Articles tagged with: Humanities

  • Grad unites community through creative movement

    Skye Rogers (STAC ’22) has found her momentum as a creator and doesn’t plan on stopping anytime soon.

    The Centre for Studies in Arts and Culture Certificate graduate will inspire audiences as a Creative in Residence alongside creative collaborator Vik Mudge during the 2024 Ontario Culture Days Festival.

    An annual celebration of arts, culture and heritage, the Ontario Culture Days Festival includes more than 1,000 free, hands-on events in communities across the province from Friday, Sept. 20 through Sunday, Oct. 13.

    A portrait image of Skye Rogers shows her sitting on a wood bench, leaning forward and smiling warmly. Yellow, outdoor light and greenery can be seen in the background.

    Centre for Studies in Arts and Culture graduate Skye Rogers (STAC ’22).

    This year, St. Catharines is a Festival Hub and will feature Rogers and Mudge, dance artists and co-founders of retrograde: dance in motion.

    The duo will work with dancers of all abilities to create community-generated choreography with their project Composing Community.

    The project includes two public creation workshops on Saturday, Sept. 21 and Sunday, Sept. 22 at FirstOntario Performing Arts Centre and a performance showcase on Oct. 13 at Niagara Artists Centre (NAC) in downtown St. Catharines.

    Rogers said she learned how to create cultural programming on her own — a huge strength for her as an artist — during her time at Brock.

    “Suddenly, I could create opportunities for myself and fellow artists in my community to grow in our practice and strengthen the cultural scope where we live,” Rogers said.

    With a background in performing arts, Rogers came to study at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) with an interest in art history and a desire to learn more about behind-the-scenes arts management.

    The classes Rogers took as part of the Centre for Studies in Arts and Culture (STAC) Certificate program still influence her work today by providing her the skills and knowledge to envision and execute innovative, creative programming.

    At MIWSFPA, Rogers also gained valuable insight in how to prepare and write grants, a skill that she said unlocked a whole new world for her. After graduation and prior to Ontario Culture Days, Rogers applied for a grant to bring her dance in community workshop series ideas to life.

    “Just like that, I was producing Dance and Movement Days for the St. Catharines community and making my dreams a reality,” Rogers said.

    A portrait image of Vik Mudge shows them in a black shirt with their head to the side against a grey background.

    Dance artist and instructor Vik Mudge.

    Recognizing the success of Rogers’ workshop series, Rogers and Mudge formed a creative collaboration to continue building an emerging creative community of people united by a curiosity to explore ideas through movement.

    “I had a sense there are more people interested in this type of work, which is how we conceived of our Culture Days community-driven workshops and performance. It’s only just the start of this quickly blossoming community of movement lovers,” Rogers said.

    Mudge, a trans non-binary dance artist, choreographer and instructor in St. Catharines, said the pair prides themselves on making dance accessible to everyone.

    “Through this project, we are bringing together a diverse group of people — from different generations, different backgrounds — to activate community spaces and diversify what it means to be a dancer while giving people the chance to perform and create,” Mudge said.

    Other Ontario Culture Days events offered by the MIWSFPA include the Walker Cultural Leader Series workshops and exhibition featuring Camille Turner and a “Dia de los Muertos” Mexican Arts and Crafts Workshop presented by the Department of Visual Arts.

    For a full listing of events and registration, please visit the Ontario Culture Days events website.

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  • Celebrating creativity and diversity in Niagara with SAFRAN 2024

    Image caption: Brock Professor Jean Ntakiturimana of Modern Languages, Literatures & Cultures, (right) at the Sunday morning long table about the world of publishing, hosted by Binta Wague of les Éditions Touana (Toronto , centre-right, in green). 

    Brock University recently welcomed the Salon du livre des Francophonies du Niagara (SAFRAN) 2024 for a diverse and dynamic weekend of events and performances celebrating literary creativity and diversity in the Niagara region.

