Articles tagged with: MIWSFPA

  • Exhibit explores relationship between arts, the environment

    Image caption: The Giens Peninsula (Presqu’île de Giens) on the southern coast of France was home to a recent Brock artist residency organized by the University’s Centre for Studies in Arts and Culture.

    Monday, December 16, 2024 | by 

    A group of researchers and artists are sharing creative works inspired by an artist residency in Hyères, France, in a new exhibition at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    The group was in residency at Musée du Niel on the Giens Peninsula in the south of France in June 2024. Surrounded by small islands, the peninsula is a designated national park encompassing a small section of the Mediterranean Sea that faces challenges caused by climate change.

    “Musée du Niel is committed to the preservation of the local environment; and the research and creation we engaged in during the residency explored the notion of pollution and how the environment impacts humans. This aligns with the work being done at Brock in the field of Environmental Humanities,” said organizer Catherine Parayre, Professor of Modern Languages, Literatures and Cultures (MLLC) and Director of the Centre for Studies in Arts and Culture’s (STAC) at Brock.

    The group took photographs, wrote texts and created drawings and videos documenting the gallery, its garden by the sea, a nearby island and old salt fields.

    Florence Denis, Director of Musée du Niel, said the visit from Brock was their first artist residency and “an extraordinary enrichment not only for the entire team working at the museum, but also for the visitors who had the chance to meet the residents.”

    Denis said the intersections between words, sounds and visual arts, infused by the natural environment reflected themes of connections, even across oceans.

    “The location of the Musée du Niel on the Giens peninsula, echoing the Niagara Peninsula, took on the full meaning of this theme,” Denis said.

    The Giens Peninsula’s rich salt resources were heavily exploited in earlier decades. Now thanks to conservation advocacy, the salt is no longer harvested and the site is protected.

    Local buildings where salt used to be processed are now being turned into exhibition spaces used by numerous organizations.

    “The creative work being done in this area — the synergy between creative work and environmental advocacy — is mirrored in our research work at Brock in Niagara. We learned from each other, and laid the foundation for future artistic collaborations,” Parayre said.

    Parayre also gave a public creative writing workshop, bringing her expertise to museum visitors.

    The residency culminated with a “meet the artists” event at the museum welcoming local government and environmental advocacy bodies, including leadership from the cultural department for the city of Hyères, the Director of salt flats Les Pesquiers as well other representatives from the arts and culture sector. Members of the community were also welcomed to network with the group.

    Brock artists participating in the residency included Adam Dickinson, Professor of English Language and Literature; Nicholas Hauck, Assistant Professor of MLLC; Troy Ouellette, Assistant Professor of Visual Arts; and retired Professor of History of Art and Visual Culture Derek Knight. Guest artists included Shawn Serfas, Associate Professor and Department Head of Visual Art at the University of British Columbia, and Gina Farrugia.

    The exhibit, Back from the Peninsula, is now on at MIWSFPA’s Museum in the Hallway/Boîte-en-valise and runs until Friday, Feb. 21. The Brock and Niagara community are invited to attend the opening reception on Thursday, Jan. 16 from 5 to 7 p.m. More information is available on ExperienceBU.

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  • Brock’s arts impact takes centre stage

    Friday, November 22, 2024 | by April Jeffs

    Ontario Minister of Tourism, Culture and Gaming Stan Cho (second from left) toured the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) along with St. Catharines Mayor Mat Siscoe (third from left) on Thursday, Nov. 21. Visual Arts Professor and Associate Dean of Fine and Performing Arts Linda Carreiro (left), Provost and Vice-President Academic Arja Vainio-Mattila (second from right) and Dean of Humanities Carol Merriam (right) highlighted how Brock’s state-of-the-art facilities and world-class resources and instruction provide a strong foundation for students to pursue their career goals and make meaningful contributions to the arts by helping to grow a vibrant centre of culture in both Niagara.

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  • Grad unites community through creative movement

    Skye Rogers (STAC ’22) has found her momentum as a creator and doesn’t plan on stopping anytime soon.

    The Centre for Studies in Arts and Culture Certificate graduate will inspire audiences as a Creative in Residence alongside creative collaborator Vik Mudge during the 2024 Ontario Culture Days Festival.

    An annual celebration of arts, culture and heritage, the Ontario Culture Days Festival includes more than 1,000 free, hands-on events in communities across the province from Friday, Sept. 20 through Sunday, Oct. 13.

