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  • The passing of the late Poet, Terrance Cox

    cox1We are very saddened to learn of the passing of our dear colleague and friend, the late poet Terrance Cox. Terrance taught for almost thirty years in Music and Dramatic Arts and helmed the first year course DART 1F93 for many, many years. Though he had not been well for a few years and was no longer teaching for the Department and the University we have always kept a very big place in our hearts for him.

    Our colleague Gyllian Raby remembers that “Terrance was special and his larger than life persona was a gift. I feel a big Terrance shaped hole in the air of St. Catharines.”

    There will be a memorial event at the NAC on Sunday Feb. 8th at 2pm.

    Niagara Artists Centre
    354 St.Paul Street
    St. Catharines, ON L2R 3N2

    Phone: 905 641 0331 | Fax: 905 641 4970 | Email: artists@nac.org

    There is an event page on Facebook for this wake.

    Please see the obituary in the Globe and Mail here.

    We are sharing our memories below. If you have any memories you’d like to contribute, please share with us.


    Pictures:

    Terrance performed on the stage of the then-named Thistle Theatre in Troilus and Cressida in 1975 and Henry IV in 1976, both directed by Professor Emerita Dr. Mary-Jane Miller. He also played the policeman in Peter Feldman’s production of The Good Woman of Setzuan by Brecht and produced in the mid-70s. He played the lawyer in Peter’s production of Blood Relations by Sharon Pollock and he recorded a voice-over for Peter’s production of The Trial adapted from Kafka. Most recently at DART he played Adam in the play Adam and Eve produced in the Studio Theatre and directed by Danielle Wilson.


    from Terrance’s page at Poets.ca:

    “Terrance Cox writes poems and non-fiction in St Catharines, Ontario, where he also teaches at Brock University as a “general practitioner” in the arts and humanities. His teaching career features stints in secondary, college and university classrooms, in Canada and overseas. Among Cox’s research interests are popular music and locality. Published since 1973 as a journalist, he contributes erudite and amusing columns and articles to regional newspapers and magazines, where appears as well his work as an editor.

    Cox has published over 200 poems in Canadian literary journals and anthologies, running the gamut from Antigonish Review to Zygote, stopping en route at most of our lit mags of name and repute. The latest of his published collections is a second “spoken word with music” CD, Simultaneous Translation (2005). It joins in the canon his prize-winning book Radio & Other Miracles (Signature Editions, 2001) and an acclaimed earlier CD, Local Scores (Cyclops Press, 2000). Works-in-progress include the manuscripts West Bank Poems and Civics, Botany & Such.

    He is an experienced reader, performing at many and various art gallery, bookstore, cabaret, café, concert, festival, nightclub, pub, radio, shopping mall, television, theatre, university and winery venues in Calgary, Hamilton, Lethbridge, Medicine Hat, Montreal, Ottawa, Peterborough, Saskatoon, St Catharines/Niagara, Toronto, and Winnipeg, 1978-2005. Through Ontario Arts Council programmes, and independently, he has presented a diverse series of poetry workshops in elementary and secondary schools in St Catharines/Niagara, 1982-2005.

    Cox’s poems express his experiences. They come from his time of work and travel in Africa and the Middle East; from childhood and family’s past; from over the airwaves and out of recorded grooves. They are of the present in their local particulars; they grow in his own backyard. (author photo by Stephen Dominick)

    Awards:
    2002 Niagara Book Prize sponsored by three Niagara daily newspapers & Chapters/Indigo.
    2nd Prize, This Magazine’s “Great Canadian Literary Hunt,” 2000.
    2nd Prize, Canadian Author’s Association (Niagara Branch) Annual Poetry Contest, 2000.
    Co-recipient of Floyd S. Chalmers Creative Award,1982.
    (Others as journalist and as academic)

    Selected Publications:
    Simultaneous Translation (TMC, distributed by Signature Editions, 2005) ISBN: 0-9738216-0-4, CD recording.
    Radio & Other Miracles (Signature Editions, 2001) ISBN: 0-921833-82-2.
    Local Scores (Cyclops Press, 2000) ISBN: 1-89417708-8, CD recording.

    Books in Print:
    Simultaneous Translation Poetry/Spoken Word & Music (TMC, 2005, distributed by Signature Editions) ISBN: 0-9738216-0-4, CD recording, $14.95.
    Radio & Other Miracles Poetry (Signature Editions, 2001) ISBN: 0-921833-82-2, $12.95.
    Local Scores Poetry/Spoken Word & Music (Cyclops Press, 2000) ISBN: 1-89417708-8, CD recording, $16.95.


    Selected Comments From our Community

    name: Gail B
    location: St. Catharines
    when and how did you know Terrance?: Brock literature course
    your comments: I was one of two ‘mature students’ who took Terrance’s Shakespeare course many years ago. He was charismatic, demanding, soinformed. Everything I have ever learned about theatre stagecraft I learned from him, and it has stayed with me all these years. Every time I see a theatre production in Canada, the U.S., the U. K. I remember Terrance and what he taught us about blocking, design, focus. I think of him every time I attend the theatre, which is a lot. What a legacy he has left so many of us, his students.

