This Friday, January 24, at 7:30 pm the Marilyn I. Walker School of Fine and Performing Arts and the FirstOntario Performing Arts will be co-presenting the final performance of the massive musical initiative by Ensemble Made In Canada: The Mosaïque Project.
The project is a suite of new compositions by 14 Canadian composers, inspired by each province, territory, and the Indigenous regions of Canada. The thrilling new works from composers including Ana Sokolović, Sarah Slean, Kevin Lau, Samy Moussa, Julie Doiron, Barbara Croall, David Braid, encompass a wide variety of musical genres – from classical, jazz, singer-songwriter, electronic, and First Nations traditions – making up a richly inspiring whole to represent the beauty and diversity of Canada.
Travelling to almost every corner of the country – from Iqaluit, Nunavut to British Columbia’s Sunshine Coast to Pouch Cove, Newfoundland, and beyond, Ensemble Made In Canada has chosen St. Catharines as the final performance of the two-year long tour, featuring a live-streamed concert and album launch in Partridge Hall.
The evening promises an extraordinary cinematic concert experience featuring multiple screens providing close-ups of the musicians and their instruments, footage from the tour across the country, as well as newly-created images inspired by the music.
Friday’s performance will also be the first ENCORE! Professional Concert of the decade for the 250 students enrolled in MUSI 1F10 Introduction to Classical Music, a Humanities context elective course offered by the Department of Music.
Many of the students attending Friday’s concert have traveled from international destinations to pursue their university studies in Canada. Ensemble Made in Canada’s performance will be an introduction to the piano quartet as a genre and an opportunity to discover a wide variety of musical styles from geographically and culturally diverse regions of the country.
This course is offered as part of the Walker School’s commitment to exposing Brock students to a broad range of cultural experiences, and nurturing future audiences for the performing arts.
Ensemble Made In Canada (EMIC) is rapidly gaining recognition as Canada’s premier piano quartet. Awarded the 2006 CBC Galaxie Stars Award from the Banff Centre for the Arts, EMIC was featured in 2008 Chatelaine Magazine’s 80th anniversary issue as “Women to Watch” and called “an ensemble that is leading the next generation of classical musicians.” The members of the group: Angela Park (piano), Elissa Lee (violin), Sharon Wei (viola) and Rachel Mercer (cello) have been forging outstanding individual careers and bring together a wealth of experience having already appeared at prestigious festivals such as Marlboro, Ravinia, Orford, Verbier, Prussia Cove, Pablo Casals and Evian. EMIC has been Ensemble-in-Residence at Western University since 2014.
The concert will be live-streamed on Ensemble Made In Canada’s website as well as via the streaming service Stingray, reaching millions across Canada and 156 countries around the globe. The same day features the release of the Mosaïque Project album, which will be available on CD, download and streaming channels.
Maestro Johannes Debus will be hosting a pre-show chat with composers Kevin Lau, Sarah Slean, David Braid and Richard Mascall at 6:45pm
To purchase tickets visit the FirstOntario Performing Arts Centre website.
widespread perception of a school-to-prison pipeline for young African American men. It’s the story of a black teacher’s struggle to protect her son, Omari, after he assaults his high school teacher for aggressively singling him out to answer why a book character behaved like an “animal” and murdered a woman.
against him. The title refers to the widespread perception of a school-to-prison pipeline for young African-American men.
Horacio Fernández first wrote Fotografía Pública (MNCARS, 1999), the first landmark book to position the scholarship of books and magazines as a topic of critical importance to the photographic medium, “book about books” has become a genre of publishing unto itself. Each year, the PhotoBook Awards jury sees at least one well-researched, richly illustrated publication that presents some new facet of photobibliophilia—often using the filter of a particular region or city or even a particular thematic niche. This year, however, the jury noted a rise in the number of books about books that exceeded expectation in terms of design, like Printed Photography in Venezuela; or ventured into new territory, telling the story of a single notable magazine, like Camera Austria International: Laboratory for Photography and Theory. Each of these volumes, in its own way, adds additional detail and texture to the evolving connoisseurship and scholarship dedicated to the photobook.” (from