Articles tagged with: Department of Visual Arts

  • Term to culminate in student art exhibitions at Rodman Hall

    Wednesday, March 20, 2019 | By

    Visual Arts students, from left, Gianna Aceto, Emma Mary Sked, Amber Williams, Cynthia Richards, Teresa Badgley and Sarah Martin will have their exhibitions on view in two back-to-back exhibitions beginning Friday, March 22 at Rodman Hall Art Centre.

    (From The Brock News, March 20, 2019 | by Sarah Ackles)

    After spending a semester immersed in studio practice, six Brock Visual Arts students are bringing two unique exhibitions to Rodman Hall Art Centre.

    At the Bottom of Everything runs from Saturday, March 23 to April 7 and features the work of Cynthia Richards, Emma Mary Sked and Amber Lee Williams. There will be an opening reception for the exhibition on Friday, March 22 at 7 p.m.

    The second exhibition, oh, that’s nice, features Gianna Aceto, Teresa Badgley and Sarah Martin. It will be on view from Saturday, April 13 to 28, with the opening reception taking place on Friday, April 12 at 7 p.m.

    The two exhibitions are the culmination of the VISA 4F06 Honours Studio course, where students engage in the entire process of art making, from concept and creation to exhibition.

    The course is a unique experiential learning opportunity that gives artists access to a dedicated studio space with professional mentors. The students learn the value of their individual work in a collaborative event and, upon graduation, become practising artists with practical experience putting on a show in a professional art gallery.

    Students in the course were mentored by Visual Arts Associate Professors Donna Szőke and Shawn Serfas.

    The students were also visited in studio by Acting Director and Curator Marcie Bronson, of Rodman Hall; Associate Professors Derek Knight and Amy Friend; Adjunct Professors Donna Akrey and Candace Couse; professional artists Alejandro Cartagena and Heather Hart; and Brock alumni Bruce Thompson (BA ’11) and Natalie Hunter (BA ’11), who all provided critique and insight to help students fine-tune and focus their work.

    Rodman Hall’s Administrative Assistant Danny Custodio and Installation Assistant Lauren Regier (BA ’14) also offered support and guidance.

    Exhibitions like these are a key part of the Marilyn I. Walker School of Fine and Performing Arts’ mandate to build connections between the community and the breadth of talent and creativity at Brock University.

    “If collectively their goal is to develop a focused body of work from concept to public exhibition, then these two unique exhibits capture the exceptional vitality and daring of the emerging artist,” Knight said.

    Both exhibitions and opening receptions take place at Rodman Hall Art Centre, 109 St. Paul Cres. in St. Catharines.

    Gallery hours are Tuesdays, Wednesdays and Fridays from 10 a.m. to 5 p.m., Thursdays from 10 a.m. to 9 p.m., and Saturdays and Sundays from noon to 5 p.m.

    For more information, visit the Rodman Hall Art Centre website.

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    Categories: 4F06 Honours Exhibition, Alumni, Current Students, Events, News

  • Figure drawing class visited by professional dancer

    Wednesday, March 13, 2019 | By

    On Thursday, March 7, Visual Arts students in instructor Candace Couse’s Figure Drawing course welcomed Brock instructor and professional dancer Heryka Miranda Pellecer (pictured) into their studio at the Marilyn I. Walker School of Fine and Performing Arts. While Pellecer danced and moved around the studio, the students focused on capturing her body in motion in paper and engaging in experimental drawing. The course has welcomed a variety of alternative models this semester (including therapy dog Tequilla), to allow students a wide variety of subjects as their honed their skills.

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    Categories: News

  • Brock alumna returns to speak with VISA students

    Tuesday, March 05, 2019 | By

    Brock alumna, Natalie Hunter, spent the afternoon with VISA 4F06 students as they discussed their upcoming exhibitions. Back row from left: Teresa Badgley, Amber Williams, Shawn Serfas, Sarah Martin
     Front row from left: Gianna Aceto, Emma Hutchison-Hounsell, Cynthia Richards, Natalie Hunter

    On Feb. 7, Brock Visual Arts students in the VISA 4F06 Honours course were visited by Brock alumna Natalie Hunter (BA ’11) to discuss their upcoming exhibitions that begin in March. Hunter and the students discussed the pieces they are working on and how to move forward in order to create a cohesive exhibition. During each student’s session, they received a small piece of translucent film that Hunter used in her exhibition, Staring into the Sun, which is currently on view at Rodman Hall Art Centre.

