brock students in experiential learning about graffiti and its role in both high art and popular culture.

    The opening reception of Colour Constructs/Constructions en couleurs takes place Thursday, Nov. 30 at 5 p.m. at Rodman Hall Art Centre, 109 St. Paul Cres. The exhibition will continue until March 4.

    Material Girls continues at Rodman Hall until Dec. 30.

    Admission to Rodman Hall Art Centre is free, although donations are accepted. For more information in French or English, visit ExperienceBU.

    UPDATE:

    French student Amandine Faivre, right,
    speaks about her poetry with French Professor Renee-Claude Breitenstein at the opening of Colour Constructs Thursday, Nov. 30. Curated by Professors Catherine Parayre and Shawn Serfas, the exhibition is a collaboration by students in Studies in Arts and Culture, Visual Arts and French Studies. Student artwork is complemented by work by local graffiti artist Mat Vizbulis, who worked with STAC and VISA students over the course of the semester. Colour Constructs is on at Rodman Hall Art Centre until March 4.
    Exhibition: Thursday Nov. 30, 2017 – Sunday Mar. 4, 2018

    Opening Reception: Thursday Nov. 30, 2017 at 5:00pm

    GALLERY HOURS:
    Tuesday, Wednesday & Friday: 10 am to 5 pm
    Thursday: 10 am to 9 pm
    Saturday & Sunday: 12 pm to 5 pm
    Closed Mondays, statutory and University holidays

    Free community event however donations accepted (suggested $5).

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  • The Department of Music on stage!

    Pictured above is a previous season performance of the Guitar Extravaganza (top), The Walker Quartet (left to right: Anna Hughes (2nd violin), Faith Lau (viola), Gordon Cleland (cello) and Vera Alexeeva (1st violin)), and pianist Dr. Karin Di Bella (bottom right).

    This weekend the Department of Music is presenting two spectacular concerts that will surely be among the highlights of the fall season.

    On Friday Nov. 10, as part of the Walker Cultural Leader Series, Encore! Professional Concert Series presents: The Walker Quartet with faculty pianist Karin Di Bella. The Walker Cultural Leader Series was generously founded by Marilyn I. Walker.

    Now in its second season, the Department of Music’s resident Walker String Quartet and Karin Di Bella present a program of two of the most iconic works in the string quintet repertoire, the Piano Quintets by Schumann in E-flat Major and Shostakovich in G Minor.

    This concert takes place on Friday Nov. 10, 2017 in the Partridge Concert Hall at the FirstOntario Performing Arts Centre, starting at 7:30 pm. For more information, please visit the Department concert events webpage and the ExperienceBU page.

    Then on Saturday Nov. 11 as part of our continuing celebration of Canada’s 150 year of Confederation, the FirstOntario Performing Arts Centre is once again the venue for the ever-popular Guitar Extravangaza III including a special Canada 150 performance of Carpe Noctem.

    Brock University’s annual celebration of the guitar commences at 7:30 pm on Saturday Nov. 11 in the Cairns Recital Hall.  An orchestra of 60 guitars comprised of Brock students, local amateurs and professionals will be directed by Brock University Guitar Instructor, Timothy Phelan. Special guest soloists include Matthew McAllister (Scotland) and Emma Rush (Canada).  The concert features a tribute to the late Warren Stirtzinger with George Kane (USA) and James Bryan McCollum (Canada), music composed by Timothy Phelan and the World Premiere of Carpe Noctem – a six-movement work written especially for this occasion by Niagara composer Floyd Turner.  For more information, please visit the Department concert events webpage and the ExperienceBU page.

    Tickets for both events can be ordered from the FirstOntario Performing Arts Centre Box Office (905.688.0722) or from their website.

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    Categories: Department/Centre News, Events, Faculty & Instructors, Walker Cultural Leader Series

  • Work of Visual Arts prof featured on Diana Krall tour

    The artwork of Brock Fine Arts Assistant Professor Amy Friend is being featured on the international tour of renowned Canadian musician Diana Krall.

    (Source: The Brock News, Thursday, November 2, 2017 | By: Maryanne Firth)

    When the e-mail popped into Amy Friend’s inbox, she was certain it couldn’t be real.

