Exhibitions

  • 300 MINUTES: A One Night Exhibition on Nov. 27th!

    300 MINUTES is a public show brought to you by the VISA 3M90: Advanced Art Practice students. The collection of self-directed works by 3rd/4th year students are comprised of paintings, sculpting, drawings, installation work, performative work, sound and video displays. As viewers we value your thoughts, questions and opinions about the works, therefore open critique forms will be provided at each work site to capture your input which is greatly appreciated.

    300 MINUTES, the time length of the exhibition, is being held during the ‘new moon’ lunar phase. This phase, the first of its many phases, depicts the moon positioned between the sun and moon at the 12:00 o’clock beginning station. This lunar anecdote relates to the students and their first public exhibition which will provide inspiration as they move through their artistic phases like the hands of a lunar clock.

    The exhibition is a mid-year event for the class, which will lead the students towards their final show at the Marilyn I. Walker Gallery in April. Hope to see you there as well.

    DATE: November 27, 2019
    TIME: 4:00PM – 9:00PM
    WHERE: Marilyn I. Walker School of Fine and Performing Arts building
    15 Artists’ Common, St. Catharines

    COST: Free

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  • Visual Art professor’s work chosen for prestigious U.K. exhibition

    “Wayfinding in Cold Light from the Multi-Verse Series” by Amy Friend, an Assistant Professor in Brock’s Department of Visual Arts, is one of just 55 photographs included in this year’s Taylor Wessing Photographic Portrait Exhibition at the National Portrait Gallery in London, U.K.

    (published in The Brock News TUESDAY, NOVEMBER 05, 2019 | by  )

    Nearly 4,000 portraits by more than 1,000 photographers from 70 countries were submitted, but only 55 were chosen for this year’s Taylor Wessing Photographic Portrait Exhibition in the United Kingdom.

    One of those portraits is by Amy Friend, an Assistant Professor of Visual Arts at Brock’s Marilyn I. Walker School of Fine and Performing Art.

    The Taylor Wessing Photographic Portrait Prize is a prestigious annual award that attracts amateur and professional photographers alike. Only 55 of the 3,700 submissions were chosen for the exhibition. Three photos are shortlisted for the top award of £15,000 (approximately $25,000 CAD).

    “Having my work included in the Taylor Wessing Portrait Exhibition is an exciting adventure in my creative practice,” said Friend. “I had been working on this long-term project for several years, so it is uplifting to see this new work recognized. The piece has personal connections, which extends this recognition in a meaningful way.”

    Friend’s series Multi-Verse draws on her own and found photographs featuring diverse subject matter and imagery from across several time periods to explore the idea of a multi-verse. The series references both the idea of alternate realities and the numerous stories or ‘verses’ the viewer encounters in the photographs.

    She uses experimental photographic methods and manual manipulation to alter photos. While they are not overtly political photographs, her works references darker elements such as floodwaters and images of soldiers.

    “I reference the past, the here and now, the visible and invisible, literally and poetically, albeit not through overtly political photographs,” said Friend. “The medium of photography has always had a currency of possibility. In this series I work to find meaning in the chaos, to be with it and to look for an alternate story from where we are — a multiverse.”

    The exhibition opens at the National Portrait Gallery in London, U.K., on Tuesday, Nov. 5 and carries through to February 2020. The exhibition will then go on tour throughout the U.K.

    In 2017, a portrait by Finnish artist Maija Tammi, who studied under Friend, won third place in the Taylor Wessing Photographic Portrait Prize.

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    Categories: Alumni, Announcements, Events, Exhibitions, Faculty & Instructors, In the Media, News, Uncategorised

  • An Instrument of Colour: Student Exhibition at the MIWSFPA

    A curated exhibition of student work exploring colour as language, organized by Visual Arts Professor Shawn Serfas.

    Participating artists include:

    Danielle Booker
    Sarah Cecchini
    Rea Kelly
    Lindsay Liboiron
    Ashleen Mohaupt
    Krista Nap
    Lillian Pasqua
    Taylor Sorensen
    Shania Anne Thompson
    Cree Tylee
    Blake Wilson
    &
    Various Artists Representing Geographies of Process

    exhibition:  Nov. 1 to Nov. 29

    Reception Nov. 6, 2019 — 5 to 8 p.m.