    Hosted by Brock’s Centre for Studies in Arts and Culture (STAC) and Department of Modern Languages, Literatures and Cultures (MLLC) in collaboration with SOFIFRAN, the event was held from March 21 to 24 at the Marilyn I. Walker School of Fine and Performing Arts, with an opening ceremony at the Film House in the First Ontario Performing Arts Centre. With the important collaboration of the Maison de la culture francophone du Niagara, the event coincided with the UNESCO World Poetry Day, World Puppetry Day and International Francophonie Day.

    Director of the Salon du livre and MLLC Instructor, Nafée Faigou, hosting the opening ceremonies at the FirstOntario Performing Arts Centre.

    “It’s been an absolutely remarkable celebration of language and culture, beautifully led and produced by Director of the Salon du livre, Nafée Faigou and Fété Ngira-Batware Kimpiobi, Director General of SOFIFRAN,” said Professor David Vivian, Director of the Centre for Studies in Arts and Culture. “Our learning community is so much richer for having hosted SAFRAN.”

    Guests and community members from the Niagara Francophone community and beyond were treated to a diverse offering of cultural interactions including entertaining and thoughtful puppet shows by Le chemin qui marche from Quebec, workshops for youth on robotics and AI and compelling roundtable discussions  in the MIWSFPA venues.

    A highlight was the publisher’s fair in the MIWSFPA lobby, igniting important long-table discussions amongst publishers and authors that celebrated the Francophonie of the region, including both Franco-Ontarian and new Franco-Canadian voices.

    For more information about the event, please visit the STAC website.

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    Categories: Alumni, Announcements, Current Students, Events, Faculty & Instructors, Future Students, In the Media, Media Releases, News, Uncategorised

  • Salon du livre des francophonies du Niagara (SAFRAN), a special collaboration at the MIWSFPA, opens March 21

    Salon du livre des francophonies du Niagara (SAFRAN):
    Les contradictions dans les littératures

    March 21-24, 2024
    Marilyn I. Walker School of Fine & Performing Arts
    15 Artists’ Common, St. Catharines

    SOFIFRAN is delighted to announce the details of the next edition of the Salon du Livre des Francophonies du Niagara (SAFRAN), an exceptional literary event in and for the peninsula. The event will take place March 21st to 24th, 2024, and will begin at 10am each day in the prestigious space of the Marilyn I. Walker School of Fine and Performing Arts, Brock University, downtown St Catharines. The opening will be held at the Film House, in the First Ontario Performing Arts Centre, also located in downtown St Catharines.

    We are especially honoured to present Nafée Faïgou, the director of the Salon du Livre des Francophonies du Niagara. Nafée Faïgou is passionately devoted to Niagara’s francophone literary ecosystem and plays a central role in the planning and development of this major event. You can contact her directly at the following email address: lesafran2024@gmail.com.

    SAFRAN is made possible thanks to the financial support of the Ministry of Francophone Affairs, through the Francophone Community Grants Program.

    We invite all members of the community to come and celebrate the diversity of francophone literatures at the Salon du Livre des Francophonies du Niagara. Join us and immerse yourselves in captivating stories, literary discoveries, workshops, and inspiring encounters.

    For more information and to stay connected with the latest updates, follow us on social media and visit our official website: www.sofifran-safran.com.

    SOFIFRAN annonce avec enthousiasme la 2ème édition du Salon du livre des Francophonies du Niagara (SAFRAN)

    SOFIFRAN est ravie de dévoiler les détails de la prochaine édition du Salon du livre des francophonies du Niagara (SAFRAN), un événement littéraire et culturel incontournable qui se tiendra du jeudi 21 mars au dimanche 24 mars 2024. L’événement débutera à 10h chaque jour et se déroulera au prestigieux espace de l’école des beaux-arts Marilyn A. Walker de l’université Brock, située à St. Catharines.

    Nous sommes particulièrement honorées de présenter Nafée Nelly Faïgou, la directrice du Salon du livre des francophonies du Niagara. Nafée Nelly Faïgou apporte une passion dévouée à l’univers littéraire francophone et joue un rôle clé dans la réalisation de cet événement majeur. Vous pouvez la contacter directement par courriel à l’adresse suivante : lesafran2024@gmail.com.

