Exhibitions

  • New art exhibition the product of student collaboration

    Thursday, March 28, 2019 | By

    Quality Family Time (and Space), a piece by Brock alumna Emily Andrews (BA ’11), is part of the new Erasures exhibit that will run from April 2 to 27 in the VISA Art Gallery and Student Exhibition Space at the Marilyn I. Walker School of Fine and Performing Arts. An opening reception is set for Thursday, April 4 from 5 to 8 p.m.

    (From The Brock News, March 27, 2019 | By: Jaquelyn Bezaire)

    While they’re known for correcting errors, erasures are signs of progress and an expanding imagination.

    Students in Brock’s Visual Arts (VISA) and Studies in Arts and Culture (STAC) programs will explore this theme in a new collaborative art exhibit on view from Tuesday, April 2 to Saturday, April 27.

    The exhibit, Erasures, will be open to the public in the VISA Art Gallery and Student Exhibition Space at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) in downtown St. Catharines.

    An opening reception will be held in the gallery on Thursday, April 4, from 5 to 8 p.m.

    Led by Shawn Serfas, Associate Professor of Visual Arts, and Catherine Parayre, Director of the Centre for Studies in Arts and Culture, students enrolled in VISA 4P03/4P04 and STAC 3P01 worked together to create a show that features paintings and text that thematize different types of erasures.

    The work ranges from the exploration of scenes lacking important elements, simplified adaptations of existing artworks and abstracted forms of figurative objects.

    Short written statements commenting on well-known recent artworks accompany the paintings to provide further context.

    Serfas and Parayre frequently bring students from different backgrounds together to collaborate on creative endeavours.

    “It has been an enriching learning experience, for both the students and the instructors,” Parayre said of working with the students on Erasures.

    The exhibition evokes transformations and process, an important theme in both Serfas’ senior studio courses and Parayre’s Media Transformations in the Creative Arts course.

    Whether in visual expressions or in texts, Parayre added, erasures are invitations to scrutinize, read and interpret, which is exactly what the public is encouraged to do at the upcoming exhibition.

    Erasures runs from April 2 to 27 in the VISA Art Gallery and Student Exhibition Space at the MIWSFPA in downtown St. Catharines. The gallery is open to the public Tuesdays to Saturdays from 1 to 5 p.m.

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    Categories: Current Students, Events, Exhibitions, News

  • Artistic alumni to host vacation-themed exhibition downtown

    Tuesday, January 29, 2019 | By

    Brock grads Katie Mazi (BA ’16), Jenn Judson (BA ’16), Matt Caldwell (BA ’16), Ben Mosher (BA ’15) and Alex Muresan (BA ’16) make up the art collective Permanent Vacation. The artists will be exhibiting new work in All Expenses Paid, opening on Thursday, Jan. 31.

    (From The Brock News, January 29, 2019 | By: Sarah Ackles)

    The Permanent Vacation art collective is inviting the public to experience the sights and sounds of a tropical getaway – without spending a cent.

    The group, made up of Brock alumni, is presenting its second exhibition, All Expenses Paid, at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) beginning Thursday, Jan. 31. An opening reception for the showcase will be held Thursday, Feb. 7 from 5 to 8 p.m.

    All Expenses Paid is a multimedia exhibition featuring photographs, videos, an installation and a zine. The artists will also create a studio space inside the exhibition, where emerging local artists can work if they cannot access their own studio space due to economic barriers.

    The collective, which includes artists Katie Mazi (BA ’16), Jenn Judson (BA ’16), Matt Caldwell (BA ’16), Ben Mosher (BA ’15) and Alex Muresan (BA ’16), were all Studio Art majors at Brock who first worked together to restructure the Brock Art Club into the current Brock Art Collective.

    The name Permanent Vacation stems from the idea that you don’t need to ‘vacate’ an area to find work and fulfilment. The collective’s goal is to create working space for emerging Niagara-based makers in a way that promotes seeing home anew.

    “The exciting part about this exhibition is that it is fully collaborative within our collective and interactive with local artists and community members,” said Mazi.

