Articles tagged with: Karen Fricker

  • Brock recruiting three more Canada Research Chairs

    Brock is recruiting three Canada Research Chairs between now and the beginning of June in the Faculties of Humanities, Applied Health Sciences and Mathematics and Science. Pictured are some of the faculty involved in the recruitment process. From left: Elizabeth Vlossak (Director, Marilyn I. Walker School of Fine and Performing Arts), Robson De Grande (Computer Science), Beatrice Ombuki-Berman (Computer Science), Doug Bruce (Biological Sciences) and Miya Narushima (Health Sciences).


    (From The Brock News, April 16, 2019 | By: Cathy Majtenyi)

    Brock University is expanding its research net with three Canada Research Chair (CRC) positions in the areas of Indigenous art practice, health and the interlinkage of biology and computer science.

    Recruitment for these positions, which began in mid-March, will wrap up between late April and June.

    Researchers and scholars within and outside Brock are encouraged to apply, especially Indigenous peoples, members of visible minorities and those with disabilities, says Interim Associate Vice-President, Research Michelle McGinn.

    “These scholars often bring new perspectives that lead to critical research advances, and they are important role models for the next generation of scholars,” she says.

    The Canada Research Chair Tier 1 in Mechanisms of Health and Disease is centred on investigating ways of preventing, managing or treating a variety of chronic diseases such as cardiovascular disease, cancer, metabolic syndrome, immune diseases and brain disorders.

    “This chair will position Brock and the wider Niagara community with the opportunity to study mechanisms of health and disease, solidifying and expanding the current research capacity at Brock,” says Deborah O’Leary, Professor of Health Sciences and Director of the Brock-Niagara Centre for Health and Well-Being.

    O’Leary says those applying to the position need to propose “an original, innovative research program of the highest quality” in one of the following areas: inflammation and immunity; genetic and epigenetic programming; host response to infection; nutritional biology and metabolism; and physical or mental stress-induced tissue remodelling.

    The competition for that position closes Friday, April 26.

    The Canada Research Chair Tier 2 in Indigenous Art Practice position will be cross-appointed to two or more of the academic units at the Marilyn I. Walker School of Fine and Performing Arts, including the Departments of Dramatic Arts, Music, Visual Arts and Studies in Arts and Culture.

    The successful candidate will be an “innovative artist/scholar with the demonstrated potential to achieve a significant international reputation within five to 10 years,” says Karen Fricker, Associate Professor of Dramatic Arts.

    “The CRC will have an innovative creative practice across one or multiple art forms, working with Indigenous communities and establishing new Indigenous arts-based research and methodologies.”

    McGinn says the position demonstrates the University’s response to the Truth and Reconciliation Commission’s Calls to Action.

    “Brock University has renewed its commitment to reconciliation and decolonization in its most recent strategic plan, and the CRC in Indigenous Art Practice responds directly to this priority,” says McGinn.

    The competition for that position closes Friday, May 10.

    The Canada Research Chair Tier 2 in Bioinformatics/Computational Biology will strengthen collaboration between the Departments of Biological Sciences and Computer Science with the aim of expanding research capacity, says Brian Ross, Professor of Computer Science and Chair of the Department of Computer Science.

    He says that, traditionally, researchers in the field of bioinformatics and computational biology are either “primarily biologists who use existing computer software tools, or computer scientists who develop tools that are then applied to biology problems.”

    The successful candidate will be proficient in both areas so as to develop software tools and applications in population genomics, proteomics and structural biology.

    “The areas of bioinformatics and computational biology have matured significantly, and having expertise in both biology and computer science is a distinct advantage these days,” Ross says.

    The competition for that position closes Tuesday, June 4.

    McGinn says the three CRC positions are a “key part” of Brock’s latest Strategic Plan, which “identifies a strengthened focus on building research capacity across the University.

    “Outstanding scholars who have or will build international reputations engage in high-impact research, and they provide exceptional opportunities for students and postdoctoral scholars who work and learn with them,” she says.

    These latest CRCs join Brock’s existing cadre of CRCs and three others in the areas of Psychology, Kinesiology and Child and Youth Studies, announced late last year.

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    Categories: Faculty & Instructors, News

  • Community discussion to focus on King Ubu’s relevance to today

    Brock’s Department of Dramatic Arts is excited to bring King Ubu to the mainstage this weekend at the Marilyn I. Walker Theatre in downtown St. Catharines. The show runs from Friday, March 1 to Saturday, March 9. Cast member Emma McCormick (centre) was interviewed during last week’s media call.