    name: Peter Smith
    location: TO
    when and how did you know Terrance?: taught me in 1978
    your comments: I spent one glorious year at Brock in 1978. Terry taught a theatre history class back then that was informative, ranging, political, and a lot of fun.
    He smoked Player’s Lights in class – it was allowed – and periodically over the year he switched to a pipe in an attempt to quit smoking. It was ludicrous really but somehow made T Cox sense. He reefed on that pipe with the same intensity he smoked the Players Lights. Over the course of the year Terry and I fell in with one another. Things would start innocently enough at the Mansion and devolve from there. More often than not a bunch of us would wind up at Terry’s pad – an apt. a two minute stagger from the Mansion. We’d listen to Firesign Theatre records, Pete Seeger, Bob Dylan, Neil Young and we’d laugh a lot, tell stories about the experience of being here. Always engaging, filled with spirit and an enormous side of get up and go. The night before the final exam for Terry’s course I was at his place with a small group of others – we carried on – stayed up til dawn – smoking and talking and howling into the light. After bacon and eggs at the Lancer we made our way up the mountain to the Brock gym where the exam was going down. Along with a whole bunch of other students in geology and god knows what we cracked our papers. Terry was one of the watchers that morning. He passed my desk soon after things got started. I looked up and said, I’m not going to write your exam Terry, I’m going to write a play in these three hours. He said after a moments pause – it better be good. It wasn’t. It was terrible – a scrawl of god knows what. I passed the course and hope this note doesn’t get Terry into trouble posthumously or have the credit removed from my transcript. He was a hale fellow well met – a true aim with a good heart. He brought his entire self to this world. I close with a poem Terry wrote late one howling night… Saskatchewan: skunks, poplar trees, and drive in movies, high point of the universe. RIP Terry Cox and thanks for the joy. You were a mould breaker.

    name: Jess Falcioni
    location: Thunder Bay
    when and how did you know Terrance?: Professor of 1F93
    your comments: The DART Department has lost a legend. A man whose lectures will be spoken of forever by his students. Thank you for teaching us about the heart of the play and page to stage. For challenging us to think bigger, while encouraging us. For making us laugh (I’ll never forget the day you jumped on the desk while dramatically reading a monologue, or the day you tripped over the seam in the floor and played it off so well!) And for sharing with us your passion for theatre. You’ve inspired legions of students. Ive kept all the notes from your lectures and use them when I teach workshops. I’ll also never forget your compassion when my Nonno passed away right before exams. You were so kind, caring and understanding. So, thank you. For everything. You are missed.
    RIP TCox.

    name: Matthew Craggs
    location: Welland
    when and how did you know Terrance?: 2002-2003 MUSI1F00
    your comments: I hadn’t listened to much more than the radio by the time I attended Brock and took Music and Pop Culture with Terrance Cox. He opened my eyes to a whole world of music with the kind of passion that… well if you’re reading this page, you know the kind of passion he brought to the class. It’s been over 10 years but I often think back fondly of that experience and how it shaped the way I approach not only music, but all culture.

    name: Hayley Malouin
    location: St. Catharines
    when and how did you know Terrance?: Student at Brock University
    your comments: Still my absolute favourite day of university ever is from first year, when someone asked TCox if he would be coming to the BMT musical. He just smiled and said “I don’t much care for musicals… Anyway.” Ouch! So sassy! What a wonderful, lively and intelligent person.

    name: Nick Carney
    location: Toronto
    when and how did you know Terrance?: DART grad, 2011
    your comments: My deepest condolences go out to his family and friends, and of course including his Brock family. He was for many, a portal into the DART community teaching within our first years – with his unforgettable tone, respected presence, and passion for the arts. He will be missed and never forgotten.
    Terrance Cox, may your spirit soar.

    name: Murray Kropf
    location: Brock University
    when and how did you know Terrance?: Niagara Artists Company and Brock University
    your comments: Terrence was one of the first people I met upon moving to St Catharines. He was the President of NAC and I a board member and later VP. Working closely with him I was impressed with his ability to cut through obstructions to deal with issues in a polite yet forceful way. He was a mentor in his ability to deal with serious concerns and have a heartfelt belly laugh in the next moment. A wonderful poet, performer .. and of course that voice!

    A truly good man! I’ll miss him.

    mk

    name: Gregory Armacinski
    location: Brock University (Concurrent Education- Biology/Math) int/senior
    when and how did you know Terrance?: 2011 Fall-Winter Drama (first year)
    your comments: Professor Cox will always be remembered for his vibrant lectures….his lectures demonstrated a true passion for what he felt/believed in. He was one of the most knowledgeable Professors, and his knowledge of every subject was truly shown when he lectured! Thank you for inspiring us all with your knowledge, passion and spirt Professor Cox. Rest in Peace

    name: Matthew Royal
    location: St Catharines
    when and how did you know Terrance?: He was a colleague in the music dept
    your comments: I miss Terrance’s sense of humour (sometimes somewhat gruff) and his eloquent, precise and concise use of the English language. The following quotation from the “Assessment of Grade” section of his notes for MUSI 1F00 illustrates these traits:
    “An “F” paper wastes the opportunity presented by the task; through lack of effort, understanding of basic principles and/or skills in their application; it wastes the time of writer, reader and the life of trees felled for it.”

