Articles tagged with: Department of Visual Arts

  • MIWSFPA host to roughly 60 high school arts teachers

    Wednesday, March 06, 2019 | By

    Visual Arts teachers were led through an Indigenous art workshop led by Brian Kon.

    On Feb. 15, the Marilyn I. Walker School of Fine and Performing Arts hosted more than 60 Dramatic Arts, Music and Visual Arts teachers from the District School Board of Niagara (DSBN).

    Organized by Recruitment and Liaison Officer, Madison Roca, and NCDSB Arts Consultant, Teri Cristelli, the teachers were led through various workshops as part of their professional development day.

    “Many of the teachers had said it was the best professional development day they’d ever had,” said Cristelli.

    Among the different workshops were two visual arts workshops, the first on Indigenous art led by guest Brian Kon, followed by a session led by Visual Arts Assistant Professor Amy Friend on cyanotypes.

    There was also a Dramatic Arts workshop led by Dramatic Arts Chair Joe Norris and music workshop led by guest Kevin Hamlin from Yamaha Canada, held in the FirstOntario Performing Arts Centre.

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    Categories: Events, News

  • Brock alumna returns to speak with VISA students

    Wednesday, March 06, 2019 | By

    Brock alumna, Natalie Hunter, spent the afternoon with VISA 4F06 students as they discussed their upcoming exhibitions. Back row from left: Teresa Badgley, Amber Williams, Shawn Serfas, Sarah Martin
     Front row from left: Gianna Aceto, Emma Hutchison-Hounsell, Cynthia Richards, Natalie Hunter

    On Feb. 7, Brock Visual Arts students in the VISA 4F06 Honours course were visited by Brock alumna Natalie Hunter (BA ’11) to discuss their upcoming exhibitions that begin in March. Hunter and the students discussed the pieces they are working on and how to move forward in order to create a cohesive exhibition. During each student’s session, they received a small piece of translucent film that Hunter used in her exhibition, Staring into the Sun, which is currently on view at Rodman Hall Art Centre.

    During her time at Brock, Hunter was part of the VISA 4F06 Honours course, where students work all year to put together an exhibition in Rodman Hall. Staring into the Sun features photo-based sculptures and installations that explore the relationship between memory and physical space. The exhibition runs until April 28.

    At the Bottom of Everything, the first of two Visual Arts Honours exhibitions, runs from March 23 to April 7, with the opening reception on Friday, March 22 at 7 p.m. at Rodman Hall.

    The second exhibition runs from April 13 to 28, with the opening reception on Friday, April 12 at 7 p.m. at Rodman Hall. More details to come.

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    Categories: Alumni, Current Students, Events, News

  • International art exhibition makes Canadian debut at Brock

    Thursday, February 28, 2019 | By

    Alinka Echeverria’s The Road to Tepeyac consists of hundreds of photographs the artist took of devout Mexican pilgrims carrying their personal image of the Virgin of Guadalupe on an annual journey to commemorate her apparition in 1531.

    (From The Brock News, February 28, 2019 | By: Sarah Ackles)

    An internationally recognized exhibition is making its Canadian debut at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) next week.

    The Road to Tepeyac, from Mexican-British artist Alinka Echeverría, will open in the VISA Gallery and Student Exhibition Space of the downtown arts school on Tuesday, March 5 as part of the Walker Cultural Leaders Series.

    It features visually stunning images documenting an annual journey to Tepeyac, Mexico City, that millions of people undertake to pay tribute to the Virgin of Guadalupe.

    Mexican-British artist Alinka Echeverría will present The Road to Tepeyac at the VISA Gallery and Student Exhibition Space of the Marilyn I. Walker School of Fine and Performing Arts beginning Tuesday, March 5 as part of the Walker Cultural Leaders Series.

    On their backs, the devout pilgrims tote personalized items of the Virgin — from paintings and life-sized sculptures to brightly coloured clothing and floor-length robes — to be blessed when they reach their final destination.

    Described as an immersive photographic installation, the award-winning work deconstructs the historical, political, philosophical, psychological and anthropological relationship between an invisible presence and its materialized expression.

    Brock Visual Arts Assistant Professor Amy Friend, who curates the exhibitions in the gallery, said she found Echeverría’s work “to be both political and deeply human, which is not an easy feat to accomplish.”

    The Road to Tepeyac has been featured in exhibitions held in more than 20 countries.

    An opening reception for the Brock show will take place Thursday, March 7 in the VISA gallery, and is free and open to the public.

