Articles by author: Brock University

  • Award-winning pianist returns to Brock for Walker Cultural Leaders Series

    Award-winning Canadian concert pianist David Jalbert will give a recital Friday, Nov. 16 as part of the Marilyn I. Walker School of Fine and Performing Arts’ 2018 performance season.


    (From The Brock News, Wednesday Nov. 7, 2018 | By: Sarah Moore)

    Renowned Canadian concert pianist David Jalbert is returning to St. Catharines Friday, Nov. 16 as the next performer in the Walker Cultural Leaders Series.

    The performance will also open this year’s Encore! Professional Concert Series, hosted by the Department of Music at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    Jalbert, who performs regularly as a soloist and recitalist across North America and Europe, last came to Brock as part of the MIWSFPA’s 2013 performance season.

    A national and international prize-winner, he has won five Opus Awards, was nominated for three Juno Awards and was the 2007 laureate of the prestigious Virginia Parker Prize of the Canada Council for the Arts.

    Music Department Chair Matthew Royal said the accomplished performer will be a highlight to the School’s 2018 event season, both for the public and music students alike.

    “We are delighted to have David Jalbert return to Brock to give a master class to our piano students, and to perform a solo piano recital,” he said. “He is a superbly expressive pianist whose musicality and intelligence are supported by a flawless technique.”

    Jalbert will perform in Partridge Hall of the FirstOntario Performing Art Centre, where attendees will be treated to a program of solo piano works by Bach, Schumann, Liszt and Fauré. The recital will conclude with a performance of Prokofiev’s monumental Sonata No. 7, Op. 83, in B flat major.

    “The highlight of this concert will, I believe, be the Prokofiev 7th Piano Sonata,” Royal noted. “This is one of those pieces that all pianists worth their salt must conquer at some point in their careers. I predict it will be a ‘tour de force.’”

    Tickets are available by contacting the FirstOntario Performing Arts Centre Box Office at 905-688-0722 or firstontariopac.ca

    Tickets are $29 for adults, $23 for seniors and students and $13 for children 14 and under. Special $5 tickets are also available through the eyeGo program.

    The Walker Cultural Leaders Series brings leading artists, performers, practitioners and academics to Brock’s MIWSFPA.

    The sessions celebrate professional achievement, artistic endeavour and the indelible role of culture in society. The education program is generously funded by Marilyn I. Walker.

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    Categories: Announcements, Events, News, Walker Cultural Leader Series

  • Brock prof unveils Invisible Histories at Toronto exhibition

    Invisible Histories, by Brock researcher and Visual Arts Chair, Professor Donna Szoke, is installed at the John B. Aird Gallery and CONTACT Gallery in Toronto until Nov. 23. Her work is pictured above: Donna Szoke, Invisible HistoriesGeo-loactive smart phone/tablet app, 2015


    (From The Brock News, Tuesday, Nov. 6, 2018 | By: )

    The work of Brock Professor Donna Szoke on the hidden history of nuclear waste is being featured in a Toronto group exhibition that opened last week.

    Szoke, a researcher and Visual Arts Chair, has her work on display as part of Digital Animalities — a two-venue exhibition of artworks that examines how human-animal understandings and relationships are changing through the use of ubiquitous media and new technologies.

    The exhibition is part of a Social Sciences and Humanities Research Council of Canada(SSHRC)-funded research project titled “Digital Animalities: Media Representations of Nonhuman Life in the Age of Risk,” led by Jody Berland of York University.It brings the work of artists and researchers together to highlight the challenges and opportunities for new understandings of animals in contemporary digital culture.

    Co-curated by Giovanni Aloi, Matthew Brower and Curatorial Assistant Seb Roberts, Digital Animalities divided the works into two exhibitions: Mapping (at the James B. Aird gallery) and Rendering (at CONTACT Gallery).

    Szoke’s Invisible Histories (a geolocative smartphone/tablet app she developed in 2015) is featured in the Mapping exhibition.

    The free app maps nuclear waste at a Niagara Falls, N.Y., storage site, where more than 270,000 mice used in radioactive experiments have been buried.The app brings public awareness to the fact that there is radioactive evidence of secret atomic testing that took place during the infamous Manhattan Project in Niagara.