    Of course, these same notes, all 217 pages of them, also exemplify something else about Terrance: the work he put in to provide his students with the best possible materials for success; in short, they show how much he cared.

    name: Michael Onley
    location: Canada
    when and how did you know Terrance?: First Year Drama
    your comments: I’ll never forget in my first year, first term – I had Professor Cox. He had an incredible ability to captivate the audience by always beginning with his classic one liner, “I’ve got a notion…” It was that one line that would “set the stage” so to speak, toward his reciting and explanations of dramatic theory. I’m thankful for his teaching(s) but more importantly his passion and attitude for life – He will be missed.

    name: Kimberley Reich
    location: Burlington Ontario
    when and how did you know Terrance?: 2004 student of music and pop culture
    your comments: Professor Cox was by far the most passionate teacher I’ve ever had. As a huge music lover, I was so excited to see such a class (music and popular culture) was an option. His lectures were a performance every time. The way in which he would stomp across the stage, wave hours arms, drum his fingers, stomp his feet or close his eyes telling us to do the same to truly get lost in a song was impactful. He opened my mind and soul to different genres of music and culture. I never missed a class! I’ve gone on to speak of him since and the impact that he truly had on me and my love for music. He will be remembered fondly, and when I hear certain songs (especially Muddy Waters Mannish Boy-one lecture I will never forget) I will always think of him.

    name: Collin Glavac
    location: St. Catharines
    when and how did you know Terrance?: First Year University, Professor
    your comments: Professor Terrance Cox fulfilled that image I always had of big university lectures taught by wise sage-like professors. He taught dramatic arts fundamentals to myself and many of my colleagues, initiating our foundations of the subject in first-year. Because of this, his teachings help form the building blocks for our work in the field today. He will be sorely missed.

    name: Jonathan van Ekelenburg
    location: St. Catharines
    when and how did you know Terrance?: First Year DART Class, 2003
    your comments: Terrance’s first-year class still holds a dear spot in my memories.

    Terrance’s bombast and charisma made me excited to attend his class every week, and I learned so much about understanding the workings of a play that still are with me, 12 years later. I remember once he built a small fort out of chairs at the front of the lecture hall… can’t for the life of me remember what the POINT was, but I certainly paid attention. Terrance helped forge the way that I thought about drama, and I will forever be indebted to his memory. Thank you, Terrance. You’ll be missed.

    name: Lauren Kennedy
    location: Toronto
    when and how did you know Terrance?: 2002
    your comments: I was a TA for his DART1F93 class. He empowered me. He took the ego out of academia. He taught students how to appreciate plays, words, and ideas. He was soft as mouse and resonated like a lion. I am grateful to have learned from him and his lessons.

    name: Nerese Richter
    location: Toronto
    when and how did you know Terrance?: 2004-2007, Professor
    your comments: I’m deeply saddened to hear of this loss. I remember sitting in my first music course with Prof Cox and thinking “wow, now THAT’S passion.” Every week, I would wait anxiously until I could go to his class again to hear original recordings, learn about music history, and stare in awe at his incredible presentation techniques. He was so engaging, so inspiring that he truly motivated me to pursue music journalism as a career. Thank you, Prof Cox, for being that teacher that all students desire but so few have the honor of encountering. Thank you for your passion.

    name: Duncan Hopkins
    location: Mons, Belgium
    when and how did you know Terrance?: Brock, circa 1987 – B.B.E. 1989
    your comments: I had the privilege of being in Terry’s music appreciation class c. 1987. We continued our meetings on a regular basis as he would continually come out to hear my progress as a musician. He then interviewed me for a book about Kenny Wheeler to which he was contributing. We went to a pub in Toronto and had a drink or two and enjoyed our time very much. I was surprised to read his essay later as it included a paragraph about me. He was always very supportive.
    Terrance also wrote lyrics to some music I wrote in honour of our mutual friend Terry O’Reilly. I still have his angry and yet poignant words to my otherwise sad song. I have never recorded the two together but in my mind, they go hand in hand.
    So sorry to hear of his passing. My deepest sympathy to his family and all those who mourn him.
    ‘dh

    name: Vicki
    location: Toronto
    when and how did you know Terrance?: Professor & Seminar lead.
    your comments: When I attended Brock University, I was lucky enough to have TCox as my TA/seminar lead, as well as my professor. He gave me a learning experience I will never forget. I still remember how intimidated I was to see my professor at my first seminar, I was basically shaking in my seat. Yet somehow by the end of that first seminar, I saw him as a completely different character. TCox had become a person I was excited to see every week from that day on. He was one of the most memorable professors I’ve ever had, and I’m sure I’m not the only one who thinks so.

    name: Mallory Muehmer
    location: St. Catharines
    when and how did you know Terrance?: Professor
    your comments: I had the absolute honour of being taught by the memorable, Terrance Cox.
    I truly believe that it is one thing to teach, but it is entirely different to engage and inspire students. Terrance, thank you for showing us what it means to dedicate your life to making your community a happier and brighter place. Your motivation, engagement and larger than life stories will be a pillar in the Dramatic Arts department at Brock forever.
    My condolences to your loved ones.
    Thank you for all of your life lessons, both in and outside of the classroom.

    name: Danielle Wilson
    location: St. Catharines
    when and how did you know Terrance?: We both taught in the Dramatic Arts Department at Brock. 2006 to present.
    your comments: I first met Terrance when I moved to St. Catharines to teach in the Dramatic Arts Department in 2006. I would see him in the hallway when we were on our way to or from teaching a class and he would always take a few moments to ask me how I was doing. I didn’t know him very well, but in 2009, some of his former students and I decided to stage The Diaries of Adam and Eve by Mark Twain and we asked Terrance if he would play the older version of Adam, with Virginia Reh as Eve. We figured he would probably say no, but to our delight, he accepted and seemed quite excited to get up on the boards. We were a little intimidated at first to give him any acting notes, but it soon became apparent that our fears were unwarranted as he took every note with great care, grace and humility. After the show had finished, we had our cast party around a fire in the back yard and we were discussing the show and acting in general. At one point he said, in his deep, booming voice, something like, “I didn’t do this show because I think I’m any good, or that I should be held up as any sort of example of how to act, I simply did it to challenge myself and put my money where my mouth is.” He had this larger than life presence and energy, and his humility always caught me off guard.