    (From The Brock News, February 28, 2019 | By: Sarah Ackles)

    St. Catharines city councillor Karrie Porter will join a group of Brock Dramatic Arts (DART) students and Brock faculty members next week in a roundtable discussion on the relevance of King Ubu to today’s political climate.

    The free, public event, “Folly, feces and fake news: King Ubu, then and now,” will be held in the Scotiabank Atrium in the Cairns Family Health and Bioscience Research Complex on Wednesday, March 6 from 10 to 11 a.m.

    “We’re really happy to have Karrie’s participation,” said Director and DART Associate Professor David Fancy. “She has a rich background in social justice, community engagement and lived experience of being a woman in politics in the age of social media.”

    Students in Brock’s Department of Dramatic Arts are excited to bring King Ubu to the mainstage this weekend at the Marilyn I. Walker Theatre in downtown St. Catharines. The show runs from Friday, March 1 to Saturday, March 9.

    The plot follows Pa Ubu (a patriarchal, racist, megalomaniac who constantly talks about poop, loves himself a lot and kills everybody around him) and his wife, Ma Ubu (who pushes her husband to increasing feats of violence and narcissism), as they go on a bloodthirsty quest to take over the world.Brock’s Department of Dramatic Arts is staging the classic French production in a run from March 1 to 9.

    Fancy said he is looking forward to generating discussions on the work’s timeless themes at the upcoming roundtable.

    “Whenever we’re programming productions, we attempt to provide students and the department, and by extension the wider community, the opportunity to work through a set of themes that resonate with what is going on with the world,” Fancy said. “Given this is about a person who is obsessed with their own power, King Ubu seemed like a good fit, thematically.”

    The controversy surrounding the play’s opening run is also going to be discussed. Panelists will debate whether King Ubu opened and closed in a single night because of its controversial content, or, whether the hubbub was an example of 19th century “fake news,” intentionally manufactured and exaggerated to promote the production.

    Panelists will also explore Fancy’s adaptation of the play and the queering of main character Pa Ubu (who will be played by female cast member Emma McCormick in the Brock production).

    In addition to Fancy and Porter, panelists will include Professors Leah Bradshaw (Political Science), Tim Conley (English) and Karen Fricker (Dramatic Arts), and DART students McCormick, Kristina Ojaperv (Assistant Director), Mae Smith and Catherine Tait.

    Marilyn I. Walker School of Fine and Performing Arts Director Elizabeth Vlossak will moderate the discussion.

    “The roundtable provides a unique opportunity to foster discussion and the sharing of ideas and debate between people who may not interact academically otherwise,” she said. “Hosting the event on the main campus with a variety of different panelists also brings the work taking place at the MIWSFPA into the community, showcasing the connections that visual arts, music and theatre can have to our everyday lives.”

    The roundtable discussion is free and open to the public.

    No registration is required but seating is limited and first-come, first-served. Light refreshments will be served, and attendees will be eligible to enter into a draw for free King Ubu tickets.

    King Ubu runs at the Marilyn I. Walker Theatre at the Marilyn I. Walker School of Fine and Performing Arts from March 1 to 9. For more information, visit the Department of Dramatic Arts website. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

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    Categories: Current Students, Department/Centre News, Events, News

  • DART prof wins national award for theatre criticism

    (From The Brock News, Tuesday Oct.30, 2018 | By: )

    Karen Fricker is getting rave reviews from a respected national audience.

    The associate professor in Brock’s Department of Dramatic Arts is being honoured with the 2018 Nathan Cohen Award for excellence in critical writing by the Canadian Theatre Critics Association.

    Fricker won the award’s short category for her 2016 Toronto Star review of Michel Tremblay’s classic Hosanna, as revived by Toronto’s Soulpepper Theatre.

    Fricker, whose research areas include Quebec theatre, said the play is a complicated touchstone of Quebecois culture.

    “A big challenge of writing this review was trying to use the research-based knowledge I had about the play without being overwhelmed by it,” she said. “It was a really hard review to write, so it’s gratifying that it’s being recognized.”

    Fricker has a long history with theatre criticism, having written for outlets including The Guardian and Varietyas well as being the founding editor-in-chief of Irish Theatre Magazine, a publication that operated from 1998 to 2014. She has written for the Toronto Star since March 2016.

