Media Releases

  • Celebrating creativity and diversity in Niagara with SAFRAN 2024

    Saturday, April 06, 2024 | By

    Image caption: Brock Professor Jean Ntakiturimana of Modern Languages, Literatures & Cultures, (right) at the Sunday morning long table about the world of publishing, hosted by Binta Wague of les Éditions Touana (Toronto , centre-right, in green). 

    Brock University recently welcomed the Salon du livre des Francophonies du Niagara (SAFRAN) 2024 for a diverse and dynamic weekend of events and performances celebrating literary creativity and diversity in the Niagara region.

    Hosted by Brock’s Centre for Studies in Arts and Culture (STAC) and Department of Modern Languages, Literatures and Cultures (MLLC) in collaboration with SOFIFRAN, the event was held from March 21 to 24 at the Marilyn I. Walker School of Fine and Performing Arts, with an opening ceremony at the Film House in the First Ontario Performing Arts Centre. With the important collaboration of the Maison de la culture francophone du Niagara, the event coincided with the UNESCO World Poetry Day, World Puppetry Day and International Francophonie Day.

    Director of the Salon du livre and MLLC Instructor, Nafée Faigou, hosting the opening ceremonies at the FirstOntario Performing Arts Centre.

    “It’s been an absolutely remarkable celebration of language and culture, beautifully led and produced by Director of the Salon du livre, Nafée Faigou and Fété Ngira-Batware Kimpiobi, Director General of SOFIFRAN,” said Professor David Vivian, Director of the Centre for Studies in Arts and Culture. “Our learning community is so much richer for having hosted SAFRAN.”

    Guests and community members from the Niagara Francophone community and beyond were treated to a diverse offering of cultural interactions including entertaining and thoughtful puppet shows by Le chemin qui marche from Quebec, workshops for youth on robotics and AI and compelling roundtable discussions  in the MIWSFPA venues.

    A highlight was the publisher’s fair in the MIWSFPA lobby, igniting important long-table discussions amongst publishers and authors that celebrated the Francophonie of the region, including both Franco-Ontarian and new Franco-Canadian voices.

    For more information about the event, please visit the STAC website.

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  • Salon du livre des francophonies du Niagara (SAFRAN), a special collaboration at the MIWSFPA, opens March 21

    Friday, March 01, 2024 | By

    Salon du livre des francophonies du Niagara (SAFRAN):
    Les contradictions dans les littératures

    March 21-24, 2024
    Marilyn I. Walker School of Fine & Performing Arts
    15 Artists’ Common, St. Catharines

    SOFIFRAN is delighted to announce the details of the next edition of the Salon du Livre des Francophonies du Niagara (SAFRAN), an exceptional literary event in and for the peninsula. The event will take place March 21st to 24th, 2024, and will begin at 10am each day in the prestigious space of the Marilyn I. Walker School of Fine and Performing Arts, Brock University, downtown St Catharines. The opening will be held at the Film House, in the First Ontario Performing Arts Centre, also located in downtown St Catharines.

    We are especially honoured to present Nafée Faïgou, the director of the Salon du Livre des Francophonies du Niagara. Nafée Faïgou is passionately devoted to Niagara’s francophone literary ecosystem and plays a central role in the planning and development of this major event. You can contact her directly at the following email address: lesafran2024@gmail.com.

    SAFRAN is made possible thanks to the financial support of the Ministry of Francophone Affairs, through the Francophone Community Grants Program.

    We invite all members of the community to come and celebrate the diversity of francophone literatures at the Salon du Livre des Francophonies du Niagara. Join us and immerse yourselves in captivating stories, literary discoveries, workshops, and inspiring encounters.

    For more information and to stay connected with the latest updates, follow us on social media and visit our official website: www.sofifran-safran.com.

    —

    SOFIFRAN annonce avec enthousiasme la 2ème édition du Salon du livre des Francophonies du Niagara (SAFRAN)

    SOFIFRAN est ravie de dévoiler les détails de la prochaine édition du Salon du livre des francophonies du Niagara (SAFRAN), un événement littéraire et culturel incontournable qui se tiendra du jeudi 21 mars au dimanche 24 mars 2024. L’événement débutera à 10h chaque jour et se déroulera au prestigieux espace de l’école des beaux-arts Marilyn A. Walker de l’université Brock, située à St. Catharines.