    name: Kristopher Kitson
    location: Hamilton, Ontario
    when and how did you know Terrance?: He was my First year literature Professor.
    your comments: I’m at a loss for words to hear of the passing of a great Professor at Brock university, and part of the DART family. Terrance Cox was an amazing Professor, lecturer and person. His passion for theatre, the arts and his students as a whole inspired and will continue to inspire feature drama students of Brock University. My heart goes out to his loved ones! May he rest in peace.

    name: Anna MacAlpine
    location: Calgary, Alberta
    when and how did you know Terrance?: DART/MUSI graduate, class of 2012
    your comments: Very saddened to hear of the loss of Terrance Cox. He gave so much to the Brock community and will be greatly missed. I will always remember my first term at Brock, where in the midst of a lecture on medieval theatre, Professor Cox said: “I love speaking Chaucer. It’s like Scottish with a few beers.”

    name: Will Webster
    location: Victoria BC
    when and how did you know Terrance?: Mid 90s, The Club, St. Catharines Ontario
    your comments: Terrance was instrumental in helping many young writers in the Niagara Region find their voice. Back in the mid 90s he a major force in helping us blend live poetry with the burgeoning live music scene in the Niagara Region.
    I still remember his rumble, his precise love of words, and his nonchalant delivery.
    He would just sit there in front of the room and without speaking a word command the respect of everyone listening. We were always happy when his large frame filled the entry way. It meant we were going to have an exceptional night.
    Thanks for sharing Terrance.

    name: Ashley Giorno
    location: Brampton
    when and how did you know Terrance?: first year music professor 2009-2010
    your comments: I had the honour of having this gentleman as my professor for music back in my first year of university at Brock and he made me look at music in a totally different way than I already did and for that I am grateful. I may not have known him personally but he was very good at what he did and very passionate about what he taught to the next generations. One thing I’ll never forget was him explaining the song “Every Breath You Take” by The Police/Sting was actually a stalker song and how much he cringed every time he would go to weddings and hear it being played. His dance moves are another thing I’ll never forget. Cheers Professor Cox and thank you.

    name: Salena
    location: St. Catharines
    when and how did you know Terrance?: Brock University, 2003-2007/and he lived on my street
    your comments: I can remember in my first year theatre course being so blown away by his passion for teaching. His intensity was unmatched! I can remember one time, to make a dramatic point, he leapt from the floor up onto a chair very suddenly with total confidence he’d land it! He inspired everyone with his tenacity!

    name: Brandon Cox
    location: Toronto
    when and how did you know Terrance?: 2005-06
    your comments: Terrance Cox remains one of my most favourite teachers of my life so far. His kindness, intelligence, and passion for his work was infectious and full of an honest energy that is rarely found in todays modern classrooms. I often found myself caring less about what mark I would receive on a paper, and more about whether or not Terrance would be happy with my work, or if my work would hold any meaning to him. His opinion mattered to me, which often happens when you truly respect the intelligence and opinions of anyone in your life. Above all, Terrance had an amazing sense of humour, and was a rare fireball of energy and emotion that one can only be pleased they were lucky enough to be around at the time.

    I will truly miss you Mr. Terrance Cox.

    name: Richard Varty
    location: Barrie
    when and how did you know Terrance?: He was my professor in first year (1F93).
    your comments: I found myself writing less and less in my notebook about plot points and history but more of his personal views. His passion for the written word and the power it held was and remains to be an inspiration. One of the quotes that keeps coming back into my life from his class: “Comic thought is radical thought, laughter is infectious, we eventually become subversives and have the power to bring down society.”

    name: Karen Elizabeth McMichael
    location: Toronto, Ontario
    when and how did you know Terrance?: First year dramatic literature
    your comments: I still have the first essay I ever wrote for Terrence’s class: a defense of the argument that Hamlet was not, in fact, a tragedy, as it is traditionally taught (and as he was teaching it). It was one of the only times in my academic career that directly disagreeing with the instructor was treated as serious academic discourse rather than petulant contrariness (which I am, admittedly, prone to; I do love playing devil’s advocate). I kept the final copy of that essay because Terrence had written his commentary across every page, and the backs of most of the pages — it must have taken him hours to grade that single paper. What impressed me most was that even though he disagreed with me, he took my writing seriously, and spoke as though I was a peer, not just a somewhat pretentious first year student with delusions of academic grandeur. Over the years since, I have found out just how rare that ability — to teach without preaching or condescension — is, and Terrence Cox was the master of it. His big heart was capable of forging a connection with every one of the hundreds of students who passed through his classes every year, and I know that even people who didn’t stay with the dramatic arts program held on to and told their “Terrence Cox stories” for years afterwards.

    name: JF Amprimoz
    location: St Catharines
    when and how did you know Terrance?: My seminar lead for ENGL 1F00
    your comments: I unfortunately only had one course where I interacted with Terry, when he ran my seminar for a Great Books course required by the accounting department, I’d presume for weeding purposes. Through his kind and brilliantly insightful discussion and comments, I learned much of the language analysis and use skills I apply today.