    A public lecture will immediately follow the reception at the Robertson Theatre in the FirstOntario Performing Arts Centre, where Echeverría will discuss her acclaimed photography and sound projects.

    Trained in social anthropology, Echeverría combines aspects of documentary photography with visual anthropology and conceptual art in her work.

    Alinka Echeverria’s The Road to Tepeyac consists of hundreds of photographs the artist took of devout Mexican pilgrims carrying their personal image of the Virgin of Guadalupe on an annual journey to commemorate her apparition in 1531.

    Friend looks forward to hearing the impact Echeverría’s background has on her investigative process: from how she initiates her projects to the factors determining how she achieves the final, visual form.

    In addition to the The Road to Tepeyac (2010), Echeverría will discuss her projects Deep Blindness (2013 to present), Becoming South Sudan (for which she was named International Photographer of the Year by the Lucie Awards) and Nicephora, a four-year project based on her BMW Art and Culture Residency at the Musée Nicéphore Niépce. In Nicephora, the artist deployed a rigorous, research-based approach to explore the male and colonial gaze from the inception of the photographic medium.

    Tickets to the lecture are free, but registration is required by visiting the FirstOntario Performing Arts Centre website.

    Generously funded by Marilyn I. Walker, the Walker Cultural Leader series brings leading artists, performers, practitioners and academics to the Marilyn I. Walker School of Fine and Performing Arts at Brock University. Engaging, lively and erudite, these sessions celebrate professional achievement.

    The Road to Tepeyac
    Exhibition opening reception: Thursday, March. 7, 5 p.m.
    Where: VISA Art Gallery and Student Exhibition Space, Marilyn I. Walker School of Fine and Performing Arts
    Exhibition runs: March 5 to 26.

    Public lecture: An anthropological gaze in contemporary photographic practice
    Thursday, March 7 at 6 p.m. in the Robertson Theatre of the FirstOntario Performing Arts Centre.

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    Categories: Events, News, Walker Cultural Leader Series

  • Event to explore bodies and illness through art and literature

    Thursday, February 21, 2019 | By

    Yasmine Kandil, Associate Professor of Dramatic Arts, and six Brock Dramatic Arts students will present “Still Here,” cat the fifth annual Art, Archives and Affinities event. Hosted by the Social Justice Research Institute, the event takes place at the Marilyn I. Walker School of Fine and Performing Arts on Tuesday, Feb. 26.

    (From The Brock News, February 21, 2019 | By: Alison Innes)

    Art-making and trauma. Non-human organisms in the human body. Early onset Alzheimer’s disease.

    These are some of the ideas and experiences Brock scholars will explore through art and literature at the upcoming Art, Archives and Affinities event hosted by the Social Justice Research Institute.

    Held Tuesday, Feb. 26 from 2 to 5 p.m. at the Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines, this year’s event features scholars from Visual Arts, Dramatic Arts, and English examining ideas about the body, illness and trauma.

    Included among the speakers is Candace Couse, an artist and PhD candidate in the Interdisciplinary Humanities, who will present an art installation and discuss her research on art and illness. Couse’s research examines the role that producing art has on artists who are undergoing illness and body trauma and how addressing trauma and illness through art-making helps artists reclaim their bodies and experiences.

    Also presenting is Adam Dickinson, Associate Professor in the Department of English, who subjected himself to a wide variety of bio-medical tests to measure and identify the precise chemical and microbial diversity of his body. The book of poetry he wrote examining the experience and its results, Anatomic, explores how we rely on nonhuman organisms to make us human and the permeability of our bodies to the environment.

    Yasmine Kandil, Assistant Professor in the Department of Dramatic Arts, and a team of six Dramatic Arts students will present performance piece “Still Here” at the event. Students created the performance based on interviews they did with caregivers of people with early onset Alzheimer’s. The performance explores the disease and the impact it has on caregivers.

    Art, Archives and Affinities is free and open to the public.

    What: Art, Archives and Affinities
    When: Tuesday, Feb. 26 from 2 to 5 p.m.
    Where: Marilyn I. Walker School of Fine and Performing Arts Room 151 and Studio D

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    Categories: Events, Faculty & Instructors, News

  • MIWSFPA faculty, alumni nominated for 2019 St. Catharines Arts Awards

    Thursday, January 31, 2019 | By

    Visual Arts alumna Kylie Haveron (BA ’18) is among the nominees selected for the Emerging Artist category for the 2019 City of St. Catharines Arts Awards.

