A public showing of Theatre Design projects by senior design students.
When: March 26, 2014 – 9:00am – April 2, 2014 – 5:00pm
Location: Room ST102, Schmon Tower, Brock University.
Admission: Free
DART 3F61, Theatrical Design Exhibition
Categories: Events
Break-a-leg! to the student directors, cast and crew, faculty and staff who are opening the One Acts Festival TODAY!
Every year as the final assignment for the Third Year Directing class each student choses a one act play to produce for the One Act Festival. This year’s One Acts Festival is approaching and the dates are as follow:
Friday March 21st: Group A starting at 2pm Group B at 7pm
Saturday March 22nd: Group B starting at 2pm & Group A at 7pm.
Group A’s shows are:
The Feast
Overtones
Hide & Seek
Fourteen
Group B’s shows are:
Tales of the Grotesque
Don Juan in Chicago
Playwriting 101
Rat Snake
When: March 21 & 22, 2014 at 2 p.m. and 7 p.m.
Location: ST 107 “Studio Theatre” and ST 103 “Black”
Admission: Donations Accepted
Contact: dramatic@brocku.ca or 905-988-5550 x 5255
Come out and support the 3rd year directors and all the students involved this year! Seating is limited, so please show up early to get your seats! See the FB events page here.
One Acts, One Acts Festival
Categories: Events, Plays
On 13 February, 2014, the director Peter Hinton visited the Department of Dramatic Arts for a two-hour talk about his work as a director and adaptor. He responded to questions from students in DART 3P96: Studies in Praxis – Theatre Criticism, as well as from other students in the department.
Hinton spoke about a number of his recent projects, including his adaptation of Chekhov’s The Seagull, which premiered Montreal’s Segal Centre in February 2014; his 2013 Shaw Festival production of Wilde’s Lady Windermere’s Fan; and his upcoming staging of the musical Cabaret, also at Shaw. Discussion focused on Hinton’s research processes and how these inform his directorial concepts, in particular on his approach to existing and canonical works. Hinton also spoke about his relationship to theatre critics: “I’m not after five stars; I’m after a respectful dialogue,” Hinton said of the critics who regularly review his work. “I don’t want to be in search of [their] praise or victim of [their] ignorance.” When asked for his advice for a new generation of Canadian theatre artists and professionals, Hinton reminded the group that the professional relationships they form during their student years may be the most important ones in their careers, and urged them to consider their professional creative lives as already underway: “I always thought that theatre was an elite club to get into, but theatre already belongs to you.”
Hinton has worked with major theatre companies across Canada including Theatre Passe Muraille and Canadian Stage; Playwrights Theatre Centre in Vancouver; Playwrights Workshop Montréal; and the Stratford and Shaw Festivals. He was the director of the English theatre division of the National Arts Centre from 2005-2011, and is originally from Toronto.
DART 3P96, Peter Hinton, visiting artists
Categories: News, Visiting Artists
In photo: Jill Dolan
Listening to theatre companies, they’ve never needed theatre critics more. Listening to them after a bad review, they’ve also never resented them more. This strange dance of mutual need has been going on since the first time someone recited dialogue on stage, and someone in the next day’s paper wrote “it doth sucked, verily.” But what of that relationship today? Do critics matter? Can anyone with a blog call themselves a theatre critic? Are critics there to serve theatre companies or readers? (John Law)
See the complete article by John Law in the Niagara Falls Review about his upcoming participation in the two-day colloquium ‘The Changing Face of Theatre Criticism in the Digital Age‘ organized by Professor Karen Fricker of the Department of Dramatic Arts on the occasion of the special visit by Jill Dolan, Annan Professor in English, Professor of Theater in the Lewis Center for the Arts, Director, Program in Gender and Sexuality Studies, at Princeton University, noted theatre blogger (thefeministspectator.com) and a Walker Cultural Leader for 2013-14. Special guests J. Kelly Nestruck of The Globe and Mail and Richard Ouzounian of the Toronto Star will join local guests and luminaries including cultural leaders like Jackie Maxwell, artistic director of the Shaw Festival, and Steve Solski, director of the St. Catharines Centre for the Performing Arts.
The two day program begins this Friday morning with the public lecture, “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings” by Professor Jill Dolan. The lecture is presented in association with the Department of Dramatic Arts and the Centre for Women’s and Gender Studies.
For a complete list of participants and more information please see the Brock News Article, the Department of Dramatic Arts and the Marilyn I. Walker School of Fine and Performing Arts web pages.
