Faculty & Instructors

  • Redesigned course explores global music and identities

    (Published FRIDAY, JULY 31, 2020 | in The Brock News by )

    This fall, Brock University students will have the opportunity to explore how music shapes, and is shaped by, global cultures.

    Music in Global Cultures (MUSI 1P50) will explore how music expresses and shapes identity around themes of race, gender, spirituality, disability and sexuality.

    “Every unit will have case studies from all over the world,” says Nina Penner, Assistant Professor of Music. “We’ll be doing a lot of non-western music.”

    For those who may associate music appreciation classes with symphonies and string quartets by predominantly white men from previous centuries, this course will offer a fresh angle with a diverse repertoire.

    “We’ll be talking about music and its relation to the society and culture in which it is a part,” says Penner.

    Students will be exploring music from countries such as Gambia, India, Nepal, Japan and Cuba in genres including hip hop, jazz, sufi, disco and blues.

    Students will explore issues of race through the music of the Black Lives Matter movement and American blues and examine disability through the music of the Goze, a group of female Japanese musicians with visual disabilities, and the Deaf West Theatre in Los Angeles. They will investigate how Buddhist chant, the Whirling Dervishes of the Mevlevi Sufi order and traditional Jewish music express spirituality, and explore gender expression in opera and Balinese gamelan music.

    Penner hopes students from all disciplines across Brock will consider taking the course.

    “I really enjoy teaching music for non-majors,” she says. “I find it really exciting to take people who like music but think they aren’t skilled in music and show them how much they can learn and develop skills to listen to and describe things about music.”

    In North America, Penner says, students traditionally don’t get a lot of instruction in thinking about and discussing music critically.

    “It’s exciting to see students develop this vocabulary and to talk about music in a precise and informed way.”

    Course enrollment is open to any students who are interested. There are no theory requirements or prerequisites. The course is offered entirely online and the enrolment cap has been lifted to reflect the online learning environment.

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  • Brock University Wind Ensemble performs Musical Treasures

    EDITOR’S NOTE: The March 31 concert has been cancelled as part of Brock University’s ongoing efforts to protect the health and safety of students, faculty, staff and the community in light of the ongoing COVID-19 pandemic.

    A Concert of Magnificent Works Including:

    Rimsky-Korsakov: Capriccio Espagnol
    Moussorgsky: Night on Bald Mountain
    Debussy/Razek: Reverie
    Chaminade: Flute Concerto featuring Carolann Moisse

    Tuesday, March 31, 2020, 7:30 pm
    Partridge Hall, FirstOntario Performing Arts Centre
    250 St Paul’s Street, St Catharines

    Order tickets from the
    FirstOntario Performing Arts Centre Box Office:
    905 688 0722; 1 885 515 0722
    firstontariopac.ca

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  • HUGH AND MARIE LOGAN JAZZ SERIES presents Feels so Good

    EDITOR’S NOTE: The March 27 concert has been cancelled as part of Brock University’s ongoing efforts to protect the health and safety of students, faculty, staff and the community in light of the ongoing COVID-19 pandemic.

    HUGH AND MARIE LOGAN JAZZ SERIES
    THE BROCK BIG BAND DIRECTED BY ZOLTAN KALMAN

    A High-Octane Tribute to Chuck Mangione including:
    Chuck Mangione: Children of Sanchez
    Gershwin: Embraceable You
    Ellington: Caravan
    Santana: Europa

    Special guests:
    Mylon Clarke, Tenor Saxophone
    Keith Woodend, Vocals

    Friday March 27, 2020, 7:30pm
    Recital Hall, FirstOntario Performing Arts Centre
    250 St Paul’s Street, St Catharines

    Order tickets from the
    FirstOntario Performing Arts Centre Box Office:
    905 688 0722; 1 885 515 0722
    firstontariopac.ca

     

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    Categories: Events, Faculty & Instructors, Hugh and Marie Logan Jazz Series, News, Special Events, Uncategorised

  • Encore! Professional Concert Series: Rondeau Brass Quintet

    EDITOR’S NOTE: This event has been cancelled as part of Brock University’s ongoing efforts to protect the health and safety of students, faculty, staff and the community in light of the ongoing COVID-19 pandemic.