    A portrait image of Skye Rogers shows her sitting on a wood bench, leaning forward and smiling warmly. Yellow, outdoor light and greenery can be seen in the background.

    Centre for Studies in Arts and Culture graduate Skye Rogers (STAC ’22).

    This year, St. Catharines is a Festival Hub and will feature Rogers and Mudge, dance artists and co-founders of retrograde: dance in motion.

    The duo will work with dancers of all abilities to create community-generated choreography with their project Composing Community.

    The project includes two public creation workshops on Saturday, Sept. 21 and Sunday, Sept. 22 at FirstOntario Performing Arts Centre and a performance showcase on Oct. 13 at Niagara Artists Centre (NAC) in downtown St. Catharines.

    Rogers said she learned how to create cultural programming on her own — a huge strength for her as an artist — during her time at Brock.

    “Suddenly, I could create opportunities for myself and fellow artists in my community to grow in our practice and strengthen the cultural scope where we live,” Rogers said.

    With a background in performing arts, Rogers came to study at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) with an interest in art history and a desire to learn more about behind-the-scenes arts management.

    The classes Rogers took as part of the Centre for Studies in Arts and Culture (STAC) Certificate program still influence her work today by providing her the skills and knowledge to envision and execute innovative, creative programming.

    At MIWSFPA, Rogers also gained valuable insight in how to prepare and write grants, a skill that she said unlocked a whole new world for her. After graduation and prior to Ontario Culture Days, Rogers applied for a grant to bring her dance in community workshop series ideas to life.

    “Just like that, I was producing Dance and Movement Days for the St. Catharines community and making my dreams a reality,” Rogers said.

    A portrait image of Vik Mudge shows them in a black shirt with their head to the side against a grey background.

    Dance artist and instructor Vik Mudge.

    Recognizing the success of Rogers’ workshop series, Rogers and Mudge formed a creative collaboration to continue building an emerging creative community of people united by a curiosity to explore ideas through movement.

    “I had a sense there are more people interested in this type of work, which is how we conceived of our Culture Days community-driven workshops and performance. It’s only just the start of this quickly blossoming community of movement lovers,” Rogers said.

    Mudge, a trans non-binary dance artist, choreographer and instructor in St. Catharines, said the pair prides themselves on making dance accessible to everyone.

    “Through this project, we are bringing together a diverse group of people — from different generations, different backgrounds — to activate community spaces and diversify what it means to be a dancer while giving people the chance to perform and create,” Mudge said.

    Other Ontario Culture Days events offered by the MIWSFPA include the Walker Cultural Leader Series workshops and exhibition featuring Camille Turner and a “Dia de los Muertos” Mexican Arts and Crafts Workshop presented by the Department of Visual Arts.

    For a full listing of events and registration, please visit the Ontario Culture Days events website.

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  • Celebrating creativity and diversity in Niagara with SAFRAN 2024

    Image caption: Brock Professor Jean Ntakiturimana of Modern Languages, Literatures & Cultures, (right) at the Sunday morning long table about the world of publishing, hosted by Binta Wague of les Éditions Touana (Toronto , centre-right, in green). 

    Brock University recently welcomed the Salon du livre des Francophonies du Niagara (SAFRAN) 2024 for a diverse and dynamic weekend of events and performances celebrating literary creativity and diversity in the Niagara region.

    Hosted by Brock’s Centre for Studies in Arts and Culture (STAC) and Department of Modern Languages, Literatures and Cultures (MLLC) in collaboration with SOFIFRAN, the event was held from March 21 to 24 at the Marilyn I. Walker School of Fine and Performing Arts, with an opening ceremony at the Film House in the First Ontario Performing Arts Centre. With the important collaboration of the Maison de la culture francophone du Niagara, the event coincided with the UNESCO World Poetry Day, World Puppetry Day and International Francophonie Day.

    Director of the Salon du livre and MLLC Instructor, Nafée Faigou, hosting the opening ceremonies at the FirstOntario Performing Arts Centre.

    “It’s been an absolutely remarkable celebration of language and culture, beautifully led and produced by Director of the Salon du livre, Nafée Faigou and Fété Ngira-Batware Kimpiobi, Director General of SOFIFRAN,” said Professor David Vivian, Director of the Centre for Studies in Arts and Culture. “Our learning community is so much richer for having hosted SAFRAN.”

    Guests and community members from the Niagara Francophone community and beyond were treated to a diverse offering of cultural interactions including entertaining and thoughtful puppet shows by Le chemin qui marche from Quebec, workshops for youth on robotics and AI and compelling roundtable discussions  in the MIWSFPA venues.