Come join us! There is no charge to attend and engage in what will surely be a remarkable exchange of ideas and opinions in this “blossoming” cultural scene of Niagara (Professor Karen Fricker).
All events will be live-streamed at BrockVideoCentre’s DART channel [Click on the “live video” button on that page.]
(Source: The Brock News, Monday, February 10, 2014)
An upcoming series of community discussions at Brock University later this month will debate the question: is everyone a critic?
Media professionals, theatre experts, scholars and students will assemble in Sankey Chamber at Brock Feb. 21 and Feb. 22 to take part in the colloquium, The Changing Face of Theatre Criticism in the Digital Age, hosted by the Marilyn I. Walker School of Fine and Performing Arts.
“The rise of blogging and Twitter, combined with the decline of print journalism, is raising important questions about what counts as legitimate, professional criticism,” says Karen Fricker, event co-ordinator and a professor of dramatic arts. “Our discussions will focus on the current critical scene in Niagara, as well as imagining possible futures for the arts in our community.”
Panel members include two of Toronto’s most influential theatre critics: J. Kelly Nestruck of The Globe and Mail and Richard Ouzounian of the Toronto Star. Others include local figures like Jackie Maxwell, artistic director of the Shaw Festival, and Steve Solski, director of the St. Catharines Centre for the Performing Arts.
The colloquium will also feature international critics: Jill Dolan, Princeton University professor and noted theatre blogger (thefeministspectator.com); Maddy Costa, a London, England blogger and journalist; and Andy Horwitz, founder of New York arts blog culturebot.net
Dolan is visiting Brock as part of the Walker Cultural Leaders series. While here, she will deliver a public lecture, “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings.” Her lecture, co-sponsored by the Department of Dramatic Arts and Centre for Women’s and Gender Studies at Brock, takes place Friday, Feb. 21, from 10 a.m. to 12 noon, also in Sankey Chamber.
All of these events are free and open to the public.
Funding for these events is provided by the Walker Cultural Leaders Series, the Brock Humanities Research Institute and the SSHRC Institutional Grant scheme, and the St. Catharines Performing Arts Centre.
All events will be live-streamed. [Click on “live video”]
—
All events take place in Sankey Chamber at Brock University
* 2 – 2:30 p.m.: Welcome
Presentation by Brock dramatic arts students from the third-year class, Studies in Praxis – Theatre Criticism
* 2:30 – 4 p.m.: Panel discussion “Critics and the arts in Niagara”
* 4:15 – 5:45 p.m.: Panel discussion “Embedded criticism: a new way forward, or criticism-as-PR?”
* 10 – 10:30 a.m.: Welcome
Presentation by Brock dramatic arts students from the third-year class, Studies in Praxis – Theatre Criticism
* 10:30 a.m. – 12 noon: Panel discussion “Bloggers, critics, and cultural legitimation”
* 12:15 – 1 p.m.: Colloquium wrap-up
Andy Horwitz, art criticism, Candice Turner-Smith, colloquium, DARTcritics, David Fancy, Holger Syme, J. Kelly Nestruck, Jackie Maxwell, Jacob Gallagher-Ross, Jill Dolan, John Law, Karen Fricker, Lawrence Switzky, Maddy Costa, Monica Dufault, Odette Yazbeck, Richard Ouzounian, Rosemary Drage Hale, Sara Palmieri, Stephen Remus, Steve Solski, The Brock News, theatre criticism, visiting artists, Walker Cultural Leader Series
Categories: Announcements, Events, In the Media, News
2 minutes, 2 actors! Gimme 2! is the first presentation of our first year students in short performances written and directed by their senior DART mentors. An Homage to Jerzy Growtowski!
Open Rehearsal at 6 pm, show at 8 pm. Admission is first-come, first-seated.
For more information: dramatic@brocku.ca or 905-688-5550 x5255
Contact bcumberland@brocku.ca to reserve a seat if you know you can only attend one or the other presentations.
Date & Time: March 5, 2014: 8 pm – 10 pm
Location: ST 107 (Studio Theatre), Schmon Tower, Brock University
Cost: $0.00
Contact: dramatic@brocku.ca or 905-688-5550 x5255
JEHANNE OF THE WITCHES
by Sally Clark
February 13-15, 2014 at 7:30 PM
Student Matinee February 14 at 1:00 PM
DIRECTED BY Virginia Reh
Scenographer: David Vivian
Assistant Director: Casey Gillis
Assistant Designer: James McCoy
Dramaturg: Brittany Stewart
Black magic, illusion, and the suppression of Truth. Voices swirl as Joan of Arc and Gilles de Rais, the infamous Bluebeard, concoct a witches’ brew of sexuality and the use – and abuse – of power.
