Announcements

  • Post-Industrial Ephemera: Soundings, Gestures and Poetics

    Photo credit: Derek Knight

    Post-Industrial Ephemera: Soundings, Gestures and Poetics
    Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River

    April 22 – 29, 2017
    105 Silo-City Row, Buffalo, NY 14203, U.S.
    Opening Reception: Saturday, April 22 from 2 – 5 pm
    http://www.silo.city
    Click here for directions
    Free community event

    Buffalo, New York and St. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Coming from different places and practices, we wish to foster interdisciplinarity.

    Together, we want to reflect on the notion of dispersal. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours.

    We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. We will capture the brilliance of a moment.

    A follow-up one-day symposium at Rodman Hall Art Centre, St. Catharines will document and revive the exhibition on September 16, 2017.

    The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins 

    Curators: Catherine Parayre, Reinhard Reitzenstein

    Click here to download the performance program.

    For more images and information, please visit the exhibition website.

     


    Participating artists: 

     

    ArtIndustria+
    Untitled (neon sign)

    ArtIndustria+ was formed in 1995 by Derek Knight and Franc Petric, two Canadian artists who reside in the Niagara region. Motivated by the desire to work collaboratively, they have developed projects over the years with a focus on art, research and technology. Underlining their concerns with the dialectical relationship between ecology and industry, their conceptual models combine installation techniques and situational aesthetics to further examine the artist’s role in post-industrial society.

     

    Continuous Monument
    Silo Sessions at the American (noise/drone performance)

    Continuous Monument is an affiliation of interdisciplinary culture-makers working among design, text, architecture and sound fields. Born from the ashes of a contaminated political landscape, Continuous Monument gathers to spatialize sound and signal in temporary, site specific soundscape improvisations. Monument will perform at The American in Silo City as an acoustic inhabitation; live ghosts active in remnant industrial anatomy.

     

    Akasya Crosier
    Likeness (typeface study)

    Akasya Crosier is a multifaceted artist based in Western New York. She is currently a senior at UB studying Studio Art and Communication. In her artwork, she focuses on effective communication skills, idealized spaces, and bright imagery.

     

    Catherine Parayre (assisted by Josh Dawson, SUNY and Paul Savoie, Brock U)
    Ingrained Words (14 posters: assembled fragments from texts by 33 writers)

    Catherine works in Arts and Culture, and in Modern Languages, Literatures and Cultures at Brock University. She is particularly interested in contemporary Occitan literature, as well as the co-presence of literatures and visual arts. She includes her four languages in her creative work.

     

    Catherine Parayre and Jim Watkins
    The Silo-Minder (recording, reading)

    Jim Watkins lives in Silo-City and is our silo-minder/keeper. His passion for the arts and for Silo-City is central to our cross-border project.

     

    Lauren Regier
    Where I stand is fair and square (performance/grass seed & dirt)

    Lauren Regier is Honours graduate from Brock University’s Visual Arts program, and is an emerging artist based in the Niagara Region. Much of her work is inspired by the notion of functionality and relationships between the industrial world and the natural realm. Interested in the experiential nature of contemporary art, her practice includes photography, installation, performance, drawing and video.

     

    Reinhard Reitzenstein
    ArbreTreeBaum (vocal piece in 5 languages)

    Reitzenstein has held over 100 solo exhibitions and over 300 group exhibitions globally, and has completed over 25 public and private art commissions. His work is represented in more than 50 public and corporate collections internationally. Reitzenstein has been Director of the Sculpture Program at, SUNY, Buffalo since 2000. He is represented by the Olga Korper Gallery in Toronto.

     

    Casey Ridings
    Untitled Emotion (acrylic paint)

    Casey Ridings is currently a Graphic Design student at the University at Buffalo. She is intrigued by the geometric nature of organic patterns; through a spontaneous and intuitive process she creates intricate paintings and drawings inspired by the exploration of her experiences and emotions.

     

    Cody Schriever
    Vanity Case / Skeletons of Perception (painting/sculpture)

    Cody Schriever is a student in the University at Buffalo art department. His paintings and sculptures deal with human nature, and the structures of its self-perception. By combining various styles of painting and modes of expression he creates a complex narrative of the global condition.