    Fricker joined Brock’s Department of Dramatic Arts in 2013. Her research interests include contemporary theatre and globalization, popular performances of nation and cultural identities, and theatre criticism. Recent projects have included work on circus performance.

    “The benefits between my work at Brock and at the Toronto Star flow both ways,” Fricker said.

    “I try to connect students in my courses to what’s happening in GTA theatre, and we learn from each other’s responses to the work. When we publish their edited reviews on the DARTcritics website, their voices enter the broader dialogue.”

    As part of her interest in arts criticism in the digital age, Fricker established the blog DARTcritics.com to provide students with an opportunity to publish their work. The site grew from a space for student coursework to a year-round source of quality arts criticism in Niagara. The site now includes reviews and features by students and graduates who are paid for their work.

    The Nathan Cohen Awards were established in 1981 and are given out every two years to honour outstanding critical writing about theatre and performance in print or electronic media. The awards are named after legendary Toronto Star and CBC critic Nathan Cohen.

    A history of the awards and past recipients may be found on the CTCA website.

    Fricker will receive her award in December at a special luncheon in Toronto.

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    Categories: Announcements, Faculty & Instructors, News

  • Brock prof and alumna explore circus performance in joint publication

    Associate Professor of Dramatic Arts Karen Fricker and MA graduate Hayley Malouin at the conference Circus and its Others II in Prague this past August. The two have recently published a special double issue of Performance Matters, titled “Circus and Its Others,” exploring questions around circus performance and gender, difference and dis/ability. (Photo by David Konecny)


    (From The Brock News, Tuesday, Sept. 11, 2018 | by Alison Innes)

    For many people, the circus is a place of mystery and wonder, filled with the extraordinary, unusual and strange.

    But what does it mean to be different and what does it mean to perform those differences?

    For Associate Professor of Dramatic Arts Karen Fricker and Brock alumna Hayley Malouin (BA ’15, MA ’17), these questions have led to a joint publication in the emerging field of circus studies.

    The pair launched a special double issue of the journal Performance Matters, titled “Circus and Its Others,” Aug. 28 in Prague at the similarly named Circus and Its Others II conference.

    Inspired by the inaugural Encounters with Circus and its Others conference organized by Fricker with assistance from Malouin in 2016, the publication features contributions from established scholars, graduate students and circus artists from around the world. Many of the contributors were in Prague to participate in the second conference and celebrate at the launch.

    The conference series brings together scholars from around the world to explore questions about the place of difference and “otherness” in contemporary circus.

    “We’re asking questions about circus in a way that allows people who have been working at these questions from different perspectives and different places to jump on board,” says Fricker.

    Malouin, who has an undergraduate degree from Brock in Dramatic Arts, explored ideas of public performance, political protest and public performance of the grotesque as part of her MA in Studies in Comparative Literature and the Arts.

    “Circus is an interesting cultural touchstone because it reflects societal norms about people, community and politics. This is in contrast to the image of circus – which circuses themselves cultivate – as existing on the margins of society,” says Malouin.

    The special issue of Performance Matters was her first foray into academic publishing. In addition to co-editing the issue with Fricker, Malouin worked with other circus scholars, including Brock student Taylor Zajdlik (BA ’15, MA ’17), on a section of the journal exploring questions of queerness and freakery in the circus.

    “It was a great experience to establish myself as someone with those skills,” says Malouin. “I really care about the work, I feel it’s important. It’s a substantial contribution to an emerging field.”

    The special edition also includes work by DART Associate Professor David Fancy on disability and the circus, making reference to a creative research project in which he participated involving intellectually disabled survivors of institutional abuse.

    The questions Fricker and Malouin are researching have application beyond the circus to culture as a whole.

    “What we’re looking at is how questions about difference and otherness play out in certain practices in the contemporary moment,” says Fricker. “And more broadly we’re asking, how do we work to make culture more inclusive?”

    The full issue can be read online for free.

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    Categories: Alumni, Events, Faculty & Instructors, News

  • Brock Professor is the new theatre critic for the Toronto Star

    (Source: The Brock NewsThursday, March 3, 2016 | by )

    Professor Karen Fricker has spent the last three years training Brock University students to critique theatre.

    She will soon be practising what she teaches after landing the role of theatre critic for the Toronto Star, Canada’s largest, most-read newspaper.

    The Brock University Dramatic Arts assistant professor isn’t new to the theatre beat – her resume includes 25 years of experience for outlets including The Guardian and Variety. She was also the founding editor-in-chief of Irish Theatre Magazine, a publication that operated from 1998-2014.

