Students in the Brock University Intermediate Painting and Interpretive and Critical Writing in the Arts courses, under the tutelage of Professors Catherine Parayre and Shawn Serfas, have mounted an exhibition at the University of Innsbruck, Austria.
Visual Appropriations and Rewritings
June 1 – 30, 2016
University of Innsbruck, Austria
Click here for more information.
Saturday, November 15, 2014, marks the release of the Avanti Chamber Singers’ third CD “Beauty is Before Me,” the fifth installment in the “Voices of Niagara” CD series, featuring works by local composers.
The release will occur in conjunction with the Avanti Chamber Singers’ (ACS) season-opening concert, Viva La Musica! Presenting compositions from 1600 to the present day, this concert is a celebration of the joy and power of music. Rising Toronto oboist Aidan Dugan will perform as the featured guest artist.
The CD is a collaborative project by ACS, Brock University’s student choirs, and the former Niagara Vocal Ensemble, all conducted by Harris Loewen. The sequence of works on the album flows through a variety of themes: the beauty of nature, the patron saint of music (St. Cecilia), the War of 1812, elegiac reflections, and a group of spirituals.
The occasion also marks the re-release of the first two CDs in the series, recorded by the Niagara Vocal Ensemble, an all-women’s ensemble that was active in the Niagara Region between 1991 and 2011. All CDs are available through ACS and the Department of Music at Brock University.
As with all five recordings in the “Voices of Niagara” CD series, the music on every track is written or arranged by composers with a Niagara connection, most recorded for the first time. Composers represented on this latest recording include Penny Blake, John Butler, the famous Nathaniel Dett (1882-1943), Erik Gero, Brock professors Peter Landey and Harris Loewen, Gail Poulsen, folk singer Stan Rogers, Matthew Tran-Adams, and Ronald Tremain (1923-98), Brock’s first Professor of Music.
The concert opens with a rousing fanfare written especially for the occasion, based on the familiar round “Viva La Musica.” The program includes works by the great Renaissance composers, Jacob Handl and Orlandus Lassus, as well as a variety of more modern pieces. Canadian composers (e.g. Stephen Chatman, Eleanor Daley, Ruth Watson Henderson) are well represented, and the concert also provides samples of works from the latest CD. Oboist Aidan Dugan will perform lyrical pieces by familiar 19th century composers Felix Mendelssohn and Robert Schumann.
Conductor Harris Loewen states, “This latest album marks an exciting milestone in this multi-choir CD project that has been developed and released to the public over the last few years. I’m so extremely grateful for the fine and energetic musicianship that all the singers and instrumentalists have contributed in both concert and recording. It’s a truly wonderful choral legacy for the region.”
The Viva Voce Choral Series, presented by the Department of Music, is a key part of the Marilyn I. Walker School of Fine and Performing Arts’ mandate in building connections between the community and Brock University.
Come and enjoy this choral celebration and CD release on Saturday, November 15 at 7:30 p.m., held at St. Barnabas Anglican Church, 31 Queenston Street, St. Catharines. Admission at the door is $25 for adults; $20 for seniors & students; $5 for the eyeGo program for high school students. A $5 discount is available for advance tickets (excluding eyeGO) and can be purchased at two St. Catharines locations: BookSmart (Scott & Vine Plaza) and Thorold Music (Glendale Avenue).
For more information contact: Marie Balsom, Communications
Marilyn I. Walker School of Fine and Performing Arts
T: 905-688-5550, ext. 4765 | E: mbalsom@brocku.ca | W: brocku.ca/miwsfpa
In photo: Jill Dolan
Listening to theatre companies, they’ve never needed theatre critics more. Listening to them after a bad review, they’ve also never resented them more. This strange dance of mutual need has been going on since the first time someone recited dialogue on stage, and someone in the next day’s paper wrote “it doth sucked, verily.” But what of that relationship today? Do critics matter? Can anyone with a blog call themselves a theatre critic? Are critics there to serve theatre companies or readers? (John Law)
See the complete article by John Law in the Niagara Falls Review about his upcoming participation in the two-day colloquium ‘The Changing Face of Theatre Criticism in the Digital Age‘ organized by Professor Karen Fricker of the Department of Dramatic Arts on the occasion of the special visit by Jill Dolan, Annan Professor in English, Professor of Theater in the Lewis Center for the Arts, Director, Program in Gender and Sexuality Studies, at Princeton University, noted theatre blogger (thefeministspectator.com) and a Walker Cultural Leader for 2013-14. Special guests J. Kelly Nestruck of The Globe and Mail and Richard Ouzounian of the Toronto Star will join local guests and luminaries including cultural leaders like Jackie Maxwell, artistic director of the Shaw Festival, and Steve Solski, director of the St. Catharines Centre for the Performing Arts.