     

    Shawn Serfas
    Alloyed (acrylic)

    Shawn is an Assistant Professor in the Visual Arts Department, Marilyn I. Walker School of Fine and Performing Arts at Brock University. His research interests include contemporary painting, drawing and printmaking practices concerning relational abstraction, environmental aesthetics, religion, the landscape as well as issues bordering abstraction and representation.

     

    Lucas Veraldi
    2mp (inkjet prints)

    Lucas is an artist currently residing in Buffalo, NY. His practice examines the different methods of representation that exist within the realm of photography and explores the truth value that a photograph holds as a piece data that showcases life.

     

    Sophia Yung
    Voyage Voyage 

    Sophia Yung is a Chinese American graphic designer and artist from Brooklyn, NY. Her most recent work involves the analysis of Asian American culture shock, language barriers, mixed martial arts and the role of financial capital in the precarious 21st century.

     

    Jean Zhu
    bacteria (video)

    Jean Zhu is currently a Media Study student at the University at Buffalo. She is both a photographer and a filmmaker. Her experimental films and straightforward photographs of everyday objects and scenes are noted for their color combination, explicit composition and rich content.


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  • DART, MUSI and MARS present in Toronto at PLS (Poculi Ludique Societas) Festival of Medieval Theatre

    vsCOLLEAGUES, STUDENTS, FRIENDS & FAMILY, If you were in Toronto in early June you were fortunate to see a performance of:

    Visitatio Sepulchri
    (the Visit to the Sepulchre)

    A 12th-CENTURY EASTER MUSIC DRAMA
    acting version transcribed and translated
    by W. L. Smoldon from the ‘Fleury Playbook’

    A collaboration between:
    Centre for Medieval and Renaissance Studies,
    Department of Dramatic Arts, Department of Music

    Part of the PLS (Poculi Ludique Societas) Festival of Medieval Theatre.

    When: Saturday, June 6, 7 p.m.
    Sunday, June 7, 2:30 p.m.
    Where: Trinity College Chapel University of Toronto,  6 Hoskin Avenue

    Music Director: Dr. Brian Power, Department of Music
    Stage Director: Professor Virginia Reh, Department of Dramatic Arts

    img_1284cr_400px

    The company of Visitatio Sepulchri in the Trinity College Chapel. Photograph by Mrs. Chin Tso.

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  • Transportation Options for Students travelling from the MIWSFPA Downtown and Main Campuses

    transportation-options-for-students_thChange is coming, and we are very excited!

    This spring we will begin preparing our new facility at 198 St. Paul in downtown St. Catharines. If you are new to St. Catharines, or are thinking about possible changes to parking and transportation because you will be attending classes at the downtown location, take a look at this information sheet we prepared for the Spring 2015 Open House.

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  • Rodman Hall Art Centre wins at OAAG awards

    (Source: The Brock News, Thursday, November 6, 2014. Photo: Installation view – Jimmy Limit – “Recent Advancements”)

    Brock University’s Rodman Hall Art Centre was recognized with two prestigious prizes this week at the 37th annual Ontario Association of Art Galleries (OAAG) Awards, presented at the Gladstone Hotel in Toronto Nov. 5.

    Twenty-eight public art galleries in 19 cities across Ontario were nominated for awards.

    Communities represented in the visual art nominations this year included Barrie, Cambridge, Chatham-Kent, Hamilton, Kingston, Kitchener, Kleinburg, London, Mississauga, Oakville, Oshawa, Ottawa, Owen Sound, St. Catharines, Sarnia, Toronto, Waterloo, Whitby, and Windsor.

    The OAAG Awards are annual, province-wide, juried art gallery awards of artistic merit and excellence.

    They recognize the new exhibitions, publications, programs and community partnerships that have been commissioned by and produced by Ontario’s public art galleries over the previous year.

    Jimmy Limit: Recent Advancements, curated by Marcie Bronson, was recognized as Exhibition of the Year, Monographic.

    In her acceptance speech, Bronson noted that this exhibition was St. Catharines-based Limit’s first public art gallery showing.

    The award citation noted the curator and artist as well as the Rodman Hall installation team, including Danny Custodio, Matthew Tegel and Jesse Harris.

    Inspired by commercial photography practices and the design of industrial supply catalogues and weekly flyers, Jimmy Limit builds and photographs simple constructions of hardware store goods and fruits.

    Selecting his varied subjects for their aesthetic interest rather than function, he engages them from a strictly formal standpoint.