    VISA Art Gallery and Student Exhibition Space,
    Marilyn I. Walker School of Fine and Performing Arts,
    Brock University

    The gallery is open Tuesday through Saturday, 1 to 5 pm
    and for special events.

    see the ExpBU calendar listing

    see the video produced by YourTV

     

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  • The Italian Immigrant Experience Revealed, A Photography exhibition.

    The Italian Immigrant Experience Revealed, A Photography exhibition by Vincenzo Pietropaolo in conjunction with the Italian Canadian Archives Project.

    The exhibit of Vincenzo Pietropaolo has been developed for the Italian Canadian Archives Project, a national conference that will be hosted by Brock University for the first time and sponsored by Modern Languages Literatures, and Cultures (MLLC) running from Oct. 25 to 27, 2019.  For more information visit icap.ca/active-conference

    exhibition:   Oct. 4 to Oct. 27, 2019

    VISA Art Gallery and Student Exhibition Space,
    Marilyn I. Walker School of Fine and Performing Arts,
    Brock University

    The gallery is open Tuesday through Saturday, 1 to 5 pm
    and for special events.

    Artist Talk – Oct. 26, 11:30 a.m. MWS 156
    Reception to follow.

    see the ExpBU calendar listing

    (From: The Brock Press, TUESDAY, OCTOBER 8, 2019 | by Emma Kirwin)

    The Italian Immigrant Experience, A Photography Exhibition by Vincenzo Pietropaolo in conjunction with the Italian Canadian Archives Project is an exhibition that was displayed at Brock’s own Marilyn I. Walker building. The exhibition celebrates Italian immigrants in Canada.

    This exhibition features 50 photographs from the books Ritual and Not Paved with Gold, by Vincenzo Pietropaolo. Many of the photographs pictured workers on construction sites and in factories. They are accompanied by 15 photographs of Italian immigrants working on the Welland Ship Canal. These photographs pay homage to the immigrant experience and showcases their hard work, religion and happiness.

    In Not Paved in Gold,  Pietropaolo writes “My father … would inevitably point out certain buildings or sites where he had worked as part of a construction crew. And, again, he would tell me yet another anecdote about the vast quantities of bricks he carried around that site; or the overtime they were required to do, pouring cement in the wintry dark days of November; and sometimes he remembered a job site where an accident occurred because of lax or non-existent safety regulations … I began to realize that my father was not merely a worker, but a builder of my new adopted country.”

    The dimly lit photographs of factory workers, both male and female, captured day to day life for Italian immigrants. The photos are from a sock factory and the workers were surrounded by towering stacks of plain white socks, reflecting the repetitive work immigrants were usually required to do.

    Along with factory workers, there were many photographs of construction workers. Men both young and old huddled around for photos, posing with their tools on their job site. Photos of railway work, steelwork and construction show the hard, labour intensive work immigrants were willing to do for their new country. Viewing these photographs reminded attendees of the importance and value of immigrant labour. Their hard work, and exploitation, has resulted in fruitful industrial sites like the Welland Ship Canal.

    Pietropaolo balanced these photographs of immigrants toiling with joyful photos showing the rich tradition of Italian immigrants. Young girls showing off their brace-filled smiles, laughing at each other and another picture of a senior couple smiling while dancing. The contrast of ages in this collection was striking and accentuated the multi-generational dynamics of immigration.

    Religion was also a featured theme in this exhibit. Many of the photographs were filled with swarms of people surrounding religious relics and crucifixes. Other photographs showcased people knelt in prayer. These pictures highlight the heavy religious importance in Italian culture, a value that they carried with them to their new home country.

    One photograph that encapsulates the exhibition is of a hand scribing a letter. The first lines read “Canada is a democracy, the govt (government) represents the people.” This captures the immigrant experience in Canada, reminding the audience of the political liberties Canadians enjoy that many others did not have in the past and are still robbed of today. Those seeking asylum often come to Canada in order to enjoy those democratic rights, as seen in the letter photographed.

    In Ritual, Pietropaolo writes, “… it is a chapter of working-class culture and immigrant history that has long been overlooked, sometimes dismissively, for its surface colour and ethnic flavour. But herein lies the power of photography: to help you bear witness, and in so doing, becoming empowered to write a history of one’s own.”