    During her time at Brock, Hunter was part of the VISA 4F06 Honours course, where students work all year to put together an exhibition in Rodman Hall. Staring into the Sun features photo-based sculptures and installations that explore the relationship between memory and physical space. The exhibition runs until April 28.

    At the Bottom of Everything, the first of two Visual Arts Honours exhibitions, runs from March 23 to April 7, with the opening reception on Friday, March 22 at 7 p.m. at Rodman Hall.

    The second exhibition runs from April 13 to 28, with the opening reception on Friday, April 12 at 7 p.m. at Rodman Hall. More details to come.

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    Categories: 4F06 Honours Exhibition, Alumni, Current Students, Events, News

  • Artistic alumni to host vacation-themed exhibition downtown

    Tuesday, January 29, 2019 | By

    Brock grads Katie Mazi (BA ’16), Jenn Judson (BA ’16), Matt Caldwell (BA ’16), Ben Mosher (BA ’15) and Alex Muresan (BA ’16) make up the art collective Permanent Vacation. The artists will be exhibiting new work in All Expenses Paid, opening on Thursday, Jan. 31.

    (From The Brock News, January 29, 2019 | By: Sarah Ackles)

    The Permanent Vacation art collective is inviting the public to experience the sights and sounds of a tropical getaway – without spending a cent.

    The group, made up of Brock alumni, is presenting its second exhibition, All Expenses Paid, at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) beginning Thursday, Jan. 31. An opening reception for the showcase will be held Thursday, Feb. 7 from 5 to 8 p.m.

    All Expenses Paid is a multimedia exhibition featuring photographs, videos, an installation and a zine. The artists will also create a studio space inside the exhibition, where emerging local artists can work if they cannot access their own studio space due to economic barriers.

    The collective, which includes artists Katie Mazi (BA ’16), Jenn Judson (BA ’16), Matt Caldwell (BA ’16), Ben Mosher (BA ’15) and Alex Muresan (BA ’16), were all Studio Art majors at Brock who first worked together to restructure the Brock Art Club into the current Brock Art Collective.

    The name Permanent Vacation stems from the idea that you don’t need to ‘vacate’ an area to find work and fulfilment. The collective’s goal is to create working space for emerging Niagara-based makers in a way that promotes seeing home anew.

    “The exciting part about this exhibition is that it is fully collaborative within our collective and interactive with local artists and community members,” said Mazi.

    The artists encourage visitors to embrace the theme and wear their best vacation attire to the opening, where they can expect to find themselves surrounded by inner tubes and piña coladas.

    “It’s practically a vacation,” said Judson.

    Permanent Vacation’s All Expenses Paid is on from Jan. 31 to Feb. 28 at the VISA Gallery and Student Exhibition Space within the MIWSFPA. The opening reception, also at the gallery, takes place Feb. 7 from 5 to 8 p.m. The gallery is open Tuesday to Saturday from 1 to 5 p.m.

    If you would like to book studio time during the exhibition, please email the artists to make advance arrangements at permanentvacationcanada@gmail.com

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    Categories: Alumni, Events, Exhibitions, News

  • Join us for an Artist Talk with Phil Irish Jan. 30

    Friday, January 25, 2019 | By

    Artist Phil Irish

    The Department of Visual Arts is pleased to welcome Phil Irish to the MIWSFPA for an artist talk on Jan. 30.

    Phil Irish, from Elora, Ontario, makes paintings that are both fierce and beautiful. He is known for cutting paintings into fragments, and installing those pieces to make architecturally scaled collages that engage your senses and your mind.  His new work is influenced by his time on an icebreaker in the Canadian arctic, with Canada C3, a 150-day expedition from Toronto to Victoria via the Northwest Passage that took place from June 1 to Oct. 28, 2017.

    He has shown in commercial galleries, artist-run centres, and public galleries, including the National Gallery of Canada, Art Gallery of Guelph, Tom Thomson Memorial Art Gallery, Whyte Museum, Lonsdale Gallery and Angell Gallery, and was twice shortlisted for the Kingston Portrait Prize.

    He holds degrees from Guelph (BA) and York (MFA) and teaches studio at Redeemer University College.

    Irish will present at 1 p.m. on Jan. 30 in room 416 of the Marilyn I. Walker School of Fine and Performing Arts.

    The talk is free and open to the public.

    Registration is not required, but space is limited and available on a first-come, first-served basis.