    Through photographs and installations, Limit engages layers of reflection on past and present photography traditions to explore the relationship between an object and its image in a consideration of how desire is created and sold.

    The exhibition catalogue Milutin Gubash – co-published by Rodman Hall Art Centre, Carleton University Art Gallery, Kitchener-Waterloo Art Gallery, Southern Alberta Art Gallery and Musée d’art de Joliette – received an Honourable Mention in the category of Art Publication of the Year.

    Serbian-born artist Milutin Gubash has developed a diverse practice focused on the investigation of his own personal, social and cultural identity.

    This first monograph examines the overlap of history, humour and authenticity found in his multifaceted practice.

    Often cast as the lead alongside his family and friends, Gubash employs narrative to blur the boundaries between real, lived lives and the people who we wish we were.

    Produced to accompany a multi-venue 10-year survey of Gubash’s work, the publication includes original essays and complete photographic documentation. Milutin Gubash lives and works in Montreal.

    Stuart Reid, director/curator of Rodman Hall Art Centre, said the awards are important recognition from peers.

    “They mean a great deal to our institution,” he said. ” We are very proud of the excellent program of contemporary art exhibitions that Rodman Hall produces for the Brock community and the people of Niagara.”

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  • The Avanti Chamber Singers celebrate the release of their new CD “Beauty is Before Me” with their concert Viva La Musica!

    voice-of-niagara-cdSaturday, November 15, 2014, marks the release of the Avanti Chamber Singers’ third CD “Beauty is Before Me,” the fifth installment in the “Voices of Niagara” CD series, featuring works by local composers.

    The release will occur in conjunction with the Avanti Chamber Singers’ (ACS) season-opening concert, Viva La Musica! Presenting compositions from 1600 to the present day, this concert is a celebration of the joy and power of music. Rising Toronto oboist Aidan Dugan will perform as the featured guest artist.

    The CD is a collaborative project by ACS, Brock University’s student choirs, and the former Niagara Vocal Ensemble, all conducted by Harris Loewen. The sequence of works on the album flows through a variety of themes: the beauty of nature, the patron saint of music (St. Cecilia), the War of 1812, elegiac reflections, and a group of spirituals.

    The occasion also marks the re-release of the first two CDs in the series, recorded by the Niagara Vocal Ensemble, an all-women’s ensemble that was active in the Niagara Region between 1991 and 2011. All CDs are available through ACS and the Department of Music at Brock University.

    As with all five recordings in the “Voices of Niagara” CD series, the music on every track is written or arranged by composers with a Niagara connection, most recorded for the first time. Composers represented on this latest recording include Penny Blake, John Butler, the famous Nathaniel Dett (1882-1943), Erik Gero, Brock professors Peter Landey and Harris Loewen, Gail Poulsen, folk singer Stan Rogers, Matthew Tran-Adams, and Ronald Tremain (1923-98), Brock’s first Professor of Music.

    The concert opens with a rousing fanfare written especially for the occasion, based on the familiar round “Viva La Musica.” The program includes works by the great Renaissance composers, Jacob Handl and Orlandus Lassus, as well as a variety of more modern pieces. Canadian composers (e.g. Stephen Chatman, Eleanor Daley, Ruth Watson Henderson) are well represented, and the concert also provides samples of works from the latest CD. Oboist Aidan Dugan will perform lyrical pieces by familiar 19th century composers Felix Mendelssohn and Robert Schumann.

    Conductor Harris Loewen states, “This latest album marks an exciting milestone in this multi-choir CD project that has been developed and released to the public over the last few years. I’m so extremely grateful for the fine and energetic musicianship that all the singers and instrumentalists have contributed in both concert and recording. It’s a truly wonderful choral legacy for the region.”

    The Viva Voce Choral Series, presented by the Department of Music, is a key part of the Marilyn I. Walker School of Fine and Performing Arts’ mandate in building connections between the community and Brock University.

    Come and enjoy this choral celebration and CD release on Saturday, November 15 at 7:30 p.m., held at St. Barnabas Anglican Church, 31 Queenston Street, St. Catharines. Admission at the door is $25 for adults; $20 for seniors & students; $5 for the eyeGo program for high school students. A $5 discount is available for advance tickets (excluding eyeGO) and can be purchased at two St. Catharines locations: BookSmart (Scott & Vine Plaza) and Thorold Music (Glendale Avenue).

