Articles tagged with: Catherine Parayre

  • New art exhibition the product of student collaboration

    Quality Family Time (and Space), a piece by Brock alumna Emily Andrews (BA ’11), is part of the new Erasures exhibit that will run from April 2 to 27 in the VISA Art Gallery and Student Exhibition Space at the Marilyn I. Walker School of Fine and Performing Arts. An opening reception is set for Thursday, April 4 from 5 to 8 p.m.


    (From The Brock News, March 27, 2019 | By: Jaquelyn Bezaire)

    While they’re known for correcting errors, erasures are signs of progress and an expanding imagination.

    Students in Brock’s Visual Arts (VISA) and Studies in Arts and Culture (STAC) programs will explore this theme in a new collaborative art exhibit on view from Tuesday, April 2 to Saturday, April 27.

    The exhibit, Erasures, will be open to the public in the VISA Art Gallery and Student Exhibition Space at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) in downtown St. Catharines.

    An opening reception will be held in the gallery on Thursday, April 4, from 5 to 8 p.m.

    Led by Shawn Serfas, Associate Professor of Visual Arts, and Catherine Parayre, Director of the Centre for Studies in Arts and Culture, students enrolled in VISA 4P03/4P04 and STAC 3P01 worked together to create a show that features paintings and text that thematize different types of erasures.

    The work ranges from the exploration of scenes lacking important elements, simplified adaptations of existing artworks and abstracted forms of figurative objects.

    Short written statements commenting on well-known recent artworks accompany the paintings to provide further context.

    Serfas and Parayre frequently bring students from different backgrounds together to collaborate on creative endeavours.

    “It has been an enriching learning experience, for both the students and the instructors,” Parayre said of working with the students on Erasures.

    The exhibition evokes transformations and process, an important theme in both Serfas’ senior studio courses and Parayre’s Media Transformations in the Creative Arts course.

    Whether in visual expressions or in texts, Parayre added, erasures are invitations to scrutinize, read and interpret, which is exactly what the public is encouraged to do at the upcoming exhibition.

    Erasures runs from April 2 to 27 in the VISA Art Gallery and Student Exhibition Space at the MIWSFPA in downtown St. Catharines. The gallery is open to the public Tuesdays to Saturdays from 1 to 5 p.m.

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  • Community voices expressed through Brock art exhibitions

    Curt Richard, a student in VISA 3M90, surveys the exhibition that he and 52 other students have completed over the course of the semester. Manifestos in a Room is a collaboration between students in French, Visual Arts, and Studies in Art and Culture. It will be on display at Rodman Hall Art Centre until Dec. 30.


    (From The Brock News, Friday, Dec. 7, 2018 | By: Alison Innes)

    Two Brock art exhibitions now on display are working to celebrate and amplify community voices.

    Manifestos in a Room and Sauti za Afrika/African Voices/Voix Africaines were each created to engage with Northern Oracle, an exhibition by Heather Hart currently being featured at Rodman Hall Art Centre.

    Through the exhibition, which includes an indoor rooftop installation, Hart asks visitors what they want to say to the world and advises them to shout it from the rooftop.

    Reflecting on Northern Oracle, 53 students in Visual Arts, Studies in Arts and Culture, and French came together to create their own statements, whether poetic, absurd or political. The expressions — in both English and French — were used to create Manifestos in a Room, on display in Rodman Hall’s Studio Gallery.

    Students worked throughout the fall semester to bring the exhibition, curated by Associate Professor Catherine Parayre and instructor Donna Akrey, to life.

    Jean Ntakirutimana, Chair of the Department of Modern Languages, Literatures and Cultures, demonstrates the talking drum

    Jean Ntakirutimana, Chair of the Department of Modern Languages, Literatures and Cultures, demonstrates the talking drum used to send messages over long distances in Cameroon. With careful training, a person could use the different tones produced by the drum to send messages. The drum is just one of the items on display in Sauti za Afrika/ African Voices/ Voix Africaines, an exhibition celebrating voices of Niagara’s African diaspora community.

    “It really helps to collaborate in one’s art practice,” said Akrey, whose art students were involved in the project.

    “We also did an assembly line production to create some of the work, which was fun and rewarding. I was impressed with how the 3M90 students embraced this project and made sense of it for the viewing public.”