    At the Star, Fricker will be reviewing major show openings in the Greater Toronto and Hamilton Areas as well as writing feature articles.

    “It just feels like an un-dreamed-of privilege to get to have a platform like this at this point in my career,” she says. “Toronto is a really exciting and mature theatre market.”

    The theatre scene in the GTHA is rich with plenty of interesting things happening – from major musicals to performance art to original Canadian plays in storefront theatres.

    Fricker can’t wait to see them all and share her observations and critiques with Canadians.

    And, she’s looking forward to sharing her excitement with students, whose critiques are published  on Brock’s DARTcritics.com blog. She started the blog in 2013 to offer students an avenue to be published and edited.

    She plans to make sure her students benefit from the work she’s doing for the Star.

    “Students will gain a strong sense of connection and understanding of how professional arts criticism works,” she says.
    “They will have the opportunity to see their professor go through the same exercises they do and maybe even give her some feedback.”

    Fricker says she’s grateful to be working at Brock both because it’s an exciting time in the arts with the opening of the Marilyn I. Walker School of Fine and Performing Arts and because it’s a university that encourages professors to pursue their creative interests.

    “Being a creator, being an artist, has equal standing to being a scholar and producing peer-reviewed research,” she says.

    Fricker says the Star opportunity fits her creative and research interests of questioning arts criticism in the digital age.

    “I consider this a part of my research,” she says. “It’s a time of extraordinary possibility and growth for criticism.”

    DARTcritics.com is a response to that research interest and the question of how to turn an earnest blog into trusted criticism. The site has grown from a space for outstanding reviews by third-year students as part of their coursework to include reviews and features by students and recent graduates who are paid for their work. Fricker hopes that the site will continue to blossom into a year-round source of quality arts criticism in Niagara.

    Fricker’s role with the Star was announced Thursday. She’s looking forward to reviewing her first production for the paper this month.

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    Categories: Faculty & Instructors, In the Media, News

  • ‘The Changing Face of Theatre Criticism in the Digital Age,’ A remarkable two-day colloquium with international reach, part of the Walker Cultural Leader Series for 2013-14

    Professor Jill Dolan began the two day symposium with her public lecture: “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings.”

    Professor Jill Dolan began the two day symposium with her public lecture: “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings.”

    Listening to theatre companies, they’ve never needed theatre critics more. Listening to them after a bad review, they’ve also never resented them more. This strange dance of mutual need has been going on since the first time someone recited dialogue on stage, and someone in the next day’s paper wrote “it doth sucked, verily.” But what of that relationship today? Do critics matter? Can anyone with a blog call themselves a theatre critic? Are critics there to serve theatre companies or readers? (John Law)

    See the complete article by media journalist John Law in the Niagara Falls Review about his recent participation in the two-day colloquium ‘The Changing Face of Theatre Criticism in the Digital Age‘ organized by Professor Karen Fricker of the Department of Dramatic Arts on the occasion of the special visit by Jill Dolan, Annan Professor in English, Professor of Theater in the Lewis Center for the Arts, Director, Program in Gender and Sexuality Studies, at Princeton University, noted theatre blogger (thefeministspectator.com) and a Walker Cultural Leader for 2013-14.  Special guests J. Kelly Nestruck of The Globe and Mail and Richard Ouzounian of the Toronto Star joined local guests and luminaries including cultural leaders like Jackie Maxwell, artistic director of the Shaw Festival, and Steve Solski, director of the St. Catharines Centre for the Performing Arts.

    The two day program began with the Friday morning public lecture, “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings” by Professor Jill Dolan.  The lecture was presented in association with the Department of Dramatic Arts and the Centre for Women’s and Gender Studies.

    For a complete list of participants and more information please see the Brock News Article, the Department of Dramatic Arts and the Marilyn I. Walker School of Fine and Performing Arts web pages.

    The event was marked by remarkable and rich participation by members of the Niagara region and our international guests. Photos of the event may be viewed at the Facebook page of the Department of Dramatic Arts and tweeted commentary may be viewed at dartcritics.com.

    The stimulating exchange of ideas and opinions in this “blossoming” cultural scene of Niagara (Professor Karen Fricker) were live-streamed at BrockVideoCentre’s DART channel, and are now available (unedited) for viewing.