    Directed by Tim White

    Featuring Brent Adams (tuba), Mike Polci (trombone), Timothy Lockwood (horn), and Paul Otway (trumpet).

    March 20, 2020 – 7:30 p.m. Presented at FirstOntario Performing Arts Centre, Recital Hall.

    Tickets: Adult – $29^ ; Senior/Student – $23^ ; Children (14 and younger) – $13^ ; eyeGo Program $5*

    Order tickets from the FirstOntario Performing Arts Centre Box Office by calling 905-688-0722 or toll free at 1-855-515-0722, as well as online at firstontariopac.ca.

    ^ Includes the $3.00 FOPAC Cultural Capital Improvement Fund (CCIF); other applicable fees and taxes are extra.

    * No CCIF applied; other applicable fees and taxes are extra.

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  • Canada Research Chair (Tier II) in Indigenous Art Practice: Candidate Research Presentations

    The Brock and wider community is invited to attend the presentations by the three Indigenous artist/researchers who are finalists for the Canada Research Chair (Tier II) in Indigenous Art Practice at the Marilyn I. Walker School of Fine and Performing Arts.

    Our candidates are visiting the Marilyn I. Walker School in January. Each will give an hour-long presentation and engage in an additional half hour of discussion about their current research interests and focus, and about what they would hope to achieve as a Canada Research Chair at Brock University in the next five years.

    MATTHEW MACKENZIE

    Research presentation 5 – 6:30 pm,
    Friday January 10, 2020
    MWS 156

    Edmonton playwright, director and producer Matthew MacKenzie (Métis) is Artistic Director of Punctuate! Theatre, as well as the founder and an Artistic Associate with Pyretic Productions. In 2018, his play Bears won Dora Mavor Moore Awards for Outstanding New Play and Outstanding Production, was named a co-winner of the Toronto Theatre Critics Outstanding New Canadian Play Award, and won the Playwrights Guild of Canada’s Carol Bolt National Playwriting Award. This past fall, Punctuate! premiered MacKenzie’s play The Particulars, which was named one of the top ten productions of 2019 by The Globe and Mail.

    MARK IGLOLIORTE

    Research presentation 11:30 am – 1 pm,
    Friday January 17, 2020
    MWS 156

    Mark Igloliorte is an Inuk artist born in Corner Brook, Newfoundland with Inuit ancestry from Nunatsiavit, Labrador. His artistic work is primarily painting and drawing. Igloliorte’s work has been featured in several notable national exhibitions including the 2015 Marion McCain Exhibition of Contemporary Atlantic Canadian Art, curated by Corinna Ghaznavi; Inuit Ullumi: Inuit Today: Contemporary Art from TD Bank Group’s Inuit Collection; Beat Nation, curated by Kathleen Ritter and Tania Willard; and The Phoenix Art-The Renewed Life of Contemporary Painting, curated by Robert Enright. In addition, Igloliorte has been profiled in features in Canadian Art magazine and Inuit Art Quarterly. Igloliorte is an Assistant Professor at Emily Carr University of Art and Design.

    SUZANNE MORRISSETTE

    Research presentation 5 – 6:30 pm,
    Wednesday January 22, 2020
    MWS 207

    Suzanne Morrissette is a Métis artist, curator, and writer. Using various research-creation methods Morrissette addresses the philosophical roots of historical and contemporary forms of injustice facing Indigenous peoples. Her current and future research looks at the role of locally-based Indigenous knowledges within Indigenous community-based curatorial practice as a way of entering into conversations about robust and unexpected strategies for representing Indigenous art both within Canadian and international contexts. Currently she holds the position of Assistant Professor at OCAD University.r University of Art and Design.


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  • GUEST ARTIST RESIDENCY with CHARLES BRUFFY. A Special Walker Cultural Leader Event!

    Director of the Kansas City Chorale and Chorus Master of the Kansas City Symphony, Charles Bruffy is a distinguished choral conductor, pedagogue and clinician. It will be our privilege to have him conduct masterclasses with our choirs during the week of November 26-30, 2019. He will also be visiting a few local school and community ensembles throughout the week. His visit is generously supported by the Walker Cultural Leaders Fund, the Centre for Pedagogical Innovation and the Humanities Research Institute.