    A highlight was the publisher’s fair in the MIWSFPA lobby, igniting important long-table discussions amongst publishers and authors that celebrated the Francophonie of the region, including both Franco-Ontarian and new Franco-Canadian voices.

    For more information about the event, please visit the STAC website.

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  • Audio tour explores historic art of Mackenzie Chown Complex

    Lesley Bell (BA ’88), former Learning Commons Co-ordinator at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), has researched the history of Michael Snow’s Timed Images installation at Brock. She is pictured here with Frame Three, which now hangs in the School.

    posted on the Brock News on TUESDAY, MAY 09, 2023 | by 

    Getting lost in Mackenzie Chown Complex is a familiar experience for many Brock students, and it’s easy to miss the artistic significance of the building in the rush to get to class on time.

    A new self-guided audio tour produced by Foreword, a podcast from the Faculty of Humanities, hopes to encourage a new appreciation for a complicated space and the art it contains on the 50th anniversary of its installation.

    The audio tour guides the listener through the various locations of Michael Snow’s 1972-73 art installation Time Images and considers how the building’s unique architecture plays with the space and light.

    Snow was invited by renowned architect Raymond Moriyama to create an art installation as part of the design for Brock’s new Academic Staging Building, now called the Mackenzie Chown Complex. His installation consisted of a series of mirrors, still images and live video situated throughout the building from Pond Inlet to A Block.

    Elements of the installation can still be seen, and the audio tour has an accompanying web page featuring historic photographs, artist sketches and architectural plans collected by Lesley Bell (BA ’88), an artist and retired support staff for Brock’s Department of Visual Arts, during her research on Snow.

    Snow, who died in January, was a widely acclaimed Canadian artist. His many honours included Officer of the Order of Canada (1981), Governor General’s Award in Media Arts (2000) and an honorary Doctor of Law degree from Brock University (1974). He is also known for his Canada geese sculpture, Flight Stop (1979), that hangs in Toronto’s Eaton Centre and his piece The Audience (1989) on the exterior of the Rogers Centre.

    The Foreword podcast’s two-part final episode of series four also features an interview with Bell by host Alison Innes, Strategic Initiatives and Outreach Officer in the Faculty of Humanities. Bell became interested in Snow’s art at Brock while she was working with the Department of Visual Arts. She went on to research and produce a short documentary on Snow and his collaboration with Moriyama at Brock with Tracy Van Oosten (BA ’10) in 2021.

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  • Fentanyl drug crisis focus of free public film screening, naloxone training

    A free public screening of Love in the Time of Fentanyl will take place this Saturday, March 25 at Brock University’s Marilyn I. Walker School of Fine and Performing Arts.  

    The event is expected to run from 6 to 9 p.m. in room MWS 156, beginning with naloxone and harm reduction training from 6:30 to 7 p.m., followed by the film screening at 7 p.m. and a question-and-answer session at 8:30 p.m. 

    Directed, edited and co-produced by Colin Askey, Love in the Time of Fentanyl follows a group of misfits, artists and drug users who operate a renegade safe injection site in Vancouver’s downtown eastside fighting to save lives and keep hope alive in a neighborhood ravaged by the overdose crisis. 

    Ronnie Grigg, founder of the non-profit Zero Block Society and one of the film’s key participants, will be traveling from Vancouver to present at the screening and participate in the panel discussion question-and-answer period alongside representatives from Positive Living Niagara’s StreetWorks harm reduction program. 

    The event is presented by Brock University’s Centre for Studies in Arts and Culture; Department of Modern Languages, Literatures and Cultures; Department of Sociology; and Faculty of Applied Health Sciences, in collaboration with Positive Living Niagara and Rad Snax. 

    Love in the Time of Fentanyl had its world premiere at the 21st DOXA Documentary Film Festival, where it was featured as the Justice Forum Special Presentation and took home the Colin Low Award for Best Canadian Director. 

    WhatFree screening of Love in the Time of Fentanyl 

    When: Saturday, March 25 from 6 to 9 p.m. 

    • Doors open at 6 p.m. 
    • Naloxone and harm reduction training from 6:30 to 7 p.m. 
    • Film screening from 7 to 8:30 p.m. 
    • Panel discussion question-and-answer period and refreshments from 8:30 to 9 p.m. 

    Where: Room MWS 156 in Brock University’s Marilyn I. Walker School of Fine and Performing Arts, 15 Artists’ Common, St. Catharines. MWS 156 is located adjacent to the main lobby on the lower level of the School. It is accessible, with accessible washrooms nearby.  