    name: Stephanie Jones
    location: Niagara/New York
    when and how did you know Terrance?: Brock/early 90’s to present
    your comments: While studying at Brock in the early 90’s the perfromance theatre students mouted a production of Peer Gynt. As it was directed by Glenys, and her wonderful imagination, I played helf of the Troll Queen (The Queen had two heads), Terrance played the voice of the Great Boyg (the shapeless, unconquerable troll, representing the riddle of existence). He was the Boyg, and showed us all how to command a role with simplicity and truth. For
    Terrance had a mellifuous voice, a generous spirit, a commanding presence, a sharp mind and he was, really, a over-all great man. I will miss him, the artistic community will miss him.

    name: Caitlin Popek
    location: Hamilton
    when and how did you know Terrance?: 2006-2011
    your comments: Terrance not only helped me dig into scripts and really discover them, he helped me teach others to do so too. He truly wanted his students to succeed and he was so much fun to listen to in lectures, he brought the plays to life! I had a wonderful time learning from him as a student and a TA. He will be missed!

    name: Christine Dief
    location: Niagara
    when and how did you know Terrance?: 2002-2006, 2009-2010
    your comments: Like many, I’ve also had the pleasure to be taught by this wonderful man. He was so passionate in his lectures and his love for literature was contagious.

    I have also had the pleasure to work along side him in a Teaching Assistant role, and I am truly grateful for such a wonderful experience. His brilliance and his passion will truly be missed.

    RIP Terrance Cox, and my condolences to your loved ones. Thank you for all you have done.

    name: Amanda McDonnell
    location: St. Catharines
    when and how did you know Terrance?: Professor DART 1F93
    your comments: T.Cox was one of the coolest Profs in DART. He can in that lecture/seminar and would always have great stories and incites about the plays we studied.
    He helped me, and probably many more DART students, make that transition from a high schooler to a University Student a smooth and exciting one. I will always think of him fondly. My thoughts and prayers are with him and his family.

    name: Jordan Pereira
    location: st. catharines
    when and how did you know Terrance?: First Year professor
    your comments: He set the stage for Drama and poetic articulation. I had been meaning to visit him at some point, I guess now I’ll never get the chance. What an impact he has had. May he rest in peace, discussing verbosities with Aristophanes and the like. Condolences and warm sentiments to his family and close friends.

    name: Michelle
    location: Fergus, Ontario
    when and how did you know Terrance?: Professor at Brock
    your comments: TCox, as he was fondly called by many, was one of my first professors at Brock University. It was in his class that I met my first “uni friend”! We remain friends to this day after spending a legendary semester in Professor Cox’s first-year drama course. After this, I also took his music and popular culture course, which led me to have a much deeper appreciation for early jazz and Elvis music in particular. My fondest memory of TCox was knowing that he cared about his students; he remembered my name in a lecture hall of hundreds and always took time to say hello and ask me how I was doing.
    Terrence went the extra mile for his students and was influential in the lives of so many. He will be greatly missed.

    name: Marcel Stewart, class of 2007
    location: Toronto
    when and how did you know Terrance?: Brock University – 2003-2007
    your comments: The first time I met Terrence I was wearing a Liverpool soccer jersey.
    Unbeknownst to me, Terrence was a huge Manchester United fan. When he saw me, he stopped what he was doing and said, “Is that a fashion statement or do you actually support them?” To which I responded, “Oh, I am a big L’Pool fan” and he followed up with, “I’m truly sorry for you…”
    I’ll never forget that.


    If you have memories you would like to share about Terrance, please get in touch with us.

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    Categories: Alumni, Announcements, Current Students, Faculty & Instructors, News

  • Join us for the special two-day colloquium ‘The Changing Face of Theatre Criticism in the Digital Age,’ beginning February 21, 2014.

    Jill Dolan

    In photo: Jill Dolan

    Listening to theatre companies, they’ve never needed theatre critics more. Listening to them after a bad review, they’ve also never resented them more. This strange dance of mutual need has been going on since the first time someone recited dialogue on stage, and someone in the next day’s paper wrote “it doth sucked, verily.” But what of that relationship today? Do critics matter? Can anyone with a blog call themselves a theatre critic? Are critics there to serve theatre companies or readers? (John Law)

    See the complete article by John Law in the Niagara Falls Review about his upcoming participation in the two-day colloquium ‘The Changing Face of Theatre Criticism in the Digital Age‘ organized by Professor Karen Fricker of the Department of Dramatic Arts on the occasion of the special visit by Jill Dolan, Annan Professor in English, Professor of Theater in the Lewis Center for the Arts, Director, Program in Gender and Sexuality Studies, at Princeton University, noted theatre blogger (thefeministspectator.com) and a Walker Cultural Leader for 2013-14.  Special guests J. Kelly Nestruck of The Globe and Mail and Richard Ouzounian of the Toronto Star will join local guests and luminaries including cultural leaders like Jackie Maxwell, artistic director of the Shaw Festival, and Steve Solski, director of the St. Catharines Centre for the Performing Arts.

    The two day program begins this Friday morning with the public lecture, “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings” by Professor Jill Dolan.  The lecture is presented in association with the Department of Dramatic Arts and the Centre for Women’s and Gender Studies.

    For a complete list of participants and more information please see the Brock News Article, the Department of Dramatic Arts and the Marilyn I. Walker School of Fine and Performing Arts web pages.

    Come join us! There is no charge to attend and engage in what will surely be a remarkable exchange of ideas and opinions in this “blossoming” cultural scene of Niagara (Professor Karen Fricker).