    Le SAFRAN est rendu possible grâce au soutien financier du Ministère des Affaires Francophones, dans le cadre du Programme d’appui à la Francophonie ontarienne (PAFO).

    Nous invitons chaleureusement la communauté à se joindre à nous pour célébrer la diversité littéraire francophone au Salon du livre des francophonies du Niagara. Venez plonger dans un monde d’histoires captivantes, de découvertes littéraires et de rencontres inspirantes.

    Pour plus d’informations et pour rester connectés avec les dernières actualités du SAFRAN, suivez-nous sur nos réseaux sociaux et visitez notre site web officiel : www.sofifran-safran.com

    Organized under the  main theme of Les contradictions dans les littératures,
    programming will address the sub themes of:
    – Sensitivity and Sensationalism
    – Waiting: Hope and Despair
    – Spaces and Comfort Zones (status quo in opposition to evolution)
    – Beliefs (in oneself and in others), Fear and Courage
    – Nature and Materialism/Artificial Intelligence/Technology
    – Individuality and Sense of Group
    – Body/Mind/Psyche

    Free event, open to the public.
    la programmation est disponible ici / The program is available here.


    Les auteurs

    Le Safran a pour objectif de promouvoir la diversité culturelle et linguistique des francophones du Niagara, de valoriser les auteurs et les artistes d’expression française, et de favoriser le dialogue et les échanges entre les différentes communautés.

    SAFRAN aims to promote the cultural and linguistic diversity of French speakers in Niagara, to celebrate authors and artists of French expression, and to promote dialogue and exchanges between different communities.

    Didier Leclair
    Mireille Messier
    Gaston Mabaya
    Kalula Kalambay
    Unblind Tibbin
    Marie Yanick Dutelly
    Binta Wague
    Marlène Thélusma
    Serge Stéphane TESSA
    Michèle Laframboise
    Mélina Seymour
    Khadydja Ndoye
    Nafée Faïgou
    Fété Ngira-Batware Kimpiobi
    Aristote Kavungu

    avec la précieuse participation de professeurs et d’instructeurs de l’Université Brock du département / with the special participation of Brock University faculty and instructors from the
    Department of Modern Languages, Literatures and Cultures:

    Nafée Faïgou
    Nicholas Hauck
    Richard Ndayizigamiye
    Jean B. Ntakirutimana
    Catherine Parayre (also Centre for Studies in Arts and Culture)
    Paul Savoie
    David Vivian (Centre for Studies in Arts and Culture/Department of Dramatic Arts)

    …and others. For more information: www.sofifran-safran.com

    To reserve a ticket for events organized by the Maison de la culture francophone du Niagara in honour of the Journée internationale de la Francophonie et les Rendez-vous Poétiques 2024 (March 20, 2024) and the Journée mondiale de la marionnette et les Rendez-Vous Poétiques 2024 (March 21, 2024) : mcfniagara.com/programmationsVeuillez noter q’un laptop est nécessaire pour s’inscrire à cet atelier./ Please note that a laptop is required to participate in this workshop. lesafran2024@gmail.com pour s’inscrire/to register

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    Categories: Announcements, Current Students, Events, Faculty & Instructors, Future Students, In the Media, Media Releases, News, Uncategorised

  • Audio tour explores historic art of Mackenzie Chown Complex

    Lesley Bell (BA ’88), former Learning Commons Co-ordinator at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), has researched the history of Michael Snow’s Timed Images installation at Brock. She is pictured here with Frame Three, which now hangs in the School.

    posted on the Brock News on TUESDAY, MAY 09, 2023 | by 

    Getting lost in Mackenzie Chown Complex is a familiar experience for many Brock students, and it’s easy to miss the artistic significance of the building in the rush to get to class on time.

    A new self-guided audio tour produced by Foreword, a podcast from the Faculty of Humanities, hopes to encourage a new appreciation for a complicated space and the art it contains on the 50th anniversary of its installation.