     

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    Categories: Alumni, Announcements, Current Students, Events, Faculty & Instructors, News

  • Visual Arts prof named new Associate Dean of Humanities

    Friday, January 25, 2019 | By

    Keri Cronin, Associate Professor in the Department of Visual Arts, will take on the role of Associate Dean, Research and Graduate Studies for the Faculty of Humanities starting July 1. (Photo credit Jo-Anne McArthur/We Animals.)

    (From The Brock News, January 24, 2019 | By: Alison Innes)

    Keri Cronin has always been invested in sharing the research of Brock’s Faculty of Humanities in far-reaching ways. And in her new role as Associate Dean, Research and Graduate Studies, she intends to continue down that path.

    “There is so much great work being done here in the Humanities,” says Cronin, Associate Professor with the Department of Visual Arts.

    “A lot of people hold misperceptions about what it is we do and the value and relevance of this work to the ‘real world.’ Using public platforms to highlight our stories and the excellent research being done here is, I believe, more important than ever.”

    Cronin, whose position as Associate Dean in the Faculty of Humanities begins July 1, values making academic research accessible to a wide and diverse audience.

    “I look forward to supporting faculty and graduate students in developing knowledge mobilization plans that make sense for their areas of expertise,” she says.

    Cronin’s own research trajectory has been a blend of the traditional and the non-traditional. In addition to her academic publications, including the 2018 publication of Art for Animals, Cronin has embraced online opportunities to share her research.

    The Unbound Project, a multimedia initiative Cronin co-created with Jo-Anne McArthur of We Animals, uses video, photography, interviews and social media to tell the stories of women who are working in animal advocacy.

    “The Unbound Project has a very large and international reach,” Cronin says. “Using our website and social media channels, we are able to share these women’s stories widely.”

    Cronin has also curated an online exhibition for the National Museum of Animals & Society. Be Kind: A Visual History of Humane Education was launched in 2012 and is used by teachers and professors in classrooms around the world.

    Social justice and transdisciplinary work are key for Cronin. She is a faculty member in the Social Justice and Equity Studies graduate program and was a founding member of Brock’s Social Justice Research Institute, where she worked to showcase Humanities-based approaches to social justice work.

    “Dr. Cronin is an accomplished scholar and teacher, with an excellent record of service to the University and the Faculty already,” says Dean of Humanities Carol Merriam.

    “I’m very pleased that she will now put her skills and talents available to her colleagues in this new role. She is a fitting successor to Dr. Michael Carter, who has done very good work in the role since 2016.

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    Categories: Faculty & Instructors, News

  • New year brings Brock Talks back to St. Catharines library

    Thursday, January 10, 2019 | By

    Visual Arts Associate Professor Donna Szoke will talk about her work when Brock Talks returns to the St. Catharines Public Library Jan. 15. (Image courtesy Donna Szoke; Shot / Counter Shot: Self-portrait as mother. Grimsby Art Gallery Commission, Digital print on Hahnemuhle, Editioned print, 47 x 61 cm. 2018.).

    (From The Brock News, January 9, 2018 | By: Alison Innes)

    Gladiators of Pompeii, the planet’s artistic inspiration and the invisible history of radioactive mice will be highlighted by Brock experts during an upcoming public lecture series.

    Brock Talks returns to the St. Catharines Public Library on Tuesday, Jan. 15. The free series connects scholars in Brock’s Faculty of Humanities with the local community.

    The January talk, “Invisible Animals,” features Associate Professor Donna Szoke, whose work examines the human relationship to animals through prints, videos, art installations and media artwork. Szoke contributed to a Toronto exhibition on Digital Animalities this past November.

    Her work includes a free app mapping nuclear waste at a Niagara Falls, N.Y., storage site, where more than 270,000 mice used in radioactive experiments have been buried. Her most recent piece, Midst, uses video projectors and fog machines to create animations of large animals on a wall of fog to explore issues of encroachment of cities into wild space.

    Szoke will talk about her work as “research-creation” and explore how making art is a form of doing research and creating new knowledge.

    The Second Brock Talks session of the year will take place Feb. 27 and feature Earth Sciences Professor Francine McCarthy. In her presentation, “Scientific Insights from Poets, Painters and Philosophers,” McCarthy will explore research as a creative endeavour and look at how artists interpret and draw inspiration from the natural world.

    The final Brock Talks event this season takes place March 12, when Classics Instructor Nadine Brundrett will speak on “Spectacular Games in Ancient Pompeii.” Brundrett will share how the destruction and preservation of the city of Pompeii in 79 CE by the eruption of Mount Vesuvius offers insight into the daily lives of ancient Romans, including diverse spectacles used to provide entertainment. In addition to gladiatorial combat, bull fighting, boxing, Greek athletics and even pantomime acting were common practice.