    For the participating French students, the exhibition was a “great opportunity to practice writing constraints for fun,” said Parayre. “Students produced facetious manifestos, writing eloquently on a light-hearted topic. It allowed all of us to put our creative forces together and share a common space.”

    The exhibition includes a visual component as well as a three-minute audio track created by the students.

    Over at Brock’s main campus, the Department of Modern Languages, Literatures and Cultures (MLLC) is hosting Sauti za Afrika/African Voices/Voix Africaines, an exhibition meant to amplify the voices of the African diaspora in Niagara. Featuring 12 different languages, the exhibition combines modern writing with ancient traditions of communication.

    The display features instruments and figurines used for communication, such as a conch shell, similar to the one used to call for revolution in Haiti, and miniature replicas of Burundi drums used by royalty to communicate with their people.

    Also included is an intricately carved cow horn used to call people to come and hear the chief speak in certain regions of Africa, said Department Chair and Associate Professor Jean Ntakirutimana.

    Ntakirutimana worked with members of Niagara’s African diaspora and Sofifran (Solidarité des femmes et familles immigrantes francophones du Niagara) to collect people’s hopes, dreams and concerns to include in the display. Members have also loaned their personal objects for the exhibition.

    The display is a precursor to an event by the same name coming up in February. Co-hosted by Sofifran, MLLC and Studies in Arts and Culture, the event will be held at Rodman Hall and will also engage with Northern Oracle.

    Sauti za Afrika/African Voices/Voix Africaines is a part of the Museum in the Hallway project, curated by Parayre. Located in the Department of Modern Languages, Literatures and Cultures (Mackenzie Chown A-block), the project features rotating monthly displays.

    Both African Voices and Manifestos in A Room will be on display until the end of December. Northern Oracle will be at Rodman Hall until March 3.

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    Categories: Current Students, Events, Exhibitions, Faculty & Instructors, News

  • Students exhibit at Die Bäckerei in Innsbruck, Austria UPDATED

    We are very excited to announce an exhibition by the students of the MIWSFPA in Innsbruck, Austria!

    see photographs from the exhibition, below.

    Geographies of Process

    presented at …

    Die Baeckerei

    13 June – 6 July 2018 (Opening 13 June 2018, 19:00)

    Learning is process. Students in Visual Arts at the Marilyn I. Walker School of Fine and Performing Arts, Brock University, Canada put together a series of paintings to illustrate the process of abstraction at work in referencing urban, industrial, domestic, and natural landscapes. Students in Arts and Culture and French Studies continue the process of abstraction through the creation of written texts responding to their peers’ paintings.

    Curators: Catherine Parayre and Shawn Serfas

    With the generous support of the Canadian Studies Centre, University of Innsbruck

    Geographien als Prozess

    Lernen ist ein Prozess. Studierende der bildenden Kunst der Marilyn I. Walker School of Fine and Performing Arts an der Brock University (Kanada) haben eine Reihe von Bildern zusammengestellt, um den Prozess des Abstrahierens zu illustrieren, der abläuft, wenn auf städtische, industrielle, häusliche und natürliche Landschaften Bezug genommen wird. Studierende der Fächer Kunst, Kultur und Französisch setzen diesen Prozess fort, indem sie Texte verfassen, die auf die Bilder ihrer KollegInnen
    reagieren.

    KuratorIn: Catherine Parayre und Shawn Serfas (Brock University)

    Eröffnung: 13. Juni 2018, 19:00 Uhr

    13. Juni – 6. Juli 2018
    Bäckerei Innsbruck, Dreiheiligenstraße 21a, 6020 Innsbruck

    Geographien als Prozess / Geographies of Process / Géographies en formation

    Lernen ist ein Prozess. Studierende der bildenden Kunst der Marilyn I. Walker School of Fine and Performing Arts an der Brock University (Kanada) haben ein Reihe von Bildern zusammengestellt, um den Prozess des Abstrahierens zu illustrieren, der abläuft, wenn auf städtische, industrielle, häusliche und natürliche Landschaften Bezug genommen wird. Studierende der Fächer Kunst, Kultur und Französisch setzen diesen Prozess fort, indem sie Texte verfassen, die auf die Bilder ihrer KollegInnen reagieren.

    Learning is process. Students in Visual Arts at the Marilyn I. Walker School of Fine and Performing Arts, Brock University, Canada put together a series of paintings to illustrate the process of abstraction at work in referencing urban, industrial, domestic, and natural landscapes. Students in Arts and Culture and French Studies continue the process of abstraction through the creation of written texts responding to their peers’ paintings.