    The audio tour guides the listener through the various locations of Michael Snow’s 1972-73 art installation Time Images and considers how the building’s unique architecture plays with the space and light.

    Snow was invited by renowned architect Raymond Moriyama to create an art installation as part of the design for Brock’s new Academic Staging Building, now called the Mackenzie Chown Complex. His installation consisted of a series of mirrors, still images and live video situated throughout the building from Pond Inlet to A Block.

    Elements of the installation can still be seen, and the audio tour has an accompanying web page featuring historic photographs, artist sketches and architectural plans collected by Lesley Bell (BA ’88), an artist and retired support staff for Brock’s Department of Visual Arts, during her research on Snow.

    Snow, who died in January, was a widely acclaimed Canadian artist. His many honours included Officer of the Order of Canada (1981), Governor General’s Award in Media Arts (2000) and an honorary Doctor of Law degree from Brock University (1974). He is also known for his Canada geese sculpture, Flight Stop (1979), that hangs in Toronto’s Eaton Centre and his piece The Audience (1989) on the exterior of the Rogers Centre.

    The Foreword podcast’s two-part final episode of series four also features an interview with Bell by host Alison Innes, Strategic Initiatives and Outreach Officer in the Faculty of Humanities. Bell became interested in Snow’s art at Brock while she was working with the Department of Visual Arts. She went on to research and produce a short documentary on Snow and his collaboration with Moriyama at Brock with Tracy Van Oosten (BA ’10) in 2021.

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  • Fentanyl drug crisis focus of free public film screening, naloxone training

    A free public screening of Love in the Time of Fentanyl will take place this Saturday, March 25 at Brock University’s Marilyn I. Walker School of Fine and Performing Arts.  

    The event is expected to run from 6 to 9 p.m. in room MWS 156, beginning with naloxone and harm reduction training from 6:30 to 7 p.m., followed by the film screening at 7 p.m. and a question-and-answer session at 8:30 p.m. 

    Directed, edited and co-produced by Colin Askey, Love in the Time of Fentanyl follows a group of misfits, artists and drug users who operate a renegade safe injection site in Vancouver’s downtown eastside fighting to save lives and keep hope alive in a neighborhood ravaged by the overdose crisis. 

    Ronnie Grigg, founder of the non-profit Zero Block Society and one of the film’s key participants, will be traveling from Vancouver to present at the screening and participate in the panel discussion question-and-answer period alongside representatives from Positive Living Niagara’s StreetWorks harm reduction program. 

    The event is presented by Brock University’s Centre for Studies in Arts and Culture; Department of Modern Languages, Literatures and Cultures; Department of Sociology; and Faculty of Applied Health Sciences, in collaboration with Positive Living Niagara and Rad Snax. 

    Love in the Time of Fentanyl had its world premiere at the 21st DOXA Documentary Film Festival, where it was featured as the Justice Forum Special Presentation and took home the Colin Low Award for Best Canadian Director. 

    WhatFree screening of Love in the Time of Fentanyl 

    When: Saturday, March 25 from 6 to 9 p.m. 

    • Doors open at 6 p.m. 
    • Naloxone and harm reduction training from 6:30 to 7 p.m. 
    • Film screening from 7 to 8:30 p.m. 
    • Panel discussion question-and-answer period and refreshments from 8:30 to 9 p.m. 

    Where: Room MWS 156 in Brock University’s Marilyn I. Walker School of Fine and Performing Arts, 15 Artists’ Common, St. Catharines. MWS 156 is located adjacent to the main lobby on the lower level of the School. It is accessible, with accessible washrooms nearby.  

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  • First Studies in Arts and Culture certificate recipient making mark in industry

    Skye Rogers, the first recipient of Brock University’s Certificate in Arts and Culture Studies, will debut her project ‘PLAYGROUNDS: a joyful happening’ on Saturday, July 16 at In the Soil Arts Festival.