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  • Spirit of Mali: Kosar’s Corner – Part 2

    Professor David Vivian, Director of the Centre for Studies in Arts and Culture (STAC) and the students of DART 3F61 Design: Theatrical Design visit Stève Viès and the exhibition. photo: Paul Jams.


    In my previous post, I provided some general information about The Spirit of Mali exhibition, including the backstage production and specific events. In this post, I intend to examine the exhibition critically and discuss its importance and contribution. 

    The Spirit of Mali brought a diverse community together for a celebration of Malian art at the FirstOntario Performing Arts Centre, St. Catharines, from the 1st to the 10th of February, 2023. The exhibition presented textile art, sculpture, puppets, masks, musical instruments, games, and wooden crafts and immersed its audience in the art and culture of Mali. Visitors could enjoy a variety of arts and were welcomed with lectures, individual guidance, live music, dance, food, and an opportunity for socialization in an artistic space. One of the main components of this exhibition was the textiles, some of which are intended to narrate historical and mythological stories which were mentioned in my previous post. Throughout the exhibition, Stève Viès, the curator of this exhibition and a multidisciplinary artist, told the stories upon which the textiles were created. The audience, however, was invited to make their own reading from the works in the exhibition. “Not everyone connects with an artwork the same way”, said Dr. Jean B. Ntakirutimana, a professor in the Department of Modern Languages, Literatures, and Cultures at Brock University, a lead partner in the production of this exhibition. In the round table discussion on February 3rd, Dr. Ntakirutimana shared the profound feeling he had when he entered the space for the first time and talked about one of the objects in the exhibition, the crocodile mask.  He stated that the aesthetics of the crocodile which was hung on a piece of white fabric stood out for him initially. He mentions that aside from the symbolism of the crocodile, which represents strength, power, and friendship, one can have their own interpretation when seeing the artifact. He encouraged the viewers to see the artifacts and feel. He added that artworks are stimuli to provoke “vibrations”, and the vibrations are different for each person. He later mentioned that for him, the exhibition connected him with a motherly source.

    Dr. Jean B. Ntakirutimana (left) and Stève Viès discuss last minute planning before the guided visit and round table discussion. Photo: Paul Jams.

    Nafée Faigou, a St. Catharines artist, poet and community leader, the former artistic director of SOFIFRAN, talked about the expression of every component of a work of art, saying the process of making a textile from a plant is “itself a story, which is the story of life”. She continued that “life is not just the matter, but also the spirit”. She mentioned that in this exhibition, the spirit was put into a material space. She stated that the spirit of Bogolan art is fluid and can be described in many ways and may resonate differently for everyone.

    Nafée Faigou shares her insight during the roundtable discussion. Photo: Paul Jams.

    For me, the exhibition was remarkable in the range of meaning that it offered. It encouraged the personal and symbolic interpretation of the artworks. It provided its audience with information about the artworks but asked them to reflect upon the artworks. What stood out for me in some of the textiles was the use of patterns as a way of coloring some parts of paintings. Some of the patterns, however, symbolized concepts, values, and elements. To me, the patterns seemed like the creation of an intertext in the artwork that connects it with other stories. By providing visual hints to the viewers, they also seemed to be presenting a lens to see the image, suggesting how to interpret the story that the composition depicts. The work, Spiritualité Bambara, for example, depicts an aspect of Bambara culture –  the idea of care in a community that is not limited only to humans. A community is formed by interactions between humans and other living entities. In this textile, we see patterns that symbolize marriage, a subtheme for this composition. According to Stève Viès, marriage in Mali culture is not just between two individuals;  with the tie of marriage, one becomes responsible for all their new family members. This care and responsibility is not limited to family but can also be seen in the workplace.

    From left, Maman Fété Ngira-Batware Kimpiobi, Justine Djoléi Gogoua and Stève Viès welcome the guests during the opening night ceremonies. Dr. Jean B. Ntakirutimana is seen far right. Photo: Paul Jams.

    According to Stève Viès, some of the objects such as masks and puppets presented in the exhibition are used for storytelling in performing arts traditions in Mali. They contribute to the transmission of knowledge in Malian culture. The puppets presented in the exhibition are designed by Torri Diarra for the play The Legend of Bogolan, a musical that was written and performed by Stève Viès and Isabelle Garceau. Torri Diarra has made hundreds of puppets and masks to educate young audiences on the importance of preserving nature, protecting endangered species, and planting trees.