    Brock Talks is a collaboration between the Faculty of Humanities and the St. Catharines Public Library. The series connects community members with current Humanities scholarship at Brock.

    All talks are held at 7 p.m. in the Mills Room, Central Library and are free.

    What: Brock Talks, a free public lecture series
    When: Jan. 15, Feb. 27 and March 12
    Where: St. Catharines Public Library, Central Branch, 54 Church St., St. Catharines

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    Categories: Events, Faculty & Instructors, News

  • New research shows empathy can shape drug policy

    Monday, January 07, 2019 | By

    Brock Visual Arts Professor Linda Steer’s research on drug photography has been published in the March edition of the International Journal of Drug Policy.

    (From The Brock News, Monday, January 7, 2019 | By: Sarah Ackles)

    In 2016, Ohio police released a photo of an American couple overdosing in their vehicle while a young child sat in the back. The image quickly went viral and attracted international attention.

    The predominantly negative conversation surrounding the image, and others like it, left Brock Visual Arts Professor Linda Steer wondering if viewing these photographs with more empathy could be key to changing discourse on drug users and altering drug policy in North America.

    Chosen for publication in the International Journal of Drug Policy, Steer’s article “Entangled empathy, drug use, and photographs of suffering” examines contemporary drug photography in the hopes of encouraging people to think outside of the box about drug use and users.

    “This research is very timely because every day we’re seeing a news story about the dangers of fentanyl or some other opiate,” said Steer, who teaches art history at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA). “There is a lack of understanding about what people that use drugs go through, and about drugs in general. It’s a kind of hysteria.”

    In the article, Steer examines the work of two contemporary photographers: Chris Arnade and Tony Fouhse. Both are middle-aged, white men, who photographed female drug users they met on the street.

    Steer looked at the artists’ work through the lens of ‘entangled empathy,’ a concept developed by American Philosophy Professor Lori Gruen. To Gruen, empathy is about more than simply being understanding and compassionate about another’s situation. Rather, it entails being responsive and responsible to that person in a way that promotes agency and positive change.

    Drawing from that idea, Steer studied how Arnade‘s and Fouhse’s photographs were created, circulated and received by viewers and compared how different settings, locations or mediums impacted the viewer’s engagement with empathy.

    “I found photographs with captions or text that worked to create a narrative had a better chance of creating empathy,” she said. “I also found that we can still have empathy when the power dynamics are quite uneven and that photographs shared on Facebook can sometimes provoke people to engage with their own experience of addiction in relation to the photograph.”

    Steer hopes the article will create dialogue about the role photographs of drug use play in shaping public opinion, and the opinion of policy-makers and government agencies.

    “Overall, photographic projects that show drug use have the potential to engage viewers with empathy and can be very useful in creating drug policy,” she said. “Policy-makers might see these kinds of photographs and notice how they can elicit empathy for people who are misunderstood or maligned. That can have a positive impact on policy.”

    Steer said having her work published in the journal is especially meaningful as this marks her first peer-reviewed article in a new field of research. The interdisciplinarity of her work is also important, she noted, as the journal typically publishes research from science-based disciplines.

    “I was really honoured for this work to be chosen as I think it speaks to how important photographs are and that we need to look more closely at the relationship between science and culture,” she explained. “Even scientific research is culture – so we’re bridging the gap between humanities and the sciences with this type of work.”

    She added that this research also showed her that “a lot more work has to be done” in this field of study.

    “Not just on empathy,” she added, “but on how it is related to politics, policy and how images create ideas about how we see others.”

    “Entangled empathy, drug use and photographs of suffering” is currently available for free download on the International Journal of Drug Policy website.

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    Categories: Faculty & Instructors, News

  • Brock grad returns to MIWSFPA for first solo exhibition

    Thursday, January 03, 2019 | By

    Brock alumna Kylie Haveron (BA ’18) is hosting her first solo exhibition, Not Dark Yet, at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) beginning Wednesday, Jan. 9.

    (From The Brock News, Thursday, January 3, 2019 | By: Sarah Ackles)

    As Martin Luther King Jr. once famously said: “Darkness cannot drive out darkness; only light can do that.”

    His message encapsulates the inspiration behind the first solo exhibition of Brock alumna Kylie Haveron (BA ’18), opening at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) this month.