    Tout apprentissage est un processus. Des étudiant.e.s en Arts visuels de l’Ecole des beaux-arts et arts du spectacle Marilyn I. Walker à l’Université Brock au Canada assemblent une série de peintures illustrant un processus d’abstraction faisant référence à des paysages urbains, industriels, domestiques et naturels. Poursuivant cet enchainement vers l’abstraction, des étudiant.e.s d’Arts et Culture et d’Etudes en français répondent aux œuvres de leurs collègues par la création de textes.

    KuratorIn / Curators / Commissaires: Catherine Parayre / Shawn Serfas

    Mit der Unterstützung des Zentrums für Kanadastudien der Universität Innsbruck
    With the generous support of the Canadian Studies Centre, University of Innsbruck
    Avec le généreux appui du Centre d’Etudes canadiennes de l’Université d’Innsbruck

    KünstlerIn / Artists / Artistes

    Gianna Aceto
    Jessica Angelevski
    Elizabeth Angotti
    Denise Apostolatos
    Teresa Badgley
    Renz Baluyot
    Chris Belanger
    Marilyn Blanchette
    Brandon Boudreau
    Hannah Brown
    Andrea Caruso
    Maddy Cugini
    Thomas Denton
    Chelsea Dietrich
    Amy Doan
    Hannah Dobbie
    Isabella Domaradski
    Mariah Dubeau
    Amandine Faivre
    Alex Finlayson
    Dailia Frigault
    Jill Greer
    Stefanie Gugliucciello
    Kylie Haveron
    Gail Higenell
    Samantha Hilton
    Aimee Hu
    Syerra Jasmin
    Gabriella Jones
    Phuong Le
    Laura Levesque
    Brendan Long
    Craig Maltais
    Sarah Martin
    Jim Maunder
    Katie McGinness
    Kaitlyn Michie
    Avery Mikolic-O’Rourke
    Andrey Mintchev
    Jennie Montes
    Victoria Morinello
    Jaclyn Morse
    Lauren Mucciarone
    Michelle Nazari
    Alona Nyforovska
    Joseph Opara
    Lillianna Pagliaro
    Connor Playfair
    Anna Podvalni
    Jacob Primeau
    Brittany Reitzel
    Curt Richard
    Jessie Richard
    Cynthia Richards
    Keira Robertson-Worden
    Abby Rollo
    Kourtney Spadoni
    Samantha Stein
    Sophia Strachan
    Charlotte Tarr
    Evan Weins
    Zachary White
    Amber Lee Williams

    LISTEN to an interview (in German) by Sarah von Karger with Co-Curator Catherine Parayre for “KulturTon”, Freirad Radio, Innsbruck, Austria, 2 Juli 2018

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  • Colour Constructs at Rodman Hall/Constructions en couleurs à Rodman Hall

    Pictured is a view of the exhibition Material Girls at Rodman Hall Art Centre. (source: RHAC)

    In fall 2017, Rodman Hall invites visitors to experience the exhibition Material Girls, which brings together Canadian and international female artists from across artistic disciplines and cultural backgrounds. Giving particular attention to the colourfulness and jubilance of this exhibition, in Colour Constructs, students in Visual Arts, Studies in Arts and Culture, and French Studies explore the materiality of colours in their own diverse ways. Student works are complemented by graffiti art by Niagara-based artist Mat Vizbulis, a classroom guest during the semester. Curators Catherine Parayre and Shawn Serfas. /

    A l’automne 2017, Rodman Hall invite ses visiteurs à découvrir l’exposition Material Girls, qui regroupe des artistes femmes du Canada et d’ailleurs, dont les pratiques artistiques et l’environnement culturel diffèrent. En s’inspirant des couleurs et de la gaieté de cette exposition, des étudiants-e-s en Arts visuels, Arts et cultures et Etudes en français explorent dans Constructions en couleurs la matérialité des coloris par le biais d’approches variées. Les graffitis de l’artiste Mat Vizbulis, établi dans la région du Niagara, complètent les oeuvres des étudiant-e-s. Commissaires: Catherine Parayre et Shawn Serfas.

    Article from the Brock News: Bilingual exhibition to shed light on Material Girls
    TUESDAY, NOVEMBER 28, 2017 | by Darien Temprile

    A new Rodman Hall exhibition aims to help visitors experience Material Girls in a new way.