    In the opening and closing celebrations of the exhibition on February 4th and 10th, 2023, the audience were immersed in the culture of Mali through music, dance, and food. The organizers of the project from Brock University, Dr. Jean B. Ntakirutimana (Modern Languages, Literatures, and Cultures) and  Prof. David Vivian (Centre for Studies in Arts and Culture/Department of Dramatic Arts) engaged the audience in meaningful conversations about the artworks. The group dance exercise was a joyous practice of community building. The celebration ended with notes about collective identity, a sense of belonging, and the importance of the improvement of the self. Community engagement was one of the purposes and outcomes of this exhibition, according to Dr. Ntakirutimana. 

    “After the closing ceremony”, Dr. Ntakirutimana remarked, “I started feeling a separation like the anxiety a child feels after being weaned.” He referred to Africa as a mother figure for him and the arts presented in the exhibition as the spirit of that continent. The exhibition was a moment for individuals of all ages to see art, appreciate it, discuss it, make connections, dance, and play.

    Stève Viès demonstrates a musical instrument in his collection. Photo: Paul Jams.

    In order to share the art of Mali with a larger audience, Stève Viès will continue to tour the exhibition and develop a website at impressionsdeterre.com. He presents the art of Mali culture with a “positive vibration” and looks forward to bringing the artists, whom he calls brothers and sisters, to future exhibitions so that they may spark intercultural conversations and knowledge transmission.

    Museum in the Hallway / Boîte-en-valise, a project of the Centre for Studies in Arts and Culture, situated on the second floor of the Marilyn I. Walker School of Fine and Performing Arts, continues a small exhibit of art and objects from Mali until the closing reception on March 3, 2023.

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  • Spirit of Mali: Kosar’s Corner – Part 1

     

    The Spirit of Mali was brought to St. Catharines to celebrate Black History and African Heritage Month. Opening on February 3rd, 2023, in the Robertson Theatre of the FirstOntario Performing Arts Center, the exhibition presents textile art, sculpture, puppets, masks, musical instruments, games, and wooden crafts.

    Stève Viès, the curator of this exhibition and a multidisciplinary artist based in Montreal, celebrates and honours the work of the artists and craftsmen Boubacar Doumbia, Mamoudo Nango, Tiorri Diarra, and Abou Konan.  The exhibition will provoke excitement and curiosity in its audience, inspire artists with the aesthetic forms practiced in Mali, and spark conversations about different ways that art explores spirituality and brings a community together.

    According to Stève, exhibition preparation takes years. The completion of some artworks in the exhibition has taken more than a hundred hours of work.  The collection of the objects has required multiple travels to Mali.  This exhibition was first planned for February of 2022 but was cancelled due to the COVID-19 risk management policies in place at the time.  The installation of the exhibition, alone, took almost 22 hours! Lighting, sound and technical professionals, managers, supervisors, publicity and hospitality teams from the FirstOntario Performing Arts Centre, and students, staff and faculty from Brock University came together to make this event happen.

    The process of preparing and installing the exhibition began late on a Sunday evening and soon after the arrival of the collection from Montreal. The first pieces to hang were the large format textiles, some measuring as large as 11’ x 19’.  These artworks tell the histories and myths of Soumaoro Kanté, a king of the Sosso people; Sunjata Keita, the first ruler of the Mali Empire; the Battle of Kirina, a battle between the Sosso king Sumanguru Kanté and the Mandinka prince Sundiata Keita. The patterns on the textiles include stories, symbols, and patterns, all painted with natural dyes and colors. The textiles were installed individually and as the background for the masks that would follow. During the guided visits of the exhibition we learn about the important role of these textiles in the presentation of objects like masks and puppets. Proper installation and effective lighting in this non-traditional exhibition space were an important part of the process. The installation planning and coordination was led by Professor David Vivian of the Centre for Studies in Arts and Culture/Department of Dramatic Arts, assisted by students from the Department of Dramatic Arts, staff from the Centre for Studies in Arts and Culture, and myself!

    On February 3rd, Stève Viès led us on a guided tour by followed by a mini symposium hosted by Professor Jean Ntakirutimana of the Department of Modern Languages, Literatures and Cultures of Brock University. This was followed by an opening celebration on February 4th, resplendent with dance, musical performance, and discussions in theatre, accompanied by food and beverages from Mali.