    One of the most admired choral conductors in the United States, Charles Bruffy began his career as a tenor soloist, performing with the Robert Shaw Festival Singers in recordings and concerts in France and in concerts at Carnegie Hall. Shaw encouraged his development as a conductor. He received his undergraduate degree from Missouri Western University in St. Joseph, and completed his master’s degree in conducting from the Conservatory of Dance and Music at the University of Missouri-Kansas City.

    He has been Artistic Director of the Kansas City Chorale since 1988 and Chorus Director for the Kansas City Symphony since 2008. He is also Director of Music for Rolling Hills Presbyterian Church.

    Respected and renowned for his fresh and passionate interpretations of standards of the choral music repertoire and for championing new music, he has commissioned and premiered works by composers such as Jean Belmont Ford, Ola Gjeilo, Matthew Harris, Anne Kilstofte, Libby Larsen, Zhou Long, Cecilia McDowall, Michael McGlynn, Stephen Paulus, Steven Sametz, Philip Stopford, Steven Stucky, Eric Whitacre, and Chen Yi.

    Under his supervision, MusicSpoke and the Roger Dean Company, a division of the Lorenz Corporation, publish choral series specializing in music for professional ensembles and sophisticated high school and college choirs. His eclectic discography includes five albums on the Nimbus label and eight recordings for Chandos Records, three of which have been recognized by the Academy of Recording Arts and Sciences with Grammy® awards for Best Choral Performance. In 2017, Bruffy was recognized with the Signature Sinfonian award conferred by national fraternal society Phi Mu Alpha, recognizing “alumni members who have achieved a high standard of accomplishment in their field.”

    In his spare time, Bruffy breeds and raises Arabian and Saddlebred horses on his ranch just south of Kansas City in Cass County, Missouri.

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  • Tier 2 Canada Research Chair (CRC) in Indigenous Art Practice

    Brock University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) invites applications for a Tier 2 Canada Research Chair (CRC) in Indigenous Art Practice at the rank of Assistant or Associate Professor.

    The CRC in Indigenous Art Practice will be appointed to one or more of the School’s academic units, depending on the successful applicant’s area(s) of knowledge and expertise. We recognize that in Indigenous art there may be no formal divisions between visual, theatrical, and musical art forms. Brock embraces diverse perspectives and pedagogical practices; it is hoped that the CRC in Indigenous Art Practice will help foster new collaborations across academic units and assist the School and university to move towards Indigenization. The CRC will be welcomed into a tight-knit, friendly, and dynamic community of artists, scholars, staff, and students that respects, promotes, and actively engages with Indigenous arts and culture within the University and Indigenous communities.

    Review of applications will begin on October 31, 2019, and will continue until the position is filled.

    For more information see the complete posting at brocku.wd3.myworkdayjobs.com/brocku_careers/job/St-Catharines-Downtown-Campus/Canada-Research-Chair—Tier-2—Indigenous-Art-Practice—Assistant-Associate-Professor-Tenure-Track_JR-1002413

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  • Brock Chamber Choir and Women’s Choir holding auditions for upcoming season

    Brock’s Women’s Choir (pictured above) is holding auditions for its second season this summer. Photo courtesy of Julie Hoff.


    Brock’s Chamber Choir and Women’s choir are looking for new voices for the upcoming 2019/2020 season!

    Both the Chamber Choir and Women’s Choir are open by audition to all Brock students, and the Women’s Choir is also open to community members.

    Singers can opt to take choir for credit, but are not required.

    HOW TO AUDITION

    Auditions will begin in August.

    Click here to access the audition sign-up sheet and schedule an audition time.
    *Please arrive at your audition early to complete an audition form.

    Previous singing experience and the ability to read music is required.

    All singers accepted into the choir are expected to attend all rehearsals and performances throughout the year. Dates for the entire year will be posted before the end of August, prior to your audition.

