Articles tagged with: swp

  • Small Walker Press’ newest publication: Cloud

    Tuesday, November 08, 2022 | By

    The Small Walker Press announces our new publication, Cloud, by Donna Szőke with essays by Stuart Reid and Emily Rosamond.

    Cloud (10 Oct. 2015–17 Jan. 2016) and Satellite (19 Oct.–28 Nov. 2015) were two parallel exhibitions by artist Donna Szőke, held respectively at Rodman Hall Art Centre and, on the other bank of Twelve Mile Creek, at the Art Gallery of the Marilyn I. Walker School of Fine and Performing Arts, Brock University. Curated by Stuart Reid, they echoed each other, but were also conceived as two independent projects. The present catalogue focuses on Cloud, an exhibition whose apparent simplicity or incongruity elicits an adroit treatment of complex facts.

    56 pages, 18 illustrations
    e-book, free access

    Donna Szőke. Cloud
    Stuart Reid. Essay
    Emily Rosamond. Essay
    Graphic design by Lauren Wickware
    ISBN 978-1-990208-19-5

    brocku.ca/miwsfpa/stac/small-walker-press

    Published through generous support provided by Rodman Hall Art Centre, Ontario Arts Council, Office of Research Services at Brock University, and Centre 3 (Hamilton).

    This e-book was launched on Oct 04, 2022 at the SWP Book Launch for 2022 and is available in the digital repository of the Small Walker Press at dr.library.brocku.ca/handle/10464/16730

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  • Small Walker Press publications examine colonial histories, love poems

    Friday, October 21, 2022 | By

    A tabletop banner reads “SWP Small Walker Press” set atop a red table cloth with a collection of books and publications.

    The Small Walker Press held a book fair in the James A. Gibson Library for the students and public to explore and learn about their publications.

    Originally published in The Brock News | WEDNESDAY, OCTOBER 19, 2022 | by Charles Kim

    Brock’s Small Walker Press (SWP) has launched its newest publications.

    On Oct. 4, as part of its Walker Cultural Leaders Series, the SWP and Centre for Studies in Arts and Culture (STAC) hosted authors, editors, artists and the public to mark the release of BENEATH A VELVET MOON: Early Love Poems and Possible Grounds: Redrawing Relations in Toronto.

    The SWP publishes collaborative work that brings together authors and artists from the Niagara region as well as the Canadian or international contexts. Fields covered include all disciplines and creative practices taught and researched at the Marilyn I. Walker School of Fine and Performing Arts as well as creative writing.

    Possible Grounds: Redrawing Relations in Toronto features artists Adrian Blackwell (settler) and Bonnie Devine (Anishinaabe), who share their thoughts on and experiences of mapping the complex colonial histories of these lands, and question the region’s historical records. Blackwell and Devine also offer commentary on their works exhibited in 2018 and 2019.

    In BENEATH A VELVET MOON, Early Love Poems, Canadian artist Landon Mackenzie selects nine poems by E. Pauline Johnson Tekahionwake, and reimagines the amorous relationship between the Mohawk poet and the artist’s settler great-grandfather, Michael Mackenzie, in the 1880s. For these autofictional explorations, Mackenzie takes her title from one of Johnson’s early love poems in The White Wampum, first published in 1895 by John Lane’s Bodley Head publishing house.

    The launch event featured guest speaker Derek Knight, Associate Professor of History of Art and Visual Culture and founding co-editor of the SWP, who led a lecture exploring the text, images and connections some of the publications shared with the Niagara region.

    Following the launch, the SWP also held a book fair in the James A. Gibson Library. Many students stopped to explore the SWP collection and learn more about the press and the academic opportunities with STAC. Catherine Parayre, Editor of the SWP and STAC Professor, shared her insights on the publications and introduced many students to the details each book had to offer.

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  • An Introduction to the Small Walker Press

    Saturday, March 26, 2022 | By


    Watch this brief introduction and learn more about small press publishing
    at the Centre for Studies in Arts and Culture.