The two day program begins this Friday morning with the public lecture, “Moving the Body Politic: How Feminism and Theatre Inspire Social Re-imaginings” by Professor Jill Dolan. The lecture is presented in association with the Department of Dramatic Arts and the Centre for Women’s and Gender Studies.
For a complete list of participants and more information please see the Brock News Article, the Department of Dramatic Arts and the Marilyn I. Walker School of Fine and Performing Arts web pages.
Come join us! There is no charge to attend and engage in what will surely be a remarkable exchange of ideas and opinions in this “blossoming” cultural scene of Niagara (Professor Karen Fricker).
All events will be live-streamed at BrockVideoCentre’s DART channel [Click on the “live video” button on that page.]
The Department of Visual Arts & the Centre for Studies in Arts and Culture present:
In The Works
Donna Akrey, Scott Sawtell and Jessica Thompson
Faculty and Instructors from Brock University’s Department of Visual Arts and Centre for Studies in Arts and Culture speak about art, research and works-in-progress. All are welcome to attend and be part of the discussion.
When: March 2, 2013 – 3:00pm
Location: Niagara Artists Centre, 354 St. Paul St., St. Catharines
Cost: $0
Sponsor: the Department of Visual Arts and the Centre for Studies in Arts and Culture
Contact: Prof. Duncan MacDonald dmacdonald@brocku.ca
donna akrey, in the works, jessica thompson, scott sawtell
Categories: Events
By David Hare, freely adapted from Arthur Schnitzler’s La Ronde
Director: Virginia Reh
Scenographer: David Vivian
Lighting Design: Ken Garrett
Assistant Director: Jessi Robinson
February 14, 15 & 16, 2013: 7:30pm – 9:30pm
Matinee: February 15, 2013: 1pm – 3 pm
Directed by Professor Virginia Reh, The Blue Room is David Hare’s 1998 adaptation of Schnitzler’s Reigen (La Ronde), first produced in 1921. The plot is a “sexual daisychain”: the Girl couples with the Cab Driver, then the Cab Driver with the Au Pair, etc. Each time the new participant in one scene moves on to the next scene and so on, until in the final scene the Girl returns and encounters the Aristocrat. The play looks at casual sexual encounters as a (mostly) unsatisfactory substitute for human connection. This is a universal and timeless quest. The play is an important exploration with diverse current points-of-view: as each character has encounters with two different partners, the play explores the shifting status relationships (both social and personal). The relational dynamics of the play have interesting correspondences to explorations on social media.
Tickets: Adults $15.00, Students/Seniors $12.00, Groups $10.00, eyeGo $5.00 H.S.T. extra
Theme-oriented and moderated workshops will be available. DART 3F93: Social Issues Theatre for Community Development, taught by Professor Joe Norris, will employ Process Drama and Applied Theatre techniques to explore themes that underlie the Blue Room. Scenes will be created that delve into issue of identity, innocence, risks, thresholds, secrets, awkwardness, beliefs, mores, taboos, exploitation and power. With a participatory dimension cast and audience will enter into conversations to explore the issues further.
Please see DART’s page for more information.
Arthur Schnitzler, David Hare, La Ronde, plays, The Blue Room
Categories: Events
The Clockmaker by Stephen Massicotte
April 27 @ 8:00pm and April 28 @ 2:00pm
Sullivan Mahoney Courthouse Theatre 101 King Street, St Catharines
Tickets: $10 at the door
Festival pass: $25 through inthesoil.on.ca
Nathan Tanner MacDonald – Director
Geoffrey Heaney – Performer
Dylan Mawson – Performer
Michael Pearson – Performer
Caitlin Popek – Performer
Kate Hardy – Stage Manager
Finn Archinuk – Designer
Nathan Tanner Mac Donald – a resident of the St Catharines and recent graduate of the Department of Dramatic Arts – has brought together a company of DART students to present The Clockmaker by Stephen Massicotte. A metaphysical rollercoaster, The Clockmaker may seem like little more than a love story set inside a murder-mystery-to-be, but it just might end up exposing the very truth of existence itself. The show will be performed April 27 @ 8:00pm and April 28 @ 2:00pm at the Sullivan Mahoney Courthouse Theatre in downtown St Catharines.