    This exhibition was a beautiful ode to Italian immigrants. Their labours that helped create Canada and the hardships that they endured to make a new life for themselves.

    “The Italian Immigrant Experience: A Photography exhibition by Vincenzo Pietropaolo in conjunction with the Italian Canadian Archives Project” will be viewable until Sunday, October 27,  2019 at 5:00 p.m. at the Marilyn I. Walker School of Fine & Performing Arts, VISA Gallery and Student Exhibition Space. An artist talk will take place on October 26 at 11:30 a.m. at this location.

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  • Home, from above: an exhibition by Kira Pretty

    The first exhibition of the year presents the work of Brock Visual Arts Student, Kira Pretty.
    This solo exhibition is the culminating project for an independent study course, VISA 3F99 featuring photography and video work.

    Sept. 4 to Sept. 30, 2019
    Reception: Sept. 4, 2019 5-7 pm

    VISA Art Gallery and Student Exhibition Space,
    Marilyn I. Walker School of Fine and Performing Arts,
    Brock University

    The gallery is open Tuesday through Saturday, 1 to 5 pm
    and for special events.

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  • Students transform trash into treasure for new art exhibit

    (From The Brock News, June 24, 2019 | By: Sarah Ackles)

    In a world where both packaging and products are marketed as disposable, Brock Visual Arts students have been challenged to rethink the concept of materialism.

    As part of instructor Donna Akrey’s Sculpture VISA 2F05 course, students were tasked with collecting various everyday items to be used as the basis for their final art projects.

    Everything from Styrofoam packing material to masking tape was fair game as students sculpted their works, which are featured in the upcoming exhibition Material World, on view from Friday, June 28 to Friday, July 19.

    In the process of creating, experimenting and working with their hands, students questioned society’s relationship to disposable materials. They also explored the often-overlooked aesthetics of simple, everyday objects, while being conscious of how everyday “stuff” is treated.

    Artist Caroline Holroyd, for example, repurposed an old speaker and plastic hockey stick handle for one of her pieces.

    “It’s an important topic because there’s so much waste all around us,” she said of working with found objects for this exhibition. “We’re showing creative ways to reuse that waste in this exhibition, but there is still so much more that we can do to combat this serious issue of waste in our society.”

    The 67-year-old Visual Arts major has been completing her degree on a part-time basis and said that working on projects like Material World alongside other artists is one of her favourite parts of the program.

    “They make me feel young,” she said with a laugh.

    Other participating artists in the show include Lindsay Allen, Meagan Benner, Kendra Bosse, Peri Goodman, Erica Greshuk, Rea Kelly, Ang Li, Sarah Martin, Ami Okafor, Harvind Sekhon, Taylor Sorensen, Miles Stanley, Jamie Tomao-Martin and Jessica Turk.

    Material World runs from Friday, June 28 to Friday, July 19 in the VISA Gallery and Student Exhibition Space at the Marilyn I. Walker School of Fine and Performing Arts.

    An opening reception will take place Friday, June 28, from noon to 3 p.m.

    The exhibition and reception are free and open to the public.

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  • Visual Arts students share creative Modus Operandi in new exhibition

    Connor Playfair, a Brock Visual Arts student in the 3M90 Advanced Art Practices course, will show his work on wood blocks at Modus Operandi, beginning Saturday, April 13 at the Niagara Artists Centre.


    (From The Brock News, Thursday, April 4, 2019 | By: Sarah Ackles)

    Under the mentorship of instructor Donna Akrey, Brock Visual Arts students spent the last semester working in the studio to hone their craft and develop their own unique artistic identities.

    The end result, and the process they underwent to get there, will be on display in their final exhibition, Modus Operandi, on view at the Niagara Artist Centre (NAC) from Saturday, April 13 to Wednesday, April 24.

    The contemporary art show features the work of students in the 3M90 Advanced Art Practices course at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    Brock Visual Arts student Zach White works away at the pieces he will be showing as part of Modus Operandi, a contemporary art show at the Niagara Artists Centre beginning Saturday, April 13.

    The artists tackle themes of environment, sexuality, mental health, identity and joy through a wide range of methods and materials such as wood, paper, installation, photography, zines, sculptured wire and clay, audio and research into optics via mirrors, virtual reality, video and performative work.

    Artist Lindsay Allen said she was “inspired by seeing everyone’s work together.”