    The artists encourage visitors to embrace the theme and wear their best vacation attire to the opening, where they can expect to find themselves surrounded by inner tubes and piña coladas.

    “It’s practically a vacation,” said Judson.

    Permanent Vacation’s All Expenses Paid is on from Jan. 31 to Feb. 28 at the VISA Gallery and Student Exhibition Space within the MIWSFPA. The opening reception, also at the gallery, takes place Feb. 7 from 5 to 8 p.m. The gallery is open Tuesday to Saturday from 1 to 5 p.m.

    If you would like to book studio time during the exhibition, please email the artists to make advance arrangements at permanentvacationcanada@gmail.com

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    Categories: Alumni, Events, Exhibitions, News

  • Rodman Hall readying for two exhibition openings

    Monday, January 28, 2019 | By

    The work of Brock alumna Natalie Hunter will be featured in one of two exhibitions opening Jan. 31 at Rodman Hall. Hunter’s Staring into the Sun runs until March. (Image: Natalie Hunter, “Songs of May” (detail), 2018, Giclée prints on transparent film.)

    (From The Brock News, January 28, 2019 | By: Alison Innes)

    Two powerful exhibitions featuring the work of clients from Start Me Up Niagara (SMUN) and Brock alumna Natalie Hunter, respectively, will open at Rodman Hall Art Centre Thursday, Jan. 31 at 7 p.m.

    The first of two new Rodman Hall offerings, the Art Me Up Niagara group show is a play on the name of the organization that works with individuals facing significant life challenges, such as poverty, addiction, homelessness, mental illness and unemployment.

    SMUN participants have created artwork in response to Rodman Hall’s current Northern Oracle installation, which aims to inspire people to share their message, whatever it might be, with the world and have their voice heard.

    “In developing the public programs activating this installation, I was guided by inquiry into why this work might be important to the Niagara community, and homelessness immediately arose as a critical issue,” says Elizabeth Chitty, Interim Grants and Programming Officer at Rodman Hall. “We will all benefit from seeing and listening to the artistic voices of those with lived experiences of homelessness in St. Catharines.”

    The second exhibition, Hunter’s “Staring into the Sun,” features photo-based sculptures and installations that explore the relationship between memory and physical space.

    Hunter (BA ’11) uses vibrant colour filters and multiple photographic exposures in her creation process. The works are printed on translucent films that hang, ripple and drape to interact with architectural features of the exhibition space.

    Each viewer’s experience of the pieces, which allude to enduring routines and the passage of time, shifts with subtle changes in light.

    Hunter will give a public talk about her work on Thursday, March 28 at 7 p.m. at Rodman Hall.

    In addition to the launch of the Art Me Up Niagara showcase, another event will be held this week related to the Northern Oracle exhibition. Rodman Hall is partnering with the American Sign Language Community of Niagara to present a public lecture by deaf Bahamian photographer and graphic designer Will Henfield at the art centre on Friday, Feb. 1 at 6:30 p.m.

    A full list of community events related to the ongoing “Northern Oracle” exhibition by Heather Hart can be found on the Rodman Hall website.

    The Art Me Up Niagara and Staring into the Sun exhibitions run until Feb. 10 and April 28, respectively.

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    Categories: Alumni, Events, Exhibitions, News

  • Public to take (CRIT)ICAL look at student artwork during one-night exhibition

    Monday, January 14, 2019 | By

    Brock Visual Arts student Zach White decides how to display his work in the student lounge on the third floor of the Marilyn I. Walker School of Fine and Performing Arts as part of the upcoming exhibition, (CRIT)ICAL, taking place Wednesday, Jan. 16 from 4 to 10 p.m.

    (From The Brock News, Monday, January 14, 2019 | By: Jaquelyn Bezaire)

    Brock Visual Arts instructor Donna Akrey always tells her students that art is made to be seen, felt and heard.