Nathan recently performed in the 2011 STRUTT wearable art show and this past summer he wrote and directed Circus, which played at Factory Theatre in the 2011 Toronto Fringe Festival. Nathan’s company includes graduates and Geoffrey Heaney, Dylan Mawson, Michael Pearson, Caitlin Popek as Performers, current student Kate Hardy as Stage Manager and graduate Finn Archinuk as the Designer.
In the Soil Arts Festival brings Niagara artists from a range of disciplines together to provide unique audience experiences. The festival nurtures the creation of new work, showcases talent, encourages innovation, offers learning opportunities for youth and provides intimate and uncommon platforms for audiences to experience work by contemporary performing and literary artists, musicians and media artists. In the Soil is Niagara’s homegrown arts festival and is working to make a Niagara that is self-determining and culturally distinct.
for more information see the IN THE SOIL website.
Break-a-leg, Nathan, Caitlin, Dylan, Finn, Geoffrey, Kate and Michael!
Brock University
Media Release
St. Catharines, ON
March 1, 2012
Industrial Fabric2: Festival of the Arts
Marilyn I. Walker School of Fine and Performing Arts
March to April 2012
The second Festival of the Arts showcasing the remarkable talents of students enrolled in the Marilyn I. Walker School of Fine and Performing Arts will be held March to April 2012. Industrial Fabric2 signals that time of year when students who have been preparing individually and collectively will bring their in-class, independent or studio projects to fruition. In the spirit of openness and mutual generosity, we invite you to celebrate their achievements on stage, in studios and galleries, and at regional venues.
As part of the culminating activities that signal the end of the academic year Industrial Fabric2 offers a dynamic range of creative events open to the University and community at large from theatre to musical performances to art exhibitions. Enjoy original student-written and performed plays produced as part of the Department of Dramatic Arts’ Gimme 3 or One Acts Festival, and a production written and produced by fourth-year students called Shadows of a Toymaker; a rich selection of concerts from the Department of Music including its Tuesday Music@Noon series, Student Recitals, the ENCORE! Professional Concert Series, the VIVA VOCE! Choral Series, and the University Wind Ensemble; exhibitions from the students of the Department of Visual Arts reflecting their achievements in photography, drawing, book making, and intermedia as well as the annual juried show, and a fourth-year honours exhibition hosted by Rodman Hall Art Centre. This year we are honoured by the participation of Donna Szoke, Visiting Artist, whose video installation and all watched over by machines of loving grace will be installed at CRAM Gallery.
“Industrial Fabric2 represents the creative thread that binds students in common effort, to perfect and bring their creativity to audiences both large and small, on and off campus. It promises to deliver over the course of two months a rich plethora of collective and individual talent mentored under the guise of our tremendous faculty and staff. This continues to be a testimony to the strength of our academic programs – where else can one find such brilliant vitality and collaboration that manifests itself from year to year with such vision, energy and dedication?” states Derek Knight, Director of the Marilyn I. Walker School of Fine and Performing Arts.
The Marilyn I. Walker School of Fine and Performing Arts, part of the Faculty of Humanities at Brock University, is comprised of the Departments of Dramatic Arts (DART), Music (MUSI), and Visual Arts (VISA), and the Centre for Studies in Arts and Culture (cSTAC).
All are welcome. Click here for a calendar of events.
Always loved the musical RENT!? Brock Musical Theatre’s finest performers presented a fun-filled show that opened February 2nd for four performances only.
RENT showcased the performing and producing talents of students in the Department of Dramatic Arts and the entire University community. The show was directed by Jessi Robinson with musical direction by Krystyna MacKay and choreography by Sarah Waller. Music was performed by local band Xprime.
Brock Musical Theatre is a university club with 19 cast members, as well as numerous production and volunteer crew members from several academic programs. BMT has been presenting music theatre to the Brock University community since 2005, showcasing such popular shows as Jesus Christ Superstar, Footloose, and Urinetown. Brock Musical Theatre president Karyn Lorence thanks the Brock University Student Union for their support of this production and BMT.
BMT, Brock Musical Theatre, musical theatre, RENT
Categories: Current Students, Events, News
Students from the Department of Dramatic Arts along with their colleagues in the Departments of Music and Visual Arts entertained almost 350 guests and dignitaries in period costume at the General Brock’s October Soiree, held Saturday October 15, 2011. More than $110,000 was raised, fifty percent of which after costs will accrue to scholarships in support of students in the Marilyn I. Walker School of Fine and Performing Arts.