    Users are guided through the app to the rodent burial site through the leadership of green, glowing 3D mice that become more prevalent on-screen as the site grows near.Szoke said it’s ironic, because no one actually wants to go towards nuclear waste, but the mice guide users to their graves to reveal their tragic end.

    Szoke was awarded the 2017 Faculty of Humanities Award for Excellence in Research and Creative Activity.

    Her artistic work includes media art, interactive animation, installation, drawing, experimentation and printmaking.

    Digital Animalities runs at the John B. Aird Gallery and CONTACT Gallery in Toronto until Nov. 23.  The Invisible Histories app is available for free download at the iTunes store (OsX) and Google Play (Android).

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    Categories: Announcements, Department/Centre News, Faculty & Instructors, News

  • DART prof wins national award for theatre criticism

    (From The Brock News, Tuesday Oct.30, 2018 | By: )

    Karen Fricker is getting rave reviews from a respected national audience.

    The associate professor in Brock’s Department of Dramatic Arts is being honoured with the 2018 Nathan Cohen Award for excellence in critical writing by the Canadian Theatre Critics Association.

    Fricker won the award’s short category for her 2016 Toronto Star review of Michel Tremblay’s classic Hosanna, as revived by Toronto’s Soulpepper Theatre.

    Fricker, whose research areas include Quebec theatre, said the play is a complicated touchstone of Quebecois culture.

    “A big challenge of writing this review was trying to use the research-based knowledge I had about the play without being overwhelmed by it,” she said. “It was a really hard review to write, so it’s gratifying that it’s being recognized.”

    Fricker has a long history with theatre criticism, having written for outlets including The Guardian and Varietyas well as being the founding editor-in-chief of Irish Theatre Magazine, a publication that operated from 1998 to 2014. She has written for the Toronto Star since March 2016.

    Fricker joined Brock’s Department of Dramatic Arts in 2013. Her research interests include contemporary theatre and globalization, popular performances of nation and cultural identities, and theatre criticism. Recent projects have included work on circus performance.

    “The benefits between my work at Brock and at the Toronto Star flow both ways,” Fricker said.

    “I try to connect students in my courses to what’s happening in GTA theatre, and we learn from each other’s responses to the work. When we publish their edited reviews on the DARTcritics website, their voices enter the broader dialogue.”

    As part of her interest in arts criticism in the digital age, Fricker established the blog DARTcritics.com to provide students with an opportunity to publish their work. The site grew from a space for student coursework to a year-round source of quality arts criticism in Niagara. The site now includes reviews and features by students and graduates who are paid for their work.

    The Nathan Cohen Awards were established in 1981 and are given out every two years to honour outstanding critical writing about theatre and performance in print or electronic media. The awards are named after legendary Toronto Star and CBC critic Nathan Cohen.

    A history of the awards and past recipients may be found on the CTCA website.

    Fricker will receive her award in December at a special luncheon in Toronto.

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    Categories: Announcements, Faculty & Instructors, News

  • Guitarist to conclude faculty Music@Noon performances

    Guitarist Tim Phelan will perform as part of the RBC Foundation Music@Noon series on Nov. 6.


    (From The Brock News | Friday, Nov. 2)

    Fans of Queen are in for a treat during the next RBC Foundation Music@Noon concert.

    Guitarist Tim Phelan will take the stage of the Cairns Recital Hall on Tuesday, Nov. 6 with an arrangement of Bohemian Rhapsody by Niagara composter Floyd Turner.

    The performance will also include Turner’s Twelve Preludes as well as solo guitar works by Tárrega, Villa-Lobos and Bach.

    Phelan is a classical guitarist, conductor, composer, arranger and educator currently teaching at Brock University and Mohawk College. At the age of 18, he made his CBC recording debut as concerto soloist with Orchestre Symphonique de Québec. Since then, he has been heard in solo, concerto and chamber music performances over CBC Radio and Television, Radio France, Radio Caribbean and Cuban National Television and Radio.

    The Department of Music invites faculty, staff, students and the community to come and experience his performance. The Music@Noon Series features free, one-hour concerts that occur most Tuesdays at noon during the academic year at the FirstOntario Performing Arts Centre.

    For more information about upcoming performances, please visit the Department of Music website.