    “Modus Operandi is a collection of hard work and progress made throughout the year, and each artist worked towards having a solid grasp on their subject matter and materials,” she added.  “It required a lot of research and experimentation, but I think we all learned a lot and have become better artists through this experience.”

    The course is structured, so the artists are given the autonomy to develop a mature and individual body of work with the end goal of producing a final exhibition for the public.

    For some students, such as Angelina Turner, this is the first time they have exhibited their work outside of the MIWSFPA.

    “I am very excited to get my work out there and to further my career,” she said.

    Fellow artist Connor Playfair agreed, adding the experience gives students a “real taste of having a professional art show.”

    “We are involved in every step of the planning and execution process and are making work that is without guidelines or restrictions using the skills that we have developed over our past four years at Brock,” he said.

    In addition to Allen, Turner and Playfair, artists featured in the exhibition include: Chelsea Dietrich, Amy Doan, Renz Baluyot, Alona Nyforovska, Lillianna Pagliaro, Curt Richard, Zach White and Evan Wiens.

    Modus Operandi will run from Saturday, April 13 to Wednesday, April 24 at the Niagara Artists Centre, 354 St. Paul St. in St. Catharines.

    There will be an opening reception Saturday, April 13 from 7 to 9 p.m.

    Visit the Niagara Artists Centre website for additional gallery hours.

    Eleven visual artists in Brock’s 3M90 Advanced Art Practices course will have their work on view at a show titled Modus Operandi, hosted at the Niagara Artists Centre in St. Catharines beginning Saturday, April 13.

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  • New art exhibition the product of student collaboration

    Quality Family Time (and Space), a piece by Brock alumna Emily Andrews (BA ’11), is part of the new Erasures exhibit that will run from April 2 to 27 in the VISA Art Gallery and Student Exhibition Space at the Marilyn I. Walker School of Fine and Performing Arts. An opening reception is set for Thursday, April 4 from 5 to 8 p.m.


    (From The Brock News, March 27, 2019 | By: Jaquelyn Bezaire)

    While they’re known for correcting errors, erasures are signs of progress and an expanding imagination.

    Students in Brock’s Visual Arts (VISA) and Studies in Arts and Culture (STAC) programs will explore this theme in a new collaborative art exhibit on view from Tuesday, April 2 to Saturday, April 27.

    The exhibit, Erasures, will be open to the public in the VISA Art Gallery and Student Exhibition Space at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) in downtown St. Catharines.

    An opening reception will be held in the gallery on Thursday, April 4, from 5 to 8 p.m.

    Led by Shawn Serfas, Associate Professor of Visual Arts, and Catherine Parayre, Director of the Centre for Studies in Arts and Culture, students enrolled in VISA 4P03/4P04 and STAC 3P01 worked together to create a show that features paintings and text that thematize different types of erasures.

    The work ranges from the exploration of scenes lacking important elements, simplified adaptations of existing artworks and abstracted forms of figurative objects.

    Short written statements commenting on well-known recent artworks accompany the paintings to provide further context.

    Serfas and Parayre frequently bring students from different backgrounds together to collaborate on creative endeavours.

    “It has been an enriching learning experience, for both the students and the instructors,” Parayre said of working with the students on Erasures.

    The exhibition evokes transformations and process, an important theme in both Serfas’ senior studio courses and Parayre’s Media Transformations in the Creative Arts course.

    Whether in visual expressions or in texts, Parayre added, erasures are invitations to scrutinize, read and interpret, which is exactly what the public is encouraged to do at the upcoming exhibition.

    Erasures runs from April 2 to 27 in the VISA Art Gallery and Student Exhibition Space at the MIWSFPA in downtown St. Catharines. The gallery is open to the public Tuesdays to Saturdays from 1 to 5 p.m.

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  • Artistic alumni to host vacation-themed exhibition downtown

    Brock grads Katie Mazi (BA ’16), Jenn Judson (BA ’16), Matt Caldwell (BA ’16), Ben Mosher (BA ’15) and Alex Muresan (BA ’16) make up the art collective Permanent Vacation. The artists will be exhibiting new work in All Expenses Paid, opening on Thursday, Jan. 31.