Douglas Kneale, Dean of the Faculty of Humanities, remarked “To judge from the comments of guests during the evening, it was universally acknowledged as the best Soiree yet, with a high degree of talent and professionalism in our re-enactors, emcee Derek Ewert, and all the singers and dancers.”
See the Cogeco TV news item which includes on-camera interviews with several Brock spokespeople.
General Brock Soiree, Soiree
Categories: Events
Image: Milutin Gubash, The Hotel Tito, 2010. Lambda color print (24″ x 50″). Image courtesy of the artist.
MILUTIN GUBASH
The Hotel Tito
September 16 – December 30, 2011
Opening Reception: September 15, 2011, 7 -9 pm
Curated by Shirley Madill
In collaboration with Musee d’art de Joliette
Special performance: Which Way to the Bastille?
Following the premier on September 15 the second of eight short performances by students of the Department of Dramatic Arts (DART) occurs September 23, 2011 after 12 noon. Tanisha Minson and Dylan Mawson, senior students in the DART program have collaborated with the artist and faculty of DART to create a brief interpretation of the text during the course of the exhibition. The performance will function as a dramatic evocation of the principal tenets of the artist’s and the curatorial program.
Performance are scheduled for:
Thursday, September 15, evening, at the opening reception.
Friday, September 23, 12 noon, last day of the artist’s residency
Thursday, September 29, 6:30 pm
Saturday, October 15, 2:30 pm
Thursday, October 27, 8 pm
Sunday, November 6, 2:30 pm
Friday, November 18, 11:30 am
Saturday, December 3, 2:30 pm
The exhibit in brief:
Milutin Gubash has pursued a multidisciplinary practice revolving around video, photography and performance since 2002. This ten-year survey of work by Milutin Gubash includes a residency project with the Department of Dramatic Arts and the Marilyn I. Walker School of Fine and Performing Arts at Brock University. Beginning with the work titled, Re-Enacting Tragedies While My Parents Look On, the exhibition includes various works that focus on daily-life occurrences with historical and philosophical narratives. Gubash is interested in exploring how individuals and ideas can overwrite commonly held perceptions of landscape, politics and expectations of representation.
www.milutingubash.com
—-
The exhibit in detail:
Milutin Gubash has pursued a multidisciplinary art practice revolving around video, photography and performance since 2002. He first made a name for himself in 2003 with the webcast project Re-Enacting Tragedies While My Parents Look On, in which he “re-created,” with his parents, various tragic news stories reported in the Calgary Herald. Gubash plays the part of the victim, dressed in a dark suit that now has become a signature for the artist.
By layering daily-life occurrences with historical and philosophical narratives, Gubash is interested in exploring how individuals and ideas can overwrite commonly held perceptions of landscape, politics and expectations of representation. His imagery portrays the same individuals (family and friends) living absurd situations or experiencing actual moments of psychological reflection. Together, the Gubash family and friends create a dreamscape of funny and sincere gestures while experimenting with their own relational identities. Gubash often insists on creating multiple contexts within which to engage his series of mini- narratives. By locating his own performative gestures at the scenes of such events, Gubash dares to heighten his personal psychological inquiry and that of his collaborators.
This exhibition includes a selection of works produced over the past ten years with emphasis on the recent interconnected projects: Which Way to the Bastille?, These Paintings, and Hotel Tito.
During a residency with the Department of Dramatic Arts, Brock University, Gubash worked with Associate Professor David Vivian, Associate Professor Dr. Natalie Alvarez, and a company of selected students to develop a “live animation” of Which Way to the Bastille? Situated as an ongoing and regular interpretation of the text during the course of the exhibition, the performance will function as a dramatic evocation of the principal tenets of the artist’s and the curatorial program. Associate Professor Catherine Parayre (Modern Languages, Literatures, and Cultures) of Brock University will lead an upper-level course in text and image based around this exhibition under the auspices of the Centre for Studies in Arts and Culture of the Marilyn I. Walker School of Fine and Performing Arts.
A version of this exhibition will also be seen at the Carleton University Art Gallery, Ottawa; Southern Alberta Art Gallery, Lethbridge; and the Musée d’art de Joliette, Quebec.
Milutin Gubash was born in Novi Sad (Serbia) and has been living in Montreal since 2005.
Shirley Madill
Exhibition Curator