Récits Photographiques
August 24 > September 30, 2017
Abbaye De Silvacane, La Roque D’Antheron
Les Terrasses Du Chateau, Lauris
Provence, France
https://www.facebook.com/recitsphotographiques/
Visa Instructor Judy Graham and students Alex Chorny, Sam Goeree and Amber Lee Williams are mounting an exhibition titled Cloth Shells at 1045 Elmwood Gallery for the Arts in Buffalo, New York.
July 1 > July 31
Reception: Saturday, July 15th, 2 > 4pm
The “Regent Student Living Award” is selected by the VISA Faculty and presented to the Visual Arts Major with the highest overall standing in 1st or 2nd year with at least 5 full credits completed. The award is graciously donated by Regent Student Living (an all-inclusive student residence located downtown St. Catharines) and presented in May or June after the completion of the academic year.
(Source: The Brock News, Wednesday, April 26, 2017 | by Alison Innes. Photo caption: “Visual Arts associate professor Keri Cronin. Photo: Jo-Anne McArthur / We Animals”)
The animal advocacy movement has a rich visual history, and for her ongoing contributions to the movement, Brock University art historian Keri Cronin has been made a Fellow with the prestigious Oxford Centre for Animal Ethics.
The Visual Arts associate professor is particularly interested in the ways those working for animal advocacy in previous eras used images in campaigns.
“It’s really important to think about the relationships that exist between images and animal ethics because representations of animals shape how we think about them, how we treat them,” says Cronin, who is also a Faculty Affiliate in Brock’s Social Justice and Equity Studies graduate program and a founding member of the Social Justice Research Institute. “Images can have real-world consequences for actual flesh-and-blood animals.”
“My work asks people to consider what happens if we think about these images as part of the larger cultural narrative about how we treat animals, how we decide what counts as ‘cruel’ or ‘humane’ treatments and how those ideas shift over time.”
Cronin’s research has lead her to archives across North America and the U.K. in search of material such as leaflets and handbills, which often have not been catalogued or preserved in the same way as material on other topics.
The Visual Arts professor has published several books on visual culture and activism and has recently curated an exhibit, “Be Kind: The Visual History of Humane Education” for The Animal Museum.
She has also launched a new multimedia project with Jo-Anne McArther of We Animals called Unbound: Women on the Front Lines of Animal Advocacy.
Cronin’s forthcoming book, Do Not Refuse to Look at These Pictures: Visual Culture and Animal Advocacy 1870-1914, is due out this year and she hopes it sparks conversation and awareness about the visual culture of early animal advocacy.
The Oxford Centre for Animal Ethics, now comprised of more 100 international scholars, draws together academics from the humanities and sciences, including subjects as diverse as philosophy, theology, law, biology, history, social sciences, literature and politics.
Membership is by invitation only and only a small portion of those nominated are eventually selected. The lengthy and painstaking selection process recognizes those have made outstanding contributions to the field of animal ethics.
Cronin is the second Brock professor to join the Centre; Sociology professor Lauren Corman is an Associate Fellow in recognition of her interdisciplinary work on animal rights, posthumanism, feminist, critical race, labour, and environmental theories and practices.
Positions: Visual Arts Student Monitors for Fall/Winter terms 2017/2018
Qualifications: Positions available for third and fourth-year VISA majors only.
Duties include: Monitoring and cleanup duties of the area you are assigned, perform other related duties as assigned by your supervisor (No work during Fall term and Winter term reading weeks).
Compensation: $12.00/hour
Deadline for applications: Wednesday, May 31, 2017
To apply for any of these positions please communicate only from your Brock student email account and send a resume and cover letter indicating your major, year of study, relevant qualifications and any related volunteer or paid positions along with a detailed schedule of the days/times you are available to work to: mlederich@brocku.ca
Please note that all communication must be through your Brock student email accounts and that only the applicants selected will be contacted. If you are successful, you will be assigned monitor duties to an area that the monitor hiring committee feels you are best suited for.
(Source: The Brock News, Thursday, April 20, 2017 | by Maryanne Firth. Photo caption: “Buffalo’s Silo City will play host to a joint art exhibition including the work of students and faculty from Brock University and the State University of New York at Buffalo. (Photo: Derek Knight)”)
Brock University and the State University of New York (SUNY) at Buffalo have joined forces to showcase artists on both sides of the border while also highlighting a landmark area on the Buffalo River.
After two years of planning, Post-Industrial Ephemera: Soundings, Gestures, and Poetics will open Saturday, April 22 at Buffalo’s Silo City — an industrial space filled with repurposed grain elevators and other structures built in the first half of the 20th century.