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    Categories: Events, Walker Cultural Leader Series

  • Brock community event looks at theatre criticism in the digital age

    (Source: The Brock News, Monday, February 10, 2014)

    An upcoming series of community discussions at Brock University later this month will debate the question: is everyone a critic?

    Media professionals, theatre experts, scholars and students will assemble in Sankey Chamber at Brock Feb. 21 and Feb. 22 to take part in the colloquium, The Changing Face of Theatre Criticism in the Digital Age, hosted by the Marilyn I. Walker School of Fine and Performing Arts.

    “The rise of blogging and Twitter, combined with the decline of print journalism, is raising important questions about what counts as legitimate, professional criticism,” says Karen Fricker, event co-ordinator and a professor of dramatic arts. “Our discussions will focus on the current critical scene in Niagara, as well as imagining possible futures for the arts in our community.”

    Panel members include two of Toronto’s most influential theatre critics: J. Kelly Nestruck of The Globe and Mail and Richard Ouzounian of the Toronto Star. Others include local figures like Jackie Maxwell, artistic director of the Shaw Festival, and Steve Solski, director of the St. Catharines Centre for the Performing Arts.

    The colloquium will also feature international critics: Jill Dolan, Princeton University professor and noted theatre blogger (thefeministspectator.com); Maddy Costa, a London, England blogger and journalist; and Andy Horwitz, founder of New York arts blog culturebot.net

    Dolan is visiting Brock as part of the Walker Cultural Leaders series. While here, she will deliver a public lecture, “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings.” Her lecture, co-sponsored by the Department of Dramatic Arts and Centre for Women’s and Gender Studies at Brock, takes place Friday, Feb. 21, from 10 a.m. to 12 noon, also in Sankey Chamber.

    All of these events are free and open to the public.

    Funding for these events is provided by the Walker Cultural Leaders Series, the Brock Humanities Research Institute and the SSHRC Institutional Grant scheme, and the St. Catharines Performing Arts Centre.

    All events will be live-streamed.  [Click on “live video”]

    SCHEDULE: The Changing Face of Theatre Criticism in the Digital Age

    All events take place in Sankey Chamber at Brock University

    FRIDAY, FEB. 21:

    * 2 – 2:30 p.m.: Welcome
    Presentation by Brock dramatic arts students from the third-year class, Studies in Praxis – Theatre Criticism

    * 2:30 – 4 p.m.: Panel discussion “Critics and the arts in Niagara”

    • Jill Dolan (respondent)
    • Monica Dufault, artistic director, Essential Collective Theatre
    • David Fancy, associate professor of Dramatic Arts, Brock University, co-artistic director, neXt Company Theatre (chair)
    • John Law, arts and entertainment writer, Sun Media
    • Sara Palmieri, co-founder, In the Soil Festival
    • Stephen Remus, minister of energy, minds, and resources, Niagara Arts Centre
    • Steve Solski, director, St. Catharines Centre for the Performing Arts
    • Candice Turner-Smith, managing director, Niagara Symphony Orchestra

    * 4:15 – 5:45 p.m.: Panel discussion “Embedded criticism: a new way forward, or criticism-as-PR?”

    • Maddy Costa, critic and blogger
    • Karen Fricker
    • Andy Horwitz, founder, culturebot.org
    • Jackie Maxwell, artistic director, Shaw Festival
    • Jacob Gallagher-Ross, assistant professor of theatre, University of Buffalo (respondent)
    • Lawrence Switzky, assistant professor of Drama, University of Toronto at Mississauga (chair)

    SATURDAY, FEB. 22:

    * 10 – 10:30 a.m.: Welcome
    Presentation by Brock dramatic arts students from the third-year class, Studies in Praxis – Theatre Criticism

    * 10:30 a.m. – 12 noon: Panel discussion “Bloggers, critics, and cultural legitimation”

    • Jill Dolan
    • Karen Fricker (chair)
    • Andy Horwitz (respondent)
    • J. Kelly Nestruck, lead theatre critic, The Globe and Mail
    • Richard Ouzounian, lead theatre critic, Toronto Star
    • Holger Syme, chair, Department of English and Drama, University of Toronto at Mississauga, and blogger (disposito.net)
    • Odette Yazbeck, director of public relations, Shaw Festival

    * 12:15 – 1 p.m.: Colloquium wrap-up

    • Maddy Costa; Jill Dolan; Karen Fricker (chair); Rosemary Drage Hale, director of the Centre for Medieval and Renaissance Studies, Brock University; and Andy Horwitz

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    Categories: In the Media, News