    For more information contact: Marie Balsom, Communications
    Marilyn I. Walker School of Fine and Performing Arts
    T: 905-688-5550, ext. 4765 | E: mbalsom@brocku.ca | W: brocku.ca/miwsfpa

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  • ‘The Changing Face of Theatre Criticism in the Digital Age,’ A remarkable two-day colloquium with international reach, part of the Walker Cultural Leader Series for 2013-14

    Jill Dolan

    In photo: Jill Dolan

    Listening to theatre companies, they’ve never needed theatre critics more. Listening to them after a bad review, they’ve also never resented them more. This strange dance of mutual need has been going on since the first time someone recited dialogue on stage, and someone in the next day’s paper wrote “it doth sucked, verily.” But what of that relationship today? Do critics matter? Can anyone with a blog call themselves a theatre critic? Are critics there to serve theatre companies or readers? (John Law)

    See the complete article by John Law in the Niagara Falls Review about his upcoming participation in the two-day colloquium ‘The Changing Face of Theatre Criticism in the Digital Age‘ organized by Professor Karen Fricker of the Department of Dramatic Arts on the occasion of the special visit by Jill Dolan, Annan Professor in English, Professor of Theater in the Lewis Center for the Arts, Director, Program in Gender and Sexuality Studies, at Princeton University, noted theatre blogger (thefeministspectator.com) and a Walker Cultural Leader for 2013-14.  Special guests J. Kelly Nestruck of The Globe and Mail and Richard Ouzounian of the Toronto Star will join local guests and luminaries including cultural leaders like Jackie Maxwell, artistic director of the Shaw Festival, and Steve Solski, director of the St. Catharines Centre for the Performing Arts.

    The two day program begins this Friday morning with the public lecture, “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings” by Professor Jill Dolan.  The lecture is presented in association with the Department of Dramatic Arts and the Centre for Women’s and Gender Studies.

    For a complete list of participants and more information please see the Brock News Article, the Department of Dramatic Arts and the Marilyn I. Walker School of Fine and Performing Arts web pages.

    Come join us! There is no charge to attend and engage in what will surely be a remarkable exchange of ideas and opinions in this “blossoming” cultural scene of Niagara (Professor Karen Fricker).

    All events will be live-streamed at BrockVideoCentre’s DART channel  [Click on the “live video” button on that page.]

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  • Powwow held on Campus Sept.7

    Adrienne Smoke. Photo By: DK Martin

    Adrienne Smoke. Photo By: DK Martin

    (Source: The Brock NewsMonday, August 27, 2012 | by )

    Students, staff and Niagara residents were invited to start their school year off to the beat of a different drum.

    The Student Justice Centre hosted a powwow on Friday, Sept. 7 in Jubilee Court to celebrate the fall harvest in partnership with the Tecumseh Centre for Aboriginal Research and EducationAboriginal Student Services and Brock University Students’ Union.

    The event featured inter-tribal drumming and dance demonstrations, and opportunities for audience members to participate in traditional dancing.

    “It’s a gathering to celebrate life and be thankful as well as to hang out with old friends and make new ones,” said Adrienne Smoke, a third-year drama student, who came up with the idea for the event. “Powwows are about sharing our culture to help educate people about the current native people not the ancient ones we read about in old outdated textbooks.”

    This free event also featured a barbecue, vegetarian options and samples of traditional food, such as three sisters soup, corn bread and strawberry juice. The Brock farmers market was also held during the powwow.

    Doors opened at 10 a.m. with the grand entry happening at noon. Closing ceremonies were at 3:30 p.m.

    For more information or to participate as a dancer, drummer or vendor, email the Student Justice Centre, visit them online or call 905-688-5550, ext. 6325.

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  • Spring Course opportunity in Dance Education

    Looking for a unique course opportunity this Spring?

    Register for PEKN 2P06, running April 30th to June 1st , Tuesdays and Thursdays from 10:00 to 13:30.  Registration opens for non-PEKN majors after April 5th.

    PEKN 2P06
    Dance Education
    Introduction to dance as an art form through making, performing and appreciating dance. Emphasis on the creative process, dance skills and vocabulary through exploration of dance concepts and observational skills.
    Lectures, lab, 3 hours per week.
    Restriction: open to BPhEd, BPhEd (Honours)/BEd (Intermediate/Senior), BPhEd (Honours)/BEd (Junior/Intermediate) until date specified in Registration guide. After that date available to BKin and BSc (Kin) majors until date specified in Registration guide. Students must have a minimum of 4.0 overall credits.
    Prerequisite(s): PEKN 1P90 and 1P93 or permission of the instructor.
    Note: students will be expected to pay the cost of a ticket to a dance performance on campus. Modes of instruction/evaluation will normally include vigorous physical activity.