Several silos will play host to the free art exhibition until Saturday, April 29.
The exhibition’s opening reception will run from 2 to 5 p.m. and includes, in addition to the artwork of both Brock and SUNY students and faculty, performances by the Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins.
Parayre, event co-curator and an associate professor in Brock’s Studies in Arts and Culture as well as Modern Languages, Literatures and Cultures, said the event developed from like minds coming together through networking opportunities at Brock’s Rodman Hall Art Centre.
It was co-curator Reinhard Reitzenstein, an associate professor of sculpture at SUNY-Buffalo, that introduced Parayre to Silo City, the inspiration for the showcase.
“Everyone is mesmerized because the structures there are stunning,” Parayre said of the area that is filled with buildings worn by weather and time.
The event, she said, is to encourage people to “reflect on the notion of dispersal.”
“Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced.”
Silo City, she said, invites visitors to “become more perceptive to the transience of human endeavours.”
The exhibition is an opportunity to reflect on the aging structures, their history and nature’s efforts to reclaim the partially vacant space, she said.
Participating artists come from various disciplines including sculpture, arts, comparative literature, English studies, visual arts, studies in arts and culture, and French studies.
The showcase features an array of installations, neon signs, readings, paintings, prints, videos and sculptures.
Brock provided funding for the project through a longstanding research agreement in place between the two institutions, in addition to funding provided through Brock’s Dean of Humanities office.
“We’re very grateful for Brock’s support,” Parayre said.
Parking for the event is available onsite and guests are advised to dress warmly as temperatures within the silos remain brisk.
More information on participating artists and performance schedules for the opening reception is available online.
A one-day symposium held to relive the exhibition is scheduled to take place in September at Rodman Hall Art Centre in St. Catharines.
Brock University, Buffalo, Buffalo River, Catherine Parayre, derek knight, Exhibition, Lauren Regier, Post-Industrial Ephemera: Soundings Gestures and Poetics, Rodman Hall Art Centre, Silo-City, St. Catharines, State University of New York, SUNY
Categories: Announcements, Faculty & Instructors, In the Media, News
Donna Akrey and Yvette Poorter are a collaborative duo that have been making/continue to make work together when they can since the 1990s (or since they jumped off a cliff into Muskoka water at age 17). Their work is multi-media and often involves easily found and/or scavenged materials. They are interested in getting lost while realizing the rarity of such a thing. So they make work to get lost in. Poorter and Akrey have been collecting stories and images from people who have a dead dad. They use these snippets of other people’s memories, as fuel to create a morphing landscape installation. Yes, the exhibition is about dads—dead dads at that—but it is also a rumination on memory and the size and viscosity of memory. A vague longing.
Photo credit: Derek Knight
Post-Industrial Ephemera: Soundings, Gestures and Poetics
Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River
April 22 – 29, 2017
105 Silo-City Row, Buffalo, NY 14203, U.S.
Opening Reception: Saturday, April 22 from 2 – 5 pm
http://www.silo.city
Click here for directions
Free community event
Buffalo, New York and St. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Coming from different places and practices, we wish to foster interdisciplinarity.
Together, we want to reflect on the notion of dispersal. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours.
We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. We will capture the brilliance of a moment.
A follow-up one-day symposium at Rodman Hall Art Centre, St. Catharines will document and revive the exhibition on September 16, 2017.
The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins
Curators: Catherine Parayre, Reinhard Reitzenstein
Click here to download the performance program.
For more images and information, please visit the exhibition website.
Participating artists:
ArtIndustria+
Untitled (neon sign)
ArtIndustria+ was formed in 1995 by Derek Knight and Franc Petric, two Canadian artists who reside in the Niagara region. Motivated by the desire to work collaboratively, they have developed projects over the years with a focus on art, research and technology. Underlining their concerns with the dialectical relationship between ecology and industry, their conceptual models combine installation techniques and situational aesthetics to further examine the artist’s role in post-industrial society.
Continuous Monument
Silo Sessions at the American (noise/drone performance)
Continuous Monument is an affiliation of interdisciplinary culture-makers working among design, text, architecture and sound fields. Born from the ashes of a contaminated political landscape, Continuous Monument gathers to spatialize sound and signal in temporary, site specific soundscape improvisations. Monument will perform at The American in Silo City as an acoustic inhabitation; live ghosts active in remnant industrial anatomy.