    But a feeling inside prompted the Brock Fine Arts assistant professor to respond to the inquiry, which asked about her artwork and whether she’d consider collaborating with renowned Canadian musician Diana Krall.

    It was soon after that Friend found herself on the phone with the Grammy Award winner discussing possibilities for her upcoming tour.

    Friend’s experimental photography has since helped Krall to set the scene on stage, acting as her backdrop as she captivates crowds in venues across North America and Europe.

    Brock University Fine Arts Assistant Professor Amy Friend.

    Friend’s work has been featured on the jazz singer’s international tour since June and the partnership is expected to continue through to the summer.

    The project, which includes art pieces from three different bodies of work, has been “particularly fulfilling,” Friend said.

    She has enjoyed the challenge of working with Krall to find pieces that fit the mood and message of individual songs, while also complementing the title of the tour and Krall’s most recent album, Turn Up the Quiet.

    “It’s about trying to respect your own work, while also seeing how you can accommodate a vision that will fit within the repertoire they’re working with,” she said.

    Friend is currently working to select new pieces for Krall’s Canadian tour dates, including a Nov. 24 show at Massey Hall in Toronto that she plans to attend.

    “I’m looking forward to seeing her perform and to seeing my work filling the stage in a concert hall where I have heard musicians like Johnny Cash, Tom Waits and Nick Cave perform,” she said.

    Krall’s latest repertoire will include a cover of Bob Dylan’s Simple Twist of Fate, which Friend is particularly excited to find a piece to accompany.

    “Much of my work revolves around ideas of memory, impermanence, history and time,” said Friend, who has worked at Brock for the past decade. “I am less concerned with capturing a ‘concrete’ reality. Instead, I aim to use photography as a medium that offers the possibility of exploring the relationship between what is visible and non-visible.”

    Work featured on the tour includes hand-manipulated photographs, pieces featuring floating handkerchiefs once belonging to Friend’s grandparents, and artwork inspired by snippets of film from her childhood.

    Over the past few months, Friend and Krall have shared many inspiring conversations about family, creativity and women in the arts.

    “She has been so great to work with, you could almost forget her status in the music world,” Friend said.

    Krall often emphasized the need to respect Friend’s work and always checks in with the artist to ensure she’s pleased with the end results of each tour stop.

    Friend called it “refreshing” to be able to engage with other artists.

    “It exposes you to experiences that have commonalities and, at times, interesting variances,” she said. “It’s also wonderful to see how my work found a place to exist far beyond my initial intentions.”

    The team responsible for the on-stage initiative also included Judy Jacob, a video and visual content director, and Paul Normandale, a lighting designer, who Friend said “took the project to the next level.”

    In addition to her work with the tour, Friend has been busy over the past year with international exhibitions in Spain, Korea, Poland, Portugal and France. She has shows coming up in Boston and Italy and plans to release a new book in the near future.

    Amy Friend's work featured on Diana Krall's tour

    The artwork of Brock Fine Arts Assistant Professor Amy Friend is being featured on the international tour of renowned Canadian musician Diana Krall.

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  • Music Archive in the Library

    Pictured is an example of a “Writing for Music” poster displayed in the Learning Commons of the James A. Gibson Library.
    Photo by Evelyn Smith. 

    Each year the fourth-year Music students perform a series of recitals as they proceed to successfully complete their studies in the Department of Music. In order to announce the performance each student must produce a poster.

    Students in the Studies in Arts and Culture program have selected a few posters from previous concert seasons and responded in creative and critical ways to create a music performance poster archive. This playful archive is now on display in the Learning Commons of the James A. Gibson library.

    The fourth-year Music Student Solo Recitals return for the 2017-18 season beginning March 2 through April 2, 2018. For more information on the Student Solo Recitals, please visit the music website. For information on past Student Solo Recitals, please visit the 2016-17 season concert details.

    This mini showcase will be on display in the Learning Commons of the James A. Gibson Library until 8 pm on Saturday Nov. 4, 2017 and is available to view during Library hours.

    For further information, please visit our ExperienceBU page.

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  • Brock University engages with community at Burlington Performing Arts Centre

    Brock University Dramatic Arts faculty and students engage with young theatre artists and teachers at the Burlington Performing Arts Centre

    This past Tuesday Oct. 17, the Marilyn I. Walker School of Fine and Performing Arts participated in “Career Day – Life in the Theatre Industry” at the Burlington Performing Arts Centre. This event welcomed approximately 150 students/teachers from seven different schools and three different district school boards.