    Geo, a piece created by third-year Visual Arts student Lilliana Pagliaro

    Geo, a piece created by third-year Visual Arts student Lilliana Pagliaro, will be featured in the Colour Constructs/Constructions en couleurs exhibition opening at Rodman Hall Thursday, Nov. 30.

    Colour Constructs/Constructions en couleurs, opening at the downtown St. Catharines art centre Thursday, Nov. 30, features works by students in Brock’s Visual Arts (VISA), Studies in Arts and Culture (STAC) and French Studies (FREN) programs.

    The exhibition, curated by Brock Professors Catherine Parayre and Shawn Serfas, initiates a sophisticated dialogue with Material Girls, an ongoing exhibition that opened at Rodman Hall Sept. 14.

    Material Girls is a large-scale group exhibition of work by Canadian and international emerging, mid-career and senior female artists from different artistic disciplines and cultures. Curated by a team from the Dunlop Art Gallery, a unit of the Regina Public Library, it explores material process and notions of excess as they relate to the feminized body, gendered space and capitalist desire.

    For Colour Constructs, students reacted to words, colours and visuals directly related to Material Girls.

    STAC students contributed nine texts based on words and expressions found in the curatorial statement of Material Girls; FREN students provided eight written fragments in French, describing colours from Material Girls; and VISA students, in their own paintings, reference the vividness of artwork presented in Material Girls.

    In addition to the work of students, the exhibition will include a new large commission by local graffiti artist Mat Vizbulis, who describes his work as ‘genre graffuturism.’

    “As the images unfold in layers, we understand that it is truly something unexplainable,” he said. “We are then daring to define things.”

    Earlier this year, Vizbulis led Brock students in experiential learning about graffiti and its role in both high art and popular culture.

    The opening reception of Colour Constructs/Constructions en couleurs takes place Thursday, Nov. 30 at 5 p.m. at Rodman Hall Art Centre, 109 St. Paul Cres. The exhibition will continue until March 4.

    Material Girls continues at Rodman Hall until Dec. 30.

    Admission to Rodman Hall Art Centre is free, although donations are accepted. For more information in French or English, visit ExperienceBU.

    UPDATE:

    French student Amandine Faivre, right, French student Amandine Faivre, right,  speaks about her poetry with French Professor Renee-Claude Breitenstein
    speaks about her poetry with French Professor Renee-Claude Breitenstein at the opening of Colour Constructs Thursday, Nov. 30. Curated by Professors Catherine Parayre and Shawn Serfas, the exhibition is a collaboration by students in Studies in Arts and Culture, Visual Arts and French Studies. Student artwork is complemented by work by local graffiti artist Mat Vizbulis, who worked with STAC and VISA students over the course of the semester. Colour Constructs is on at Rodman Hall Art Centre until March 4.
    Exhibition: Thursday Nov. 30, 2017 – Sunday Mar. 4, 2018

    Opening Reception: Thursday Nov. 30, 2017 at 5:00pm

    GALLERY HOURS:
    Tuesday, Wednesday & Friday: 10 am to 5 pm
    Thursday: 10 am to 9 pm
    Saturday & Sunday: 12 pm to 5 pm
    Closed Mondays, statutory and University holidays

    Free community event however donations accepted (suggested $5).

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    Categories: Current Students, Events, Exhibitions

  • Brock, SUNY art show set to open in Buffalo’s Silo City

    (Source: The Brock NewsThursday, April 20, 2017 | by . Photo caption: “Buffalo’s Silo City will play host to a joint art exhibition including the work of students and faculty from Brock University and the State University of New York at Buffalo. (Photo: Derek Knight)”)

    Brock University and the State University of New York (SUNY) at Buffalo have joined forces to showcase artists on both sides of the border while also highlighting a landmark area on the Buffalo River.

    After two years of planning, Post-Industrial Ephemera: Soundings, Gestures, and Poetics will open Saturday, April 22 at Buffalo’s Silo City — an industrial space filled with repurposed grain elevators and other structures built in the first half of the 20th century.

    Several silos will play host to the free art exhibition until Saturday, April 29.

    The exhibition’s opening reception will run from 2 to 5 p.m. and includes, in addition to the artwork of both Brock and SUNY students and faculty, performances by the Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins.