    Nous sommes particulièrement honorées de présenter Nafée Nelly Faïgou, la directrice du Salon du livre des francophonies du Niagara. Nafée Nelly Faïgou apporte une passion dévouée à l’univers littéraire francophone et joue un rôle clé dans la réalisation de cet événement majeur. Vous pouvez la contacter directement par courriel à l’adresse suivante : lesafran2024@gmail.com.

    Le SAFRAN est rendu possible grâce au soutien financier du Ministère des Affaires Francophones, dans le cadre du Programme d’appui à la Francophonie ontarienne (PAFO).

    Nous invitons chaleureusement la communauté à se joindre à nous pour célébrer la diversité littéraire francophone au Salon du livre des francophonies du Niagara. Venez plonger dans un monde d’histoires captivantes, de découvertes littéraires et de rencontres inspirantes.

    Pour plus d’informations et pour rester connectés avec les dernières actualités du SAFRAN, suivez-nous sur nos réseaux sociaux et visitez notre site web officiel : www.sofifran-safran.com

    —

    Organized under the  main theme of Les contradictions dans les littératures,
    programming will address the sub themes of:
    – Sensitivity and Sensationalism
    – Waiting: Hope and Despair
    – Spaces and Comfort Zones (status quo in opposition to evolution)
    – Beliefs (in oneself and in others), Fear and Courage
    – Nature and Materialism/Artificial Intelligence/Technology
    – Individuality and Sense of Group
    – Body/Mind/Psyche

    Free event, open to the public.
    la programmation est disponible ici / The program is available here.

    Les auteurs

    Le Safran a pour objectif de promouvoir la diversité culturelle et linguistique des francophones du Niagara, de valoriser les auteurs et les artistes d’expression française, et de favoriser le dialogue et les échanges entre les différentes communautés.

    SAFRAN aims to promote the cultural and linguistic diversity of French speakers in Niagara, to celebrate authors and artists of French expression, and to promote dialogue and exchanges between different communities.

    Didier Leclair
    Mireille Messier
    Gaston Mabaya
    Kalula Kalambay
    Unblind Tibbin
    Marie Yanick Dutelly
    Binta Wague
    Marlène Thélusma
    Serge Stéphane TESSA
    Michèle Laframboise
    Mélina Seymour
    Khadydja Ndoye
    Nafée Faïgou
    Fété Ngira-Batware Kimpiobi
    Aristote Kavungu

    avec la précieuse participation de professeurs et d’instructeurs de l’Université Brock du département / with the special participation of Brock University faculty and instructors from the
    Department of Modern Languages, Literatures and Cultures:

    Nafée Faïgou
    Nicholas Hauck
    Richard Ndayizigamiye
    Jean B. Ntakirutimana
    Catherine Parayre (also Centre for Studies in Arts and Culture)
    Paul Savoie
    David Vivian (Centre for Studies in Arts and Culture/Department of Dramatic Arts)

    …and others. For more information: www.sofifran-safran.com

    To reserve a ticket for events organized by the Maison de la culture francophone du Niagara in honour of the Journée internationale de la Francophonie et les Rendez-vous Poétiques 2024 (March 20, 2024) and the Journée mondiale de la marionnette et les Rendez-Vous Poétiques 2024 (March 21, 2024) : mcfniagara.com/programmationsVeuillez noter q’un laptop est nécessaire pour s’inscrire à cet atelier./ Please note that a laptop is required to participate in this workshop. lesafran2024@gmail.com pour s’inscrire/to register

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  • ‘Someone Lives Here’ – Free Community Screening and Panel Discussion

    Friday, November 17, 2023 | By

    SOMEONE LIVES HERE – Free Community Screening & Panel Discussion
    presented by Rad Snax and hosted by the Centre for Studies in Arts and Culture at the Marilyn I. Walker School of Fine and Performing Arts

    Saturday, November 18, 7:00 pm

    Marilyn I Walker School of Fine and Performing Arts
    15 Artists’ Common, St. Catharines, ON L2R 0B5,
    Room MWS 156.

    Ground level with elevator and accessible washrooms. Event is free. No childcare. If you have additional accessibility needs, please reach out to us.

    ******************************************

    Throughout the COVID pandemic, Toronto has seen a catastrophic increase in homelessness. Sick of seeing his city unable to care for its unhoused people, Khaleel Seivwright quit his job as a full-time carpenter and dedicated himself to building insulated shelters—called “tiny shelters.”