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    Categories: Events, Faculty & Instructors, News

  • DART Faculty co-direct a Play in Four Hours at Curriculum and Pedagogy conference in New Orleans

    Classroom Territoriality (Left to Right) Joe Norris, Rich Edmonson, Sharon Gile, Rick Breault, Janis McTeer


    A Play in Four Hours

    Using the playbuilding research process, Dramatic Arts Chair Joe Norris and graduate student Kevin Hobbs co-directed delegates at the Curriculum and Pedagogy conference in New Orleans, Oct. 17 and 18.

    After two, one and one-half hour devising sessions, and a one-hour rehearsal, they performed their series of nine vignettes, entitled: The Shape of School, at the closing conference event. The emergent themes included territoriality of classroom spaces, the pervasiveness of heteronormativity in the school yard, forms of administrative control of students and teachers, perceived status of particular schools and competing educational philosophies. It was concluded that these and other issues are strong undercurrents that contribute to the ethos of school experiences.

    Audience members participated in workshopping the scenes through body sculpting and discussions, with one conference delegate claiming that the images and issues would haunt her for some time to come.

     In addition to Norris and Hobbs, the participating playwrights were Rick Breault, Ashland University; Sharon Gile, Claflin University; Janis McTeer, Kent State University; Karen Morris, RJ Reynold High School, North Carolina; Sam Tanner, Penn State University; and Miryam Espinosa-Dulanto, Rich Edmonson, and Zulema Williams all from University of Texas, Rio Grande Valley.

     

    The Shape of Schools (Left to Right) Kevin Hobbs, Sam Tanner, Sharon Gile, Janis McTeer

    Leave it at the Door (Left to Right) Sharon Gile, Janis McTeer, Kevin Hobbs and Rick Breault

     

     

     

     

     

     

     

     

     

     

     

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    Categories: Department/Centre News, Events, Faculty & Instructors, News

  • Brock Music students to take the stage for first time this season

    (From The Brock News, Friday Oct. 26, 2018)

    For the first time this season, students in Brock’s Department of Music are set to perform on the same stage that their instructors did just weeks before.

    The RBC Foundation Music@Noon Recital Series continues on Tuesday, Oct. 30 at the FirstOntario Performing Arts Centre in downtown St. Catharines.

    Students have the opportunity to perform in the Cairns Recital Hall in front of staff, faculty, fellow students and the community. Performers will include piano, vocal and instrumental students.

    Music@Noon is a free recital series that takes place most Tuesdays at noon during the academic year.

    For more information about the series, please visit the Music@Noon webpage.

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    Categories: Current Students, Department/Centre News, Events, News

  • Public roundtable to explore Antigone’s relevance to modern society

    Students in Brock’s Department of Dramatic Arts have been working for months to bring the classic Greek tragedy Antigone to the mainstage this weekend. The production will have a six-show run at the Marilyn I. Walker Theatre in downtown St. Catharines, opening on Friday, Oct. 26. Seen during last week’s media call are actors Catherine Tait (Antigone), left, and Alexandra Chubaty Boychuk (Ismene).


    (From The Brock News, Thursday Oct. 25, 2018 | By Jaquelyn Bezaire)

    Gender inequality, corruption and the conflict between personal beliefs and the laws of society are all at the centre of Brock’s new mainstage production, Antigone.

    And although the classic Greek tragedy is more than 2,500 years old, a roundtable discussion will be held at the University next week to discuss its relevance to today.

    Elizabeth Vlossak, History Professor and Director of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), hopes to delve into the reasons why Antigone is one of the most read, performed and adapted plays in all of dramatic literature.

    On Wednesday, Oct. 31, she will moderate the roundtable that will include a panel of professors from Brock’s departments of Classics, Political Science, Philosophy and Dramatic Arts.

    Faculty, staff, students and the community are invited to join the panellists in the conversation, which begins at 3 p.m. in the Scotiabank Atrium of the Cairns Family Health and Bioscience Research Complex.

    The informative and lively discussion will highlight the importance of Antigone and the connections that can be made across academic disciplines.

    The panellists will explain why Antigone is not only studied in courses about Ancient Greece but is also used to explore political theory, gender dynamics and various religious and moral problems.