    The idea that the process of creation begs for interaction and response is what inspired an upcoming exhibition at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    Students from the 3M90 Advanced Art Practise course have been hard at work researching and creating their individual pieces for a one-night interactive exhibition, titled (CRIT)ICAL, on Wednesday, Jan. 16 from 4 to 10 p.m.

    Comprised of paintings, drawings, sound and video, the showcase is a collection of self-directed work from third- and fourth-year students. The pieces will be on display throughout the MIWSFPA building for guests to explore.

    “I think people can expect a lot of dramatic pieces of art,” said Visual Arts student Zach White. “There are a lot of people in this class who are trying to step out of their own areas of creation into new spaces that are outside of mainstream fine arts.”

    As part of the exhibition, students are opening up their studio doors and calling on the public to react, question and critique. Surveys will be handed out to viewers in order to give an anonymous written response to the artists.

    “The feedback from the visiting public will allow the students to hear unfiltered responses from others that will allow them to perhaps hear an alternate take on their work, strengthen their proposals and be able to work on any shortcomings the work may have,” said Akrey.

    This show is being treated as a work in progress for many of the artists who are hoping to use the feedback they receive to further improve their work.

    “I’ve been in a rut with my art, so the critiques will definitely help. I’m hoping to get some inspiration and a bit of a push to help me create more,” said Visual Arts student Renz Baluyot, whose work will be displayed in the second-floor hallway.

    (CRIT)ICAL is a mid-year event that will lead students towards a final show at the MIWSFPA in April.

    For more information about upcoming exhibitions, visit the Department of Visual Arts website.

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  • Brock grad returns to MIWSFPA for first solo exhibition

    Thursday, January 03, 2019 | By

    Brock alumna Kylie Haveron (BA ’18) is hosting her first solo exhibition, Not Dark Yet, at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) beginning Wednesday, Jan. 9.

    (From The Brock News, Thursday, January 3, 2019 | By: Sarah Ackles)

    As Martin Luther King Jr. once famously said: “Darkness cannot drive out darkness; only light can do that.”

    His message encapsulates the inspiration behind the first solo exhibition of Brock alumna Kylie Haveron (BA ’18), opening at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) this month.

    Running from Jan. 9 to 26, Not Dark Yet reflects on the dichotomy between lightness and darkness and the struggles we face in our daily lives.

    The exhibition is on at the VISA Gallery and Student Exhibition Space at the MIWSFPA, with an opening reception on Thursday, Jan. 10.

    “I look at how we believe day can bring a purpose, a connection and sense of certainty, while nightfall can bring anxiety as it signals the end of the opportunity for the day and a sense of waiting for the light of the next day to bring us answers,” Haveron explained.

    Haveron’s exhibition consists of a combination of drawings, sculpture and installations that explore the way that physical lightness and darkness can impact the lightness and darkness we experience within ourselves.

    She said the timing of the show is ideal, as the lack of sunlight during the winter months can trigger symptoms of depression in some individuals, often known as Seasonal Affective Disorder (SAD).

    While many of her pieces are gritty and gloomy, the Brock grad hopes her work will inspire viewers to “let the light into their lives.”

    “Although I look at how extended periods of darkness can make us feel the darkness inside of us, I do have some pieces that give us ways to find the light,” she said. “We must not let the darkness determine our fate and our life, because the light can bring opportunity to have better outcomes.”

    Haveron is also looking forward to returning to her alma mater to showcase her first professional exhibition.

    “Hosting a solo show is a good learning experience and I’m happy I get to do it at Brock, where I have a lot of friends and am part of a supportive community,” she said.

    Not Dark Yet runs from Jan. 9 to 26 in the VISA Art Gallery and Student Exhibition Space at the MIWSFPA. The gallery is open to the public Tuesdays to Saturdays from 1 to 5 p.m.

    An opening reception, also in the gallery, will be held Thursday, Jan. 10, from 5 to 8 p.m.

    This event is free and open to the community.

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    Categories: Alumni, Events, Exhibitions, News

  • Community voices expressed through Brock art exhibitions

    Friday, December 07, 2018 | By

    Curt Richard, a student in VISA 3M90, surveys the exhibition that he and 52 other students have completed over the course of the semester.