    Parayre, event co-curator and an associate professor in Brock’s Studies in Arts and Culture as well as Modern Languages, Literatures and Cultures, said the event developed from like minds coming together through networking opportunities at Brock’s Rodman Hall Art Centre.

    It was co-curator Reinhard Reitzenstein, an associate professor of sculpture at SUNY-Buffalo, that introduced Parayre to Silo City, the inspiration for the showcase.

    “Everyone is mesmerized because the structures there are stunning,” Parayre said of the area that is filled with buildings worn by weather and time.

    The event, she said, is to encourage people to “reflect on the notion of dispersal.”

    “Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced.”

    Silo City, she said, invites visitors to “become more perceptive to the transience of human endeavours.”

    The exhibition is an opportunity to reflect on the aging structures, their history and nature’s efforts to reclaim the partially vacant space, she said.

    Participating artists come from various disciplines including sculpture, arts, comparative literature, English studies, visual arts, studies in arts and culture, and French studies.

    The showcase features an array of installations, neon signs, readings, paintings, prints, videos and sculptures.

    Brock provided funding for the project through a longstanding research agreement in place between the two institutions, in addition to funding provided through Brock’s Dean of Humanities office.

    “We’re very grateful for Brock’s support,” Parayre said.

    Parking for the event is available onsite and guests are advised to dress warmly as temperatures within the silos remain brisk.

    More information on participating artists and performance schedules for the opening reception is available online.

    A one-day symposium held to relive the exhibition is scheduled to take place in September at Rodman Hall Art Centre in St. Catharines.

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  • Post-Industrial Ephemera: Soundings, Gestures and Poetics

    close up of an industrial building and window

    Photo credit: Derek Knight

    Post-Industrial Ephemera: Soundings, Gestures and Poetics
    Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River

    April 22 – 29, 2017
    105 Silo-City Row, Buffalo, NY 14203, U.S.
    Opening Reception: Saturday, April 22 from 2 – 5 pm
    http://www.silo.city
    Click here for directions
    Free community event

    Buffalo, New York and St. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Coming from different places and practices, we wish to foster interdisciplinarity.

    Together, we want to reflect on the notion of dispersal. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours.

    We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. We will capture the brilliance of a moment.

    A follow-up one-day symposium at Rodman Hall Art Centre, St. Catharines will document and revive the exhibition on September 16, 2017.

    The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins 

    Curators: Catherine Parayre, Reinhard Reitzenstein

    Click here to download the performance program.

    For more images and information, please visit the exhibition website.

     

    University of Buffalo art dept, Rodman Hall, Harmonia, Marilyn I Walker, Silo City and Brock University faculty of Humanities logs in a row


    Participating artists: 

    ArtIndustria+
    Untitled (neon sign)

    ArtIndustria+ was formed in 1995 by Derek Knight and Franc Petric, two Canadian artists who reside in the Niagara region. Motivated by the desire to work collaboratively, they have developed projects over the years with a focus on art, research and technology. Underlining their concerns with the dialectical relationship between ecology and industry, their conceptual models combine installation techniques and situational aesthetics to further examine the artist’s role in post-industrial society.

    Continuous Monument
    Silo Sessions at the American (noise/drone performance)

    Continuous Monument is an affiliation of interdisciplinary culture-makers working among design, text, architecture and sound fields. Born from the ashes of a contaminated political landscape, Continuous Monument gathers to spatialize sound and signal in temporary, site specific soundscape improvisations. Monument will perform at The American in Silo City as an acoustic inhabitation; live ghosts active in remnant industrial anatomy.

    Akasya Crosier
    Likeness (typeface study)

    Akasya Crosier is a multifaceted artist based in Western New York. She is currently a senior at UB studying Studio Art and Communication. In her artwork, she focuses on effective communication skills, idealized spaces, and bright imagery.

    Catherine Parayre (assisted by Josh Dawson, SUNY and Paul Savoie, Brock U)
    Ingrained Words (14 posters: assembled fragments from texts by 33 writers)

    Catherine works in Arts and Culture, and in Modern Languages, Literatures and Cultures at Brock University. She is particularly interested in contemporary Occitan literature, as well as the co-presence of literatures and visual arts. She includes her four languages in her creative work.

    Catherine Parayre and Jim Watkins
    The Silo-Minder (recording, reading)

    Jim Watkins lives in Silo-City and is our silo-minder/keeper. His passion for the arts and for Silo-City is central to our cross-border project.