    Panellists include professors Roberto Nickel (Classics), Adam Rappold (Classics), Athena Colman (Philosophy), Stefan Dolgert (Political Science) and Mike Griffin (Dramatic Arts).

    Vlossak organized the event in part to promote the upcoming production of Antigone, which opens Friday, Oct 26. The play is presented by Brock’s Department of Dramatic Arts.

    “One of my goals as Director of the MIWSFPA has been to increase student, faculty and public awareness, interest and participation in our programming at the school,” said Vlossak. “But this interdisciplinary panel discussion is also about bridging the two campuses. It’s bringing faculty from different departments together to share their expertise with students and the public, and it’s showcasing how the fine and performing arts can be incorporated into all of our teaching, learning and research, as well as our everyday lives, in meaningful ways.”

    The roundtable will begin by exploring the world of Sophocles and Antigone’s significance in ancient drama and performance.

    Other topics of discussion include the legacy of Antigone in the fields of politics and philosophy, the continued pedagogical value of studying Antigone, and the play’s relevance in the current political climate.

    “Antigone still inspires political rebels today, who find in her obstinate resistance a role model for action in the present,” said Dolgert. “Antigone is for those who refuse to accept the tired cliché that politics is ‘the art of the possible,’ as it is her seemingly irrational affirmation of the impossible that ultimately prevails.”

    Griffin, a Dramatic Arts lecturer and the production’s Director, will join the panel and explain why he chose the play for Brock’s mainstage performance.

    He hopes to “paint Antigone as a strong woman,” and aims to show how themes of the #MeToo movement are reflected throughout the production.

    Antigone runs Oct. 26 and 27 at 7:30 p.m., Oct. 28 at 2 p.m. and Nov. 2 and 3 at 7:30 p.m. There will also be a high school matinee on Nov. 2 at 11:30 a.m.

    The production will be held in MIWSFPA’s Marilyn I. Walker Theatre in downtown St. Catharines. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

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    Categories: Current Students, Department/Centre News, Events, Faculty & Instructors, News

  • Sounds of clarinet and piano to fill Music@Noon stage

    Clarinetist Zoltan Kalman will perform Tuesday, Oct. 23 as part of the RBC Foundation Music@Noon Recital Series.


    (From The Brock News, Friday Oct. 19)

    Headshot of Gary Forbes

    Pianist Gary Forbes.

    Clarinetist Zoltan Kalman and pianist Gary Forbes will combine their sounds for the next RBC Foundation Music@Noon Recital Series performance on Tuesday, Oct. 23.

    The show, which include works by composers Aaron Copland, Johannes Brahms and Luigi Bassi, is part of the free weekly concert series hosted by the Department of Music and generously sponsored by the RBC Foundation.

    Kalman performs as principal clarinetist for both the Niagara Symphony and Symphony Hamilton, and also acts as the conductor for the University Wind Ensemble at Brock University.

    Along with his work at Brock University as Staff Accompanist, Forbes is a freelance collaborative pianist, Director of Music at St. Cuthbert’s Anglican Church and founder of the Reverberations Concert Series.

    Kalman and Forbes are among many talented musicians who will grace the Music@Noon stage throughout the academic year. Performances in the concert series take place most Tuesdays at noon in Cairns Recital Hall of the FirstOntario Performing Arts Centre in downtown St. Catharines.

    For more information about upcoming performances please visit the Music@Noon web page.

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    Categories: Current Students, Events, Faculty & Instructors, News

  • Antigone explores modern ideas through classic Greek tragedy

    Students in the DART undergraduate program have been rehearsing for months to bring the classic Greek tragedy Antigone to life on stage with a run beginning Oct. 26


    (From The Brock News, Friday Oct. 15, 2018 | By Sarah Moore)

    Sophocles’ Antigone may be more than 2,500 years old, but its relevance to the #MeToo and civil rights movements of today makes it resonate as strongly now as when it was first written.

    The new mainstage production from Brock University’s Department of Dramatic Arts (DART) tells the story of a woman rebelling against patriarchy and the establishment — a woman who is willing to sacrifice everything to stand up for what she believes is right.

    Antigone’s tragic protest against King Creon’s prohibition of mourning her dead brother makes the audience question what choice we have when our personal beliefs conflict with the laws of the state. The play also examines the effects that gender inequality and unbridled power have on society.