    Originally published in The Brock News | WEDNESDAY, JULY 13, 2022 | by 

    For the first recipient of Brock University’s Certificate in Arts and Culture Studies, the sky’s the limit.

    Skye Rogers, who received the first certificate from the Centre for Studies in Arts and Culture (STAC) this spring, has been using the knowledge she amassed at Brock to further her career.

    The one-year certificate program was a draw for the St. Catharines native, who returned to her hometown in spring 2021 upon completing her studies at Randolph College for the Performing Arts in Toronto.

    “It was a perfect time to get some more learning under my belt,” Rogers says. “The STAC program really allowed me to dive deeper into my interests in art history and the flexibility that I had in my course selection allowed me to continue my more hands-on learning in dramatic and visual arts.”

    Rogers says she found her time with STAC “academically enriching.”

    “The program set me up well with more of the entrepreneurial skills needed to be an artist,” she says. “Applying my knowledge was really significant for me and getting to research my own interests for our final project was crucial.”

    With her newly acquired skills and knowledge, Rogers is now flourishing professionally.

    “I’m so excited to be involved in some artist residencies this summer, including the Nest Residency with Suitcase in Point and In the Soil Arts Festival,” she says. “I’ve been developing a project called ‘PLAYGROUND: a joyful happening’ that’s centred around rekindling childlike joy, connecting with strangers, and reclaiming city spaces through play.”

    Her new project will debut at Nest Fest on Saturday, July 16 as part of the In the Soil Festival Summer Series. Nest Fest will also include participants from Suitcase in Point’s Electric Innovations Theatre Intensive. This two-week intensive theatre program will be hosted at Brock’s Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines.

    Reflecting on her studies, Rogers says it’s the connections she made during her time at Brock that she cherishes most.

    “All of my in-person group projects were especially profound. Art is all about connection for me, and that element must be kept sacred,” she says. “I could chat with a classmate, or even a professor, and develop a friendship with our shared interests.”

    More information on the Certificate in Arts and Culture Studies program is available on the STAC website.

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  • Student-run podcast provides guidance, inspiration for future artists

    The Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines is home to the student-run podcast, Dear Marilyn, named in honour of the late textile artist and philanthropist.

    Originally published in The Brock News | TUESDAY, APRIL 12, 2022 | by 

    What started as a passion project for two Brock University students in search of career tips has become a robust podcast series providing invaluable insight to the next generation of creators.

    Produced for students by students, the popular podcast Dear Marilyn is now in its second season of connecting the student community with professional artists, with plans to continue production on an ongoing basis.

    Created in 2021 by Dramatic Arts (DART) students Danielle Letourneau and Luca D’Amico, the podcast name honours celebrated textile artist, philanthropist and arts advocate Marilyn I. Walker. In 2008, Walker made a historic donation to Brock that led to the creation of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    Letourneau, the podcast’s producer who is now in her fourth year of study with a concentration in Drama and Education and minor in History, says that she has often felt anxiety about entering theatre as a profession.

    “I started this podcast to give students like myself a resource for practical job advice,” Letourneau said. “The arts industry is not always considered the most conventional career path, but we do it because this is what we love; the arts nurture our souls.”

    Supported by Dean Carol Merriam of the Faculty of Humanities through the Dean’s Discretionary Fund in 2021, the Associate Dean of Fine and Performing Arts and MIWSFPA department Chairs, the Dear Marilyn team invites local and surrounding artists from a range of artistic disciplines to share their stories.

    Co-hosts Hayley Bando, a second-year Dramatic Arts major with a concentration in Production and Design, and Chloe Racho, a third-year Music major with a minor in French Studies, are thrilled to be part of the project.

    “We are honoured to help bring these diverse perspectives about professional journeys in the arts to the Brock community,” Bando said.

    Recent podcast guests include actor, writer and producer Thet Win, voice actor Keegan Vaillancourt and singer-songwriter Glenn Marais.

    MIWSFPA faculty have been supportive since day one, with Karen Fricker, Associate Professor of Dramatic Arts, championing the podcast idea in its early stages.