    All events will be live-streamed at BrockVideoCentre’s DART channel  [Click on the “live video” button on that page.]

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    Categories: Announcements, Events, News

  • Brock community event looks at theatre criticism in the digital age

    (Source: The Brock News, Monday, February 10, 2014)

    An upcoming series of community discussions at Brock University later this month will debate the question: is everyone a critic?

    Media professionals, theatre experts, scholars and students will assemble in Sankey Chamber at Brock Feb. 21 and Feb. 22 to take part in the colloquium, The Changing Face of Theatre Criticism in the Digital Age, hosted by the Marilyn I. Walker School of Fine and Performing Arts.

    “The rise of blogging and Twitter, combined with the decline of print journalism, is raising important questions about what counts as legitimate, professional criticism,” says Karen Fricker, event co-ordinator and a professor of dramatic arts. “Our discussions will focus on the current critical scene in Niagara, as well as imagining possible futures for the arts in our community.”

    Panel members include two of Toronto’s most influential theatre critics: J. Kelly Nestruck of The Globe and Mail and Richard Ouzounian of the Toronto Star. Others include local figures like Jackie Maxwell, artistic director of the Shaw Festival, and Steve Solski, director of the St. Catharines Centre for the Performing Arts.

    The colloquium will also feature international critics: Jill Dolan, Princeton University professor and noted theatre blogger (thefeministspectator.com); Maddy Costa, a London, England blogger and journalist; and Andy Horwitz, founder of New York arts blog culturebot.net

    Dolan is visiting Brock as part of the Walker Cultural Leaders series. While here, she will deliver a public lecture, “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings.” Her lecture, co-sponsored by the Department of Dramatic Arts and Centre for Women’s and Gender Studies at Brock, takes place Friday, Feb. 21, from 10 a.m. to 12 noon, also in Sankey Chamber.

    All of these events are free and open to the public.

    Funding for these events is provided by the Walker Cultural Leaders Series, the Brock Humanities Research Institute and the SSHRC Institutional Grant scheme, and the St. Catharines Performing Arts Centre.

    All events will be live-streamed.  [Click on “live video”]

    SCHEDULE: The Changing Face of Theatre Criticism in the Digital Age

    All events take place in Sankey Chamber at Brock University

    FRIDAY, FEB. 21:

    * 2 – 2:30 p.m.: Welcome
    Presentation by Brock dramatic arts students from the third-year class, Studies in Praxis – Theatre Criticism

    * 2:30 – 4 p.m.: Panel discussion “Critics and the arts in Niagara”

    • Jill Dolan (respondent)
    • Monica Dufault, artistic director, Essential Collective Theatre
    • David Fancy, associate professor of Dramatic Arts, Brock University, co-artistic director, neXt Company Theatre (chair)
    • John Law, arts and entertainment writer, Sun Media
    • Sara Palmieri, co-founder, In the Soil Festival
    • Stephen Remus, minister of energy, minds, and resources, Niagara Arts Centre
    • Steve Solski, director, St. Catharines Centre for the Performing Arts
    • Candice Turner-Smith, managing director, Niagara Symphony Orchestra

    * 4:15 – 5:45 p.m.: Panel discussion “Embedded criticism: a new way forward, or criticism-as-PR?”

    • Maddy Costa, critic and blogger
    • Karen Fricker
    • Andy Horwitz, founder, culturebot.org
    • Jackie Maxwell, artistic director, Shaw Festival
    • Jacob Gallagher-Ross, assistant professor of theatre, University of Buffalo (respondent)
    • Lawrence Switzky, assistant professor of Drama, University of Toronto at Mississauga (chair)

    SATURDAY, FEB. 22:

    * 10 – 10:30 a.m.: Welcome
    Presentation by Brock dramatic arts students from the third-year class, Studies in Praxis – Theatre Criticism

    * 10:30 a.m. – 12 noon: Panel discussion “Bloggers, critics, and cultural legitimation”

    • Jill Dolan
    • Karen Fricker (chair)
    • Andy Horwitz (respondent)
    • J. Kelly Nestruck, lead theatre critic, The Globe and Mail
    • Richard Ouzounian, lead theatre critic, Toronto Star
    • Holger Syme, chair, Department of English and Drama, University of Toronto at Mississauga, and blogger (disposito.net)
    • Odette Yazbeck, director of public relations, Shaw Festival

    * 12:15 – 1 p.m.: Colloquium wrap-up

    • Maddy Costa; Jill Dolan; Karen Fricker (chair); Rosemary Drage Hale, director of the Centre for Medieval and Renaissance Studies, Brock University; and Andy Horwitz

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  • Teaching Opportunity: Assistant Professor – Drama in Education/Applied Theatre & Performance

    miwsfpa-icon-220Full-time Teaching Opportunity in the Department of Dramatic Arts:
    Assistant Professor – Drama in Education/Applied Theatre and Performance

    The Department of Dramatic Arts in the Marilyn I. Walker School of Fine and Performing Arts at Brock University invites applications for a tenure-track appointment in Drama in Education/Applied Theatre and Performance at the rank of Assistant Professor starting July 1st, 2014. The position is subject to final budgetary approval.

    Qualifications

    The successful candidate must hold a PhD with an emphasis on process drama/participatory theatre and exhibit exemplary practice in the profession. Teaching experience in elementary/secondary schools is an asset. Applicants should be able to teach courses with mixed studio/lecture components as well as larger-scale survey courses and studio performance intensives.