    Lauren Regier
    Where I stand is fair and square (performance/grass seed & dirt)

    Lauren Regier is Honours graduate from Brock University’s Visual Arts program, and is an emerging artist based in the Niagara Region. Much of her work is inspired by the notion of functionality and relationships between the industrial world and the natural realm. Interested in the experiential nature of contemporary art, her practice includes photography, installation, performance, drawing and video.

    Reinhard Reitzenstein
    ArbreTreeBaum (vocal piece in 5 languages)

    Reitzenstein has held over 100 solo exhibitions and over 300 group exhibitions globally, and has completed over 25 public and private art commissions. His work is represented in more than 50 public and corporate collections internationally. Reitzenstein has been Director of the Sculpture Program at, SUNY, Buffalo since 2000. He is represented by the Olga Korper Gallery in Toronto.

    Casey Ridings
    Untitled Emotion (acrylic paint)

    Casey Ridings is currently a Graphic Design student at the University at Buffalo. She is intrigued by the geometric nature of organic patterns; through a spontaneous and intuitive process she creates intricate paintings and drawings inspired by the exploration of her experiences and emotions.

    Cody Schriever
    Vanity Case / Skeletons of Perception (painting/sculpture)

    Cody Schriever is a student in the University at Buffalo art department. His paintings and sculptures deal with human nature, and the structures of its self-perception. By combining various styles of painting and modes of expression he creates a complex narrative of the global condition.

    Shawn Serfas
    Alloyed (acrylic)

    Shawn is an Assistant Professor in the Visual Arts Department, Marilyn I. Walker School of Fine and Performing Arts at Brock University. His research interests include contemporary painting, drawing and printmaking practices concerning relational abstraction, environmental aesthetics, religion, the landscape as well as issues bordering abstraction and representation.

    Lucas Veraldi
    2mp (inkjet prints)

    Lucas is an artist currently residing in Buffalo, NY. His practice examines the different methods of representation that exist within the realm of photography and explores the truth value that a photograph holds as a piece data that showcases life.

    Sophia Yung
    Voyage Voyage 

    Sophia Yung is a Chinese American graphic designer and artist from Brooklyn, NY. Her most recent work involves the analysis of Asian American culture shock, language barriers, mixed martial arts and the role of financial capital in the precarious 21st century.

    Jean Zhu
    bacteria (video)

    Jean Zhu is currently a Media Study student at the University at Buffalo. She is both a photographer and a filmmaker. Her experimental films and straightforward photographs of everyday objects and scenes are noted for their color combination, explicit composition and rich content.


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  • Abstract/Abstracted: “This is not a tree”

    December 3, 2016 – February 12, 2017
    Opening Reception: Thursday 8 December (18:00/19:30)

    Location: Rodman Hall Art Centre,
    109 St Paul Crescent, St. Catharines, ON
    Curators: Catherine Parayre and Shawn Serfas

    Reflecting on the exhibition A Painter’s Country: Canadian Landscape Paintings Selected from the Permanent Collection (curator: Stuart Reid) presented at Rodman Hall during the summer of 2016, Abstract/Abstracted: ‘This is not a tree’ presents works by Karel Appel, Frederick S. Coburn, Hans Hartung, Kazuo Nakamura, Carl Schaeffer, and Tony Tascona. Put together, these artworks, also from Rodman Hall’s permanent collection, explore a different problematic. How much abstraction is there in representation? In turn, to what extent is an abstract work abstract? Abstract/Abstracted highlights, but also questions the contrasts between abstract and figurative art.

    Brock University students in “Intermediate Painting” respond in selected artworks, while students in “Interpretive and Critical Writing in the Arts” provide critical texts that explore these questions.
    The catalogue will appear in the 2017 issue of A Journal of Text-and-Image Criticism/Creation

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  • Visa and STAC students exhibit in Austria

    entwurf3-ausstellungStudents in the Brock University Intermediate Painting and Interpretive and Critical Writing in the Arts courses, under the tutelage of Professors Catherine Parayre and Shawn Serfas, have mounted an exhibition at the University of Innsbruck, Austria.

    Visual Appropriations and Rewritings
    June 1 – 30, 2016
    University of Innsbruck, Austria
    Click here for more information.

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    Categories: Current Students, Events, Exhibitions, News