    “I was happy to support Dear Marilyn initially because it’s a great idea, and a positive student-led project during the hard time of the pandemic,” she said. “I looked forward to each episode and was entertained and educated by the hosts’ sparky exchanges with guests.”

    DART Associate Professor Gyllian Raby guided the grant proposal for Dear Marilyn resulting in the expansion of the podcast to include all four departments at the downtown arts campus (Dramatic Arts, Music, Visual Arts and Centre for Studies in Arts and Culture).

    “What’s not to like about Dear Marilyn? It relates directly to our mission to create experiential, professionalized learning for students producing, hosting, editing and broadcasting,” Raby said. “And, it’s entertaining and insightful.”

    DART Associate Professor Danielle Wilson has been working with the team on the second season. Episodes are edited by Alex Sykes, a fourth-year DART student with a concentration in Production and Design.

    Available on Spotify, the next episode goes live this week. For the latest news, follow Dear Marilyn on Instagram.

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  • Concepts of land and ownership in Canada at centre of upcoming Brock panel discussion

    Image caption: Artist and educator Adrian Blackwell (left) and architect David Fortin (right) will be co-moderating an upcoming online roundtable discussion about land ownership in Canada.

    WEDNESDAY, NOVEMBER 03, 2021 | by 

    An upcoming Brock University panel discussion will bring together distinguished Indigenous and other artists, designers and architects to reimagine Canadian cities towards a more inclusive future.

    Presented by the Centre for Studies in Arts and Culture (STAC) and Department of Visual Arts (VISA), “Rethinking Property in c\a\n\a\d\a” will be hosted as a Zoom webinar on Wednesday, Nov. 10 from 1:30 to 3 p.m. and is open to the Brock and wider community.

    The online event will be co-moderated by artist and educator Adrian Blackwell, Associate Professor, School of Architecture at the University of Waterloo, whose art practice spans photography, video, sculpture, urban theory and design; and David Fortin (Métis Nation of Ontario), a LEED-accredited professional and registered architect. Fortin is also a member of the Royal Architectural Institute of Canada (RAIC) Indigenous Task Force that seeks ways to foster and promote Indigenous design in Canada.

    The discussion will bring together a diverse group of panelists, including artist Bonnie Devine (Genaabaajing First Nation), Founding Chair of the Indigenous Visual Culture program at OCAD University and winner of the 2021 Governor General Award in Visual and Media Arts; landscape architect Tiffany Kaewen Dang, a territorial scholar from Treaty 6 Territory in Edmonton, Alta.; and Luugigyoo Patrick Reid Stewart (Nisga’a, B.C.), the first Indigenous president of an architectural association in Canada and the first Indigenous person in B.C. to own and operate an architectural firm.

    Rethinking Property in c\a\n\a\d\a is the first of four events in a series called Fictive Architecture presented by STAC. The series is funded through a Social Sciences and Humanities Research Council (SSHRC) Connection Grant, with matching funds from the Office of the Vice-President, Research at Brock University.

    Catherine Parayre, Associate Professor and Director of STAC’s Research Centre in Interdisciplinary Arts and Creative Culture, said these events will provide a creative and intellectual environment for all participants to express and debate views, sharing experiences that touch on personal perspectives or matters of social urgency.

    “This series is part of the activities of the Research Centre in Interdisciplinary Arts and Creative Culture, whose vision is predicated on the fact that researchers and creators, no matter their discipline, share a passion and drive for their subject in which creativity is often at the root of their unique vision or forms of inquiry.”

    The series is also connected to STAC’s Small Walker Press (SWP), a small innovative publishing house that produces two companion books each year as part of the Walker Cultural Leader Series. Blackwell is one of the artists (along with Landon Mackenzie) who will contribute to the 2022 SWP publications informed by the roundtable discussion.

    Derek Knight, Associate Professor, History of Art and Visual Culture and co-editor for the Small Walker Press, said this timely panel promises to be informative, far-reaching and will posit new, inclusive ways of re-imagining the land, concepts of ownership and shelter in Canada.