    The successful candidate will teach a range of courses in drama in education, applied theatre, performance, movement, and praxis. The preferred individual will bring knowledge of a spectrum of teaching methodologies in diverse pedagogical situations and critical performance theory, as well as expertise in synthesizing these modes of knowledge. The individual will engage energetically with departmental production activity, specifically the conceptualization and realization of departmental main-stage events and/or outreach educational outcomes. Skills in a secondary area featuring interdisciplinary research and practice may also be of value. Administrative skills are a definite asset.

    The salary is competitive and commensurate with qualifications.

    Notes

    The Department of Dramatic Arts offers a BA Honours in Dramatic Arts. For Honours students, Concentrations are available in Drama in Education/Applied Theatre, Performance, Production and Design, and Theatre Praxis. The Department also offers a four-year (20 credit) BA with Major Dramatic Arts degree and a three-year BA Pass degree, as well as two concurrent BA (Honours)/BEd programs over five years. For more information, see  www.brocku.ca/dramatic_arts/

    Located at the center of Canada’s beautiful Niagara peninsula in St. Catharines, Ontario, we are a community of learners and researchers with a strong and expanding regional base, with excellent resources in cultural, social, and athletic enrichment. Canadian and American metropolitan centres are within easy distance.

    In the summer of 2015 the Marilyn I. Walker School of Fine and Performing Arts, including the Department of Dramatic Arts, will move to its new comprehensive facility in downtown St. Catharines, adjacent to a new regional performing arts centre built by the City of St. Catharines.

    Applications will include a brief covering letter, a letter of intent (1200 words max.) and a current curriculum vitae including a teaching dossier and/or artistic/academic portfolio in a theatrical field (mask, movement, directing, publications etc.). A five-year research plan should indicate directions for the future. In addition, candidates will provide the names of three referees who will be contacted in the event of a short listing. Please address applications to:

    Professor David Vivian
    Chair, Department of Dramatic Arts
    Brock University
    St. Catharines ON L2S 3A1
    dvivian@brocku.ca

    The application deadline is December 10th, 2013. This position is subject to budgetary approval. More information on Brock University may be found on the University’s website: brocku.ca. Brock University is actively committed to diversity and the principles of Employment Equity and invites applications from all qualified candidates. Women, Aboriginal peoples, members of visible minorities, and people with disabilities are especially encouraged to apply and to voluntarily self identify as a member of a designated group as part of their application. Candidates who wish to have their application considered as a member of one or more designated groups should fill out the Self-Identification Form available at https://brocku.ca/hr-ehs/career-opportunities-2 and include the completed form with their application. All qualified candidates are encouraged to apply; however, Canadians and permanent residents will be given priority.

    This posting can be found at
    www.brocku.ca/hr/careers/position_detail.php?id=1370

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  • Fabric sale to benefit scholarship fund, Aug. 23 and 24

    The Department of Dramatic Arts will be hosting a Fabic Sale. The fabrics are priced to sell. A grocery store bag full of smaller pieces – good for quilting – will go for $20. Bolt prices will run $2 to $10 a metre. The fabric sale happens Aug. 23 and 24 from 10 a.m. to 3 p.m. each day in Thistle 141.

    Sewers and crafters with their own stockpiles of materials are also welcome to offer up their wares for sale. Tables at the fabric sale can be rented for $30, with rental proceeds also going to the scholarship fund.

    Proceeds from the sale will go to the Marlene Moser Memorial Scholarship Fund, named for the former Dramatic Arts chair, who died of breast cancer in 2010.  The fund provides financial help to drama students.

    For more information or to inquire about renting a table, email Roberta at rdoylend@brocku.ca.

    See the story in the Brock News

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  • Technical Theatre Job Opportunity in the Department of Dramatic Arts

    miwsfpa-icon-220IATSE 01/2013 Theatre Technical Production Assistant, Department of Dramatic Arts (DART), Faculty of Humanities 

    (closes Friday, July 19, 2013)

    Reporting to the Production Manager and/or Technical Director, the Theatre Technical Production Assistant is responsible for providing the technical elements for departmental production and teaching, supporting teaching of technical production by instruction or lab demonstration, supervising and maintaining DART spaces, technical inventory and equipment, and coordinating and supervising students and hired technicians.

    for more information and to apply please please see this page for the posting

    download the posting in a PDF file

    Inquiries about the job opportunity may be sent to the Production Manager, Brian Cumberland bcumberland@brocku.ca

    Inquiries about the Department and its programs may be sent to the Chair, Professor David Vivian dvivian@brocku.ca

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  • The Art of the Clown Doctor at the Department of Dramatic Arts: Register today!

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    Dr. Bernie Warren

    There’s a great new course taught by a world specialist in Clown Doctoring, Dr. Bernie Warren, being offered by the Department of Dramatic Arts in Spring 2013.

    Current students in Dramatic Arts, New students with some relevant experience and specialists in the field (who are not students registered at Brock) are invited to apply!

    DART 3V91: The Art of the Clown Doctor
    D27: 2013/05/08 to 2013/05/14 MTWRF 900 -1600 TH 141 (running May 08-10 and 12-14, 6 days only)

    This course is a unique opportunity to learn about the practice of clown-doctoring in lifespan maintenance and therapeutic environments. Involving lectures, lab, and running 7 hours per day, this course will be of particular interest to students interested in Drama in Education and Applied Theatre.