    (From The Brock News, January 31, 2019 | By: Sarah Ackles)

    Congratulations are in order for the numerous faculty members and alumni of Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) nominated for the 2019 City of St. Catharines Arts Awards.

    The awards recognize and celebrate excellence in all areas of artistic creation and seek to increase the visibility of St. Catharines’ artists and cultural industries, honour cultural leaders and their achievements and cultivate financial and volunteer support for the arts sector.

    Visual Arts alumna Kylie Haveron (BA ’18) is among the nominees selected for the Emerging Artist category, while Dramatic Arts Chair Joe Norris and Assistant Theatre Professor Danielle Wilson were both nominated for the Arts in Education award.

    Nominated in the Established Artist category are Wayne Corlis (BA ’05, MA ’12), who majored in Visual Arts and earned a master’s in Studies in Comparative Literatures and Arts, and Colin Anthes (BA ’14, MA ’16), who completed a combined Psychology/Dramatic Arts degree with a minor in Philosophy and a master’s degree in Philosophy. Anthes currently works as a part-time instructor in Brock’s Department of Dramatic Arts.

    Nominated in the Making a Difference category is alumna Emma German (BA ’14), who majored in Visual Arts and worked as a curator at the City of St. Catharines and Brock’s Rodman Hall Art Centre.

    Also nominated in the same category is the Willow Arts Community, a non-profit arts organization based at Rodman Hall that provides free artistic training and exhibition opportunities to community members with lived experience of mental health and addiction.

    The recipients of the City of St. Catharines Arts Awards will be recognized at a reception on Friday, May 3 at the FirstOntario Performing Arts Centre. Tickets will be available in March.

    A full list of nominees is available online.

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    Categories: Alumni, Faculty & Instructors, News

  • Artistic alumni to host vacation-themed exhibition downtown

    Tuesday, January 29, 2019 | By

    Brock grads Katie Mazi (BA ’16), Jenn Judson (BA ’16), Matt Caldwell (BA ’16), Ben Mosher (BA ’15) and Alex Muresan (BA ’16) make up the art collective Permanent Vacation. The artists will be exhibiting new work in All Expenses Paid, opening on Thursday, Jan. 31.

    (From The Brock News, January 29, 2019 | By: Sarah Ackles)

    The Permanent Vacation art collective is inviting the public to experience the sights and sounds of a tropical getaway – without spending a cent.

    The group, made up of Brock alumni, is presenting its second exhibition, All Expenses Paid, at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) beginning Thursday, Jan. 31. An opening reception for the showcase will be held Thursday, Feb. 7 from 5 to 8 p.m.

    All Expenses Paid is a multimedia exhibition featuring photographs, videos, an installation and a zine. The artists will also create a studio space inside the exhibition, where emerging local artists can work if they cannot access their own studio space due to economic barriers.

    The collective, which includes artists Katie Mazi (BA ’16), Jenn Judson (BA ’16), Matt Caldwell (BA ’16), Ben Mosher (BA ’15) and Alex Muresan (BA ’16), were all Studio Art majors at Brock who first worked together to restructure the Brock Art Club into the current Brock Art Collective.

    The name Permanent Vacation stems from the idea that you don’t need to ‘vacate’ an area to find work and fulfilment. The collective’s goal is to create working space for emerging Niagara-based makers in a way that promotes seeing home anew.

    “The exciting part about this exhibition is that it is fully collaborative within our collective and interactive with local artists and community members,” said Mazi.

    The artists encourage visitors to embrace the theme and wear their best vacation attire to the opening, where they can expect to find themselves surrounded by inner tubes and piña coladas.

    “It’s practically a vacation,” said Judson.

    Permanent Vacation’s All Expenses Paid is on from Jan. 31 to Feb. 28 at the VISA Gallery and Student Exhibition Space within the MIWSFPA. The opening reception, also at the gallery, takes place Feb. 7 from 5 to 8 p.m. The gallery is open Tuesday to Saturday from 1 to 5 p.m.

    If you would like to book studio time during the exhibition, please email the artists to make advance arrangements at permanentvacationcanada@gmail.com

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    Categories: Alumni, Events, News

  • Join us for an Artist Talk with Phil Irish Jan. 30

    Friday, January 25, 2019 | By

    Artist Phil Irish

    The Department of Visual Arts is pleased to welcome Phil Irish to the MIWSFPA for an artist talk on Jan. 30.