    The day consisted of interactive workshops and demonstrations to explore the many diverse careers available in the theatre industry, a live theatrical performance, and the opportunity to have one-on-one conversations with representatives and students of the leading college and university programs offering performance and production related theatre courses. It was a great opportunity for students to delve into the vocations of the theatre world in a creative and experiential manner.

    Throughout the day many teachers mentioned how successful the event was and how it fits so successfully into the secondary curriculum.

    The MIWSPFA looks forward to meeting these young artists again when they apply for future studies at Brock University!

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  • Brock, SUNY art show set to open in Buffalo’s Silo City

    (Source: The Brock NewsThursday, April 20, 2017 | by Maryanne Firth. Photo caption: “Buffalo’s Silo City will play host to a joint art exhibition including the work of students and faculty from Brock University and the State University of New York at Buffalo. (Photo: Derek Knight)”)

    Brock University and the State University of New York (SUNY) at Buffalo have joined forces to showcase artists on both sides of the border while also highlighting a landmark area on the Buffalo River.

    After two years of planning, Post-Industrial Ephemera: Soundings, Gestures, and Poetics will open Saturday, April 22 at Buffalo’s Silo City — an industrial space filled with repurposed grain elevators and other structures built in the first half of the 20th century.

    Several silos will play host to the free art exhibition until Saturday, April 29.

    The exhibition’s opening reception will run from 2 to 5 p.m. and includes, in addition to the artwork of both Brock and SUNY students and faculty, performances by the Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins.

    Parayre, event co-curator and an associate professor in Brock’s Studies in Arts and Culture as well as Modern Languages, Literatures and Cultures, said the event developed from like minds coming together through networking opportunities at Brock’s Rodman Hall Art Centre.

    It was co-curator Reinhard Reitzenstein, an associate professor of sculpture at SUNY-Buffalo, that introduced Parayre to Silo City, the inspiration for the showcase.

    “Everyone is mesmerized because the structures there are stunning,” Parayre said of the area that is filled with buildings worn by weather and time.

    The event, she said, is to encourage people to “reflect on the notion of dispersal.”

    “Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced.”

    Silo City, she said, invites visitors to “become more perceptive to the transience of human endeavours.”

    The exhibition is an opportunity to reflect on the aging structures, their history and nature’s efforts to reclaim the partially vacant space, she said.

    Participating artists come from various disciplines including sculpture, arts, comparative literature, English studies, visual arts, studies in arts and culture, and French studies.

    The showcase features an array of installations, neon signs, readings, paintings, prints, videos and sculptures.

    Brock provided funding for the project through a longstanding research agreement in place between the two institutions, in addition to funding provided through Brock’s Dean of Humanities office.

    “We’re very grateful for Brock’s support,” Parayre said.

    Parking for the event is available onsite and guests are advised to dress warmly as temperatures within the silos remain brisk.

    More information on participating artists and performance schedules for the opening reception is available online.

    A one-day symposium held to relive the exhibition is scheduled to take place in September at Rodman Hall Art Centre in St. Catharines.


    see recent news about the published catalogue

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  • Post-Industrial Ephemera: Soundings, Gestures and Poetics

    Photo credit: Derek Knight

    Post-Industrial Ephemera: Soundings, Gestures and Poetics
    Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River

    April 22 – 29, 2017
    105 Silo-City Row, Buffalo, NY 14203, U.S.
    Opening Reception: Saturday, April 22 from 2 – 5 pm
    http://www.silo.city
    Click here for directions
    Free community event

     

    Buffalo, New York and St. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Coming from different places and practices, we wish to foster interdisciplinarity.

    Together, we want to reflect on the notion of dispersal. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours.

    We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. We will capture the brilliance of a moment.

    A follow-up one-day symposium at Rodman Hall Art Centre, St. Catharines will document and revive the exhibition on September 16, 2017.

    The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins 

    Curators: Catherine Parayre, Reinhard Reitzenstein

    Click here to download the performance program.

    For more images and information, please visit the exhibition website.