    Innovatively using body temperature for heating, Khaleel’s efforts garnered international media attention, leading Toronto to propose a possible partnership—only to reverse its decision a week later.

    Capturing the ups and downs of Khaleel’s brilliant intervention, Someone Lives Here also features the voices of those experiencing homelessness, including the articulate and philosophical Taka. The film poignantly captures the City of Toronto’s costly $1.9 million clearance of Toronto’s park encampments, asking all the right questions: What makes Toronto unable and unwilling to address this humanitarian crisis? Why are people like Khaleel being prevented from trying to find solutions?

    Who do we prioritize in this city? A sobering and maddening watch.
    Film description by Hot Docs programmer Aisha Jamal.

    https://www.imdb.com/title/tt27366407/

    Winner – Rogers Audience Award for Best Canadian Documentary, Hot Docs Canadian International Documentary Festival, 2023

    Winner – Bill Nemtin Award for Best Social Impact Documentary, Hot Docs Canadian International Documentary Festival, 2023

    —- This presentation is organized by Rad Snax with the participation of community partners.

    Guests include Khaleel Seivwright who will participate in a panel discussion after the film with:

    Patty Krawec, an indigenous author and activist, moderator

    https://www.cbc.ca/player/play/2107428931725

    Alicia Marshall, a local social service provider and advocate for unhoused folks
    https://twitter.com/Aliciaadvocate

    Sabrina Shawana, Anishinaabe Nation, Eagle Clan, tireless advocate for her People, and who established the Strong Water Singers in 2015.

    Brock grad and researcher Sarah Lukaszczyk, who has just returned from the Canadian Alliance to End Homelessness conference, previously with Housing Help Centre, and who has written about the City of St. Catharines rhetoric of compassion, exposing participation in the Compassionate Cities movement as hollow municipal marketing.

    among others.

    See the FB posting for more info: https://fb.me/e/1ANjJFyH9

    Approximately 100 people participated in the evening program.  Seen below (l-r) are Sarah Lukaszczyk, Alicia Marshall, Khaleel Seivwright, Sabrina Shawana and moderator Patty Krawec during the post-screening discussion. Thank-you to Hilary of Game Theory Films for the opportunity to share this film with the community.

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  • Join us on Nov. 2 for Lan ‘Florence’ Yee: Sharper Tools for Unripe Fruit

    Sunday, October 29, 2023 | By

    Image: Lan ‘Florence’ Yee

    Centre for Studies in Arts and Culture and Walker Cultural Leader Series:

    Lan ‘Florence’ Yee: Sharper Tools for Unripe Fruit

    Online and onsite artist talk
    STAC 2P93 — Critical Practice in the Fine & Performing Arts
    Thursday, Nov. 2 from 7 to 9 p.m.

    Spanning media from textiles to signage, Lan “Florence” Yee’s interdisciplinary practice uses text and labour-intensive creation. Inspired by the socio-political and personal history of Cantonese displacement, Lan explores what Desmond Wong calls “the intersection of filiality and arrival.”

    The public is invited to join us in MWS 156 to attend Lan Yee’s virtual presentation or to join us on zoom.
    Marilyn I. Walker School of Fine & Performing Arts
    Art and Val Fleming Smart Presentation Classroom
    MWS 156, MIWSFPA , 15 Artists’ Common, St. Catharines

    The presentation is also available to view online,
    please register ahead of time via Zoom.

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  • Derek Knight: PLACES, A Flâneur’s Eye opens October 27 at the MIWSFPA

    Monday, October 23, 2023 | By

    Photo credit: Derek J.J. Knight, Gaston Lachaise, Floating Figure, 1927 (cast 1935), Abby Aldrich Rockefeller Sculpture Garden, Museum of Modern Art, New York, USA (© dk 2018).

    Centre for Studies in Arts and Culture presents

    Derek Knight: PLACES, A Flâneur’s Eye
    October 27, 2023 to January 13, 2024

    Exhibition opening: Friday, October 27 from 5 to 7 p.m.
    Museum in the Hallway / Boîte-en-valise
    (2nd floor by the Theatre entrance), MIWSFPA
    15 Artists Common, St. Catharines

    Museums and galleries draw prestige from their architecture, geographic locale or historical significance, while compelling works of art, performances, and public expressions of creativity galvanize the diversity of art both within sanctioned institutional spaces and the ‘non-spaces’ that have the capacity to take on resonance.