    Irish, from Elora, Ontario, makes paintings that are both fierce and beautiful. He is known for cutting paintings into fragments, and installing those pieces to make architecturally scaled collages that engage your senses and your mind.  His new work is influenced by his time on an icebreaker in the Canadian arctic, with Canada C3, a 150-day expedition from Toronto to Victoria via the Northwest Passage that took place from June 1 to Oct. 28, 2017.

    He has shown in commercial galleries, artist-run centres, and public galleries, including the National Gallery of Canada, Art Gallery of Guelph, Tom Thomson Memorial Art Gallery, Whyte Museum, Lonsdale Gallery and Angell Gallery, and was twice shortlisted for the Kingston Portrait Prize.

    He holds degrees from Guelph (BA) and York (MFA) and teaches studio at Redeemer University College.

    Irish will present at 1 p.m. on Jan. 30 in room 416 of the Marilyn I. Walker School of Fine and Performing Arts.

    The talk is free and open to the public.

    Registration is not required, but space is limited and available on a first-come, first-served basis.

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    Categories: Announcements, Current Students, Department/Centre News, Events, News

  • Visual Arts prof named new Associate Dean of Humanities

    Thursday, January 24, 2019 | By

    Keri Cronin, Associate Professor in the Department of Visual Arts, will take on the role of Associate Dean, Research and Graduate Studies for the Faculty of Humanities starting July 1. (Photo credit Jo-Anne McArthur/We Animals.)

    (From The Brock News, January 24, 2019 | By: Alison Innes)

    Keri Cronin has always been invested in sharing the research of Brock’s Faculty of Humanities in far-reaching ways. And in her new role as Associate Dean, Research and Graduate Studies, she intends to continue down that path.

    “There is so much great work being done here in the Humanities,” says Cronin, Associate Professor with the Department of Visual Arts.

    “A lot of people hold misperceptions about what it is we do and the value and relevance of this work to the ‘real world.’ Using public platforms to highlight our stories and the excellent research being done here is, I believe, more important than ever.”

    Cronin, whose position as Associate Dean in the Faculty of Humanities begins July 1, values making academic research accessible to a wide and diverse audience.

    “I look forward to supporting faculty and graduate students in developing knowledge mobilization plans that make sense for their areas of expertise,” she says.

    Cronin’s own research trajectory has been a blend of the traditional and the non-traditional. In addition to her academic publications, including the 2018 publication of Art for Animals, Cronin has embraced online opportunities to share her research.

    The Unbound Project, a multimedia initiative Cronin co-created with Jo-Anne McArthur of We Animals, uses video, photography, interviews and social media to tell the stories of women who are working in animal advocacy.

    “The Unbound Project has a very large and international reach,” Cronin says. “Using our website and social media channels, we are able to share these women’s stories widely.”

    Cronin has also curated an online exhibition for the National Museum of Animals & Society. Be Kind: A Visual History of Humane Education was launched in 2012 and is used by teachers and professors in classrooms around the world.

    Social justice and transdisciplinary work are key for Cronin. She is a faculty member in the Social Justice and Equity Studies graduate program and was a founding member of Brock’s Social Justice Research Institute, where she worked to showcase Humanities-based approaches to social justice work.

    “Dr. Cronin is an accomplished scholar and teacher, with an excellent record of service to the University and the Faculty already,” says Dean of Humanities Carol Merriam.

    “I’m very pleased that she will now put her skills and talents available to her colleagues in this new role. She is a fitting successor to Dr. Michael Carter, who has done very good work in the role since 2016.

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    Categories: Announcements, Faculty & Instructors, News

  • New research shows empathy can shape drug policy

    Monday, January 07, 2019 | By

    Brock Visual Arts Professor Linda Steer’s research on drug photography has been published in the March edition of the International Journal of Drug Policy.

    (From The Brock News, Monday, January 7, 2019 | By: Sarah Ackles)

    In 2016, Ohio police released a photo of an American couple overdosing in their vehicle while a young child sat in the back. The image quickly went viral and attracted international attention.

    The predominantly negative conversation surrounding the image, and others like it, left Brock Visual Arts Professor Linda Steer wondering if viewing these photographs with more empathy could be key to changing discourse on drug users and altering drug policy in North America.

    Chosen for publication in the International Journal of Drug Policy, Steer’s article “Entangled empathy, drug use, and photographs of suffering” examines contemporary drug photography in the hopes of encouraging people to think outside of the box about drug use and users.

    “This research is very timely because every day we’re seeing a news story about the dangers of fentanyl or some other opiate,” said Steer, who teaches art history at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA). “There is a lack of understanding about what people that use drugs go through, and about drugs in general. It’s a kind of hysteria.”