    The Spirit of Mali is on exhibition until the 10th of February, with a public celebration on the closing night. Smaller elements are installed at the Marilyn I. Walker School of Fine and Performing Arts as part of the Centre for Studies in Arts and Culture project: Museum in the Hallway / Boîte-en-valise. You may visit this exhibition on the second floor of the MIWSFPA, near the entrances to the MIW Theatre.

    In my next posting about the Spirit of Mali I will talk about some of creative and critical responses to the work in the exhibition, and the important work that is done when we invite our community to experience new and remarkable experiences from diverse places and cultures in the world.  See you soon!

    For more information: https://brocku.ca/miwsfpa/stac/2023/01/16/spirit-of-mali-visits-st-catharines/

    This is the first in a series of short postings by the STAC curatorial assistant Kosar Dakhilalian, recently a student of the Master of Arts in Studies in Comparative Literatures and Arts at Brock University.  Kosar will introduce you to the backstage and onstage experiences of making meaning in material culture at the Centre for Studies in Arts and Culture.

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  • Small Walker Press publications examine colonial histories, love poems

    The Small Walker Press held a book fair in the James A. Gibson Library for the students and public to explore and learn about their publications.


    Originally published in The Brock News | WEDNESDAY, OCTOBER 19, 2022 | by Charles Kim

    Brock’s Small Walker Press (SWP) has launched its newest publications.

    On Oct. 4, as part of its Walker Cultural Leaders Series, the SWP and Centre for Studies in Arts and Culture (STAC) hosted authors, editors, artists and the public to mark the release of BENEATH A VELVET MOON: Early Love Poems and Possible Grounds: Redrawing Relations in Toronto.

    The SWP publishes collaborative work that brings together authors and artists from the Niagara region as well as the Canadian or international contexts. Fields covered include all disciplines and creative practices taught and researched at the Marilyn I. Walker School of Fine and Performing Arts as well as creative writing.

    Possible Grounds: Redrawing Relations in Toronto features artists Adrian Blackwell (settler) and Bonnie Devine (Anishinaabe), who share their thoughts on and experiences of mapping the complex colonial histories of these lands, and question the region’s historical records. Blackwell and Devine also offer commentary on their works exhibited in 2018 and 2019.

    In BENEATH A VELVET MOON, Early Love Poems, Canadian artist Landon Mackenzie selects nine poems by E. Pauline Johnson Tekahionwake, and reimagines the amorous relationship between the Mohawk poet and the artist’s settler great-grandfather, Michael Mackenzie, in the 1880s. For these autofictional explorations, Mackenzie takes her title from one of Johnson’s early love poems in The White Wampum, first published in 1895 by John Lane’s Bodley Head publishing house.

    The launch event featured guest speaker Derek Knight, Associate Professor of History of Art and Visual Culture and founding co-editor of the SWP, who led a lecture exploring the text, images and connections some of the publications shared with the Niagara region.

    Following the launch, the SWP also held a book fair in the James A. Gibson Library. Many students stopped to explore the SWP collection and learn more about the press and the academic opportunities with STAC. Catherine Parayre, Editor of the SWP and STAC Professor, shared her insights on the publications and introduced many students to the details each book had to offer.

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  • Public invited to explore Brock’s downtown arts school Saturday

    Brock University’s Marilyn I. Walker School of Fine and Performing Arts.


    Originally published in The Brock News | TUESDAY, AUG. 18, 2022 | by

    The Niagara community will have the chance to explore Brock University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) this weekend while learning about the building’s past and present.

    The downtown St. Catharines facility, which houses Brock’s Departments of Dramatic Arts, Music and Visual Arts as well as the Centre for Studies in Arts and Culture (STAC), will host a series of guided tours as part of Doors Open St. Catharines on Saturday, Aug. 20. Tours will take place at 10 and 11:30 a.m., and 1 and 2:30 p.m., with no registration required.

    Adapted from the historic Canada Hair Cloth Building, the MIWSFPA is a state-of-the-art learning facility that acts as a creative cultural hub for St. Catharines and surrounding areas.

    As part of this weekend’s event, STAC will have a collection of publications on display by the Small Walker Press (SWP). SWP publishes collaborative work that brings together authors and artists from the Niagara region as well as from Canadian or international contexts.

    The works explore all disciplines and creative practices taught and researched at the MIWSFPA (arts and culture, visual arts, music and dramatic arts) as well as creative writing. For more information about the SWP and publications available at Doors Open St. Catharines, please visit the STAC website.

    A full list of places participating in Doors Open St. Catharines is available on the event’s website.

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