    (From The Brock News, January 29, 2019 | By: Sarah Ackles)

    The Permanent Vacation art collective is inviting the public to experience the sights and sounds of a tropical getaway – without spending a cent.

    The group, made up of Brock alumni, is presenting its second exhibition, All Expenses Paid, at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) beginning Thursday, Jan. 31. An opening reception for the showcase will be held Thursday, Feb. 7 from 5 to 8 p.m.

    All Expenses Paid is a multimedia exhibition featuring photographs, videos, an installation and a zine. The artists will also create a studio space inside the exhibition, where emerging local artists can work if they cannot access their own studio space due to economic barriers.

    The collective, which includes artists Katie Mazi (BA ’16), Jenn Judson (BA ’16), Matt Caldwell (BA ’16), Ben Mosher (BA ’15) and Alex Muresan (BA ’16), were all Studio Art majors at Brock who first worked together to restructure the Brock Art Club into the current Brock Art Collective.

    The name Permanent Vacation stems from the idea that you don’t need to ‘vacate’ an area to find work and fulfilment. The collective’s goal is to create working space for emerging Niagara-based makers in a way that promotes seeing home anew.

    “The exciting part about this exhibition is that it is fully collaborative within our collective and interactive with local artists and community members,” said Mazi.

    The artists encourage visitors to embrace the theme and wear their best vacation attire to the opening, where they can expect to find themselves surrounded by inner tubes and piña coladas.

    “It’s practically a vacation,” said Judson.

    Permanent Vacation’s All Expenses Paid is on from Jan. 31 to Feb. 28 at the VISA Gallery and Student Exhibition Space within the MIWSFPA. The opening reception, also at the gallery, takes place Feb. 7 from 5 to 8 p.m. The gallery is open Tuesday to Saturday from 1 to 5 p.m.

    If you would like to book studio time during the exhibition, please email the artists to make advance arrangements at permanentvacationcanada@gmail.com

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  • Rodman Hall readying for two exhibition openings

    The work of Brock alumna Natalie Hunter will be featured in one of two exhibitions opening Jan. 31 at Rodman Hall. Hunter’s Staring into the Sun runs until March. (Image: Natalie Hunter, “Songs of May” (detail), 2018, Giclée prints on transparent film.)


    (From The Brock News, January 28, 2019 | By: Alison Innes)

    Two powerful exhibitions featuring the work of clients from Start Me Up Niagara (SMUN) and Brock alumna Natalie Hunter, respectively, will open at Rodman Hall Art Centre Thursday, Jan. 31 at 7 p.m.

    The first of two new Rodman Hall offerings, the Art Me Up Niagara group show is a play on the name of the organization that works with individuals facing significant life challenges, such as poverty, addiction, homelessness, mental illness and unemployment.

    SMUN participants have created artwork in response to Rodman Hall’s current Northern Oracle installation, which aims to inspire people to share their message, whatever it might be, with the world and have their voice heard.

    “In developing the public programs activating this installation, I was guided by inquiry into why this work might be important to the Niagara community, and homelessness immediately arose as a critical issue,” says Elizabeth Chitty, Interim Grants and Programming Officer at Rodman Hall. “We will all benefit from seeing and listening to the artistic voices of those with lived experiences of homelessness in St. Catharines.”

    The second exhibition, Hunter’s “Staring into the Sun,” features photo-based sculptures and installations that explore the relationship between memory and physical space.

    Hunter (BA ’11) uses vibrant colour filters and multiple photographic exposures in her creation process. The works are printed on translucent films that hang, ripple and drape to interact with architectural features of the exhibition space.

    Each viewer’s experience of the pieces, which allude to enduring routines and the passage of time, shifts with subtle changes in light.

    Hunter will give a public talk about her work on Thursday, March 28 at 7 p.m. at Rodman Hall.

    In addition to the launch of the Art Me Up Niagara showcase, another event will be held this week related to the Northern Oracle exhibition. Rodman Hall is partnering with the American Sign Language Community of Niagara to present a public lecture by deaf Bahamian photographer and graphic designer Will Henfield at the art centre on Friday, Feb. 1 at 6:30 p.m.

    A full list of community events related to the ongoing “Northern Oracle” exhibition by Heather Hart can be found on the Rodman Hall website.

    The Art Me Up Niagara and Staring into the Sun exhibitions run until Feb. 10 and April 28, respectively.

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