    Running from Jan. 9 to 26, Not Dark Yet reflects on the dichotomy between lightness and darkness and the struggles we face in our daily lives.

    The exhibition is on at the VISA Gallery and Student Exhibition Space at the MIWSFPA, with an opening reception on Thursday, Jan. 10.

    “I look at how we believe day can bring a purpose, a connection and sense of certainty, while nightfall can bring anxiety as it signals the end of the opportunity for the day and a sense of waiting for the light of the next day to bring us answers,” Haveron explained.

    Haveron’s exhibition consists of a combination of drawings, sculpture and installations that explore the way that physical lightness and darkness can impact the lightness and darkness we experience within ourselves.

    She said the timing of the show is ideal, as the lack of sunlight during the winter months can trigger symptoms of depression in some individuals, often known as Seasonal Affective Disorder (SAD).

    While many of her pieces are gritty and gloomy, the Brock grad hopes her work will inspire viewers to “let the light into their lives.”

    “Although I look at how extended periods of darkness can make us feel the darkness inside of us, I do have some pieces that give us ways to find the light,” she said. “We must not let the darkness determine our fate and our life, because the light can bring opportunity to have better outcomes.”

    Haveron is also looking forward to returning to her alma mater to showcase her first professional exhibition.

    “Hosting a solo show is a good learning experience and I’m happy I get to do it at Brock, where I have a lot of friends and am part of a supportive community,” she said.

    Not Dark Yet runs from Jan. 9 to 26 in the VISA Art Gallery and Student Exhibition Space at the MIWSFPA. The gallery is open to the public Tuesdays to Saturdays from 1 to 5 p.m.

    An opening reception, also in the gallery, will be held Thursday, Jan. 10, from 5 to 8 p.m.

    This event is free and open to the community.

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    Categories: Alumni, Events, Exhibitions, News

  • Hamilton Now series highlights Brock art instructor

    Wednesday, December 19, 2018 | By

    Brock instructor Donna Akrey is part of the exhibition Hamilton Now: Object at the Art Gallery of Hamilton until May 20. (Photo by Taien Ng-Chan.)

    (From The Brock News, Wednesday, December 19, 2018 | By: Jaquelyn Bezaire)

    As Donna Akrey knows all too well, art is woven into the fabric of any strong community.

    The textile work of the Brock University Visual Arts instructor is part of a new exhibition at the Art Gallery of Hamilton (AGH) that celebrates an influx of new artistic talent in the city.

    Akrey’s work Hamilton Yards will be on display at the Art Gallery of Hamilton until May 20.

    The Hamilton Now series, curated by Melissa Bennett, began in June with Hamilton Now: Subject, which focused on the culture and creativity in the city and spoke to who the artists are as individuals. The exhibit ran until Nov. 18, with artists using different mediums to explore aspects of their own identity.

    The series’ second exhibition, Hamilton Now: Object focuses mainly on sculptors.

    Hamilton Now: Object, which is now on display at the AGH and features Akrey’s work, emphasizes material exploration and awareness of the physical environment. The exhibit, which includes pieces by the collective art group band Persons, also features an interactive digital project that incorporates a sculptural map of Hamilton.

    Akrey recently moved from Montreal, where she found herself a part of a very strong arts community. Once she arrived to Hamilton, she was pleasantly surprised by the welcome she received.

    “The community is very strong, supportive and positive,” she said. “I’m honoured to be showing work alongside other amazing Hamilton artists.”

    Akrey’s piece, Hamilton Yards, is a series of fabrics digitally-printed with a custom-made repeating pattern of photo images. Akrey spent time wandering the neighbourhoods of east end Hamilton and documenting the spots that interested her.

    “I have wanted to make textile work for a while, so this was the perfect opportunity,” she said. “Through these works, I continue to address mapping, place and location in Hamilton specifically.”

    Alongside Akrey, the exhibition includes pieces by Christopher Reid Flock, Destiny Grimm, Hamilton Perambulatory Unit, Svava Thordis Juliusson, Carmela Laganse, Laura Marotte and Taien Ng-Chan.

    On Thursday, Jan. 17, Akrey will be joined by Thordis Juliusson and Ng-Chan in the first of two panel events. The artists will lead guests through a series of sculptural activities, “object-oriented storytelling” and mapping exercises.

    Hamilton Now: Object runs until May 20 at the Art Gallery of Hamilton. The official opening is Sunday, Feb. 3. The gallery is open Tuesday to Sunday.

    For more information, visit the Art Gallery of Hamilton website.

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