Akasya Crosier
Likeness (typeface study)
Akasya Crosier is a multifaceted artist based in Western New York. She is currently a senior at UB studying Studio Art and Communication. In her artwork, she focuses on effective communication skills, idealized spaces, and bright imagery.
Catherine Parayre (assisted by Josh Dawson, SUNY and Paul Savoie, Brock U)
Ingrained Words (14 posters: assembled fragments from texts by 33 writers)
Catherine works in Arts and Culture, and in Modern Languages, Literatures and Cultures at Brock University. She is particularly interested in contemporary Occitan literature, as well as the co-presence of literatures and visual arts. She includes her four languages in her creative work.
Catherine Parayre and Jim Watkins
The Silo-Minder (recording, reading)
Jim Watkins lives in Silo-City and is our silo-minder/keeper. His passion for the arts and for Silo-City is central to our cross-border project.
Lauren Regier
Where I stand is fair and square (performance/grass seed & dirt)
Lauren Regier is Honours graduate from Brock University’s Visual Arts program, and is an emerging artist based in the Niagara Region. Much of her work is inspired by the notion of functionality and relationships between the industrial world and the natural realm. Interested in the experiential nature of contemporary art, her practice includes photography, installation, performance, drawing and video.
Reinhard Reitzenstein
ArbreTreeBaum (vocal piece in 5 languages)
Reitzenstein has held over 100 solo exhibitions and over 300 group exhibitions globally, and has completed over 25 public and private art commissions. His work is represented in more than 50 public and corporate collections internationally. Reitzenstein has been Director of the Sculpture Program at, SUNY, Buffalo since 2000. He is represented by the Olga Korper Gallery in Toronto.
Casey Ridings
Untitled Emotion (acrylic paint)
Casey Ridings is currently a Graphic Design student at the University at Buffalo. She is intrigued by the geometric nature of organic patterns; through a spontaneous and intuitive process she creates intricate paintings and drawings inspired by the exploration of her experiences and emotions.
Cody Schriever
Vanity Case / Skeletons of Perception (painting/sculpture)
Cody Schriever is a student in the University at Buffalo art department. His paintings and sculptures deal with human nature, and the structures of its self-perception. By combining various styles of painting and modes of expression he creates a complex narrative of the global condition.
Shawn Serfas
Alloyed (acrylic)
Shawn is an Assistant Professor in the Visual Arts Department, Marilyn I. Walker School of Fine and Performing Arts at Brock University. His research interests include contemporary painting, drawing and printmaking practices concerning relational abstraction, environmental aesthetics, religion, the landscape as well as issues bordering abstraction and representation.
Lucas Veraldi
2mp (inkjet prints)
Lucas is an artist currently residing in Buffalo, NY. His practice examines the different methods of representation that exist within the realm of photography and explores the truth value that a photograph holds as a piece data that showcases life.
Sophia Yung
Voyage Voyage
Sophia Yung is a Chinese American graphic designer and artist from Brooklyn, NY. Her most recent work involves the analysis of Asian American culture shock, language barriers, mixed martial arts and the role of financial capital in the precarious 21st century.
Jean Zhu
bacteria (video)
Jean Zhu is currently a Media Study student at the University at Buffalo. She is both a photographer and a filmmaker. Her experimental films and straightforward photographs of everyday objects and scenes are noted for their color combination, explicit composition and rich content.
VISA Students: Reminder that Honours Applications for VISA 4F06, 3F99 and 4F99 are due by May 1, 2017. There are hard copies available in the Visa office or if you email Monika Lederich at mlederich@brocku.ca she can send you digital copies.
(Source: Rodman Hall Art Centre)
DONNA AKREY
Also Also
Curated by Marcie Bronson
February 11 to April 30, 2017
Opening Reception: Saturday, February 11, 3 pm
HOT TALK: Thursday, March 2, 7 pm
Donna Akrey in conversation with Marcie Bronson
Donna Akrey is interested in how habit shapes the way we experience and engage with the world around us. Rooted in her astute observation of patterns of communication and consumption, her work humorously intervenes to raise discussion about social and environmental issues, often responding directly to a particular site or community. Using common, surplus, and discarded materials to construct sculptures and installations that she describes as “ruminations on the spectacle of the unspectacular”, Akrey draws attention to the futility of the notion of “the ultimate” and the richness in the space between intention and result. Akrey explains: “I imagine the absurd as real, because sometimes the real is so absurd.” Alongside selected works from the last 15 years of her practice, this exhibition presents a site-specific outdoor installation created in collaboration with neighbourhood residents.
Donna Akrey, Middle Ground, 2016, mirror, wood, foam, casters.