    Derek Knight: PLACES, A Flâneur’s Eye documents Knight’s museum visits over the last decade in North America and Europe.

    Curators: Catherine Parayre and David Vivian
    Centre for Studies in Arts and Culture

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  • Small Walker Press at Art Metropole, Sat. Oct. 7, 2023

    Friday, October 06, 2023 | By

    Photo credits: Annette le Fort; Bernhard Cella

    The Small Walker Press (SWP) was hosted by Art Metropole in Toronto for the launch of the 2023 volumes Touch, and Tender Readings. Books As Archives, and Handmade.  The editors of the SWP, Catherine Parayre and Nicholas Hauck, of the Department of Modern Languages, Literatures and Cultures and the Centre for Studies in Arts and Culture (STAC) of the Marilyn I. Walker School of Fine and Performing Arts, and David Vivian of the Department of Dramatic Arts, the Director of STAC, were joined by the creators of Handmade, Seth Weiner and Bernhard Cella, via zoom from Vienna, Austria.  In the audience were members of the Toronto Experimental Translation Collective Collective, among others.

    The SWP thanks Sara Maston, Communications & Data Coordinator for Art Metropole, Blair Swann, Associate Director, and Arshdeep Kang, Programs, Publications & Shop Assistant, for their generous hospitality.

    For the 2023 series Books and Archives, four book designers published their reflections on archives.

    Two artists – Brandon LaBelle and Annette le Fort – visit their local public library, check out a few books, keep these for a few days then return them. The text and black-and-white photographs included in Touch, and Tender Readings. Books As Archives document this trip to the library. They evoke a sensory experience – tactile, visual, and olfactive – and a meditative performance – walking through the stacks, touching book covers, turning the pages of a book. LaBelle and le Fort present the library as an organic space and the destination of an intellectual and sensuous journey during which thoughts expand quickly beyond the books displayed on the shelves.

    Handmade is the product of a reflection between two artists whose practice includes book design and curatorial projects.
    For Handmade, Bernhard Cella and Seth Weiner wrote together short creative-writing pieces. Each is the facetious description of contents in an imaginary book. They then used these descriptions to generate images of book covers through AI. The images look like photographs of books, although none of these books (none of these covers) actually exists. The book descriptions refer to content that was never written. The result is a catalogue of books that do not exist. Handmade points to the importance of book design and marketing (book descriptions, catalogues).

    Parayre and Hauck also presented the online volume (Im)mobilités, and the many other notable volumes of the Small Walker Press, including Possible Grounds. Redrawing Relations in Toronto, Beneath a Velvet Moon. Early Love Poems and Tewaaraton. La crosse / Lacrosse, seen here on a shelf celebrating indigenous art and artists at Art Metropole.

    Join us for the next SWP event on Thursday Oct. 19 from 2 to 4 p.m. in the Commons of the Brock Library, for another Small Walker Press book launch for Books and Archives, presented by the Centre for Studies in Arts & Culture and the Walker Cultural Leader Series.

     

    Small Walker Press book launch: Books and Archives
    Presented by the Centre for Studies in Arts & Culture and  Walker Cultural Leader Series

    Saturday, Oct. 7 from 2 to 3 p.m.
    Art Metropole, Toronto, https://artmetropole.com/
    896 College Street, Toronto, ON M6H 1A4 +1 416-703-4400

    OUR NEXT EVENT:

    Small Walker Press book launch:
    Books and Archives
    Presented by the Centre for Studies in Arts & Culture and  Walker Cultural Leader Series

    Thursday, Oct. 19 from 2 to 4 p.m.
    Brock Library, Learning Commons

    Free event, open to the public

    Small Walker Press Catalogue Fall 2023

    Small Walker Press Book Launch two-pager Fall 2023

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  • STAC graduate creating change through art

    Wednesday, July 05, 2023 | By

    Brock graduate Justus Duntsch (BA ‘17) is pictured above alongside Nancy Edmonstone, a local artist and regular participant in the Art Me Up program. 

    [written by Charles Kim for Surgite Magazine, Spring 2023]

    When graduates of Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) head off into the world, they do so with plans to make their mark in the arts community. Some have gone on to create successful theatre groups or perform their music in front of crowds of thousands. Others have showcased their work in, or even curated, popular art exhibitions around the globe.