    DART faculty member Mike Griffin, who adapted and directs the production that will run at the Marilyn I. Walker Theatre, said the classic Greek tragedy was the perfect fit for the first mainstage performance of the 2018-19 season.

    “Antigone is one of the oldest examples of a powerful, independent female character in theatre and literature,” he said. “It is eerily unfortunate that this ancient world, in which she was born, has many similarities to the one we currently live in, and through that I think the play really speaks to today.

    “I also think it’s a fantastic challenge for my students to dive into a story that is really valued as such an influential, classical text.”

    Adam Rappold, Assistant Professor in the Department of Classics, worked with Griffin and the cast to dissect the Greek text and highlight major themes of the play pertinent to today’s audiences.

    “It is a work which manages to be, at once, both bewitchingly alien while still also familiar enough that it could have been ripped from today’s headlines,” Rappold said. “More pressingly for our current moment, it is likely the voice and personality of Antigone herself who continues to speak to audiences — a powerful and decidedly female scream of rage against iniquity and oppression, which, even after more than two centuries, refuses to be silenced.”

    With a contemporary approach to an ancient story, this production blends classical text with movement and image-based storytelling and explores a rich score of ensemble choral voices. The adaptation explores a shattered world touched by both contemporary and ancient times through a collage of poetry and physical theatre.

    “My vision is to paint Antigone as a strong woman, with the caveat that a strong woman should not be a stereotype but a norm that we are very familiar with,” Griffin said. “Hopefully her presence in standing up for what she believes in is something that can potentially propel audiences forward to feel confident in thinking that ‘when injustice happens to me, I will stand up for what’s right.’”

    The set and costumes for Antigone were designed by Brock Dramatic Arts Instructor Kelly Wolf, lighting was designed by Chris Malkowski and sound designed by Visual Arts Media Resource Co-ordinator Max Holten-Anderson (BMus ’10).

    The production showcases the talents of students in the DART undergraduate program. Student performers include Catherine Tait, Tristan Holmes, Alexandra Chubaty Boychuk, Matt Burt, Taj-Alexander Crozier, Tyler Simpson, Colin Williams, Mae Smith, Grace Martins, Samantha Rideout, Katie Cole, Diego Blanco, Heather Janser and James Dengate.

    Other student crew members include: Avery Delaney (Dresser), Peter Herbert (Stage Carpenter), Molly Lacey (Dresser), Sid Malcolm (Sound Operator), Heidi Nickel (Lighting Operator) and Jackson Wagner (Props Runner).

    Antigone runs Oct. 26 and Oct. 27 at 7:30 p.m., Oct. 28 at 2 p.m., and Nov. 2 and 3 at 7:30 p.m. There will be a high school matinee on Nov. 2 at 11:30 a.m. The evening performance on Nov. 2 will include an American Sign Language interpreter for members of the deaf and hard-of-hearing community.

    The production will run at the Marilyn I. Walker Theatre at Brock’s Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines.

    Tickets for the show are $18 for adults and $15 for students and seniors. There’s also a $10 group rate and a $5 eyeGo high school program rate available. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

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    Categories: Alumni, Announcements, Current Students, Faculty & Instructors, News

  • Brock cello instructor to take stage for Music@Noon

    Cellist Gordon Cleland will perform on stage for the RBC Foundation Music@Noon series on Oct. 16 at the Cairns Recital Hall of the FirstOntario Performing Arts Centre.


    (From The Brock News, Monday, Oct. 15)

    The 2018-19 RBC Foundation Music@Noon series continues with its second performance of the season on Tuesday, Oct. 16.

    Generously sponsored by the RBC Foundation and hosted by the Department of Music, the free concert series performance will feature Brock cello instructor Gordon Cleland. All are invited to attend the recital, taking place in the Cairns Recital Hall of the FirstOntario Performing Arts Centre in downtown St. Catharines.

    Currently performing with the Niagara Symphony as the principal cellist, Cleland has also performed as a soloist for the Debut Series in Montreal as well as across North America.

    Music@Noon takes place at the FirstOntario Performing Arts Centre most Tuesdays at noon during the academic year.

    For more information on upcoming performances, please visit ExperienceBU.

     

     

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    Categories: Department/Centre News, Events, Faculty & Instructors, News