    Curt Richard, a student in VISA 3M90, surveys the exhibition that he and 52 other students have completed over the course of the semester. Manifestos in a Room is a collaboration between students in French, Visual Arts, and Studies in Art and Culture. It will be on display at Rodman Hall Art Centre until Dec. 30.

    (From The Brock News, Friday, Dec. 7, 2018 | By: Alison Innes)

    Two Brock art exhibitions now on display are working to celebrate and amplify community voices.

    Manifestos in a Room and Sauti za Afrika/African Voices/Voix Africaines were each created to engage with Northern Oracle, an exhibition by Heather Hart currently being featured at Rodman Hall Art Centre.

    Through the exhibition, which includes an indoor rooftop installation, Hart asks visitors what they want to say to the world and advises them to shout it from the rooftop.

    Reflecting on Northern Oracle, 53 students in Visual Arts, Studies in Arts and Culture, and French came together to create their own statements, whether poetic, absurd or political. The expressions — in both English and French — were used to create Manifestos in a Room, on display in Rodman Hall’s Studio Gallery.

    Students worked throughout the fall semester to bring the exhibition, curated by Associate Professor Catherine Parayre and instructor Donna Akrey, to life.

    Jean Ntakirutimana, Chair of the Department of Modern Languages, Literatures and Cultures, demonstrates the talking drum

    Jean Ntakirutimana, Chair of the Department of Modern Languages, Literatures and Cultures, demonstrates the talking drum used to send messages over long distances in Cameroon. With careful training, a person could use the different tones produced by the drum to send messages. The drum is just one of the items on display in Sauti za Afrika/ African Voices/ Voix Africaines, an exhibition celebrating voices of Niagara’s African diaspora community.

    “It really helps to collaborate in one’s art practice,” said Akrey, whose art students were involved in the project.

    “We also did an assembly line production to create some of the work, which was fun and rewarding. I was impressed with how the 3M90 students embraced this project and made sense of it for the viewing public.”

    For the participating French students, the exhibition was a “great opportunity to practice writing constraints for fun,” said Parayre. “Students produced facetious manifestos, writing eloquently on a light-hearted topic. It allowed all of us to put our creative forces together and share a common space.”

    The exhibition includes a visual component as well as a three-minute audio track created by the students.

    Over at Brock’s main campus, the Department of Modern Languages, Literatures and Cultures (MLLC) is hosting Sauti za Afrika/African Voices/Voix Africaines, an exhibition meant to amplify the voices of the African diaspora in Niagara. Featuring 12 different languages, the exhibition combines modern writing with ancient traditions of communication.

    The display features instruments and figurines used for communication, such as a conch shell, similar to the one used to call for revolution in Haiti, and miniature replicas of Burundi drums used by royalty to communicate with their people.

    Also included is an intricately carved cow horn used to call people to come and hear the chief speak in certain regions of Africa, said Department Chair and Associate Professor Jean Ntakirutimana.

    Ntakirutimana worked with members of Niagara’s African diaspora and Sofifran (Solidarité des femmes et familles immigrantes francophones du Niagara) to collect people’s hopes, dreams and concerns to include in the display. Members have also loaned their personal objects for the exhibition.

    The display is a precursor to an event by the same name coming up in February. Co-hosted by Sofifran, MLLC and Studies in Arts and Culture, the event will be held at Rodman Hall and will also engage with Northern Oracle.

    Sauti za Afrika/African Voices/Voix Africaines is a part of the Museum in the Hallway project, curated by Parayre. Located in the Department of Modern Languages, Literatures and Cultures (Mackenzie Chown A-block), the project features rotating monthly displays.

    Both African Voices and Manifestos in A Room will be on display until the end of December. Northern Oracle will be at Rodman Hall until March 3.