    Dr Bernie Warren of the University of Windsor will be returning from his travels abroad to lead this very special opportunity for students and professionals in the field. See the article in the Brock News about Dr. Warren and the profession of Clown Doctoring. Did you see the banner picture on the homepage of University website brocku.ca? this is a big deal. Don’t miss out!

    The course is open to DART (single or combined) and DART (Honours)/BEd (Intermediate/Senior) majors AND OTHERS with permission of the Department. The only prerequisite is DART 1F95 or permission of the Department.

    for more information contact dramatic.arts@brocku.ca
    and see the story: “Clown doctor in the house this summer at Brock” in the Brock News.

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  • Dramatic Arts sponsors the Arts in Education Award for 2013

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    The Department of Dramatic Arts is pleased to sponsor the Arts in Education Award for 2013. Nominate a deserving artist now!

    The St. Catharines Arts Awards recognize and celebrate excellence in all areas of artistic creation. The Arts Awards seek to increase the visibility of St. Catharines’ artists and cultural industries, honour cultural leaders and their achievements, and cultivate financial and volunteer support for the arts sector. Each award winner will be presented with a civic certificate of appreciation and a cash prize of $300.

    Nominations are now being accepted!

    Six Arts Awards categories are open for nominations this year. Nominations can be submitted using the forms below.

    Nomination Deadline April 15, 2013 at 4:30 p.m.

    The recipients of the City of St. Catharines Arts Awards will be announced on Saturday June 8, 2013 at the St. Catharines Museum and Welland Canals Centre. All nominees will be provided with advance tickets to the event.

    Save the Date! Tickets for the Arts Awards are $10 and will go on sale in March.

    Connect with St. Catharines Cultural Services on Facebook

    Looking for inspiration? View a list of past winners

    Arts in Education Award

    The Arts in Education Award celebrates an individual, collective or organization that has demonstrated an outstanding commitment to engaging St. Catharines residents through arts education activities.

    View the Arts in Education Award Nomination Form

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  • Brock Musical Theatre presents the Broadway Hit Spring Awakening

    Brock Musical Theatre, the company that brought you GLEE CLUB and RENT! Is returning again this year with Broadway’s hit SPRING AWAKENING; by  Duncan Sheik and Steven Sater, winner of 8 Tony Awards including Best Musical. This rock musical explores the lives of adolescent students living in 19th century Germany as they journey through the confusing and frustrating world of teenager self-discovery.

    The show opens at the Seneca Queen Theatre in Niagara Falls on Thursday, March 21st at 7:30pm and runs until Saturday, March 23rd. Tickets are $15.00 in advance as well as at the door. Tickets may be purchased through the Centre for the Arts at Brock University in person during business hours, or on the website, or over the phone, call 905-688-5550 x3257 or toll-free 1-866-617-3257.

    FREE transportation has been arranged from Brock to the Seneca Queen Theatre as well as from the Theatre to St. Catharines (downtown), Brock University and the Thorold route.

    More information about show times and the company is available here.

    Brock Musical Theatre is a student run organization devoted to creating quality musical theatre for the Brock and St. Catharines/Niagara communities. Brock Musical Theatre is a ratified club under the Brock University Student’s Union. It is not affiliated with the Brock University Department of Dramatic Arts or with any University department, staff or faculty member.

    Brock Musical Theatre was created in 2005 to provide all Brock University students with the opportunity to participate in quality musical theatre. Today, the company is open to all Brock students no matter their major field of study. Brock Musical Theatre has become a showcase for the wide range of talents that the entire Brock University community possess in the musical field. Students from the Department of Dramatic Arts have developed new learning opportunities and honed their craft by participating in this club.  Brock Musical Theatre is devoted to a healthy, respectful and positive learning environment where students can learn and achieve hands on experience in all aspects of a musical theatre production.

    SHOW DATES & TIMES

    THURSDAY March 21st – 7:30pm
    FRIDAY March 22nd  – 7:30pm
    SATURDAY March 23rd 1:00pm & 7:30pm

    THEATRE
    Seneca Queen Theatre
    4624 Queen Street, Niagara Falls  L2R 2L7

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  • Spring Course opportunity in Dance Education

    Looking for a unique course opportunity this Spring?

    Register for PEKN 2P06, running April 30th to June 1st , Tuesdays and Thursdays from 10:00 to 13:30.  Registration opens for non-PEKN majors after April 5th.

    PEKN 2P06
    Dance Education
    Introduction to dance as an art form through making, performing and appreciating dance. Emphasis on the creative process, dance skills and vocabulary through exploration of dance concepts and observational skills.
    Lectures, lab, 3 hours per week.
    Restriction: open to BPhEd, BPhEd (Honours)/BEd (Intermediate/Senior), BPhEd (Honours)/BEd (Junior/Intermediate) until date specified in Registration guide. After that date available to BKin and BSc (Kin) majors until date specified in Registration guide. Students must have a minimum of 4.0 overall credits.
    Prerequisite(s): PEKN 1P90 and 1P93 or permission of the instructor.
    Note: students will be expected to pay the cost of a ticket to a dance performance on campus. Modes of instruction/evaluation will normally include vigorous physical activity.

    The foundation of this course is Laban’s Movement Principles coupled with Valerie Preston-Dunlop.  There will not be a critique based on a live performance in the spring session.  To view videos from past sessions of the course please go to the IRC and review the collection on reserve under PEKN 2P06.

    For more information contact Janet Westbury at jwestbury@brocku.ca

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