    In the article, Steer examines the work of two contemporary photographers: Chris Arnade and Tony Fouhse. Both are middle-aged, white men, who photographed female drug users they met on the street.

    Steer looked at the artists’ work through the lens of ‘entangled empathy,’ a concept developed by American Philosophy Professor Lori Gruen. To Gruen, empathy is about more than simply being understanding and compassionate about another’s situation. Rather, it entails being responsive and responsible to that person in a way that promotes agency and positive change.

    Drawing from that idea, Steer studied how Arnade‘s and Fouhse’s photographs were created, circulated and received by viewers and compared how different settings, locations or mediums impacted the viewer’s engagement with empathy.

    “I found photographs with captions or text that worked to create a narrative had a better chance of creating empathy,” she said. “I also found that we can still have empathy when the power dynamics are quite uneven and that photographs shared on Facebook can sometimes provoke people to engage with their own experience of addiction in relation to the photograph.”

    Steer hopes the article will create dialogue about the role photographs of drug use play in shaping public opinion, and the opinion of policy-makers and government agencies.

    “Overall, photographic projects that show drug use have the potential to engage viewers with empathy and can be very useful in creating drug policy,” she said. “Policy-makers might see these kinds of photographs and notice how they can elicit empathy for people who are misunderstood or maligned. That can have a positive impact on policy.”

    Steer said having her work published in the journal is especially meaningful as this marks her first peer-reviewed article in a new field of research. The interdisciplinarity of her work is also important, she noted, as the journal typically publishes research from science-based disciplines.

    “I was really honoured for this work to be chosen as I think it speaks to how important photographs are and that we need to look more closely at the relationship between science and culture,” she explained. “Even scientific research is culture – so we’re bridging the gap between humanities and the sciences with this type of work.”

    She added that this research also showed her that “a lot more work has to be done” in this field of study.

    “Not just on empathy,” she added, “but on how it is related to politics, policy and how images create ideas about how we see others.”

    “Entangled empathy, drug use and photographs of suffering” is currently available for free download on the International Journal of Drug Policy website.

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  • Brock grad returns to MIWSFPA for first solo exhibition

    Thursday, January 03, 2019 | By

    Brock alumna Kylie Haveron (BA ’18) is hosting her first solo exhibition, Not Dark Yet, at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) beginning Wednesday, Jan. 9.

    (From The Brock News, Thursday, January 3, 2019 | By: Sarah Ackles)

    As Martin Luther King Jr. once famously said: “Darkness cannot drive out darkness; only light can do that.”

    His message encapsulates the inspiration behind the first solo exhibition of Brock alumna Kylie Haveron (BA ’18), opening at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) this month.

    Running from Jan. 9 to 26, Not Dark Yet reflects on the dichotomy between lightness and darkness and the struggles we face in our daily lives.

    The exhibition is on at the VISA Gallery and Student Exhibition Space at the MIWSFPA, with an opening reception on Thursday, Jan. 10.

    “I look at how we believe day can bring a purpose, a connection and sense of certainty, while nightfall can bring anxiety as it signals the end of the opportunity for the day and a sense of waiting for the light of the next day to bring us answers,” Haveron explained.

    Haveron’s exhibition consists of a combination of drawings, sculpture and installations that explore the way that physical lightness and darkness can impact the lightness and darkness we experience within ourselves.

    She said the timing of the show is ideal, as the lack of sunlight during the winter months can trigger symptoms of depression in some individuals, often known as Seasonal Affective Disorder (SAD).

    While many of her pieces are gritty and gloomy, the Brock grad hopes her work will inspire viewers to “let the light into their lives.”

    “Although I look at how extended periods of darkness can make us feel the darkness inside of us, I do have some pieces that give us ways to find the light,” she said. “We must not let the darkness determine our fate and our life, because the light can bring opportunity to have better outcomes.”

    Haveron is also looking forward to returning to her alma mater to showcase her first professional exhibition.

    “Hosting a solo show is a good learning experience and I’m happy I get to do it at Brock, where I have a lot of friends and am part of a supportive community,” she said.

    Not Dark Yet runs from Jan. 9 to 26 in the VISA Art Gallery and Student Exhibition Space at the MIWSFPA. The gallery is open to the public Tuesdays to Saturdays from 1 to 5 p.m.

    An opening reception, also in the gallery, will be held Thursday, Jan. 10, from 5 to 8 p.m.

    This event is free and open to the community.

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    Categories: Alumni, Events, News

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