The Department of Dramatic Arts of the Marilyn I. Walker School of Fine and Performing Arts is proud to present this play by Canadian playwright Sally Clark. Ms Clark was part of a wave of female playwrights in the 1980s who wrote plays about notable women from a female perspective. The play is mostly based on solid historical fact; Clark weaves her magic through unique interpretation and theatricality.
View our media release.
High-School teachers should read this letter about the Matinee performance opportunity available for Jehanne of the Witches (February 2014). We’re also providing information on Secondary Education Curriculum Ties.
NEW! An Audience Guide is available for download.
Join us on our Facebook event page
see the preview on Cogeco TV below:
see the article in the Brock News:
That burning feeling: Jehanne of the Witches
Jehanne of the Witches, Mainstage, plays
Categories: Events, Plays
Brock University
Media Release
St. Catharines, ON
January 28, 2014
The Department of Dramatic Arts’ mainstage production of Jehanne of the Witches is beset with twists and turns, black magic, illusion, sexuality, and the use – and abuse – of power!
Students of Brock University’s Department of Dramatic Arts present Jehanne of the Witches, a Canadian play that probes into the nature of magic, truth and illusion. Performances will be held at the Sean O’Sullivan Theatre, Brock University on February 13, 14 and 15, 2014.
Jehanne of the Witches, written by award-winning Canadian playwright Sally Clark, recounts Joan of Arc’s story with historical accuracy, and explores modern, feminist ideals, as well as Christianity and Paganism. Using historical facts, Clark weaves a story exploring the strange relationship that existed between Joan of Arc and her comrade-in-arms, Gilles de Rais – the notorious Bluebeard. In this production, Gilles de Rais is in his own personal purgatory where he is condemned to endlessly relive the events of his life from his first contact with Jehanne to his own death.
Directed by Virginia Reh, with scenography by David Vivian, and lighting by Cameron More, this second mainstage production of the Department of Dramatics Arts’ 2013-14 Season showcases the talents of students in the undergraduate program: Katie Coseni, Mallory Muehmer, Rachel Romanoski, Hayley Malouin, Elizabeth Smith, Nikki Morrison, Erik Bell, Derek Ewert, Josh Berard, and Lewis Whiteley.
“Sally Clark’s unique and unorthodox look at the Joan of Arc legend has called to me for a very long time,” states Reh. “This multi-layered play questions the very nature of history: how and by whom it is relayed and manipulated. It deals in power, mystery, a yearning to believe and the very nature of theatre itself. Layers behind layers are torn away in a search for the elusive “truth.” Who is a saint? and who is a monster?”
This play contains sexual themes and occasional strong language.
Performances for Jehanne of the Witches will be held in the Sean O’Sullivan Theatre, Brock University on February 13, 14, and 15, 2014 at 7:30 p.m., with a matinée performance on February 14 at 1 p.m. Tickets are $18 for adults, $15 for seniors and students, $12 for groups, and $5 for the eyeGo high school ticket program. Available from the Centre for the Arts Box Office: 905-688-5550 x3257 or visit: http://arts.brocku.ca/ For more information about this production and the Department of Dramatic Arts visit: brocku.ca/miwsfpa/dramaticarts.
Productions from the Department of Dramatic Arts are an integral part of the Marilyn I. Walker School of Fine and Performing Arts’ mandate to build connections between the community and the breadth of talent and creativity at Brock University.
If you wish to experience the legend of Joan of Arc through the media of classic film and live choral performance, then you won’t want to miss Chorus Niagara’s CN CINEMA – The Passion of Joan of Arc, taking place on February 28 and March 1 at 7:30 p.m., held at St. Thomas Anglican Church in St. Catharines. Tickets can be purchased through the Centre for the Arts Box Office (purchase information is listed above).
Media call: Thursday, February 6, 2014 at 6 p.m., held in the Sean O’Sullivan Theatre, Brock University
For interviews please contact:
Marie Balsom, Communications
Marilyn I. Walker School of Fine and Performing Arts
T: 905.688.5550, x4765| E: mbalsom@brocku.ca | W: brocku.ca/finearts
Jehanne of the Witches, media call, media release
Categories: Media Releases
The 2013-2014 season of Toronto’s Voicebox/Opera in Concert showcases some ‘rarities of performance’ and features Gloriana by Benjamin Britten.
The one-time concert performance at the Jane Mallet Theatre in Toronto is directed by Brock University Dramatic Arts Professor Virginia Reh.