    Auditions will be 10 minutes in length and will include the following:

    1. Vocal range check
    2. Listen and sing-back
    3. Sight-singing
    4. Rhythm-reading and clap-back
    5. Singing of Shenandoah (click on the link for a pdf of the music)

    If you are accepted into one of the choirs, you are invited to register for the course (if you wish to receive credit). Permission to register will be granted after the auditions are completed.

    Rehearsals begin the week of September 10, 2019

    Rehearsal times:

    CHAMBER CHOIR: Rehearsals Tuesdays and Thursdays, 3 to 4:20 p.m.

    WOMEN’S CHOIR: Rehearsals Thursday evenings, 6 to 8:45 p.m.


    For more information about opportunities and the audition process please contact Rachel Rensink-Hoff, Conductor, at rrensinkhoff@brocku.ca  or the Department at music@brocku.ca.

    Learn more about the Brock choirs.

     

     

     

     

     

     

     

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  • One-night-only performance set for Encore! trio

    Trio Amore, including Erika Reiman, Gordon Cleland and Christine Chesbrough, will perform on Friday, March 22 at 7:30 p.m. in Partridge Hall of the FirstOntario Performing Arts Centre in downtown St. Catharines.


    (From The Brock News, March 19, 2019 |By: Jaquelyn Bezaire)

    Guests attending the next Encore! Professional Concert, presented by Brock’s Department of Music, will be the first to hear Trio Amore perform on stage.

    The trio is coming together for a one-time performance titled Clara’s Love Triangle on Friday, March 22 at 7:30 p.m. at the FirstOntario Performing Arts Centre in downtown St. Catharines.

    Comprised of cellist Gordon Cleland, pianist Erika Reiman and violinist Christine Chesebrough, the group has arranged a concert featuring works by Clara and Robert Schumann and Johannes Brahms.

    With it being the bicentenary of Clara Schumann’s birth, the group thought this was the perfect time to play her trio. Brahms was a protégé and friend of the Schumanns, so the performers felt that adding Brahms’ Op. 8 to the repertoire was a fitting choice.

    “The fascinating relationship between Brahms and the Schumanns would also be an interesting angle for the audience,” Cleland said. “The musicians would all have known each of the pieces the other wrote and were probably mutually inspired by each other.”

    Although the musicians aren’t a full-time trio, they have played together in the past and enjoyed working together while preparing for their upcoming concert.

    “I think this concert is a great opportunity for us and we are grateful to be able to present these wonderful pieces in a fantastic hall,” said Reiman. “The repertoire promises to be full of drama, memorable melodies and originality.”

    Trio Amore will perform on Friday, March 22 at 7:30 p.m. in Partridge Hall of the FirstOntario Performing Arts Centre.

    Tickets are on sale now through the FirstOntario Performing Arts Centre’s box office.

    For more information on upcoming performances, visit the Department of Music’s website.

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  • Brock prof to premiere new works by St. Catharines composer

    Pianist Karin Di Bella will perform at the FirstOntario Performing Arts Centre in downtown St. Catharines on Tuesday, Feb. 26.


    (From The Brock News, February 22, 2019 | By: Jaquelyn Bezaire)

    Following her recital with Maltese-Canadian flutist Rebecca Hall last semester, Associate Professor Karin Di Bella will give a solo performance on Tuesday, Feb. 26 as part of the RBC Foundation Music@Noon Recital Series.

    Focusing on one of her areas of expertise, contemporary Canadian repertoire, Di Bella will premiere a set of works by St. Catharines composer James Moffett during her performance in the Recital Hall of the FirstOntario Performing Arts Centre.

    Di Bella is currently working at Brock where she teaches studio piano, master classes, accompanying, keyboard harmony, piano literature and piano pedagogy. She has been sought after as an adjudicator for music festivals across Canada and is a senior piano examiner for the Royal Conservatory of Music.

    The RBC Foundation Music@Noon Recital Series features free one-hour concerts most Tuesdays at noon during the academic year. Students, faculty, staff and the community are invited to join the Department of Music on Tuesday, Feb. 26 in the Recital Hall of the FirstOntario Performing Arts Centre in downtown St. Catharines.

    For more information on upcoming performances, please visit the Department of Music website.

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