    The foundation of this course is Laban’s Movement Principles coupled with Valerie Preston-Dunlop.  There will not be a critique based on a live performance in the spring session.  To view videos from past sessions of the course please go to the IRC and review the collection on reserve under PEKN 2P06.

    For more information contact Janet Westbury at jwestbury@brocku.ca

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  • Work to begin on Brock’s downtown arts school

    The new home of the Marilyn I Walker School of Fine and Performing Arts.

    After more than a year of planning and design, construction will soon begin at the future home of Brock University’s Marilyn I. Walker School of Fine and Performing Arts in a vacant factory in downtown St. Catharines.

    Following a tendering process, a contract has been awarded to JMX Environmental Inc. to conduct preliminary work this spring at the site of the former Canada Hair Cloth textile mill at 198 St. Paul Street.

    This “Early Works” phase involves clearing interior space and abatement of hazardous materials within the building. Work should begin in late March and take about three months to complete.

    Crews will remove some interior non-load-bearing walls and redundant services, and deal with hazardous materials that are common in older buildings. Asbestos floor and ceiling tiles will be removed, as will asbestos insulation on water pipes. Workers will also remove or seal surfaces containing lead-based or chromium-based paints. All environmental abatement work must pass inspections and meet regulatory requirements.

    The Walker School will put about 500 students, faculty and staff into the city’s downtown when the facility relocates from the main Brock campus in 2014. It is part of a collaboration that includes a new Performing Arts Centre being built on adjacent land by the City of St. Catharines.

    from University Marketing & Communications
    March 20, 2012

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  • Industrial Fabric2: Festival of the Arts

    Brock University
    Media Release
    St. Catharines, ON
    March 1, 2012

    Industrial Fabric2: Festival of the Arts
    Marilyn I. Walker School of Fine and Performing Arts
    March to April 2012

    The second Festival of the Arts showcasing the remarkable talents of students enrolled in the Marilyn I. Walker School of Fine and Performing Arts will be held March to April 2012. Industrial Fabric2 signals that time of year when students who have been preparing individually and collectively will bring their in-class, independent or studio projects to fruition. In the spirit of openness and mutual generosity, we invite you to celebrate their achievements on stage, in studios and galleries, and at regional venues.

    As part of the culminating activities that signal the end of the academic year Industrial Fabric2 offers a dynamic range of creative events open to the University and community at large from theatre to musical performances to art exhibitions. Enjoy original student-written and performed plays produced as part of the Department of Dramatic Arts’ Gimme 3 or One Acts Festival, and a production written and produced by fourth-year students called Shadows of a Toymaker; a rich selection of concerts from the Department of Music including its Tuesday Music@Noon series, Student Recitals, the ENCORE! Professional Concert Series, the VIVA VOCE! Choral Series, and the University Wind Ensemble; exhibitions from the students of the Department of Visual Arts reflecting their achievements in photography, drawing, book making, and intermedia as well as the annual juried show, and a fourth-year honours exhibition hosted by Rodman Hall Art Centre. This year we are honoured by the participation of Donna Szoke, Visiting Artist, whose video installation and all watched over by machines of loving grace will be installed at CRAM Gallery.

    “Industrial Fabric2 represents the creative thread that binds students in common effort, to perfect and bring their creativity to audiences both large and small, on and off campus. It promises to deliver over the course of two months a rich plethora of collective and individual talent mentored under the guise of our tremendous faculty and staff. This continues to be a testimony to the strength of our academic programs – where else can one find such brilliant vitality and collaboration that manifests itself from year to year with such vision, energy and dedication?” states Derek Knight, Director of the Marilyn I. Walker School of Fine and Performing Arts.

    The Marilyn I. Walker School of Fine and Performing Arts, part of the Faculty of Humanities at Brock University, is comprised of the Departments of Dramatic Arts (DART), Music (MUSI), and Visual Arts (VISA), and the Centre for Studies in Arts and Culture (cSTAC).

    All are welcome.  Click here for a calendar of events.

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