    Justus Duntsch (BA ’17) is using his art to spark difficult conversations and to support some of Niagara’s most vulnerable residents.

    The Centre for Studies in Arts and Culture (STAC) graduate has developed his career with the wellness and development of the Niagara community in mind.

    He strives to be the change he wants to see in the world. “Where do you start when you want to make the world a better place? It must start with you. It has to be genuine,” Duntsch says. “I think the best way is to speak with your actions.”

    “Where do you start when you want to make the world a better place?
    It must start with you.”
    – Justus Duntsch –

    Along with sitting on and chairing a variety of community arts committees since graduation, Duntsch has spent time working with Start Me Up Niagara, which supports individuals facing significant life changes and provides them with opportunities to stabilize, participate and grow.

    The organization offers services and programming to those facing challenges such as poverty, homelessness, unemployment, disabilities, addictions and mental health issues.

    Through the ‘Art Me Up Niagara’ program, Duntsch helps participants to express their past and present through the exploration of multidisciplinary arts in a safe studio environment.

    His work with Start Me Up Niagara has also led to his latest arts project, Before the Barriers, which reflects on the many people who took their own lives at the Burgoyne Bridge in St. Catharines from 2018 to 2019.

    Brock graduate Justus Duntsch (BA ‘17) has used his art to create community change, including through a public art and community beautification project on Robinson Street in Niagara Falls

    Duntsch says the project’s subject matter is difficult to talk about, which has only driven him to ensure those critical community conversations take place.

    “There needs to be a space where this can be discussed without the stigma and that’s really what I’m trying to get towards,” he says.

    Duntsch hopes to adapt the project for an academic space and has been in discussions with his alma mater, and STAC Director David Vivian, about how to do just that given the sensitivity of the topic.

    He says he’s thankful for Brock’s STAC program – which helps students to gain a critical view of contemporary culture – as it provided the skills he’s needed to get to where he is today.

    The instructors are top shelf, the tools, the space – it’s really a world-class facility,” he says of the MIWSFPA.

    Knowing the inspiration that came from his time at the downtown arts school, Duntsch looks forward to seeing where other aspiring artists from the University and beyond take their talents and how they use them to create change in the world.

    “For anyone doing their thing in the arts and anywhere for that matter, just keep on keeping on. Look inside and ask yourself, who do you want to impact? What’s your desired outcome? Find what drives your passion and take the next steps,” he says.

     

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  • Audio tour explores historic art of Mackenzie Chown Complex

    Sunday, May 14, 2023 | By

    Lesley Bell (BA ’88), former Learning Commons Co-ordinator at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), has researched the history of Michael Snow’s Timed Images installation at Brock. She is pictured here with Frame Three, which now hangs in the School.

    posted on the Brock News on TUESDAY, MAY 09, 2023 | by 

    Getting lost in Mackenzie Chown Complex is a familiar experience for many Brock students, and it’s easy to miss the artistic significance of the building in the rush to get to class on time.

    A new self-guided audio tour produced by Foreword, a podcast from the Faculty of Humanities, hopes to encourage a new appreciation for a complicated space and the art it contains on the 50th anniversary of its installation.

    The audio tour guides the listener through the various locations of Michael Snow’s 1972-73 art installation Time Images and considers how the building’s unique architecture plays with the space and light.

    Snow was invited by renowned architect Raymond Moriyama to create an art installation as part of the design for Brock’s new Academic Staging Building, now called the Mackenzie Chown Complex. His installation consisted of a series of mirrors, still images and live video situated throughout the building from Pond Inlet to A Block.

    Elements of the installation can still be seen, and the audio tour has an accompanying web page featuring historic photographs, artist sketches and architectural plans collected by Lesley Bell (BA ’88), an artist and retired support staff for Brock’s Department of Visual Arts, during her research on Snow.

    Snow, who died in January, was a widely acclaimed Canadian artist. His many honours included Officer of the Order of Canada (1981), Governor General’s Award in Media Arts (2000) and an honorary Doctor of Law degree from Brock University (1974). He is also known for his Canada geese sculpture, Flight Stop (1979), that hangs in Toronto’s Eaton Centre and his piece The Audience (1989) on the exterior of the Rogers Centre.