     


    Participating artists: 

    ArtIndustria+
    Untitled (neon sign)

    ArtIndustria+ was formed in 1995 by Derek Knight and Franc Petric, two Canadian artists who reside in the Niagara region. Motivated by the desire to work collaboratively, they have developed projects over the years with a focus on art, research and technology. Underlining their concerns with the dialectical relationship between ecology and industry, their conceptual models combine installation techniques and situational aesthetics to further examine the artist’s role in post-industrial society.

    Continuous Monument
    Silo Sessions at the American (noise/drone performance)

    Continuous Monument is an affiliation of interdisciplinary culture-makers working among design, text, architecture and sound fields. Born from the ashes of a contaminated political landscape, Continuous Monument gathers to spatialize sound and signal in temporary, site specific soundscape improvisations. Monument will perform at The American in Silo City as an acoustic inhabitation; live ghosts active in remnant industrial anatomy.

    Akasya Crosier
    Likeness (typeface study)

    Akasya Crosier is a multifaceted artist based in Western New York. She is currently a senior at UB studying Studio Art and Communication. In her artwork, she focuses on effective communication skills, idealized spaces, and bright imagery.

    Catherine Parayre (assisted by Josh Dawson, SUNY and Paul Savoie, Brock U)
    Ingrained Words (14 posters: assembled fragments from texts by 33 writers)

    Catherine works in Arts and Culture, and in Modern Languages, Literatures and Cultures at Brock University. She is particularly interested in contemporary Occitan literature, as well as the co-presence of literatures and visual arts. She includes her four languages in her creative work.

    Catherine Parayre and Jim Watkins
    The Silo-Minder (recording, reading)

    Jim Watkins lives in Silo-City and is our silo-minder/keeper. His passion for the arts and for Silo-City is central to our cross-border project.

    Lauren Regier
    Where I stand is fair and square (performance/grass seed & dirt)

    Lauren Regier is Honours graduate from Brock University’s Visual Arts program, and is an emerging artist based in the Niagara Region. Much of her work is inspired by the notion of functionality and relationships between the industrial world and the natural realm. Interested in the experiential nature of contemporary art, her practice includes photography, installation, performance, drawing and video.

    Reinhard Reitzenstein
    ArbreTreeBaum (vocal piece in 5 languages)

    Reitzenstein has held over 100 solo exhibitions and over 300 group exhibitions globally, and has completed over 25 public and private art commissions. His work is represented in more than 50 public and corporate collections internationally. Reitzenstein has been Director of the Sculpture Program at, SUNY, Buffalo since 2000. He is represented by the Olga Korper Gallery in Toronto.

    Casey Ridings
    Untitled Emotion (acrylic paint)

    Casey Ridings is currently a Graphic Design student at the University at Buffalo. She is intrigued by the geometric nature of organic patterns; through a spontaneous and intuitive process she creates intricate paintings and drawings inspired by the exploration of her experiences and emotions.

    Cody Schriever
    Vanity Case / Skeletons of Perception (painting/sculpture)

    Cody Schriever is a student in the University at Buffalo art department. His paintings and sculptures deal with human nature, and the structures of its self-perception. By combining various styles of painting and modes of expression he creates a complex narrative of the global condition.

    Shawn Serfas
    Alloyed (acrylic)

    Shawn is an Assistant Professor in the Visual Arts Department, Marilyn I. Walker School of Fine and Performing Arts at Brock University. His research interests include contemporary painting, drawing and printmaking practices concerning relational abstraction, environmental aesthetics, religion, the landscape as well as issues bordering abstraction and representation.

    Lucas Veraldi
    2mp (inkjet prints)

    Lucas is an artist currently residing in Buffalo, NY. His practice examines the different methods of representation that exist within the realm of photography and explores the truth value that a photograph holds as a piece data that showcases life.

    Sophia Yung
    Voyage Voyage 

    Sophia Yung is a Chinese American graphic designer and artist from Brooklyn, NY. Her most recent work involves the analysis of Asian American culture shock, language barriers, mixed martial arts and the role of financial capital in the precarious 21st century.

    Jean Zhu
    bacteria (video)

    Jean Zhu is currently a Media Study student at the University at Buffalo. She is both a photographer and a filmmaker. Her experimental films and straightforward photographs of everyday objects and scenes are noted for their color combination, explicit composition and rich content.

     


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