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    Categories: Current Students, Events, Exhibitions, Faculty & Instructors, News

  • Brock Art Collective ready for annual exhibition

    Wednesday, November 28, 2018 | By

    Sarah Martin, left, and Syerra Jasmin showcase examples of artwork that can be found at the upcoming exhibition Art Block: BAC on the Block which runs from Dec. 4 to 20 in the VISA Art Gallery and Student Exhibition Space at the MIWSFPA.

    (From The Brock News, Wednesday Nov. 28, 2018 | By: Jaquelyn Bezaire)

    Members of the Brock Art Collective have been hard at work preparing for the return of a popular art exhibition.

    The fourth annual Art Block: BAC on the Block exhibition opens on Tuesday, Dec. 4 at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    The exhibition will feature more than 100 different pieces created on six-inch-by-six-inch wooden blocks by many different artists from Brock and around the Niagara region.

    Visual Arts student and President of the Brock Art Collective, Syerra Jasmin, has been involved with the club for four years and loves the uniqueness it has to offer.

    “Students are welcome to do quite literally anything and everything that they want on the wooden block as long as the block itself is involved in some way,” she said. “But there’s a challenge in having to take your idea and shrink it down to fit on the block. It completely changes the way your art interacts with the surface.”

    For many students, this is the first time their work will be part of an exhibition. It’s an opportunity to introduce themselves to the arts community while also getting to sell their work. All the artwork will be for sale starting at $40 each.

    Jasmin is joined by fellow Visual Arts students Sarah Martin, this year’s Vice-President and Amber Lee Williams, this year’s Treasurer. The three work together to host multiple events throughout the year that are open to staff, faculty, students and the community. For Martin, this has been a great opportunity for her to meet other artists within the community.

    “We’ve had people come to our workshops who don’t go to Brock, but they always get so involved and excited,” said Martin. “It’s a great feeling being able to be the person to present these opportunities and make those connections.”

    The exhibition runs from Dec. 4 to 20 in the VISA Art Gallery and Student Exhibition Space at the MIWSFPA. The gallery is open to the public Tuesday to Saturday from 1 to 5 p.m.

    There will also be an opening reception on Wednesday, Dec. 6 from 5 to 9 p.m. This event is free and open to the community.

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  • Exhibition explores link between childhood trauma and mental illness

    Thursday, November 08, 2018 | By

    Emma Mary Sked poses with her art book and small toy animal made out of colourful fabrics.

    Brock Visual Arts student Emma Mary Sked’s Maybe You Should Drive will be installed in the VISA Gallery and Student Exhibition Space at the MIWSFPA from Nov. 13 to 27.

    (From The Brock News, Thursday, Nov. 8, 2018 | By: Sarah Moore)

    Emma Mary Sked’s childhood greatly impacted her mental health as an adult.

    And now, the Brock Visual Arts student is channelling her life experiences into a new exhibition opening Tuesday, Nov. 13 at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    Maybe You Should Drive is a mixed media exhibition featuring a collection of art books and brightly coloured fabric animals depicting the fragility and comfort of childhood, and the lived experience of adults with mental illness.

    The exhibition features work that culminated from the artist’s studies in the VISA 3F99 Independent Study course at MIWSFPA. Sked completed the project under the guidance of Visual Arts Associate Professor Shawn Serfas.

    “VISA 3F99 engages a heightened level of creative and critical literacy for our undergraduate students,” Serfas explained. “Emma’s exhibition explores the complex relational narratives between mental health and creativity.”

    Sked felt it important to use her own experience with mental illness and addiction as inspiration for the featured work.

    “When I was a kid I moved a lot, which really impacted how I coped with things and I now struggle with anxiety and depression,” she shared. “Now that I’ve grown up, I’ve met people who have developed mental illness that they also have to cope with every day and they will be able to relate to this work and make connections to their own life.”

    Sked chose to explore the use of art books and tactile objects for this project so that viewers could interact with the subject matter on a more immersive level.

    She also hopes the exhibition will encourage others to share their own experiences in order to find support and develop their own coping mechanisms.

    “It’s not just about the negative impacts of these issues,” she stressed. “It’s about bringing hope to people and showing them that they aren’t alone.”