    The Foreword podcast’s two-part final episode of series four also features an interview with Bell by host Alison Innes, Strategic Initiatives and Outreach Officer in the Faculty of Humanities. Bell became interested in Snow’s art at Brock while she was working with the Department of Visual Arts. She went on to research and produce a short documentary on Snow and his collaboration with Moriyama at Brock with Tracy Van Oosten (BA ’10) in 2021.

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  • Fentanyl drug crisis focus of free public film screening, naloxone training

    Thursday, March 23, 2023 | By

    Members of the Niagara community are invited to attend a free film screening of Love in the Time of Fentanyl this weekend.

    A free public screening of Love in the Time of Fentanyl will take place this Saturday, March 25 at Brock University’s Marilyn I. Walker School of Fine and Performing Arts.  

    The event is expected to run from 6 to 9 p.m. in room MWS 156, beginning with naloxone and harm reduction training from 6:30 to 7 p.m., followed by the film screening at 7 p.m. and a question-and-answer session at 8:30 p.m. 

    Directed, edited and co-produced by Colin Askey, Love in the Time of Fentanyl follows a group of misfits, artists and drug users who operate a renegade safe injection site in Vancouver’s downtown eastside fighting to save lives and keep hope alive in a neighborhood ravaged by the overdose crisis. 

    Ronnie Grigg, founder of the non-profit Zero Block Society and one of the film’s key participants, will be traveling from Vancouver to present at the screening and participate in the panel discussion question-and-answer period alongside representatives from Positive Living Niagara’s StreetWorks harm reduction program. 

    The event is presented by Brock University’s Centre for Studies in Arts and Culture; Department of Modern Languages, Literatures and Cultures; Department of Sociology; and Faculty of Applied Health Sciences, in collaboration with Positive Living Niagara and Rad Snax. 

    Love in the Time of Fentanyl had its world premiere at the 21st DOXA Documentary Film Festival, where it was featured as the Justice Forum Special Presentation and took home the Colin Low Award for Best Canadian Director. 

    What: Free screening of Love in the Time of Fentanyl 

    When: Saturday, March 25 from 6 to 9 p.m. 

    • Doors open at 6 p.m. 
    • Naloxone and harm reduction training from 6:30 to 7 p.m. 
    • Film screening from 7 to 8:30 p.m. 
    • Panel discussion question-and-answer period and refreshments from 8:30 to 9 p.m. 

    Where: Room MWS 156 in Brock University’s Marilyn I. Walker School of Fine and Performing Arts, 15 Artists’ Common, St. Catharines. MWS 156 is located adjacent to the main lobby on the lower level of the School. It is accessible, with accessible washrooms nearby.  

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  • Spirit of Mali: Kosar’s Corner – Part 2

    Monday, February 27, 2023 | By

    Professor David Vivian, Director of the Centre for Studies in Arts and Culture (STAC) and the students of DART 3F61 Design: Theatrical Design visit Stève Viès and the exhibition. photo: Paul Jams.

    In my previous post, I provided some general information about The Spirit of Mali exhibition, including the backstage production and specific events. In this post, I intend to examine the exhibition critically and discuss its importance and contribution. 

    The Spirit of Mali brought a diverse community together for a celebration of Malian art at the FirstOntario Performing Arts Centre, St. Catharines, from the 1st to the 10th of February, 2023. The exhibition presented textile art, sculpture, puppets, masks, musical instruments, games, and wooden crafts and immersed its audience in the art and culture of Mali. Visitors could enjoy a variety of arts and were welcomed with lectures, individual guidance, live music, dance, food, and an opportunity for socialization in an artistic space. One of the main components of this exhibition was the textiles, some of which are intended to narrate historical and mythological stories which were mentioned in my previous post. Throughout the exhibition, Stève Viès, the curator of this exhibition and a multidisciplinary artist, told the stories upon which the textiles were created. The audience, however, was invited to make their own reading from the works in the exhibition. “Not everyone connects with an artwork the same way”, said Dr. Jean B. Ntakirutimana, a professor in the Department of Modern Languages, Literatures, and Cultures at Brock University, a lead partner in the production of this exhibition. In the round table discussion on February 3rd, Dr. Ntakirutimana shared the profound feeling he had when he entered the space for the first time and talked about one of the objects in the exhibition, the crocodile mask.  He stated that the aesthetics of the crocodile which was hung on a piece of white fabric stood out for him initially. He mentions that aside from the symbolism of the crocodile, which represents strength, power, and friendship, one can have their own interpretation when seeing the artifact. He encouraged the viewers to see the artifacts and feel. He added that artworks are stimuli to provoke “vibrations”, and the vibrations are different for each person. He later mentioned that for him, the exhibition connected him with a motherly source.