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    Categories: Alumni, Announcements, Current Students, Faculty & Instructors, Future Students, In the Media, News, Uncategorised

  • Small Walker Press launches publications exploring music, choreography

    Wednesday, May 05, 2021 | By

    Image caption: The Small Walker Press has announced two new spring publications: Arc, a choreographed poem and Improvising Places / Improvising Time.

    Originally published in The Brock News on TUESDAY, MAY 04, 2021 | by 

    The Small Walker Press (SWP) is announcing two new spring publications with an online book launch page.

    With in-person book launches still on hold due to public health restrictions, the innovative publishing house within Brock’s Centre for Studies in Arts and Culture at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) opted for a virtual celebration.

    The online launch page features two new books: Arc, a choreographed poem written by Paul Savoie with accompanying choreography by Mélanie Mesager, and Improvising Places / Improvising Time with music notation by Devon Fornelli, creative writing by Thomas Ayouti and essays by Derek Knight and Matthew Royal. Graphic design for both publications was done by Bernhard Cella.

    The concept for the books, “music and choreography,” was outlined by Small Walker Press editors Catherine Parayre, Associate Professor and Director of the Centre for Studies in Arts and Culture, and Derek Knight, Associate Professor of Visual Arts. The creative texts were inspired by these themes, drawing on inspiration from participating artists incorporating dance, music and creative writing.

    The book launch page features excerpts from the publications as well as notes from both SWP editors.

    To learn more about The Small Walker Press, please visit the website.

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  • The Small Walker Press announces its third title for 2020: Videopoetry/ Vidéopoésie, by Daniel H. Dugas and Valerie LeBlanc

    Sunday, April 26, 2020 | By

    Dugas, Daniel H. and Valerie LeBlanc.
    Videopoetry/Vidéopoésie.
    St. Catharines, ON: Small Walker Press, 2020.
    414 pages, with illustrations, sound and videos
    Graphic design by Daniel H. Degas and Valerie LeBlanc
    ISBN 978-1-9990860-6-0
    Online, free access
    https://dr.library.brocku.ca/handle/10464/14790

    The Small Walker Press announces its third title for 2020: Videopoetry/Vidéopoésie, by Daniel H. Dugas and Valerie LeBlanc, a volume that combines text, images, and dynamic media into an immersive experience.

    Canadian digital artist and videopoet Valerie LeBlanc and Canadian poet, musician, and videopoet Daniel H. Dugas have been working together since 1990.

    Daniel H. Dugas was born in Montréal, QC. Poet, videographer, essayist and musician, Dugas has exhibited and participated in exhibitions, festivals and literary events in Canada and internationally. His ninth book of poetry, L’esprit du temps/The Spirit of the Time, won the 2016 Antonine-Maillet-Acadie Vie award and the 2018 Éloizes: Artiste de l’année en littérature. daniel.basicbruegel.com | Videos distributed through: vtape.org

    Pluridisciplinary artist and writer, Valerie LeBlanc was born in Halifax, Nova Scotia. She has worked and presented throughout Canada and internationally. LeBlanc’s first video, Homecoming, was collected and screened by the National Gallery of Canada. She is the creator of the MediaPackBoard (MPB), a portable screening / performance device. valerie.basicbruegel.com | Videos distributed through: vtape.org

    “Their specific uniqueness within the videopoetry world also lies in the musicality of speaking two languages. LeBlanc’s first language is English and her second French; and Dugas’ is French with English second.” (Sarah Tremlett).

    Professor Derek Knight of the Department of Visual Arts remarks about this latest addition to the collection of the Small Walker Press: “The sheer volume and complexity of Videopoetry/Vidéopoésie at 400 plus pages was daunting enough, but with a keen eye, a facility for both French and English, and an unbounded curiosity for the imaginative nature of Daniel H. Dugas and Valerie LeBlanc’s poetry and time-based work, Catherine’s efforts have resulted in a worthy digital publication.”

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