    Maybe You Should Drive will be installed in the VISA Gallery and Student Exhibition Space at the MIWSFPA from Nov. 13 to 27.

    An opening reception will also be held in the Gallery on Thursday, Nov. 15, from 5 to 8 p.m.

    The event is free and suitable for all audiences.

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  • Brock prof unveils Invisible Histories at Toronto exhibition

    Wednesday, November 07, 2018 | By

    Invisible Histories, by Brock researcher and Visual Arts Chair, Professor Donna Szoke, is installed at the John B. Aird Gallery and CONTACT Gallery in Toronto until Nov. 23. Her work is pictured above: Donna Szoke, Invisible Histories. Geo-loactive smart phone/tablet app, 2015

    (From The Brock News, Tuesday, Nov. 6, 2018 | By: )

    The work of Brock Professor Donna Szoke on the hidden history of nuclear waste is being featured in a Toronto group exhibition that opened last week.

    Szoke, a researcher and Visual Arts Chair, has her work on display as part of Digital Animalities — a two-venue exhibition of artworks that examines how human-animal understandings and relationships are changing through the use of ubiquitous media and new technologies.

    The exhibition is part of a Social Sciences and Humanities Research Council of Canada(SSHRC)-funded research project titled “Digital Animalities: Media Representations of Nonhuman Life in the Age of Risk,” led by Jody Berland of York University.It brings the work of artists and researchers together to highlight the challenges and opportunities for new understandings of animals in contemporary digital culture.

    Co-curated by Giovanni Aloi, Matthew Brower and Curatorial Assistant Seb Roberts, Digital Animalities divided the works into two exhibitions: Mapping (at the James B. Aird gallery) and Rendering (at CONTACT Gallery).

    Szoke’s Invisible Histories (a geolocative smartphone/tablet app she developed in 2015) is featured in the Mapping exhibition.

    The free app maps nuclear waste at a Niagara Falls, N.Y., storage site, where more than 270,000 mice used in radioactive experiments have been buried.The app brings public awareness to the fact that there is radioactive evidence of secret atomic testing that took place during the infamous Manhattan Project in Niagara.

    Users are guided through the app to the rodent burial site through the leadership of green, glowing 3D mice that become more prevalent on-screen as the site grows near.Szoke said it’s ironic, because no one actually wants to go towards nuclear waste, but the mice guide users to their graves to reveal their tragic end.

    Szoke was awarded the 2017 Faculty of Humanities Award for Excellence in Research and Creative Activity.

    Her artistic work includes media art, interactive animation, installation, drawing, experimentation and printmaking.

    Digital Animalities runs at the John B. Aird Gallery and CONTACT Gallery in Toronto until Nov. 23.  The Invisible Histories app is available for free download at the iTunes store (OsX) and Google Play (Android).

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    Categories: Events, Exhibitions, Faculty & Instructors, News

  • Public talk and exhibition explore selfies and homeownership

    Friday, October 05, 2018 | By

    In his exhibition running until Nov. 7, Alejandro Cartagena has curated a selection of Mexican President Enrique Peña Nieto’s vast collection of publicly shared selfies. (Photo courtesy of Alejandro Cartagena, from the official website of the office of the President of Mexico)

    (From The Brock News, Friday, Oct. 5, 2018 | by Sarah Moore)

    While acclaimed artist Alejandro Cartagena’s work focuses mainly on suburban life in Mexico, the themes expressed in his photographs bear uncanny resemblances to issues also currently impacting Canadians.

    Brock Visual Arts Professor Amy Friend said it’s that universality that made Cartagena’s work so appealing and was why she invited him to this year’s Walker Cultural Leaders Series at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    Alejandro Cartagena, in leaves

    Alejandro Cartagena, an international award-winning artist, self-publisher and editor who lives and works in Monterrey, Mexico, will present a lecture and exhibition as part of the Walker Cultural Leaders Series Oct. 17. (Photo courtesy of Alejandro Cartagena)

    “I’ve seen Cartagena’s work making an impact in how he is able to question political issues, mostly focused in Mexico, but I think there is a really universal message in what he is presenting,” she said. “It’s also important for students and the public to interact on a personal basis with a successful, working artist. To see that these are real people making real work in the real world — and it’s creating a dialogue.”