Gloriana was composed for the coronation of Queen Elizabeth II in June 1953 and VOICEBOX’s performance marks the 100Th Anniversary of the Composer’s birth.
Queen Elizabeth I is approaching the end of her reign. Her affection for the impressive Earl of Essex is tested when he grows increasingly ambitious. Should she listen to the guidance of her advisors or be swayed by emotion? Moving from the pomp of state ceremony to the intimacy of the Queen’s private rooms, Gloriana depicts the public and private faces of the Virgin Queen, and the deterioration of her relationship with the impulsive Earl of Essex.
The opera features 15 soloists. In this concert production 10 of the soloists will be coming out of the chorus. The production is in memory of Reh’s friend Stephen Ireland who passed away last October from complications arising from prostate cancer. The production is sponsored by his foundation.
Professor Reh will be directing the next Mainstage production of the Department of Dramatic Arts, Jehanne of the Witches, opening February 13, 2014.
BENJAMIN BRITTEN
GLORIANA
Sunday, November 24, 2013 — 2:30pm
IN english
Jane Mallett Theatre (at the St. Lawrence Centre for the Arts) Sunday, November 24 @2:30 p.m.
Featuring
Peter Tiefenbach, Music Director and Pianist
Virginia Reh, Dramatic Advisor
Robert Cooper, Chorus Director
Betty Waynne Allison as Queen Elizabeth I
Jennifer Sullivan as Penelope (Lady Rich)
Adam Luther as Lord of Essex
Dion Mazerrole as Cecil
Jesse Clark as Lord Mountjoy
Christina Campsall as Countess of Essex
Marco Petracchi as Sir Walter Raleigh
Domenico Sanfilippo as Henry Cuffe
Fabian Arciniegas as The Recorder of Norwich
Joshua Wales as The Spirit of the Masque
Keenan Viau as The Master of Ceremonies
Gregory Finney as Old Man
Lise Maher as Page
Jessika Monea as Lady in Waiting
Benjamin Britten, Gloriana, Virginia Reh
Categories: Faculty & Instructors, News
(Source: Skogen)
Department of Dramatic Arts Professor Natalie Alvarez will be presenting her plenary address lecture “Performance and Its Genealogies of War” in the Seminar: CREATIVITY AND AUTHORSHIP IN WARFARE to be held November 27, 2013 at the Skogen performance space in Gothenburg, Sweden (Göteborgs Konsthall).
Professor Alvarez moves through several sites of her field research at military bases in the US, Canada, and the UK to observe the ways in which the performance paradigm has been taken up by the military-industrial-academic complex as it attempts to advance training methodologies nimble enough to take on a new frontier of irregular and asymmetrical warfare. Each site raises a particular set of concerns that, when taken together, trace the genealogies of performance and war. In her studies of scenarios at an insurgent training camp for US Special Forces in Utah, USA, and mock Afghan villages at CFB Wainright, Canada, and the Stanford Training Area in England, Alvarez raises questions concerning how the affective entrainment of soldiers through large-scale immersive improvisations converges in unsettling ways with histories of performance theory. She examines the instrumental use of empathy in military strategy and queries how the immersion of soldiers in the mise en scène of an Afghan village designed to foster Cultural Intelligence (CQ)—positioned by military strategists as a “force multiplier”—prepares soldiers to engage in an irreconcilable paradox of punitive, yet culturally “sensitive,” militarism.
Professor Alvarez is an associate professor in the Department of Dramatic Arts at the Marilyn I. Walker School of Fine and Performing Arts at Brock University, Ontario, Canada, where she teaches in the Theatre Praxis concentration. She holds a PhD in Theatre Studies from the University of Toronto. In 2010, she received a grant from the Social Sciences and Humanities Research Council of Canada for her current book project on immersive simulations and intercultural performance in military training and dark tourism, which allowed her to conduct field research at military bases and tourist sites in Mexico, the US, Canada, and the UK. Her research on performance and simulation, performance theory, and contemporary experimental performance in the Americas has been published in a variety of periodicals, as well as national and international book collections. She is the editor of the first two collections on Latina/o-Canadian performance, which establish the field of Latina/o performance studies in Canada. She is the recipient of the 2013 Richard Plant Essay Prize and the Robert G. Lawrence emerging scholar prize, both by the Canadian Association of Theatre Research.
The seminar is curated by Cecilie Ullerup Schmidt and Skogen. It is presented in collaboration with Göteborgs Konsthall and Glänta with support from Västra Götalandsregionen and Goethe-Institut Schweden.