    “Blackwell is committed to thinking about new ways of interacting with our built environs, especially at this critical time in which decolonialization brings into focus the pressing need to resolve the challenge of unceded territories and respect the role of First Peoples as integral to how we re-envision Canada in the future,” Knight said.

    The webinar is free to attend, although registration is required through the Zoom event web page.

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  • Much work to be done on live theatre’s road to recovery, says Brock prof

    Editor’s note: The following article tells about the challenges, enthusiasm for, and success in relaunching the performing arts in the Niagara Region, now 18 months into the pandemic. Students of the Centre for Studies in Arts and Culture may register for the course taught by Professor Fricker, DART 1P91 Introduction to Theatre and Performance, as part of their degree program.


    (above) Brock Dramatic Arts graduate Amanda McDonnell (BA ’15), who is part of the front of house team at the Shaw Festival, welcomed audiences back this summer.

    THURSDAY, AUGUST 26, 2021 | by 

    After 17 months, the live theatrical experience is slowly making its return — but not without challenges ahead, says Brock theatre expert Karen Fricker.

    “Amidst the adversity that live performing arts have been faced with through the pandemic, a wonderful thing has happened this summer: the return of live theatrical performance, because it has been able to be outside,” says the Associate Professor and Undergraduate Program Officer in Dramatic Arts (DART), who is an expert in theatre criticism, theatre theory and contemporary theatre.

    The Shaw and Stratford Festivals, two of Ontario’s most celebrated repertory companies, have been staging performances outdoors under canopies (tents with no walls) with mandatory masks for audiences in addition to capacity limits in accordance with provincial guidance. Both festivals are taking audience, artist and staff safety seriously, with COVID-19 protocols in place, says Fricker, who is also a theatre critic for the Toronto Star, writing about performances in the city as well as the Shaw and Stratford Festivals each summer.

    Although these outdoor performances do not come close to hosting the usual number of spectators, Fricker says this is a “big step in the right direction.”

    “Artists are being paid and creativity is happening,” she says, adding that while “innovative digital work has been heroic during the pandemic, experiencing live performances in a shared space is a joyous return.”

    Brock’s Dramatic Arts Department engages with the Shaw Festival in numerous ways, including the annual DART/Shaw internship and course-based experiences with Shaw artists and arts workers. A number of DART students and graduates work at the festival in front of house, producing and administration, and creative capacities.

    Seeing some of those familiar faces at Shaw this summer has been a particular highlight, Fricker says.

    While outdoor performances are a step in the right direction, Fricker says there is still more work to do. There will be limited live, in-person programming in the performing arts sector this fall, mainly due to unclear guidance from the provincial government around reopening, she says.

    In the early summer, the performing arts industry lobbied the government to address live performances in the official stages of reopening. Now that the performing arts have been included, companies have been able to plan. However, “you can’t just lift a theatre production off in a few weeks; you need a runway,” Fricker says.

    Colleen Smith, Executive Director of the FirstOntario Performing Arts Centre (PAC) adjacent to Brock’s Marilyn I. Walker School of Fine and Performing Arts, says the team at the PAC has experienced these challenges first-hand.

    “Never did any of us whose lives revolve around bringing together artists and audiences believe that we would witness the end of the age-old adage, ‘the show must go on,’” she says. “In fact, the show stopped for months at a time. It’s been an unbelievable period of disruption, heartache and loss of purpose for so many artists and arts workers.”

    Smith says that “buoyed by our partners at the City of St. Catharines and Brock University, as well as the support from our Board of Directors, we have used the first half of 2021 to develop a three-year recovery strategy that will place the PAC firmly within our community as a centre for creative and artistic experiences and learning.”

    The PAC is planning a gradual return, starting with the annual Celebration of Nations gathering, which will be in a hybrid format in September.

    Among the local theatre organizations taking important steps to make innovative work and engage the public in Niagara safely is the young people’s theatre company Carousel Players, which is focusing on new play development in August and September.