    Cartagena is presenting an exhibition, Presidential Guide to Selfies, and giving a public lecture titled Visualizing space and some ideas of homeownership 2006 to 2018.  The exhibition opening reception and the lecture both take place on Wednesday, Oct. 17 and are free and open to the public.

    Hosted in the VISA Gallery and Student Exhibition Space, Presidential Guide to Selfies asks people to question the motives behind Mexican President Enrique Peña Nieto’s vast collection of publicly shared selfies.

    Cartagena has curated a selection of these selfies (currently posted to the President’s Official website) as a means to examine whether these images are being shared to show the Mexican President’s engagement with the people of his country, or whether it is merely an exercise in vanity as he ‘poses with his fans.’
    Cartagena has also created an accompanying photobook for this exhibition in which he details the events surrounding each selfie.

    Friend noted that in an age of cell phones and social media, and with Canada’s own Justin Trudeau often affectionately and critically called ‘Prime Minister Selfie,’ the exhibition’s exploration of politics, social media connectivity and celebrity culture is exceptionally timely.

    Following the gallery opening, Cartagena will explore the interdependence of humans and landscape in the face of urban expansion in a lecture drawing from his own body of work.

    Carpoolers, for example, is comprised of a series of photographs taken of migrant workers travelling around Mexico in the beds of pickup trucks.

    Alejandro Cartagena laying in the back of a truck with construction material top view

    In his public lecture on Oct. 17, Alejandro Cartagena will explore issues of home and ownership through the use of his work such as Carpoolers, which documents migrant workers riding in the back of vehicles. (Photo courtesy of Alejandro Cartagena)

    The images of hardworking labourers travelling from job to job during the harvest season can conjure connections to Niagara’s own large migrant worker population.

    In Ontario alone, tens of thousands of migrant workers come to farms, orchards and greenhouses as part of the Seasonal Agricultural Worker Program every year. They work and live in communities in the Niagara Fruit Belt, often spending six to eight months working in the agricultural hub of the province.

    “The idea of ownership floats around in Cartagena’s work, looking at suburban Mexican homes, border issues, migrant issues, issues of poverty and wealth,” said Friend. “It’s quite poignant now, in particular with what is happening with migration issues worldwide, and it also makes us question how we treat our own migrant workers. How do we decide how housing is built? Do we even know what is happening here in Canada?”

    The lecture is being held in the Robertson Theatre at the FirstOntario Performing Arts Centre.

    Steve Solski, Executive Director, FirstOntario Performing Arts Centre, said hosting the event in conjunction with the MIWSFPA is another example of the close community partnership between the two establishments.

    “The FirstOntario Performing Arts Centre and our neighbours at the Marilyn I. Walker School have together truly become the cultural hub for our city and region,” said Solski. “The synergy between bringing together the very best artists from across our country and world paired with nurturing and developing local artists and young creative minds, is key to our thriving arts community.”

    Tickets to the lecture are free, but registration is required by visiting the FirstOntario Performing Arts Centre website.  The exhibition runs until Nov. 7.

    Presidential Guide to Selfies
    Exhibition opening: Wednesday, Oct. 17, 5 p.m., VISA Art Gallery and Student Exhibition Space, MIWSFPA
    Exhibition runs: Oct. 4 to Nov. 7

    Visualizing space and some ideas of homeownership 2006-2018
    Wednesday, Oct. 17, 6 p.m., Robertson Theatre, FirstOntario Performing Arts Centre

    The Walker Cultural Leader series brings leading artists, performers, practitioners and academics to the Marilyn I. Walker School of Fine and Performing Arts at Brock University. Engaging, lively and erudite, these sessions celebrate professional achievement, artistic endeavour and the indelible role of culture in our society. Please join us. This education program is generously founded by Marilyn I. Walker.

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    Categories: Events, Exhibitions

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