    Dr. Jean B. Ntakirutimana (left) and Stève Viès discuss last minute planning before the guided visit and round table discussion. Photo: Paul Jams.

    Nafée Faigou, a St. Catharines artist, poet and community leader, the former artistic director of SOFIFRAN, talked about the expression of every component of a work of art, saying the process of making a textile from a plant is “itself a story, which is the story of life”. She continued that “life is not just the matter, but also the spirit”. She mentioned that in this exhibition, the spirit was put into a material space. She stated that the spirit of Bogolan art is fluid and can be described in many ways and may resonate differently for everyone.

    Nafée Faigou shares her insight during the roundtable discussion. Photo: Paul Jams.

    For me, the exhibition was remarkable in the range of meaning that it offered. It encouraged the personal and symbolic interpretation of the artworks. It provided its audience with information about the artworks but asked them to reflect upon the artworks. What stood out for me in some of the textiles was the use of patterns as a way of coloring some parts of paintings. Some of the patterns, however, symbolized concepts, values, and elements. To me, the patterns seemed like the creation of an intertext in the artwork that connects it with other stories. By providing visual hints to the viewers, they also seemed to be presenting a lens to see the image, suggesting how to interpret the story that the composition depicts. The work, Spiritualité Bambara, for example, depicts an aspect of Bambara culture –  the idea of care in a community that is not limited only to humans. A community is formed by interactions between humans and other living entities. In this textile, we see patterns that symbolize marriage, a subtheme for this composition. According to Stève Viès, marriage in Mali culture is not just between two individuals;  with the tie of marriage, one becomes responsible for all their new family members. This care and responsibility is not limited to family but can also be seen in the workplace.

    From left, Maman Fété Ngira-Batware Kimpiobi, Justine Djoléi Gogoua and Stève Viès welcome the guests during the opening night ceremonies. Dr. Jean B. Ntakirutimana is seen far right. Photo: Paul Jams.

    According to Stève Viès, some of the objects such as masks and puppets presented in the exhibition are used for storytelling in performing arts traditions in Mali. They contribute to the transmission of knowledge in Malian culture. The puppets presented in the exhibition are designed by Torri Diarra for the play The Legend of Bogolan, a musical that was written and performed by Stève Viès and Isabelle Garceau. Torri Diarra has made hundreds of puppets and masks to educate young audiences on the importance of preserving nature, protecting endangered species, and planting trees.

    In the opening and closing celebrations of the exhibition on February 4th and 10th, 2023, the audience were immersed in the culture of Mali through music, dance, and food. The organizers of the project from Brock University, Dr. Jean B. Ntakirutimana (Modern Languages, Literatures, and Cultures) and  Prof. David Vivian (Centre for Studies in Arts and Culture/Department of Dramatic Arts) engaged the audience in meaningful conversations about the artworks. The group dance exercise was a joyous practice of community building. The celebration ended with notes about collective identity, a sense of belonging, and the importance of the improvement of the self. Community engagement was one of the purposes and outcomes of this exhibition, according to Dr. Ntakirutimana. 

    “After the closing ceremony”, Dr. Ntakirutimana remarked, “I started feeling a separation like the anxiety a child feels after being weaned.” He referred to Africa as a mother figure for him and the arts presented in the exhibition as the spirit of that continent. The exhibition was a moment for individuals of all ages to see art, appreciate it, discuss it, make connections, dance, and play.

    Stève Viès demonstrates a musical instrument in his collection. Photo: Paul Jams.

    In order to share the art of Mali with a larger audience, Stève Viès will continue to tour the exhibition and develop a website at impressionsdeterre.com. He presents the art of Mali culture with a “positive vibration” and looks forward to bringing the artists, whom he calls brothers and sisters, to future exhibitions so that they may spark intercultural conversations and knowledge transmission.

    Museum in the Hallway / Boîte-en-valise, a project of the Centre for Studies in Arts and Culture, situated on the second floor of the Marilyn I. Walker School of Fine and Performing Arts, continues a small exhibit of art and objects from Mali until the closing reception on March 3, 2023.

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