    “We are experimenting with a range of forms, including clown, puppetry and mask,” says Artistic Director and Brock graduate Monica Dufault (MA ’11). “We want to offer new pieces that are dynamic and theatrically alive when we meet our audiences again.”

    The company will present an outdoor performance, The Giant Puppet Party, for Culture Days in October, a new digital play for ages 12 to 17 called Meet Chloe starting in November, and a school touring production of The Velveteen Rabbit for ages four to seven in March 2022.

    Suitcase in Point, another St. Catharines-based theatre company, recently announced the launch of a reimagined In the Soil Arts Festival running Friday, Aug. 27 to Saturday, Sept. 25. The festival includes opportunities to see live, original theatre, new music, comedy acts, installations and participatory workshops. All-inclusive festival passes are available for purchase online.

    DART graduate Deanna Jones (BA ’02), the Artistic Director of Suitcase in Point and In the Soil, says the limits of the last 17 months have been a “unique test on our arts organization and the arts community at large.”

    “We knew this 13th edition of our annual In the Soil Arts Festival would be different, and we were determined to find inspired ways to get off of our screens and offer artists and audiences safe ways to connect — in person.”

    During In the Soil, artists from Essential Collective Theatre will be set up on James and St. Paul Street interviewing community members about their pandemic experiences. Working on this initiative are DART graduates Jordine de Guzman (BA ’20), Kristina Ojaperv (BA ’19) and Ren Reid (BA ’20). The project will culminate in the Pandemic Stories Project, a new play to be read at St. Catharines’ Culture Days in early October.

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  • Celebrated Canadian artist Michael Snow’s contribution to Brock revisited in new documentary

    A still image from the new documentary short Timed Images premiering Friday, Aug. 20 at the Mighty Niagara Film Fest. The film was produced and researched by Lesley Bell with video work and direction by Tracy Van Oosten.

    WEDNESDAY, AUGUST 18, 2021 | The Brock News | by 

    The legacy and impact of artwork created for Brock University in 1972 by internationally regarded Canadian artist Michael Snow has been captured on film and is being premiered Friday, Aug. 20 at a local film festival.

    Part of the Mighty Niagara Film Fest presented by Niagara Artists Centre (NAC), Timed Images is a new documentary that intimately explores two works of public art created by Snow when he was engaged by Brock University and architect Raymond Moriyama during the construction of Brock’s Mackenzie Chown Complex in 1972. Snow holds an honorary Doctor of Laws degree from Brock University received in 1974.

    The short documentary is produced and researched by Lesley Bell, artist and retired support staff for the Department of Visual Arts (VISA) at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), and directed by Brock graduate Tracy Van Oosten (BA ’10), artist, filmmaker and current VISA Instructor at the MIWSFPA.

    Bell, who managed Brock’s Fine Art Collection for 18 years, was drawn to Snow’s work and wanted to uncover the story behind his pieces and appreciate how they found their home in St. Catharines.

    Bell and Van Oosten, a filmmaker and artist who works with text, video and installations and explores moving images within immersive contexts, collaborated to create an artistic documentary that retraces Snow’s innovative art that delighted the University population in 1972.

    “In order to tell the story about these two artworks by Snow, I envisioned a video document. I had no understanding of the process,” Bell said. “With patience and skill, Tracy Van Oosten crafted the information that I found into an intelligent and visually stimulating artistic video work. This has been a satisfying collaboration.”

    Timed Images screens Friday, Aug. 20 at the RiverBrink Art Museum in Queenston, Niagara-on-the-Lake. Doors open at 8 p.m., with the screening scheduled to start at sunset. The documentary is part of an art-inspired program at NAC’s film fest called ‘An Ode to Escarpment School Films.

    For more information about Timed Images and to purchase tickets, visit the Mighty Niagara Film Fest website.

    This project is supported by David Vivian, the Director of the Centre for Studies in Arts and Culture, and Dean Carol Merriam of the Faculty of Humanities, through the Dean’s Discretionary Fund (2020). An installation for the public to view Timed Images at the MIWSFPA and online is currently in development.


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